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Mijwiz
The ''mijwiz'' (, DIN: ''miǧwiz'') is a traditional Middle East musical instrument popular in Palestine, Egypt, Syria, Lebanon and Jordan. Its name in Arabic means "dual", because of its consisting of two, short, bamboo pipes with reed tips put together, making the mijwiz a double-pipe, single-reed woodwind instrument. Background The mijwiz consists of two pipes of equal length; each pipe has around five or six small holes for fingering. It requires a special playing technique known as "circular breathing," which is tricky but produces a continuous tone, without pausing to take a breath. The mijwiz is played in the Levant as an accompaniment to either belly dancing or dabke, the folkloric line dance of the Levant. The mijwiz is most popular today in the Levant (Palestine, Lebanon, Syria and Jordan). Many popular folk songs either include the mijwiz on recordings, or include the instrument's name in the song's lyrics. One example is the famous Lebanese dabke song "Jee ...
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Dabke
''Dabke'' ( also spelled ''dabka'', ''dabki'', ''dubki'', ''dabkeh'', plural ''dabkaat'') is a Levantine folk dance, particularly popular among Lebanese, Jordanian, Palestinian, and Syrian communities. Dabke combines circle dance and line dancing and is widely performed at weddings and other joyous occasions. The line forms from right to left and the leader of the ''dabke'' heads the line, alternating between facing the audience and the other dancers. Etymology The etymology of 'dabke' is uncertain but is thought to be derived from the Levantine Arabic word ''dabaka'' () meaning "stamping of the feet" or "to make a noise". History According to Youssef Ibrahim Yazbec, a Lebanese historian, journalist, and politician, the dabke descends from Phoenician dances thousands of years old. According to Palestinian folklorists Abdul-Latif Barghouthi and Awwad Sa'ud al-'Awwad, the dabke jumps may have originated in ancient Canaanite fertility rituals related to agriculture, chasi ...
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Zummara
The term double clarinet refers to any of several woodwind instruments consisting of two parallel pipes made of cane, bird bone, or metal, played simultaneously, with a single reed for each. Commonly, there are five or six tone holes in each pipe, or holes in only one pipe while the other acts as a drone, and the reeds are either cut from the body of the instrument or created by inserting smaller, slit tubes into the ends of the pipes. The player typically uses circular breathing. The double clarinet is not a clarinet in the modern western sense of the term, since it lacks a register key; in this regard it is more closely related to the chalumeau. Varieties Double clarinets are found primarily in Middle Eastern music, but also in India; there are different versions and names in different countries. In Yemen, the double clarinet is called a '' mizmār.'' This word is used for other types of instruments in other countries. More common terms are ''zamr'', ''zammāra'', '' a ...
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Arghul
The ''arghul'' (), also spelled ''argul'', ''arghoul'', ''arghool'', ''argol'', or ''yarghul'', is a Instrument (music), musical instrument in the reed instrument, reed family. It has been used since ancient Egyptian times and is still used as a traditional instrument in Egypt, Palestine, Syria and Jordan. Basic characteristics ''Modern Egyptians''.) Modern Arghul, 3 ft. 2½ in. long. The arghul is a double-pipe, Single-reed instrument, Single-reed Wind instrument, woodwind instrument that consists of two tubes: a melody pipe with between five and seven holes and a longer Drone (music), drone (Arabic ''ardiyya'', "ground") pipe. Its tone is similar to that of a clarinet, although a bit more reed-like. Unlike the similar mijwiz, the arghul has fingering holes on only one of the instrument's pipes (the melody pipe), and the drone pipe has a detachable length that allows the player to alter the pitch of the drone. In the illustration above all three lengths are shown ...
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Single-reed Instrument
A single-reed instrument is a woodwind instrument that uses only one reed to produce sound. The very earliest single-reed instruments were documented in ancient Egypt, ancient Greece as well as the Middle East, and the Roman Empire. The earliest types of single-reed instruments used idioglottal reeds, where the vibrating reed is a tongue cut and shaped on the tube of cane. Much later, single-reed instruments started using heteroglottal reeds, where a reed is cut and separated from the tube of cane and attached to a mouthpiece of some sort. By contrast, in a double reed instrument (such as the oboe and bassoon), there is no mouthpiece; the two parts of the reed vibrate against one another. Reeds are traditionally made of cane and produce sound when air is blown across or through them. The type of instruments that use a single reed are clarinets and saxophone. The timbre of a single and double reed instrument is related to the harmonic series caused by the shape of the corpus. E ...
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Pilili
Pilili is a reed wind instrument in Adjara, west Georgia. It is a pipe of 25-30cm in length with 5-7 keys. File:Musical Instruments and Musicians. Various Musical Instruments, Including a Koshnai WDL10771.png, Instruments from Russian Turkestan, 1869-1872...from left: nagaras, sorna, bülban, ghoshmeh, tas. The unknown reed-tipped pipe bears close resemblance to the Pilili. File:Troupe of Musicians. Group of Musicians and a Batcha, or Dancing Boy WDL11112.png, Troop of Tajik or Uzbek musicians from Russian Turkestan. Musician on far left has pilili-like instrument. Description The main parts of the pilili are the trunk and the mouthpiece. The stem or trunk is a tube about 25-30 cm long, on which 5-7 holes are made. The mouthpiece is a small tube, the length of which depends on the desired sound. It has a split it its sidewall, creating a reed that makes sound when a musician blows through the top tip. The stem of the pilili is made from Tkemli (Prunus cerasifera plum tree) ...
