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Melodic Pattern
In music and jazz improvisation, a melodic pattern (or motive) is a cell or germ serving as the basis for repetition (music), repetitive pattern. It is a figure that can be used with any scale (music), scale. It is used primarily for solo (music), solos because, when practiced enough, it can be extremely useful when musical improvisation, improvising. "Sequence" refers to the repetition of a part at a higher or lower pitch, and melodic sequence is differentiated from sequence (music), harmonic sequence. One example of melodic motive and sequence are the pitches of the first line, "Send her victorious," repeated, a step lower, in the second line, "Happy and glorious," from "God Save the Queen". "A melodic pattern is just what the name implies: a melody with some sort of fixed pattern to it." "The strong subject (music), theme or motif (music), motive is stated. It is repeated more or less exactly, but at a different pitch level."Haerle, Dan (1993). ''Jazz Improvisation for Keyyb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Four Note Ascending Melodic Pattern
4 (four) is a number, numeral (linguistics), numeral and numerical digit, digit. It is the natural number following 3 and preceding 5. It is a square number, the smallest semiprime and composite number, and is tetraphobia, considered unlucky in many East Asian cultures. Evolution of the Hindu-Arabic digit Brahmic numerals represented 1, 2, and 3 with as many lines. 4 was simplified by joining its four lines into a cross that looks like the modern plus sign. The Shunga Empire, Shunga would add a horizontal line on top of the digit, and the Northern Satraps, Kshatrapa and Pallava dynasty, Pallava evolved the digit to a point where the speed of writing was a secondary concern. The Arabs' 4 still had the early concept of the cross, but for the sake of efficiency, was made in one stroke by connecting the "western" end to the "northern" end; the "eastern" end was finished off with a curve. The Europeans dropped the finishing curve and gradually made the digit less cursive, endi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Subject (music)
In music, a subject is the material, usually a recognizable melody, upon which part or all of a composition is based. In forms other than the fugue, this may be known as the theme. Characteristics A subject may be perceivable as a complete musical expression in itself, separate from the work in which it is found. In contrast to an idea or motif, a subject is usually a complete phrase or period. The ''Encyclopédie Fasquelle'' defines a theme (subject) as " y element, motif, or small musical piece that has given rise to some variation becomes thereby a theme". Thematic changes and processes are often structurally important, and theorists such as Rudolph Reti have created analysis from a purely thematic perspective. Fred Lerdahl describes thematic relations as "associational" and thus outside his cognitive-based generative theory's scope of analysis. In different types of music Music based on a single theme is called monothematic, while music based on several themes is c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Nicolas Slonimsky
Nicolas Slonimsky ( – December 25, 1995), born Nikolai Leonidovich Slonimskiy (), was a Russian-born American musicologist, conductor, pianist, and composer. Best known for his writing and musical reference work, he wrote the ''Thesaurus of Scales and Melodic Patterns'' and the '' Lexicon of Musical Invective'', and edited '' Baker's Biographical Dictionary of Musicians''. Biography Early life in Russia and Europe Slonimsky was born Nikolai Leonidovich Slonimskiy in Saint Petersburg. He was of Jewish origin; his grandfather was Rabbi Chaim Zelig Slonimsky. His parents adopted the Orthodox faith after the birth of his older brother, and Nicolas was baptized in the Russian Orthodox Church. His maternal aunt, Isabelle Vengerova, later a founder of Philadelphia's Curtis Institute of Music, was his first piano teacher. He grew up in the intelligentsia. After the Russian Revolution of 1917, he moved south, first to Kyiv, then to Constantinople, and ultimately to Paris, wher ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Yusef Lateef
Yusef Abdul Lateef (born William Emanuel Huddleston; October 9, 1920 – December 23, 2013) was an American jazz multi-instrumentalist, composer, and prominent figure among the Ahmadiyya Community in the United States. Although Lateef's main instruments were the tenor saxophone and flute, he also played oboe and bassoon, both rare in jazz, and non-western instruments such as the bamboo flute, shanai, shofar, xun, arghul and koto. He is known for having been an innovator in the blending of jazz with " Eastern" music. Peter Keepnews, in his ''New York Times'' obituary of Lateef, wrote that the musician "played world music before world music had a name". Lateef's books included two novellas titled ''A Night in the Garden of Love'' and ''Another Avenue'', the short story collections ''Spheres'' and ''Rain Shapes'', and his autobiography, ''The Gentle Giant,'' written in collaboration with Herb Boyd. Along with his record label YAL Records, Lateef owned Fana Music, a music pub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Phrase (music)
In music theory, a phrase () is a unit of Meter (music), musical meter that has a complete musical sense of its own, built from figure (music), figures, motif (music), motifs, and Cell (music), cells, and combining to form Melody, melodies, period (music), periods and larger Section (music), sections. Terms such as ''sentence'' and ''verse'' have been adopted into the vocabulary of music from linguistic syntax. Though the analogy between the musical and the phrase, linguistic phrase is often made, still the term "is one of the most ambiguous in music....there is no consistency in applying these terms nor can there be...only with melodies of a very simple type, especially those of some dances, can the terms be used with some consistency." John D. White defines a phrase as "the smallest musical unit that conveys a more or less complete musical thought. Phrases vary in length and are terminated at a point of full or partial repose, which is called a ''cadence''." Edward T. Cone, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Lick (music)
