Milonga (music)
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Milonga (music)
Milonga is a musical genre that originated in the Río de la Plata areas of Argentina, Uruguay, and the Brazilian state of Rio Grande do Sul. It is considered a precursor of the tango. "Milonga is an excited habanera." The original habanera divided into four pulses, in a standard two-four where every note was stressed. In becoming milonga, though, all four notes turned strong, as tempo was doubled. The strength of the first beat weakened the fourth giving an almost waltz-like feel to milonga: one-two-three (four), one-two-three (four). Habanera is a slower, more explicit sounding ''one'', two, ''three''-four. At least one modern tango pianist believes the polka influenced the speeding up of the milonga. According to milonga composer and one of the most famous '' payadores'' of his time, Gabino Ezeiza, the milonga derives from various African rhythms such as candombe, and Argentine milonga was particularly popular among Afro-Argentines in Buenos Aires at the turn of the 20th cen ...
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Buenos Aires
Buenos Aires, controlled by the government of the Autonomous City of Buenos Aires, is the Capital city, capital and largest city of Argentina. It is located on the southwest of the Río de la Plata. Buenos Aires is classified as an Alpha− global city, according to the Globalization and World Cities Research Network, GaWC 2024 ranking. The city proper has a population of 3.1 million and its urban area 16.7 million, making it the List of metropolitan areas, twentieth largest metropolitan area in the world. It is known for its preserved eclecticism, eclectic European #Architecture, architecture and rich culture, cultural life. It is a multiculturalism, multicultural city that is home to multiple ethnic and religious groups, contributing to its culture as well as to the dialect spoken in the city and in some other parts of the country. This is because since the 19th century, the city, and the country in general, has been a major recipient of millions of Immigration to Argentina, im ...
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Afro-Argentine
Afro-Argentines (), also known as Black Argentines (), are Argentines who have predominantly or total Sub-Saharan African ancestry. The Afro-Argentine population is the result of people being brought over during the Atlantic slave trade, transatlantic slave trade during the centuries of Spanish domination in the region and immigration. During the 18th and 19th centuries they accounted for up to fifty percent of the population in certain cities, and had a deep impact on Culture of Argentina, Argentine culture. Some old theories held it that in the 19th century the Afro-Argentine population declined sharply due to several factors, such as the Argentine War of Independence (c. 1810–1818), high infant mortality rates, low numbers of married couples who were both Afro-Argentine, the Paraguayan War, War of the Triple Alliance, cholera epidemics in 1861 and 1864 and a yellow fever epidemic in 1871. Research in recent decades cites a strong racial intermixing with whites and Indigenou ...
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Roberto Firpo
Roberto Firpo (May 10, 1884June 14, 1969) was an Argentine tango pianist, composer, and leader. Firpo was among the first innovators of the classic tango music genre. He was the establisher of the piano in the tango orchestra. Firpo was born in the Flores district of Buenos Aires, where his father owned a grocery store. Firpo left school at 15 to work with his father and then several other companies, he eventually saved 200 Pesos (around US$100, at the time) to buy his first piano. Around 1903 he began to have lessons with one of the greats of the period, Alfredo Bevilacqua. In 1907 he began composing and performing. In 1913, at the age of 29, he formed his first orchestra that played the hits "Argañaraz", "Sentimiento criollo", "De pura cepa", and "Marejada" that year. In 1914 classic tango "Alma de bohemio" materialized and presented; one of his most admired work until today. During his career Firpo played in most of the famous Buenos Aires tango venues such as the Armeno ...
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Ministry Of Culture (Argentina)
The Secretariat of Culture (, formerly Ministry of Culture) of Argentina is a ministry of the national executive power that oversaw the government's public policy on the culture of Argentina. The culture portfolio was first established in 1973 during the presidency of Héctor Cámpora as part of the responsibilities of the Ministry of Culture and Education;DECRETO Nº 1.450 - Disolución y trasferencia de funciones
published 23 Sep 1973, source: Argentina.gob.ar
the first minister responsible was Jorge Taiana. The ministry existed only briefly before being demoted to a Secretariat. It would remain under the scope of the broader Ministry of Educa ...
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Afro-Argentines
Afro-Argentines (), also known as Black Argentines (), are Argentines who have predominantly or total Sub-Saharan African ancestry. The Afro-Argentine population is the result of people being brought over during the transatlantic slave trade during the centuries of Spanish domination in the region and immigration. During the 18th and 19th centuries they accounted for up to fifty percent of the population in certain cities, and had a deep impact on Argentine culture. Some old theories held it that in the 19th century the Afro-Argentine population declined sharply due to several factors, such as the Argentine War of Independence (c. 1810–1818), high infant mortality rates, low numbers of married couples who were both Afro-Argentine, the War of the Triple Alliance, cholera epidemics in 1861 and 1864 and a yellow fever epidemic in 1871. Research in recent decades cites a strong racial intermixing with whites and indigenous peoples in the 18th and 19th centuries as the main reaso ...
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Candombe
''Candombe'' is a style of music and dance that originated in Uruguay among the descendants of liberated African slaves. In 2009, the United Nations Educational, Scientific and Cultural Organization (UNESCO) inscribed ''candombe'' in its Representative List of the Intangible Cultural Heritage of Humanity. To a lesser extent, ''candombe'' is practiced in Argentina, Paraguay, and Brazil. In Argentina, it can be found in Buenos Aires, Santa Fe, Paraná, and Corrientes. In Paraguay, this tradition continues in Camba Cuá and in Fernando de la Mora near Asunción. In Brazil, ''candombe'' retains its religious character and can be found in the states of Minas Gerais and Rio Grande do Sul. This Uruguayan music style is based on three different drums: chico, repique, and piano drums. It is usually played in February during carnival in Montevideo at dance parades called ''llamadas'' and ''desfile inaugural del carnaval''. Origins Common origins According to George Reid A ...
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Gabino Ezeiza
Gabino Ezeiza, nicknamed ''El Negro Ezeiza''El negro Gabino Ezeiza, payador de los comités
on Yrigoyen.com.ar
(February 3, 1858 – October 12, 1916), was an musician. Ezeiza was one of the greatest performers in the art of the . He became renowned, both in his native land and in , after a memorable encounter with

Payador
The ''payada'' is a folk music tradition native to Argentina, Uruguay, southern Brazil, and south Paraguay as part of the Gaucho culture and Gaucho literature. In Chile it is called ''paya'' and performed by ''huasos''. It is a performance of improvised ten-line verse called '' décimas'' usually accompanied by guitar. The performer is called a "''payador''", albeit any guitar performer in the region is called by the same name. In performances of two or more ''payadores'' (the "''payada''"), known as ''contrapunto'', they will compete to produce the most eloquent verse, each answering questions posed by the other, often insulting. The durations of these verse duels can be exceedingly long, often many hours, and they end when one ''payador'' fails to respond immediately to his opponent. Musical styles often used in the ''payada'' are the ''cifra'', the ''huella'' and the '' milonga''. History The work of Bartolomé Hidalgo (born in Montevideo in 1788) is considered a preceden ...
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