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Metres Of Roman Comedy
Roman comedy is mainly represented by two playwrights, Plautus (writing between c.205 and 184 BC) and Terence (writing c.166-160 BC). The works of other Latin playwrights such as Livius Andronicus, Naevius, Ennius, and Caecilius Statius are now lost except for a few lines quoted in other authors. 20 plays of Plautus survive complete, and 6 of Terence. Various metres are used in the plays. The most common are iambic senarii and trochaic septenarii. As far as is known, iambic senarii were spoken without music; trochaic septenarii (and also iambic septenarii and trochaic and iambic octonarii)Fortson (2008), p. 22. were chanted or recited (or possibly sung) to the sound of a pair of pipes known as (the equivalent of the Greek aulos), played by a ("piper"); and other metres were sung, possibly in an operatic style, to the same . In Plautus about 37% of lines are unaccompanied iambic senarii,A.S. Gratwick (1982), in ''The Cambridge History of Classical Literature'', vol. 2 part 1, p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plautus
Titus Maccius Plautus ( ; 254 – 184 BC) was a Roman playwright of the Old Latin period. His comedies are the earliest Latin literary works to have survived in their entirety. He wrote Palliata comoedia, the genre devised by Livius Andronicus, the innovator of Latin literature. The word Plautine () refers to both Plautus's own works and works similar to or influenced by his. Biography Not much is known about Titus Maccius Plautus's early life. It is believed that he was born in Sarsina, a small town in Emilia Romagna in northern Italy, around 254 BC.''The Concise Oxford Companion to Classical Literature'' (1996) Ed. M.C. Howatson and Ian Chilvers, Oxford University Press, Oxford Reference Online According to Morris Marples, Plautus worked as a stage-carpenter or scene-shifter in his early years. It is from this work, perhaps, that his love of the theater originated. His acting talent was eventually discovered; and he adopted the nomen "Maccius" (from Maccus, a clownis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arsis And Thesis
In music and prosody, arsis (; plural arses, ) and thesis (; plural theses, ) are respectively the stronger and weaker parts of a musical measure or poetic foot. However, because of contradictions in the original definitions, writers use these words in different ways. In music, arsis is an unaccented note ( upbeat), while the thesis is the downbeat. However, in discussions of Latin and modern poetry the word arsis is generally used to mean the stressed syllable of the foot, that is, the ictus. Since the words are used in contradictory ways, the authority on Greek metre Martin West recommends abandoning them and using substitutes such as ''ictus'' for the downbeat when discussing ancient poetry. However, the use of the word ''ictus'' itself is controversial. Greek and Roman definitions Earliest use The ancient Greek writers who mention the terms arsis and thesis are mostly from the 2nd-4th century AD but are thought to have continued an earlier tradition. For example, it is b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seneca The Younger
Lucius Annaeus Seneca the Younger ( ; AD 65), usually known mononymously as Seneca, was a Stoicism, Stoic philosopher of Ancient Rome, a statesman, a dramatist, and in one work, a satirist, from the post-Augustan age of Latin literature. Seneca was born in Córdoba, Spain, Colonia Patricia Corduba in Hispania, and was trained in rhetoric and philosophy in Rome. His father was Seneca the Elder, his elder brother was Lucius Junius Gallio Annaeanus, and his nephew was the poet Lucan. In AD 41, Seneca was exiled to the island of Corsica under emperor Claudius, but was allowed to return in 49 to become a tutor to Nero. When Nero became emperor in 54, Seneca became his advisor and, together with the praetorian prefect Sextus Afranius Burrus, provided competent government for the first five years of Nero's reign. Seneca's influence over Nero declined with time, and in 65 Seneca was executed by forced suicide for alleged complicity in the Pisonian conspiracy to Assassination, assassinate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaius Marius Victorinus
