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Melodic Restitution
Restoration of Gregorian chants is the process of restoring the original melody in Gregorian Chant manuscripts. Research All mainstream editions of chant books ( Vatican, Solesmes, etc.) are known to contain a large number of errors. Comparative studies have been undertaken in which related groups of the earlier rhythmic unheightened neumatic manuscripts are set in large tables of comparison which is juxtaposed with a similar table of later melodic linear notations. Description Research by Dom. Jean Claire in the field of modality has shown that the third and eighth modes have had their dominants raised from B to C. In mode III is E authentic; the dominant a fifth above is B, which in many chants is raised to C in official editions. Not only are many chants in mode III and VIII in need of melodic restitution, there are errors in all other modes. The Munsterschwarzach-Group (Godehard Joppich, Stefan Klockner et al.)(publishers of the ''Beiträge zur Gregorianik'') have been is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melody
A melody (from Greek μελῳδία, ''melōidía'', "singing, chanting"), also tune, voice or line, is a linear succession of musical tones that the listener perceives as a single entity. In its most literal sense, a melody is a combination of pitch and rhythm, while more figuratively, the term can include other musical elements such as tonal color. It is the foreground to the background accompaniment. A line or part need not be a foreground melody. Melodies often consist of one or more musical phrases or motifs, and are usually repeated throughout a composition in various forms. Melodies may also be described by their melodic motion or the pitches or the intervals between pitches (predominantly conjunct or disjunct or with further restrictions), pitch range, tension and release, continuity and coherence, cadence, and shape. Function and elements Johann Philipp Kirnberger argued: The Norwegian composer Marcus Paus has argued: Given the many and varied el ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gregorian Chant
Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song in Latin (and occasionally Greek) of the Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions. Although popular legend credits Pope Gregory I with inventing Gregorian chant, scholars believe that it arose from a later Carolingian synthesis of the Old Roman chant and Gallican chant. Gregorian chants were organized initially into four, then eight, and finally 12 modes. Typical melodic features include a characteristic ambitus, and also characteristic intervallic patterns relative to a referential mode final, incipits and cadences, the use of reciting tones at a particular distance from the final, around which the other notes of the melody revolve, and a vocabulary of musical motifs woven together through a process called centonization to create families of rel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Holy See
The Holy See ( lat, Sancta Sedes, ; it, Santa Sede ), also called the See of Rome, Petrine See or Apostolic See, is the jurisdiction of the Pope in his role as the bishop of Rome. It includes the apostolic episcopal see of the Diocese of Rome, which has ecclesiastical jurisdiction over the Catholic Church and the sovereign city-state known as the Vatican City. According to Catholic tradition it was founded in the first century by Saints Peter and Paul and, by virtue of Petrine and papal primacy, is the focal point of full communion for Catholic Christians around the world. As a sovereign entity, the Holy See is headquartered in, operates from, and exercises "exclusive dominion" over the independent Vatican City State enclave in Rome, of which the pope is sovereign. The Holy See is administered by the Roman Curia (Latin for "Roman Court"), which is the central government of the Catholic Church. The Roman Curia includes various dicasteries, comparable to ministries and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Solesmes Abbey
Solesmes Abbey or St. Peter's Abbey, Solesmes (''Abbaye Saint-Pierre de Solesmes'') is a Benedictine monastery in Solesmes (Sarthe, France), famous as the source of the restoration of Benedictine monastic life in the country under Dom Prosper Guéranger after the French Revolution. The current abbot is the Right Reverend Dom Abbot Geoffrey Kemlin, O.S.B., elected in 2022. Parish Prior to the foundation of Solesmes Abbey, a parish existed at the site. This parish may have been founded at the site as early as the 5th century. Evidence also suggests that the site may first have been built upon in the 6th or 7th century . This original parish was surrounded by a large cemetery. Sarcophagi found at the site suggest that they may go back to the Merovingian period. These sites are still preserved to this day. Priory Solesmes Abbey was founded in 1010 by Geoffrey, Lord of Sable, who donated the monastery and its farm to the Benedictine monks of the Saint-Pierre de la Couture Abbey, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neume
A neume (; sometimes spelled neum) is the basic element of Western and Eastern systems of musical notation prior to the invention of five-line staff notation. The earliest neumes were inflective marks that indicated the general shape but not necessarily the exact notes or rhythms to be sung. Later developments included the use of heightened neumes that showed the relative pitches between neumes, and the creation of a four-line musical staff that identified particular pitches. Neumes do not generally indicate rhythm, but additional symbols were sometimes juxtaposed with neumes to indicate changes in articulation, duration, or tempo. Neumatic notation was later used in medieval music to indicate certain patterns of rhythm called rhythmic modes, and eventually evolved into modern musical notation. Neumatic notation remains standard in modern editions of plainchant. Etymology The word "neume" entered the English language in the Middle English forms "newme", "nevme", "neme" in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Linear
