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Mukhammas
Mukhammas (Arabic مخمس 'fivefold') refers to a type of Persian or Urdu cinquain or pentastich with Sufi connections based on a pentameter. And have five lines in each paragraph. It is one of the more popular verse forms in Tajik Badakhshan, occurring both in madoh and in other performance-genres. Details of the form The ''mukhammas'' represents a stanza of two distichs and a hemistich in monorhyme, the fifth line being the "bob" or burden: each succeeding stanza affects a new rhyme, except in the fifth line, e.g., a rhyme scheme of AAAAB CCCCB DDDDB and so forth. Every stanza of a ''mukhammas'' includes five lines. *In the first stanza, all five lines rhyme. *In the later stanzas, the first four lines rhyme, but the fifth line breaks the rhyme. It can be repeated, or else its rhyme can be that of the first stanza. Themes A recurrent theme of the ''mukhammas'' is praise of Imam Ali and his companions but other themes also occur. Poets Many Urdu poets have contributed to t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zauq
Sheikh Muhammad Ibrahim Zauq (1790–1854) was an Urdu poet and scholar of literature, poetry and religion. He wrote poetry under the pen name "Zauq", and was appointed poet laureate of the Mughal Court in Delhi just at the age of 19. Later he was given the title of ''Khaqani-e-Hind'' (The Khaqani of India) by the last Mughal emperor and his disciple Bahadur Shah Zafar. He was a poor youth, with only ordinary education, who went on to acquire learning in history, theology and poetics in his later years. Zauq was a prominent contemporary of Ghalib and in the history of Urdu poetry the rivalry of the two poets is quite well known. During his lifetime Zauq was more popular than Ghalib for the critical values in those days were mainly confined to judging a piece of poetry on the basis of usage of words, phrases and idioms. Content and style were not much taken into account while appreciating poetry. Early life Zauq was born at Delhi in 1790. His father, Sheikh Muhammad Ramzan was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wali Mohammed Wali
Wali Muhammad Wali (1667–1707), also known as Wali Dakhani, Wali Gujarati, and Wali Aurangabadi, was a classical Urdu poet from India. He is considered by many scholars to be the father of Urdu poetry, being the first established poet to have composed ghazals in the Urdu language and compiled a divan (a collection of ghazals where the entire alphabet is used at least once as the last letter to define the rhyme pattern). Before Wali, Indian Ghazals were composed in Persian, almost being replicated in thought and style from the original Persian masters like Saa'di, Jami and Khaqani. Wali began, using not only an Indian language, but Indian themes, idioms and imagery in his ghazals. It is said that his visit to Delhi in 1700, along with his divan of Urdu ghazals created a ripple in the literary circles of the north, inspiring them to produce stalwarts like Zauq, Sauda and Mir. Early life Born in 1667 at Aurangabad, an important city in the present Maharashtra State which w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sipandi Samarkandi
Mulla Abdulkarim Sipandi Samarqandi (1829–1909) was a Tajik bilingual poet. He lived in Samarkand, in current-day Uzbekistan. His work consists of ''ghazal'', ''qit'a'', ''mukhammas'', and '' ruba'i'', which were written in the Tajik language Tajik (Tajik: , , ), also called Tajiki Persian (Tajik: , , ) or Tajiki, is the variety of Persian spoken in Tajikistan and Uzbekistan by Tajiks. It is closely related to neighbouring Dari with which it forms a continuum of mutually intelli .... Samarkandi also wrote ''Hajvi kali Ibrahim''. Example of Sipandi's poetry Ghazal of Sipand in Tajik language: :Шаб ки он дилбар маро бо хештан дамсоз кард, :Чашми шухи у ба андози ниёзам ноз кард. :Богбони хусн сарви комати нози туро :Дар миёни навнихолони чаман мумтоз кард. :Дар харими базми васлат рухсати наззора нест, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabic Language
Arabic (, ' ; , ' or ) is a Semitic languages, Semitic language spoken primarily across the Arab world.Semitic languages: an international handbook / edited by Stefan Weninger; in collaboration with Geoffrey Khan, Michael P. Streck, Janet C. E.Watson; Walter de Gruyter GmbH & Co. KG, Berlin/Boston, 2011. Having emerged in the 1st century, it is named after the Arabs, Arab people; the term "Arab" was initially used to describe those living in the Arabian Peninsula, as perceived by geographers from ancient Greece. Since the 7th century, Arabic has been characterized by diglossia, with an opposition between a standard Prestige (sociolinguistics), prestige language—i.e., Literary Arabic: Modern Standard Arabic (MSA) or Classical Arabic—and diverse vernacular varieties, which serve as First language, mother tongues. Colloquial dialects vary significantly from MSA, impeding mutual intelligibility. MSA is only acquired through formal education and is not spoken natively. It is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bahadur Shah Zafar
