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Negative Space
In art and design, negative space or negative volume is the empty space around and between the subject(s) of an image. In graphic design this is known as white space. Negative space may be most evident when the space around a subject, not the subject itself, forms an interesting or artistically relevant shape, and such space occasionally is used to artistic effect as the "real" subject of an image. Overview The use of negative space is a key element of artistic composition. The Japanese word " ma" is sometimes used for this concept, for example in garden design. In a composition, the positive space has the more visual weight while the surrounding space - that is less visually important is seen as the negative space. In a two-tone, black-and-white image, a subject is normally depicted in black and the space around it is left blank (white), thereby forming a silhouette of the subject. Reversing the tones so that the space around the subject is printed black and the subject it ...
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Ma (negative Space)
is a Japanese concept of negative space, and a Japanese reading of the Sino-Japanese character . ''Ma'' in Japanese culture In modern interpretations of traditional Japanese arts and culture, is an artistic interpretation of an empty space, often holding as much importance as the rest of an artwork and focusing the viewer on the intention of negative space in an art piece. The concept of space as a positive entity is opposed to the absence of such a principle in a correlated "Japanese" notion of space. Though commonly used to refer to literal, visible negative space, may also refer to the perception of a space, gap or interval, without necessarily requiring a physical compositional element. This results in the concept of being less reliant on the existence of a gap, and more closely related to the perception of a gap. The existence of in an artwork has been interpreted as "an emptiness full of possibilities, like a promise yet to be fulfilled", and has been described ...
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Face Or Vase Ata 01
The face is the front of the head that features the eyes, nose and mouth, and through which animals express many of their emotions. The face is crucial for human identity, and damage such as scarring or developmental deformities may affect the psyche adversely. Structure The front of the human head is called the face. It includes several distinct areas, of which the main features are: *The forehead, comprising the skin beneath the hairline, bordered laterally by the temples and inferiorly by eyebrows and ears *The eyes, sitting in the orbit and protected by eyelids and eyelashes * The distinctive human nose shape, nostrils, and nasal septum *The cheeks, covering the maxilla and mandible (or jaw), the extremity of which is the chin *The mouth, with the upper lip divided by the philtrum, sometimes revealing the teeth Facial appearance is vital for human recognition and communication. Facial muscles in humans allow expression of emotions. The face is itself a highly sensitiv ...
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Photography
Photography is the visual arts, art, application, and practice of creating images by recording light, either electronically by means of an image sensor, or chemically by means of a light-sensitive material such as photographic film. It is employed in many fields of science, manufacturing (e.g., photolithography), and business, as well as its more direct uses for art, film and video production, recreational purposes, hobby, and mass communication. A person who operates a camera to capture or take Photograph, photographs is called a photographer, while the captured image, also known as a photograph, is the result produced by the camera. Typically, a lens is used to focus (optics), focus the light reflected or emitted from objects into a real image on the light-sensitive surface inside a camera during a timed Exposure (photography), exposure. With an electronic image sensor, this produces an Charge-coupled device, electrical charge at each pixel, which is Image processing, electro ...
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Artistic Techniques
Art is a diverse range of culture, cultural activity centered around works of art, ''works'' utilizing Creativity, creative or imagination, imaginative talents, which are expected to evoke a worthwhile experience, generally through an expression of emotional power, conceptual ideas, technical proficiency, or beauty. There is no generally agreed definition of what constitutes ''art'', and its interpretation has varied greatly throughout history and across cultures. In the Western world, Western tradition, the three classical branches of visual art are painting, sculpture, and architecture. Theatre, dance, and other performing arts, as well as literature, music, film and other media such as interactive media, are included in a broader definition of "the arts". Until the 17th century, ''art'' referred to any skill or mastery and was not differentiated from crafts or sciences. In modern usage after the 17th century, where aesthetic considerations are paramount, the fine arts are s ...
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Reversing Type
Reversing type (also reversing, knocking-out, reversed type) is a method of typographic printing with black or colored inks, in which the entire surface is printed, except for text elements. Reversing is one of the special cases of printing on a color solid, when the color of the solid is black or colored, and the color of the letters is white. This means that the colors of letter background and letters change places. As such, reversing is a meaningfulful way to add emphasis and contrast to the page as well as to develop a visible typographic hierarchy. Use in printing Reversing greatly affects a text's readability, so it is most often used for printing headings and for highlighting small fragments of text, preferably with bold emphasis. Quite often it is used as a design technique in advertising. Outside the printing industry In the computer industry, the inverted text usually displays a selected block of text, the current menu item. Many older people have a slight, comfortable ...
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Figure–ground (perception)
Figure–ground organization is a type of perceptual grouping that is a vital necessity for recognizing objects through vision. In Gestalt psychology it is known as identifying a ''figure'' from the back''ground''. For example, black words on a printed paper are seen as the "figure", and the white sheet as the "background". Gestalt psychology The Gestalt theory was founded in the 20th century in Austria and Germany as a reaction against the associationist and structural schools' atomistic orientation. In 1912, the Gestalt school was formed by Max Wertheimer, Wolfgang Köhler, and Kurt Koffka. The word "gestalt" is a German word translated to English as "pattern" or "configuration." Gestalt concepts can also be referred to as "holism." Gestalt Psychologists were attempting to humanize what was considered a sterile approach. Gestalt psychology establishes that the whole of anything is greater than its parts. The concepts explored by Wertheimer, Köhler, and Koffka in the ...
