|
Ninth Augmented Fifth Chord
An altered chord is a chord that replaces one or more notes from the diatonic scale with a neighboring pitch from the chromatic scale. By the broadest definition, any chord with a non-diatonic chord tone is an altered chord. The simplest example of altered chords is the use of borrowed chords, chords borrowed from the parallel key, and the most common is the use of secondary dominants. As Alfred Blatter explains, "An altered chord occurs when one of the standard, functional chords is given another quality by the modification of one or more components of the chord." For example, altered notes may be used as leading tones to emphasize their diatonic neighbors. Contrast this with chord extensions: In jazz harmony, chromatic alteration is either the addition of notes not in the scale or expansion of a hordprogression by adding extra non-diatonic chords.Arkin, Eddie (2004). ''Creative Chord Substitution for Jazz Guitar'', p. 42. . For example, "A C major scale with an added D no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chord (music)
In Western music theory, a chord is a group of notes played together for their harmony, harmonic Consonance and dissonance, consonance or dissonance. The most basic type of chord is a Triad (music), triad, so called because it consists of three distinct notes: the Root (chord), root note along with Interval (music), intervals of a Third (chord), third and a Fifth (chord), fifth above the root note. Chords with more than three notes include added tone chords, extended chords and tone clusters, which are used in contemporary classical music, jazz, and other genres. Chords are the building blocks of harmony and form the harmonic foundation of a piece of music. They provide the harmonic support and coloration that accompany melodies and contribute to the overall sound and mood of a musical composition. The factor (chord), factors, or component notes, of a chord are often sounded simultaneously but can instead be sounded consecutively, as in an arpeggio. A succession of chords is ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Picardy Third
A Picardy third, (; ) also known as a Picardy cadence or Tierce de Picardie, is a major chord of the tonic (music), tonic at the end of a musical Musical form, section that is either musical mode, modal or in a minor scale, minor key. This is achieved by raising the third (chord), third of the expected Minor chord, minor triad by a semitone to create a Major chord, major triad, as a form of resolution (music), resolution. For example, instead of a cadence (music), cadence ending on an A minor chord (music), chord containing the notes A, C, and E, a Picardy third ending would consist of an A major chord containing the notes A, C, and E. The minor third between the A and C of the A minor chord has become a major third in the Picardy third chord. Philosopher Peter Kivy writes: According to Deryck Cooke, "Western composers, expressing the 'rightness' of happiness by means of a major third, expressed the 'wrongness' of grief by means of the minor third, and for centuries, pieces in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Aldwell
Edward Aldwell (January 30, 1938 – May 28, 2006) was an American pianist, music theorist and pedagogue. He was particularly renowned for his Bach interpretations, and he recorded several albums, most notably the complete Well-Tempered Clavier of Bach for Nonesuch, and Bach's French Suites for Hanssler Classics. He taught at The Curtis Institute of Music in Philadelphia and at the Mannes College of Music in New York City New York, often called New York City (NYC), is the most populous city in the United States, located at the southern tip of New York State on one of the world's largest natural harbors. The city comprises five boroughs, each coextensive w .... As a theorist, he was an expert in Schenkerian analysis, and he was the co-author (with Carl Schachter) of one of the standard theory textbooks used throughout the United States, ''Harmony and Voice Leading'' (first published in 1979). While driving an all-terrain vehicle, on May 7, 2006, near his country h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphonic Variations (Franck)
The ''Symphonic Variations'' (''Variations symphoniques''), M. 46, is a work for piano and orchestra written in 1885 by César Franck. It has been described as "one of Franck's tightest and most finished works", "a superb blending of piano and orchestra", and "a flawless work and as near perfection as a human composer can hope to get in a work of this nature". It is a fine example of Franck's use of cyclic unity, with one theme growing into various others. The piano and orchestra share equally in the development of ideas. The work is in F minor (with the last movement in F major). Duration in performance is about fifteen minutes, and the instrumentation is piano solo and orchestra: pairs of flutes, oboes, clarinets, and bassoons; four horns; two trumpets; timpani; and strings. History The work was dedicated to Louis Diémer, who on 15 March 1885 had premiered '' Les Djinns'', a symphonic poem for piano and orchestra that brought Franck one of his rare critical successes. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
