|
Mrudangam
The ''mridangam'' is an ancient percussion instrument originating from the Indian subcontinent. It is the primary rhythmic accompaniment in a Carnatic music ensemble. In Dhrupad, a modified version, the pakhawaj, is the primary percussion instrument. A related instrument is the Kendang, played in Maritime Southeast Asia. Its a complex instrument to tune and involves a lot of mathematics to construct korvais. During a percussion ensemble, the mridangam is often accompanied by the ghatam, the kanjira, and the morsing. Etymology The word "Mridangam" is formulated by the union (sandhi) of the two Sanskrit words ''mŗd'' (clay or earth) and ''anga'' (limb), as the earliest versions of the instrument were made of hardened clay. An Article in the Journal of the Madras Music Academy (Vol. XXIV P:135- 136) Dr V Raghavan opines that the Mridangam gets its name by applying the black paste which produces the specialised tone for the instrument. Eventhough the original version of Mrit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palghat Mani Iyer
Palghat T. S. Mani Iyer (1912–1981), born Thiruvilvamala Ramaswamy was one of the leading mridangists in the field of Carnatic music. He, along with his contemporaries Palani Subramaniam Pillai and Ramanathapuram C. S. Murugabhoopathy, are revered as the "Holy Trinity of Mrudangam". Mani Iyer was the first mridangist to be awarded the Sangeetha Kalanidhi (1966) presented by the Music Academy of Madras, the Padma Bhushan (1971) and the Sangeet Natak Akademi Awards(1956) presented by the Government of India. Early life and background He was born in a Palakkad Tamil brahmin family on 12 June 1912 at Pazhayanur, then in Tiruvilvamala Taluk, in Palghat District, Kerala (now located in Thrissur District) to Sesham Bhagavatar and Aanandaambaal as their second son. Mani was named Ramaswami at birth— after his grandfather who was a school teacher besides being a good singer. Mani Iyer learnt his music from his parents in his native Pazhayyanur. His maiden public performance wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Umayalpuram Kasiviswanatha Sivaraman
Umayalpuram Kasiviswanatha Sivaraman (born 17 December 1935) is an Indian musician and exponent of the Carnatic percussion instrument, the mridangam. He is a recipient of the Padma Vibhushan as well as the Sangeet Natak Akademi Award. Early life Umayalpuram Sivaraman was born to P. Kasiviswanatha Iyer, a doctor, and his wife, Kamalambal. He was one of 5 children and his mother died of smallpox at a young age. He learned the art of the Carnatic mridangam from four gurus over fifteen years: Arupathi Natesa Iyer, Tanjore Vaidyanatha Iyer, Palghat Mani Iyer and Kumbakonam Rangu Iyengar. He also graduated from the University of Madras with a B.A. & B.L. Recognitions He was conferred with “Sangeetha Kalanidhi” by Madras Music Academy in 2001. He was conferred the award ‘Padmashri’ by the Government of India in 1988. He received Sangeet Natak Akademi award for mrudangam for the year 1992. He was conferred Kalaimamani, awarded by the Iyal Isai Nataka Mandram of Tamilna ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mardala
Mardala (, ) is a classical percussive instrument native to the east Indian state of Odisha, traditionally used as the primary accompaniment in Odissi classical music. The instrument is slightly different from other instruments (like Madal, Mridangam, etc.) that might have similar names in the Indian subcontinent due to its unique construction, acoustic features and traditional playing technique. The Mardala is used in a wide range of traditional art forms of Odisha, including Gotipua, Mahari, Odissi dance, Bhagabata Tungi, Sakhi Nata, Prahallada Nataka, Ramalila, Krusnalila, Rama Nataka, Sahi Jata, Medha Nacha, Bharata Lila, Bhutakeli Nata, Odisi Kirtana and more. History Odishan musicologists in ancient treatises have mentioned four distinct kinds of instruments or ''vadyas'' : ''tat'' or stringed instruments, ''susira'' or wind instruments, ''anaddha'' or leather instruments / drums & finally ''ghana'' or metallic instruments. Out of these four, the Mardala falls under ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percussion Instrument
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a percussion mallet, beater including attached or enclosed beaters or Rattle (percussion beater), rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding Zoomusicology, zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of idiophone, membranophone, aerophone and String instrument, chordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ganesha
Ganesha or Ganesh (, , ), also known as Ganapati, Vinayaka and Pillaiyar, is one of the best-known and most worshipped Deva (Hinduism), deities in the Hindu deities, Hindu pantheon and is the Supreme God in the Ganapatya sect. His depictions are found throughout India. Hindu denominations worship him regardless of affiliations. Devotion to Ganesha is widely diffused and extends Ganesha in world religions, to Jains and Buddhists and beyond India. Although Ganesha has many attributes, he is readily identified by his Asiatic Elephant, elephant head and four arms. He is widely revered, more specifically, as the remover of obstacles and bringer of good luck; the patron of The arts, arts and Science, sciences; and the Deva (Hinduism), deva of intellect and wisdom. As the god of beginnings, he is honoured at the start of rites and ceremonies. Ganesha is also invoked during writing sessions as a patron of letters and learning., Vigna means obstacles Nasha means destroy. These ideas ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hinduism
