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Arghul
The ''arghul'' ( ar, أرغول or يرغول), also spelled ''argul'', ''arghoul'', ''arghool'', ''argol'', or ''yarghul'', is a musical instrument in the reed family. It has been used since ancient Egyptian times and is still used as a traditional instrument in Egypt, Syria, Jordan, and Palestine. Basic characteristics ''Modern Egyptians''.) Modern Arghul, 3 ft. 2½ in. long. The arghul is a double-pipe, Single-reed woodwind instrument that consists of two tubes: a melody pipe with between five and seven holes and a longer drone (Arabic ''ardiyya'', "ground") pipe. Its tone is similar to that of a clarinet, although a bit more reed-like. Unlike the similar mijwiz, the arghul has fingering holes on only one of the instrument's pipes (the melody pipe), and the drone pipe has a detachable length that allows the player to alter the pitch of the drone. In the illustration above all three lengths are shown in use. An arghul belonging to the collection of the Conser ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arghul Egypt Kopie
The ''arghul'' ( ar, أرغول or يرغول), also spelled ''argul'', ''arghoul'', ''arghool'', ''argol'', or ''yarghul'', is a musical instrument in the reed family. It has been used since ancient Egyptian times and is still used as a traditional instrument in Egypt, Syria, Jordan, and Palestine. Basic characteristics ''Modern Egyptians''.) Modern Arghul, 3 ft. 2½ in. long. The arghul is a double-pipe, Single-reed woodwind instrument that consists of two tubes: a melody pipe with between five and seven holes and a longer drone (Arabic ''ardiyya'', "ground") pipe. Its tone is similar to that of a clarinet, although a bit more reed-like. Unlike the similar mijwiz, the arghul has fingering holes on only one of the instrument's pipes (the melody pipe), and the drone pipe has a detachable length that allows the player to alter the pitch of the drone. In the illustration above all three lengths are shown in use. An arghul belonging to the collection of the Cons ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Single-reed Instrument
A single-reed instrument is a woodwind musical instrument, instrument that uses only one reed (music), reed to produce sound. The very earliest single-reed instruments were documented in ancient Egypt, as well as the Middle East, Greece, and the Roman Empire. The earliest types of single-reed instruments used idioglottal reeds, where the vibrating reed is a tongue cut and shaped on the tube of cane. Much later, single-reed instruments started using heteroglottal reeds, where a reed is cut and separated from the tube of cane and attached to a mouthpiece (woodwind), mouthpiece of some sort. By contrast, in a double reed instrument (such as the oboe and bassoon), there is no mouthpiece; the two parts of the reed vibrate against one another. Reeds are traditionally made of cane and produce sound when air is blown across or through them. The type of instruments that use a single reed are clarinets and saxophone. The timbre of a single and double reed instrument is related to the harmon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Circular Breathing
Circular breathing is a technique used by players of some wind instruments to produce a continuous tone without interruption. It is accomplished by breathing through the nose while simultaneously pushing air through the mouth using air stored in the cheeks. History The technique was developed independently by several cultures and is used for many traditional wind instruments. In the 13th century, Mongolian metalsmiths who specialized in gold and silver used circular breathing techniques for crafting various decorative and ornamental items. In crafting such items, craftsmen were required to blow continuously to the flame through a pipe with a needle-like hole to make the hard metal melt or soften. From that necessity, craftsmen mastered a circular cycle of breathing by simultaneously inhaling through their noses while they blew without any pauses. The introduction of the circular breathing technique in the art of ancient windplayers was a productive invention in its perfor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dabke