Linearity is the property of a mathematical relationship ('' function'') that can be graphically represented as a straight line. Linearity is closely related to '' proportionality''. Examples in physics include rectilinear motion, the linear relationship of voltage and current in an electrical conductor ( Ohm's law), and the relationship of mass and weight. By contrast, more complicated relationships are ''nonlinear''. Generalized for functions in more than one dimension, linearity means the property of a function of being compatible with addition and scaling, also known as the superposition principle. The word linear comes from Latin ''linearis'', "pertaining to or resembling a line". In mathematics In mathematics, a linear map or linear function ''f''(''x'') is a function that satisfies the two properties: * Additivity: . * Homogeneity of degree 1: for all α. These properties are known as the superposition principle. In this definition, ''x'' is not necessarily ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Mode
In music theory, the term mode or ''modus'' is used in a number of distinct senses, depending on context. Its most common use may be described as a type of musical scale coupled with a set of characteristic melodic and harmonic behaviors. It is applied to major and minor keys as well as the seven diatonic modes (including the former as Ionian and Aeolian) which are defined by their starting note or tonic. (Olivier Messiaen's modes of limited transposition are strictly a scale type.) Related to the diatonic modes are the eight church modes or Gregorian modes, in which authentic and plagal forms of scales are distinguished by ambitus and tenor or reciting tone. Although both diatonic and gregorian modes borrow terminology from ancient Greece, the Greek ''tonoi'' do not otherwise resemble their mediaeval/modern counterparts. In the Middle Ages the term modus was used to describe both intervals and rhythm. Modal rhythm was an essential feature of the modal notation system of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fluxus
Fluxus was an international, interdisciplinary community of artists, composers, designers and poets during the 1960s and 1970s who engaged in experimental art performances which emphasized the artistic process over the finished product. Fluxus is known for experimental contributions to different artistic media and disciplines and for generating new art forms. These art forms include intermedia, a term coined by Fluxus artist Dick Higgins; conceptual art, first developed by Henry Flynt, an artist contentiously associated with Fluxus; and video art, first pioneered by Nam June Paik and Wolf Vostell. Dutch gallerist and art critic describes Fluxus as "the most radical and experimental art movement of the sixties".. 1979. ''Fluxus, the Most Radical and Experimental Art Movement of the Sixties'' Amsterdam: Editions Galerie A. They produced performance "events", which included enactments of scores, "Neo-Dada" noise music, and time-based works, as well as concrete poetry, visual art, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Urtext Edition
An urtext edition of a work of classical music is a printed version intended to reproduce the original intention of the composer as exactly as possible, without any added or changed material. Other kinds of editions distinct from urtext are facsimile and interpretive editions, discussed below. Preparing urtext editions The sources for an urtext edition include the autograph (that is, the manuscript produced in the composer's hand), hand copies made by the composer's students and assistants, the first published edition, and other early editions. Since first editions often include misprints, a particularly valuable source for urtext editions is a copy of the first edition that was hand-corrected by the composer. Typically, an urtext edition will include a preface indicating what sources were consulted by the editor. In the case of manuscripts, or first editions that have become rare, the editor will indicate the scholarly library or other repository in which they are kept. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Graduale Novum
The gradual ( la, graduale or ) is a chant or hymn in the Mass, the liturgical celebration of the Eucharist in the Catholic Church, and among some other Christians. It gets its name from the Latin (meaning "step") because it was once chanted on the step of the ambo or altar. In the Tridentine Mass, it is sung after the reading or chanting of the epistle and before the Alleluia, or, during penitential seasons, before the tract. In the Mass of Paul VI, the gradual is usually replaced with the responsorial psalm. Although the Gradual remains an option in the Mass of Paul VI, its use is extremely rare outside monasteries. The gradual is part of the proper of the Mass. A gradual can also refer to a book collecting all the musical items of the Mass. The official such book for the Roman Rite is the Roman Gradual (). Other such books include the Dominican Gradual. History The Gradual, like the Alleluia and Tract, is one of the responsorial chants of the Mass. Responsorial chants d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Graduale Lagal
The gradual ( la, graduale or ) is a chant or hymn in the Mass, the liturgical celebration of the Eucharist in the Catholic Church, and among some other Christians. It gets its name from the Latin (meaning "step") because it was once chanted on the step of the ambo or altar. In the Tridentine Mass, it is sung after the reading or chanting of the epistle and before the Alleluia, or, during penitential seasons, before the tract. In the Mass of Paul VI, the gradual is usually replaced with the responsorial psalm. Although the Gradual remains an option in the Mass of Paul VI, its use is extremely rare outside monasteries. The gradual is part of the proper of the Mass. A gradual can also refer to a book collecting all the musical items of the Mass. The official such book for the Roman Rite is the Roman Gradual (). Other such books include the Dominican Gradual. History The Gradual, like the Alleluia and Tract, is one of the responsorial chants of the Mass. Responsorial chants d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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