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Prosody (Greek)
Prosody (from Middle French , from Latin , from Ancient Greek (), 'song sung to music', 'pronunciation of syllable') is the theory and practice of versification. Prosody Greek poetry is based on syllable length, not on syllable stress, as in English. The two syllable lengths in Greek poetry are long and short. It is probable that in the natural spoken language there were also syllables of intermediate length, as in the first syllable of words such as τέκνα /''tékna''/ 'children', where a short vowel is followed by a plosive + liquid combination; but for poetic purposes such syllables were treated as either long or short. Thus in the opening speech of the play ''Oedipus Tyrannus'', Sophocles treats the first syllable of τέκνα /''tékna''/ as long in line 1, but as short in line 6. Different kinds of poetry use different patterns of long and short syllables, known as meters (UK: metres). For example, the epic poems of Homer were composed using the pattern , – u u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Middle French
Middle French () is a historical division of the French language that covers the period from the mid-14th to the early 17th centuries. It is a period of transition during which: * the French language became clearly distinguished from the other competing Oïl languages, which are sometimes subsumed within the concept of Old French () * the French language was imposed as the official language of the Kingdom of France in place of Latin and other Oïl and Occitan languages * the literary development of French prepared the vocabulary and grammar for the Classical French () spoken in the 17th and 18th centuries. It is the first version of French that is largely mutual intelligibility, intelligible to Modern French, contrary to Old French. History The most important change found in Middle French is the complete disappearance of the noun declension system, which had been underway for centuries. There was no longer a distinction between nominative and oblique case, oblique forms of nou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Bacchae
''The Bacchae'' (; , ''Bakkhai''; also known as ''The Bacchantes'' ) is an ancient Greek tragedy, written by the Athenian playwright Euripides during his final years in Macedonia, at the court of Archelaus I of Macedon. It premiered posthumously at the Theatre of Dionysus in 405 BC as part of a tetralogy that also included '' Iphigeneia at Aulis'' and ''Alcmaeon in Corinth'', and which Euripides' son or nephew is assumed to have directed. It won first prize in the City Dionysia festival competition. The tragedy recounts the Greek myth of King Pentheus of Thebes and his mother Agave, who were punished by the god Dionysus (who is Pentheus's cousin) for rejecting his cult. The play opens with Dionysus proclaiming that he has arrived in Thebes with his votaries to avenge the slander, repeated by his aunts, that he is not the son of Zeus. Disguised as a foreign holy man, the god intends to introduce Dionysian rites into the city, but the Thebans reject his divinity and king Pen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Achilles
In Greek mythology, Achilles ( ) or Achilleus () was a hero of the Trojan War who was known as being the greatest of all the Greek warriors. The central character in Homer's ''Iliad'', he was the son of the Nereids, Nereid Thetis and Peleus, king of Phthia and famous Argonauts, Argonaut. Achilles was raised in Phthia along with his childhood companion Patroclus and received his education by the centaur Chiron. In the ''Iliad'', he is presented as the commander of the mythical tribe of the Myrmidons. Achilles' most notable feat during the Trojan War was the slaying of the Trojan prince Hector outside the gates of Troy. Although the death of Achilles is not presented in the ''Iliad'', other sources concur that he was killed near the end of the Trojan War by Paris (mythology), Paris, who shot him with an arrow. Later legends (beginning with Statius' unfinished epic ''Achilleid'', written in the first century CE) state that Achilles was invulnerable in all of his body except ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muse
In ancient Greek religion and Greek mythology, mythology, the Muses (, ) were the Artistic inspiration, inspirational goddesses of literature, science, and the arts. They were considered the source of the knowledge embodied in the poetry, lyric poetry, lyric songs, and myths that were related orally for centuries in ancient Greek culture. The number and names of the Muses differed by region, but from the Classical Greece, Classical period the number of Muses was standardized to nine, and their names were generally given as Calliope, Clio, Polyhymnia, Euterpe, Terpsichore, Erato, Melpomene, Thalia (Muse), Thalia, and Urania. In modern figurative usage, a muse is a Muse (source of inspiration), person who serves as someone's source of artistic inspiration. Etymology The word ''Muses'' () perhaps came from the Indo-European ablaut#Proto-Indo-European, o-grade of the Proto-Indo-European language, Proto-Indo-European root (the basic meaning of which is 'put in mind' in verb formati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iliad
The ''Iliad'' (; , ; ) is one of two major Ancient Greek epic poems attributed to Homer. It is one of the oldest extant works of literature still widely read by modern audiences. As with the ''Odyssey'', the poem is divided into 24 books and was written in dactylic hexameter. It contains 15,693 lines in its most widely accepted version. The ''Iliad'' is often regarded as the first substantial piece of Western literature, European literature and is a central part of the Epic Cycle. Set towards the end of the Trojan War, a ten-year siege of the city of Troy by a coalition of Mycenaean Greece, Mycenaean Greek states, the poem depicts significant events in the war's final weeks. In particular, it traces the anger () of Achilles, a celebrated warrior, from a fierce quarrel between him and King Agamemnon, to the death of the Trojan prince Hector.Homer, ''Iliad, Volume I, Books 1–12'', translated by A. T. Murray, revised by William F. Wyatt, Loeb Classical Library 170, Cambridge, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hesiod