''Dabke'' ( ar, دبكة also spelled ''dabka'', ''dubki'', ''dabkeh'', plural ''dabkaat'') is a Levantine Arab folk dance. Dabke combines circle dance and line dancing and is widely performed at weddings and other joyous occasions. The line forms from right to left and leader of the ''dabke'' heads the line, alternating between facing the audience and the other dancers. In English, it can be transcribed as ''dabka'', ''dabki'', ''dabkeh''. Etymology and history The etymology of 'dabke' is uncertain but is thought to be derived from the Levantine Arabic word ''dabaka'' ( ar, دبكة) meaning "stamping of the feet" or "to make a noise". The dabkeh jumps may have originated in ancient Canaanite fertility rituals related to agriculture, chasing off evil spirits and protecting young plants. According to Lebanese historian Youssef Ibrahim Yazbec, the dabke descends from Phoenician dances thousands of years old. Another theory is that stomping part of dabke started out as a way ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kermanshah
Kermanshah ( fa, کرمانشاه, Kermânšâh ), also known as Kermashan (; romanized: Kirmaşan), is the capital of Kermanshah Province, located from Tehran in the western part of Iran. According to the 2016 census, its population is 946,681 (2021 estimate 1,047,000). A majority of the people of Kermanshah are bilingual in Southern Kurdish and Persian, and the city is the largest Kurdish-speaking city in Iran. Kermanshah has a moderate and mountainous climate.روزنامه سلام کرمانشاه Persian (Kurdish)آشنایی با فرهنگ و نژاد استان کرمانشاه (Persian) [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greater Khorasan
Greater Khorāsān,Dabeersiaghi, Commentary on Safarnâma-e Nâsir Khusraw, 6th Ed. Tehran, Zavvâr: 1375 (Solar Hijri Calendar) 235–236 or Khorāsān ( pal, Xwarāsān; fa, خراسان ), is a historical eastern region in the Iranian Plateau between Western and Central Asia. The name ''Khorāsān'' is Persian and means "where the sun arrives from" or "the Eastern Province".Sykes, M. (1914). "Khorasan: The Eastern Province of Persia". ''Journal of the Royal Society of Arts'', 62(3196), 279-286.A compound of ''khwar'' (meaning "sun") and ''āsān'' (from ''āyān'', literally meaning "to come" or "coming" or "about to come"). Thus the name ''Khorasan'' (or ''Khorāyān'' ) means "sunrise", viz. " Orient, East"Humbach, Helmut, and Djelani Davari, "Nāmé Xorāsān", Johannes Gutenberg-Universität Mainz; Persian translation by Djelani Davari, published in Iranian Languages Studies Website. MacKenzie, D. (1971). ''A Concise Pahlavi Dictionary'' (p. 95). London: Oxford Univers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ney-anbān
Ney-anbān ( fa, نی انبان , numerous Latin spellings), is a type of bagpipe which is popular in southern Iran, especially around Bushehr. The term ''ney-anban'' literally means "bag pipe", - ''Nai, signifies a reed, pipe, &c, and Anban or Anbanah, a bag made of the skin taken entire otf a sheep. It is a musical instrument not often seen in Persia beyond the Garmsir (or "warm region") about Bushahr'' but more specifically can refer to a type of droneless double-chantered bagpipes played in Southern Iran. This is similar to the Bahrainian ''jirba The jirba ( ar, قربة (also spelled ; also transliterated dzirba, girba) is a traditional folk instrument from Bahrain. It is a droneless, double-reeded, single-chantered bagpipe, played particularly by ethnic Iranians, as well as on the Kuwaiti ...'' played by ethnic Iranians in the Persian Gulf islands. In Bushehr, the ney-anban is used to accompany '' sarva'', the singing of free-metre couplets. Orthography Latin spell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abu Nasr Farabi
Abu Nasr Muhammad Al-Farabi ( fa, ابونصر محمد فارابی), ( ar, أبو نصر محمد الفارابي), known in the West as Alpharabius; (c. 872 – between 14 December, 950 and 12 January, 951)PDF version was a renowned early Islamic philosopher and jurist who wrote in the fields of political philosophy, metaphysics, ethics and logic. He was also a scientist, cosmologist, mathematician and music theorist. Ludwig W. Adamec (2009), ''Historical Dictionary of Islam'', pp.95–96. Scarecrow Press. . In Islamic philosophical tradition he was often called "the Second Teacher", following Aristotle who was known as "the First Teacher". He is credited with preserving the original Greek texts during the Middle Ages via his commentaries and treatises, and influencing many prominent philosophers, such as Avicenna and Maimonides. Through his works, he became well-known in the West as well as the East. Biography The existing variations in the basic accounts of al-Farabi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