Bahadur Shah II, usually referred to by his poetic title Bahadur Shah ''Zafar'' (; ''Zafar'' Victory) was born Mirza Abu Zafar Siraj-ud-din Muhammad (24 October 1775 – 7 November 1862) and was the twentieth and last Mughal Emperor as well as an Urdu poet. He was the second son and the successor to his father, Akbar II, who died on 28 September 1837. He was a titular Emperor, as the Mughal Empire existed in name only and his authority was limited only to the walled city of Old Delhi ( Shahjahanbad). Following his involvement in the Indian Mutiny of 1857, the British exiled him to Rangoon in British-controlled Burma in 1858, after convicting him on several charges. Bahadur Shah Zafar's father, Akbar II, had been imprisoned by the British and he was not his father's preferred choice as his successor. One of Akbar Shah's queens pressured him to declare her son, Mirza Jahangir, as his successor. However, The East India Company exiled Jahangir after he attacked their resident ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rekhta
''Rekhta'' ( ur, ; hi, रेख़्ता ) was the Hindustani language as its dialectal basis shifted to the Delhi dialect. This style evolved in both the Perso-Arabic and Devanagari scripts and is considered an early form of Urdu and Hindi. The 13th century Sufi Muslim poet Amir Khusraw used the term " Hindavi" (meaning "of Hind or India") for the 'Rekhta' dialect (the ancestor of Modern Urdu), the Persianized offshoot of the Apabharamsa vernacular Old Hindi, towards it's emergence during the era of Delhi Sultanate, and gave shape to it in a handful Islamic literature, thus called "the father of Urdu literature". Other early Sufi poets includes Baba Farid. later from the 18th century, the dialect was became the literary language and was further developed by the poets Mir and Ghalib in the late Mughal period, and the term eventually fallen out and came to be known as "Urdu", by the end of the century. Origin and usage ''Rekhtā'' (from Persian verb ) means "s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masnavi (poetic Form)
Mathnawi ( ar, مثنوي ''mathnawī'') or masnavi ( fa, مثنوی) is a kind of poem written in rhyming couplets, or more specifically "a poem based on independent, internally rhyming lines". Most mathnawī poems follow a meter of eleven, or occasionally ten, syllables, but had no limit in their length. Typical mathnawi poems consist of an indefinite number of couplets, with the rhyme scheme aa/bb/cc. Mathnawī poems have been written in Persian, Arabic, Turkish, Kurdish and Urdu cultures. Certain Persian mat̲h̲nawī poems, such as Rumi’s '' Masnavi-e Ma’navi'', have had a special religious significance in Sufism. Arabic mat̲h̲nawī Arabic mathnawi poetry, also known as ''muzdawidj'' ( ar, مزدوج, literally "doubled," referring to the internal rhyme scheme of the lines), emerged and was popularized during the Abbasid era. Unlike the older poetic styles in Arabic, mathnawi verses are not monorhymes. Instead, they include an internal rhyme scheme within each b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marsia
A marsiya ( fa, مرثیه) is an elegiac poem written to commemorate the martyrdom and valour of Hussain ibn Ali and his comrades of the Karbala. Marsiyas are essentially religious. Background The word ''Marsiya'' is derived from the Arabic word ''marthiyya'' ( root R-TH-Y), meaning a great tragedy or lamentation for a departed soul. Marsiya is a poem written to commemorate the martyrdom of Ahl al-Bayt, Imam Hussain and Battle of Karbala. It is usually a poem of mourning. Marsiyas in Urdu first appeared in the sixteenth century in the Deccan kingdoms of India. They were written either in the two-line unit form, ''qasida'', or the four-line unit form, ''murabba''. Over time, the ''musaddas'' became the most suitable form for a marsiya. In this form, the first four lines of each stanza referred to as the ''band'' have one rhyme scheme while the remaining two line referred to as the ''tip'' have another. This form found a specially congenial soil in Lucknow, an important Shia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doha (poetry)
Doha (Urdu: , Hindi: दोहा) is a form of self-contained rhyming couplet in poetry composed in Mātrika metre. This genre of poetry first became common in Apabhraṃśa and was commonly used in Hindustani language poetry.{{Cite web, url=http://dsalsrv02.uchicago.edu/cgi-bin/philologic/getobject.pl?c.4:1:1216.platts, title = Digital South Asia Library Among the most famous dohas are those of Sarahpa, Kabir, Mirabai, Rahim, Tulsidas, Surdas A doha is a couplet consisting of two lines, each of 24 instants (Matras). The rules for distinguishing light and heavy syllables is slightly different from Sanskrit. Each line has 13 instants in first part and 11 instants in the second. The first and third quarters of doha have 13 instants which must parse as 6-4-3. Many Hindi poets have created several books which explain whole stories and epics in the form of dohas. The most popular is Tulsidas' ''Ramcharitmanas'', a popular rendition of the Sanskrit epic ''Ramayana''. Examples ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musaddas
Musaddas () is a genre of Urdu poetry in which each unit consists of 6 lines- sestain- (''misra''). Famous early writers employing this form are Mir Anis and Dabeer. Maulana Altaf Husain Hali and Waheed Akhtar are other well-known poets to find expression in this form of poetry. Particularly iconic is Hali's Madd-o-Jazr-e-Islam as an exemplary of this form. Columbia University. Retrieved 2015-08-19. See also *Mukhammas Mukhammas (Arabic مخمس 'fivefold') refers to a type of Persian or Urdu cinquain or pentastich with Sufi connections based on a pentameter. And have five lines in each paragraph.
It is one of the more ...
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