Hesiod ( or ; ''Hēsíodos''; ) was an ancient Greece, Greek poet generally thought to have been active between 750 and 650 BC, around the same time as Homer.M. L. West, ''Hesiod: Theogony'', Oxford University Press (1966), p. 40.Jasper Griffin, "Greek Myth and Hesiod", J.Boardman, J.Griffin and O. Murray (eds.), ''The Oxford History of the Classical World'', Oxford University Press (1986), p. 88. Several of Hesiod's works have survived in their entirety. Among these are ''Theogony'', which tells the origins of the gods, their lineages, and the events that led to Zeus's rise to power, and ''Works and Days'', a poem that describes the five Ages of Man, offers advice and wisdom, and includes myths such as Pandora's box. Hesiod is generally regarded by Western authors as 'the first written poet in the Western tradition to regard himself as an individual persona with an active role to play in his subject.' Ancient authors credited Hesiod and Homer with establishing Greek relig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spondee
A spondee (Latin: ) is a metrical foot consisting of two long syllables, as determined by syllable weight in classical meters, or two stressed syllables in modern meters. The word comes from the Greek , , 'libation'. Spondees in Ancient Greek and Latin Libations Sometimes libations were accompanied by hymns in spondaic rhythm, as in the following hymn by the Greek poet Terpander (7th century BC), which consists of 20 long syllables: "Zeus, Beginning of all things, Leader of all things, Zeus, I make a libation to Thee this beginning of (my) hymns." In hexameter poetry However, in most Greek and Latin poetry, the spondee typically does not provide the basis for a metrical line in poetry. Instead, spondees are found as irregular feet in meter based on another type of foot. For example, the epics of Homer and Virgil are written in dactylic hexameter. This term suggests a line of six dactyls, but a spondee can be substituted in most positions. The first line of Virgil's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choree
In poetic metre, a trochee ( ) is a metrical foot consisting of a stressed syllable followed by an unstressed one, in qualitative meter, as found in English, and in modern linguistics; or in quantitative meter, as found in Latin and Ancient Greek, a heavy syllable followed by a light one (also described as a long syllable followed by a short one). In this respect, a trochee is the reverse of an iamb. Thus the Latin word , because of its short-long rhythm, in Latin metrical studies is considered to be an iamb, but since it is stressed on the first syllable, in modern linguistics it is considered to be a trochee. The adjective form is ''trochaic''. The English word ''trochee'' is itself trochaic since it is composed of the stressed syllable followed by the unstressed syllable . Another name formerly used for a trochee was a choree ( ) or choreus. Etymology ''Trochee'' comes from French , adapted from Latin , originally from the Greek , from the phrase ; it is connected with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trochee
In poetic metre, a trochee ( ) is a metrical foot consisting of a stressed syllable followed by an unstressed syllable, unstressed one, in qualitative meter, as found in English, and in modern linguistics; or in quantitative meter, as found in Latin and Ancient Greek, a heavy syllable followed by a light one (also described as a long syllable followed by a short one). In this respect, a trochee is the reverse of an iamb (poetry), iamb. Thus the Latin word , because of its short-long rhythm, in Latin metrical studies is considered to be an iamb, but since it is stressed on the first syllable, in modern linguistics it is considered to be a trochee. The adjective form is ''trochaic''. The English word ''trochee'' is itself trochaic since it is composed of the stressed syllable followed by the unstressed syllable . Another name formerly used for a trochee was a choree ( ) or choreus. Etymology ''Trochee'' comes from French language, French , adapted from Latin , originally from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iamb (foot)
An iamb ( ) or iambus is a metrical foot used in various types of poetry. Originally the term referred to one of the feet of the quantitative meter of classical Greek prosody: a short syllable followed by a long syllable (as in () "beautiful (f.)"). This terminology was adopted in the description of accentual-syllabic verse in English, where it refers to a foot comprising an unstressed syllable followed by a stressed syllable (as in ''abóve''). Thus a Latin word like , because of its short-long rhythm, is considered by Latin scholars to be an iamb, but because it has a stress on the first syllable, in modern linguistics it is considered to be a trochee. Etymology R. S. P. Beekes has suggested that the ''iambos'' has a Pre-Greek origin. An old hypothesis is that the word is borrowed from Phrygian or Pelasgian, and literally means "Einschritt", i. e., "one-step", compare ''dithyramb'' and '' thriambus'', but H. S. Versnel rejects this etymology and suggests instead a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pyrrhic
A pyrrhic (; ''pyrrichios'', from πυρρίχη ''pyrrichē'') is a metrical foot used in formal poetry. It consists of two unaccented, short syllables. It is also known as a dibrach. In classical Greek poetry Although the pyrrhic by itself is not used in analysis of classical Greek prosody, examples exist of epigrammatic poems that employ nothing but short syllables (except at line ends where a syllable always scans long), creating a pyrrhic-like effect, such as an epigram addressed to the Cynic philosopher Diogenes and recorded in the Suda: . . Poetic use in English Tennyson used pyrrhics and spondees quite frequently, for example, in '' In Memoriam'': When the blood creeps and the nerves prick. "When the" and "and the" in the second line may be considered as pyrrhics (also analyzable as ionic meter). Pyrrhics alone are not used to construct an entire poem in English due to the monotonous effect. Edgar Allan Poe observed that many experts rejected it from Engli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Systems Of Scansion
Scansion ( , rhymes with ''mansion''; verb: ''to scan''), or a system of scansion, is the method or practice of determining and (usually) graphically representing the metrical pattern of a line of verse. In classical poetry, these patterns are quantitative based on the different lengths of each syllable, while in English poetry, they are based on the different levels of stress placed on each syllable. In both cases, the meter often has a regular foot. Over the years, many systems have been established to mark the scansion of a poem. Overview Systems of scansion, and the assumptions (often tacit or even subconscious) that underlie them, are so numerous and contradictory that it is often difficult to tell whether differences in scansion indicate opposed metrical theories, conflicting understandings of a line's linguistic character, divergent practical goals, or whether they merely constitute a trivial argument over who has the "better ear" for verse. There is even a debate amon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