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Composition (visual Arts)
The term composition means "putting together". It can be thought of as the organization of art. Composition can apply to any work of art, from music through writing and into photography, that is arranged using conscious thought. In the visual arts, composition is often used interchangeably with various terms such as ''design, form, visual ordering,'' or ''formal structure,'' depending on the context. In graphic design for press and desktop publishing, composition is commonly referred to as page layout. The composition of a picture is different from its subject (what is depicted), whether a moment from a story, a person or a place. Many subjects, for example Saint George and the Dragon, are often portrayed in art, but using a great range of compositions even though the two figures are typically the only ones shown. Elements of design The central visual element, known as ''element of design'', ''formal element'', or ''element of art,'' constitute the vocabulary with which the vi ...
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Symmetry
Symmetry () in everyday life refers to a sense of harmonious and beautiful proportion and balance. In mathematics, the term has a more precise definition and is usually used to refer to an object that is Invariant (mathematics), invariant under some Transformation (function), transformations, such as Translation (geometry), translation, Reflection (mathematics), reflection, Rotation (mathematics), rotation, or Scaling (geometry), scaling. Although these two meanings of the word can sometimes be told apart, they are intricately related, and hence are discussed together in this article. Mathematical symmetry may be observed with respect to the passage of time; as a space, spatial relationship; through geometric transformations; through other kinds of functional transformations; and as an aspect of abstract objects, including scientific model, theoretic models, language, and music. This article describes symmetry from three perspectives: in mathematics, including geometry, the m ...
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Tessellation
A tessellation or tiling is the covering of a surface, often a plane, using one or more geometric shapes, called ''tiles'', with no overlaps and no gaps. In mathematics, tessellation can be generalized to higher dimensions and a variety of geometries. A periodic tiling has a repeating pattern. Some special kinds include '' regular tilings'' with regular polygonal tiles all of the same shape, and '' semiregular tilings'' with regular tiles of more than one shape and with every corner identically arranged. The patterns formed by periodic tilings can be categorized into 17 wallpaper groups. A tiling that lacks a repeating pattern is called "non-periodic". An '' aperiodic tiling'' uses a small set of tile shapes that cannot form a repeating pattern (an aperiodic set of prototiles). A '' tessellation of space'', also known as a space filling or honeycomb, can be defined in the geometry of higher dimensions. A real physical tessellation is a tiling made of materials such as ...
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Ambigram
An ambigram is a calligraphic composition of glyphs (letters, numbers, symbols or other shapes) that can yield different meanings depending on the orientation of observation. Most ambigrams are visual palindromes that rely on some kind of symmetry, and they can often be interpreted as visual puns. The term was coined by Douglas Hofstadter in 1983–1984. Most often, ambigrams appear as visually symmetrical words. When flipped, they remain unchanged, or they mutate to reveal another meaning. "Half-turn" ambigrams undergo a point reflection (180-degree rotational symmetry) and can be read upside down (for example, the word "swims"), while mirror ambigrams have axial symmetry and can be read through a reflective surface like a mirror. Many other types of ambigrams exist. Ambigrams can be constructed in various languages and alphabets, and the notion often extends to numbers and other symbols. It is a recent interdisciplinary concept, combining art, literature, mathematics, cogni ...
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Figure–ground (perception)
Figure–ground organization is a type of perceptual grouping that is a vital necessity for recognizing objects through vision. In Gestalt psychology it is known as identifying a ''figure'' from the back''ground''. For example, black words on a printed paper are seen as the "figure", and the white sheet as the "background". Gestalt psychology The Gestalt theory was founded in the 20th century in Austria and Germany as a reaction against the associationist and structural schools' atomistic orientation. In 1912, the Gestalt school was formed by Max Wertheimer, Wolfgang Köhler, and Kurt Koffka. The word "gestalt" is a German word translated to English as "pattern" or "configuration." Gestalt concepts can also be referred to as "holism." Gestalt Psychologists were attempting to humanize what was considered a sterile approach. Gestalt psychology establishes that the whole of anything is greater than its parts. The concepts explored by Wertheimer, Köhler, and Koffka in the ...
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Focal Plane
In Gaussian optics, the cardinal points consist of three pairs of points located on the optical axis of a rotationally symmetric, focal, optical system. These are the '' focal points'', the principal points, and the nodal points; there are two of each. For ''ideal'' systems, the basic imaging properties such as image size, location, and orientation are completely determined by the locations of the cardinal points. For simple cases where the medium on both sides of an optical system is air or vacuum four cardinal points are sufficient: the two focal points and either the principal points or the nodal points. The only ideal system that has been achieved in practice is a plane mirror, however the cardinal points are widely used to the behavior of real optical systems. Cardinal points provide a way to analytically simplify an optical system with many components, allowing the imaging characteristics of the system to be approximately determined with simple calculations. Explanation ...
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