Gaius Marius Victorinus (also known as Victorinus Afer; ) was a Roman grammarian, rhetorician and Neoplatonic philosopher. Victorinus was African by birth and experienced the height of his career during the reign of Constantius II. He is also known for translating two of Aristotle's books from ancient Greek into Latin: the '' Categories'' and ''On Interpretation'' (''De Interpretatione''). Victorinus had a religious conversion, from being a pagan to a Christian, "at an advanced old age" (c. 355), which has been described in Augustine's ''Confessions''. Life Birthplace and early career Victorinus, at some unknown point, left his home of North Africa to live permanently in Rome (hence some modern scholars have dubbed him ''Afer''), probably for a teaching position, and had great success in his career, eventually being promoted to the lowest level of the senatorial order. That promotion probably came at the time when he received an honorific statue in the Forum of Trajan in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aulos
An ''aulos'' (plural ''auloi''; , plural ) or ''tibia'' (Latin) was a wind instrument in ancient Greece, often depicted in art and also attested by archaeology. Though the word ''aulos'' is often translated as "flute" or as " double flute", the instrument was usually double-reeded, and its sound—described as "penetrating, insisting and exciting"—was more akin to that of modern woodwind instruments such as oboes or bagpipes with a chanter and (modulated) drone. An aulete (, ) was the musician who performed on an ''aulos''. The ancient Roman equivalent was the ''tibicen'' (plural ''tibicines''), from the Latin ''tibia,'' "pipe, ''aulos''." The neologism aulode is sometimes used by analogy with '' rhapsode'' and ''citharode'' ( citharede) to refer to an ''aulos''-player, who may also be called an aulist; however, ''aulode'' more commonly refers to a singer who sang the accompaniment to a piece played on the aulos. Background There were several kinds of ''aulos'', sin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pacuvius
Marcus Pacuvius (; 220 – ) was an ancient Roman tragic poet. He is regarded as the greatest of their tragedians prior to Lucius Accius. Biography He was the nephew and pupil of Ennius, by whom Roman tragedy was first raised to a position of influence and dignity. In the interval between the death of Ennius (169 BC) and the advent of Accius, the youngest and most productive of the tragic poets, Pacuvius alone maintained the continuity of the serious drama, and perpetuated the character first imparted to it by Ennius. Like Ennius he probably belonged to an Oscan stock, and was born at Brundisium, which had become a Roman colony in 244 BC. Hence he never attained to that perfect idiomatic purity of style, which was the special glory of the early writers of comedy, Naevius and Plautus. Pacuvius obtained distinction also as a painter; and Pliny the Elder (''Naturalis Historia'' xxxv) mentions a work of his in the Temple of Hercules in the Forum Boarium. He was less ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caesura
300px, An example of a caesura in modern western music notation A caesura (, . caesuras or caesurae; Latin for "cutting"), also written cæsura and cesura, is a metrical pause or break in a verse where one phrase ends and another phrase begins. It may be expressed by a comma (,), a tick (✓), or two lines, either slashed (//) or upright (, , ). In time value, this break may vary between the slightest perception of silence all the way up to a full pause. Poetry In classical Greek and Latin poetry a caesura is the juncture where one word ends and the following word begins within a foot . In contrast, a word juncture at the end of a foot is called a diaeresis. Some caesurae are expected and represent a point of articulation between two phrases or clauses. All other caesurae are only potentially places of articulation. The opposite of an obligatory caesura is a bridge where word juncture is not permitted. In modern European poetry, a caesura is defined as a natural phrase ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prosody (Greek)
Prosody (from Middle French , from Latin , from Ancient Greek (), 'song sung to music', 'pronunciation of syllable') is the theory and practice of versification. Prosody Greek poetry is based on syllable length, not on syllable stress, as in English. The two syllable lengths in Greek poetry are long and short. It is probable that in the natural spoken language there were also syllables of intermediate length, as in the first syllable of words such as τέκνα /''tékna''/ 'children', where a short vowel is followed by a plosive + liquid combination; but for poetic purposes such syllables were treated as either long or short. Thus in the opening speech of the play ''Oedipus Tyrannus'', Sophocles treats the first syllable of τέκνα /''tékna''/ as long in line 1, but as short in line 6. Different kinds of poetry use different patterns of long and short syllables, known as meters (UK: metres). For example, the epic poems of Homer were composed using the pattern , – u u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Castor And Pollux