Hinduism () is an Hypernymy and hyponymy, umbrella term for a range of Indian religions, Indian List of religions and spiritual traditions#Indian religions, religious and spiritual traditions (Sampradaya, ''sampradaya''s) that are unified by adherence to the concept of ''dharma'', a Ṛta, cosmic order maintained by its followers through rituals and righteous living, as expounded in the Vedas. The word ''Hindu'' is an exonym, and while Hinduism has been called the oldest religion in the world, it has also been described by the modern term ''Sanātana Dharma'' () emphasizing its eternal nature. ''Vaidika Dharma'' () and ''Arya dharma'' are historical endonyms for Hinduism. Hinduism entails diverse systems of thought, marked by a range of shared Glossary of Hinduism terms, concepts that discuss God in Hinduism, theology, Hindu mythology, mythology, among other topics in Hindu texts, textual sources. Hindu texts have been classified into Śruti () and Smṛti (). The major Hin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khol
The ''khol'' is a terracotta two-sided drum used in northern and eastern India for accompaniment with devotional music ('' bhakti''). It is also known as a ''mridanga'' (< + , ), not to be confused with ''''. It originates from the Indian states of , , and |
Sanskrit
Sanskrit (; stem form ; nominal singular , ,) is a classical language belonging to the Indo-Aryan languages, Indo-Aryan branch of the Indo-European languages. It arose in northwest South Asia after its predecessor languages had Trans-cultural diffusion, diffused there from the northwest in the late Bronze Age#South Asia, Bronze Age. Sanskrit is the sacred language of Hinduism, the language of classical Hindu philosophy, and of historical texts of Buddhism and Jainism. It was a lingua franca, link language in ancient and medieval South Asia, and upon transmission of Hindu and Buddhist culture to Southeast Asia, East Asia and Central Asia in the early medieval era, it became a language of religion and high culture, and of the political elites in some of these regions. As a result, Sanskrit had a lasting effect on the languages of South Asia, Southeast Asia and East Asia, especially in their formal and learned vocabularies. Sanskrit generally connotes several Indo-Aryan languages# ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sandhi
Sandhi ( ; , ) is any of a wide variety of sound changes that occur at morpheme or word boundaries. Examples include fusion of sounds across word boundaries and the alteration of one sound depending on nearby sounds or the grammatical function of the adjacent words. Sandhi belongs to morphophonology. Sandhi occurs in many languages, e.g. in the phonology of Indian languages (especially Sanskrit, Tamil, Sinhala, Telugu, Marathi, Hindi, Pali, Kannada, Bengali, Assamese and Malayalam). Many dialects of British English show linking and intrusive R. A subset of sandhi called tone sandhi more specifically refers to tone changes between words and syllables. This is a common feature of many tonal languages such as Burmese and Chinese. Types Internal and external sandhi Sandhi can be either: * internal, at morpheme boundaries within words, such as ''syn- + pathy'': ''sympathy'', or * external, at word boundaries, such as the pronunciation "''tem books''" for ''ten books' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Morsing
The morsing (also mukharshanku, mourching, morching or morchang; Sanskrit: दंत वाद्यन्तरात्मसत्रस्य, Telugu: మోర్సింగ్, Kannada: ಮೋರ್ಸಿಂಗ್, Rajasthani: मोरचंग, Tamil: நாமுழவு அல்லது முகச்சங்கு, Malayalam: മുഖർശംഖ്, English: "jaw harp") is an instrument similar to the Jew's harp, mainly used in Rajasthan, in the Carnatic music of South India, and in Sindh, Pakistan. It can be categorized under lamellophones, which is a sub-category of plucked idiophones. The instrument consists of a metal ring in the shape of a horseshoe with two parallel forks which form the frame, and a metal tongue in the middle, between the forks, fixed to the ring at one end and free to vibrate at the other. The metal tongue, also called the trigger, is bent at the free end in a plane perpendicular to the circular ring so that it can be struck and made t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kanjira
The kanjira, khanjira, khanjiri or ganjira, a South Indian frame drum, is an instrument of the tambourine family. As a folk and bhajan instrument, it has been used in the Indian subcontinent for many centuries. The Kanjira's emergence in South Indian Carnatic music, as well as the development of the modern form of the instrument, is credited to Manpoondia Pillai. In the 1880s, Manpoondia Pillai was a temple lantern-bearer who sought to study drumming. He modified the kanjira to a frame drum with a single pair of jingles and brought the instrument to a classical stage. It is used primarily in concerts of Carnatic music (South Indian classical music) as a supporting instrument for the ''mridangam''. Construction Similar to the Western tambourine, it consists of a circular frame made of the wood of the jackfruit tree, between 7 and 9 inches in width and 2 to 4 inches in depth. It is covered on one side with a drumhead made of monitor lizard skin (specifically the Bengal monitor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghatam
The ''ghaṭam'' (Sanskrit: घटm ''ghaṭ''; Kannada: ಘಟ ''ghaṭa''; Tamil: கடம் ''ghatam''; Telugu: ఘటం ''ghataṃ''; Malayalam: ഘടം ''ghataṃ'') is a percussion instrument used in various repertoires across the Indian subcontinent, especially in Southern India . Its variant is played in Punjab Punjab (; ; also romanised as Panjāb or Panj-Āb) is a geopolitical, cultural, and historical region in South Asia. It is located in the northwestern part of the Indian subcontinent, comprising areas of modern-day eastern Pakistan and no ... and known as '' gharha'' as it is a part of Punjabi folk traditions. Its analogue in Rajasthan is known as the ''madga'' and ''pani mataqa'' ("water jug"). The ghatam is one of the most ancient percussion instruments in Pakistan and India. It is a clay pot with a narrow mouth. From the mouth, it slants outwards to form a ridge. Made mainly of clay baked with brass or copper filings with a small amount of ir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