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Sipsi
The sipsi () is a clarinet-like, single-reed instrument used mainly in Turkish folk music, folk music and native to the Aegean region of Turkey. The word ''sipsi'' is possibly Onomatopoeia, onomatopoeic. The sipsi can be made of bone, wood, or Reed (plant), reed, though the reed variant is most common. Its size varies from region to region, but it generally contains five Tone hole, finger holes in the front, and one finger hole in the back. The sipsi is one of many reed instruments in Turkey used to play lead melodies in instrumental folk music. It is generally played in the Western part in the Aegean Region of Turkey. Most folk tunes played in this area with the sipsi are in 9/8 Time signature, time. Playing The timbre of the sipsi is similar to that of the Uilleann pipes, Irish bagpipe. Players of the sipsi employ the circular breathing method, in which air is breathed through the nose while it is being pumped out of stored air in the cheeks. This breathing method is used to f ...
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Launeddas
The launeddas (also called Sardinian triple clarinet) are a traditional Sardinian woodwind instrument made of three pipes, each of which has an idioglot single reed. They are a polyphonic instrument, with one of the pipes functioning as a drone and the other two playing the melody in thirds and sixths. Predecessors of the launeddas are found throughout Northern Africa and the Middle East. In 2700 BCE, the Egyptian reed pipes were originally called " memet"; during the Old Kingdom of Egypt (2778–2723 BCE), memets were depicted on the reliefs of seven tombs at Saqqara, six tombs at Giza, and the pyramids of Queen Khentkaus. The Sardinian launeddas themselves are an ancient instrument, being traced back to at least the eighth century BCE,Surian, Alesso. "Tenores and Tarantellas". 2000. In Broughton, Simon and Ellingham, Mark with McConnachie, James and Duane, Orla (Ed.), ''World Music, Vol. 1: Africa, Europe and the Middle East'', pg. 189–201. Rough Guides Ltd, Penguin Boo ...
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Palestine
Palestine, officially the State of Palestine, is a country in West Asia. Recognized by International recognition of Palestine, 147 of the UN's 193 member states, it encompasses the Israeli-occupied West Bank, including East Jerusalem, and the Gaza Strip, collectively known as the occupied Palestinian territories, within the broader geographic and historical Palestine (region), Palestine region. Palestine shares most of its borders with Israel, and it borders Jordan to the east and Egypt to the southwest. It has a total land area of while Demographics of the State of Palestine, its population exceeds five million people. Its Status of Jerusalem, proclaimed capital is Jerusalem, while Ramallah serves as its administrative center. Gaza City was its largest city prior to Gaza Strip evacuations, evacuations in 2023. Situated at a Levantine corridor, continental crossroad, the region of Palestine was ruled by various empires and experienced Demographic history of Palestine (region ...
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Bülban
The bülban is a historical musical instrument from the Caucasus, Middle East and Central Asia. It was a reed pipe, with an apricot wood body and tipped with a tubular single-reed. It had 7 fingerholes and a thumbhole and played a diatonic scale from E1 to E3. By half-covering fingerholes, it could play a chromatic scale. The instrument has been documented in Azerbaijan, and one can be seen in a photo from the mid-19th-century Russian Turkestan. The body of the bülban is about 280 mm long. The reed's diameter is 5mm wide. The bore of the instrument is very narrow, and the bell at the bottom has a small hole for the air to flow through. The instrument is very similar to the Georgian pilili, with the same style of reed tip, though the Georgian instrument now uses bamboo. The reed tip is the same as the sümsü (or sipsi) and tulum (an Azerbaijani bagpipe). Other instruments using these tips include the dili tuiduk reed pipe and the ghoshmeh. The instrument declined in Aze ...
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Launeddas
The launeddas (also called Sardinian triple clarinet) are a traditional Sardinian woodwind instrument made of three pipes, each of which has an idioglot single reed. They are a polyphonic instrument, with one of the pipes functioning as a drone and the other two playing the melody in thirds and sixths. Predecessors of the launeddas are found throughout Northern Africa and the Middle East. In 2700 BCE, the Egyptian reed pipes were originally called " memet"; during the Old Kingdom of Egypt (2778–2723 BCE), memets were depicted on the reliefs of seven tombs at Saqqara, six tombs at Giza, and the pyramids of Queen Khentkaus. The Sardinian launeddas themselves are an ancient instrument, being traced back to at least the eighth century BCE,Surian, Alesso. "Tenores and Tarantellas". 2000. In Broughton, Simon and Ellingham, Mark with McConnachie, James and Duane, Orla (Ed.), ''World Music, Vol. 1: Africa, Europe and the Middle East'', pg. 189–201. Rough Guides Ltd, Penguin Boo ...
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