Castor and Pollux (or Polydeuces) are twin half-brothers in Greek and Roman mythology, known together as the Dioscuri or Dioskouroi. Their mother was Leda, but they had different fathers; Castor was the mortal son of Tyndareus, the king of Sparta, while Pollux was the divine son of Zeus, who seduced Leda in the guise of a swan. The pair are thus an example of heteropaternal superfecundation. Though accounts of their birth are varied, they are sometimes said to have been born from an egg, along with their twin sisters Helen of Troy and Clytemnestra. In Latin, the twins are also known as the Gemini ("twins") or Castores, as well as the Tyndaridae or Tyndarids. Pollux asked Zeus to let him share his own immortality with his twin to keep them together, and they were transformed into the constellation Gemini. The pair were regarded as the patrons of sailors, to whom they appeared as St. Elmo's fire. They were also associated with horsemanship, in keeping with their origin as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synizesis
Synizesis () is a sound change (metaplasm) in which two originally syllabic vowels (hiatus) are pronounced instead as a single syllable. In poetry, the vowel contraction would often be necessitated by the metrical requirements of the poetic form. Synizesis is also understood to occur as a natural product in the evolution of a language over time. A tie may be used to represent this pronunciation: ''dē͡hinc'' (i.e., ''deinc''). Definition ''Synizesis'' comes from the Greek (''synízēsis'', "a sitting together") from (''syn'', "with") and (''hizō'', "I sit"). The term was used to describe this vowel change as early as the 2nd century CE, by the Alexandrian grammarian, Hephaestion. Ancient grammarians, such as Hephaestion, defined synizesis broadly as the “σύλληψις” (''syllepsis'', “a taking together (of sounds)”) of any two syllables. More contemporary scholarship has, however, recognised that, when so constructed, synizesis is given an unjustifiably bro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elision
In linguistics, an elision or deletion is the omission of one or more sounds (such as a vowel, a consonant, or a whole syllable) in a word or phrase. However, these terms are also used to refer more narrowly to cases where two words are run together by the omission of a final sound. An example is the elision of word-final /t/ in English if it is preceded and followed by a consonant: "first light" is often pronounced "firs' light" (). Many other terms are used to refer to specific cases where sounds are omitted. Citation forms and contextual forms A word may be spoken individually in what is called the citation form. This corresponds to the pronunciation given in a dictionary. However, when words are spoken in context, it often happens that some sounds that belong to the citation form are omitted. Elision is not an all-or-nothing process: elision is more likely to occur in some styles of speaking and less likely in others. Many writers have described the styles of speech in wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brevis In Longo
In Greek and Latin metre, ''brevis in longo'' (; ) is a short syllable at the end of a line that is counted as long. The term is short for , meaning "a short yllablein a long lement. Although the phenomenon itself has been known since ancient times, the phrase is saidcf. West, M. L."Three Topics in Greek Metre" ''The Classical Quarterly'', Vol. 32, No. 2 (1982), pp. 281-297; p. 288. to have been invented by the classical scholar Paul Maas. ''Brevis in longo'' is possible in various classical metres that require a long syllable at the end of a line, including dactylic hexameters and iambic trimeters. It can also be found in the centre of a line in some metres, before a dieresis (e.g. in the iambic octonarius). However, it does not seem to be found in every metre. For example, in Greek, in ionic metres ending in u u – –, there do not seem to be any examples. A similar phenomenon is found in other languages whose poetic metres are quantitative, such as Arabic, Persian, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