In popular music genres such as country, blues, jazz or rock music, a lick is "a stock pattern or phrase" consisting of a short series of notes used in solos and melodic lines and accompaniment. For musicians, learning a lick is usually a form of imitation. By imitating, musicians understand and analyze what others have done, allowing them to build a vocabulary of their own. In a jazz band, a lick may be performed during an improvised solo, either during an accompanied solo chorus or during an unaccompanied solo break. Jazz licks are usually original short phrases which can be altered so they can be used over a song's changing harmonic progressions. Similar concepts A lick is different from the related concept of a riff, as riffs can include repeated chord progressions. Licks are more often associated with single-note melodic lines than with chord progressions. However, like riffs, licks can be the basis of an entire song. Single-line riffs or licks used as the basis of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Melody Type
Melody type or type-melody is a set of melody, melodic formulas, figure (music), figures, and melodic pattern, patterns. Term and typical meanings "Melody type" is a fundamental notion for understanding a nature of Western and non-Western musical Mode (music), modes, according to Harold Powers, Harold Powers' seminal article "Mode" in the first edition of the ''New Grove Dictionary of Music and Musicians'' . Melody types are used in the musical composition, composition of an enormous variety of music, especially music of Asia, non-Western and early music, early Western music. Such music is generally composed by a process of centonization, either freely (i.e. improvised) or in a fixed pattern. "Melody type" as used by the ethnomusicologist Mark Slobin, Mark is defined as a "group of melodies that are related, in that they all contain similar modal procedures and characteristic rhythmic and melodic contours or patterns". Most cultures which compose music in this way organize ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Imitation (music)
In music, imitation is the repetition of a melody in a polyphonic texture shortly after its first appearance in a different voice. The melody may vary through transposition, inversion, or otherwise, but retain its original character. The intervals and rhythms of an imitation may be exact or modified; imitation occurs at varying distances relative to the first occurrence, and phrases may begin with voices in imitation before they freely go their own ways. Imitation helps provide unity to a composition and is used in forms such as the fugue and canon. Definitions When a phrase recurs exactly as before (except perhaps transposed), it is called strict imitation. A round is thus an example of strict imitation. Repetition is defined as the repetition of a phrase or melody often with variations in key, rhythm, and voice. Different authors define imitation somewhat differently: The point of imitation, "marks the beginning of a series of imitative entries in a con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Isorhythm
Isorhythm (from the Greek for "the same rhythm") is a musical technique using a repeating rhythmic pattern, called a ''talea'', in at least one voice part throughout a composition. ''Taleae'' are typically applied to one or more melodic patterns of pitches or '' colores'', which may be of the same or a different length from the ''talea''. History and development Isorhythms first appear in French motets of the 13th century, such as in the '' Montpellier Codex''. Although 14th-century theorists used the words ''talea'' and ''color''—the latter in a variety of senses related to repetition and embellishment—the term ''isorhythm'' was coined in 1904 by musicologist Friedrich Ludwig, initially to describe the practice in 13th-century polyphony. Ludwig later extended its use to the 14th-century music of Guillaume de Machaut. Subsequently, Heinrich Besseler and other musicologists expanded its scope further as an organizing structural element in 14th- and early 15th-century composi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Motif (music)
In music, a motif () or motive is a short musical idea, a Salience (neuroscience), salient recurring Figure (music), figure, musical fragment or succession of notes that has some special importance in or is characteristic of a musical composition, composition. The motif is the smallest structural unit possessing theme (music), thematic identity. History The defines a motif as a "melodic, rhythmic, or harmonic cell (music), cell", whereas the 1958 maintains that it may contain one or more cells, though it remains the smallest analyzable element or phrase within a subject (music), subject. It is commonly regarded as the shortest subdivision of a Theme (music), theme or Phrase (music), phrase that still maintains its identity as a musical idea. "The smallest structural unit possessing thematic identity". The New Grove Dictionary of Music and Musicians, Grove and Éditions Larousse, Larousse also agree that the motif may have harmonic, melodic and/or rhythmic aspects, Grove a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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C Major Scale Melodic Pattern
C, or c, is the third letter of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''cee'' (pronounced ), plural ''cees''. History "C" comes from the same letter as "G". The Semites named it gimel. The sign is possibly adapted from an Egyptian hieroglyph for a staff sling, which may have been the meaning of the name ''gimel''. Another possibility is that it depicted a camel, the Semitic name for which was ''gamal''. Barry B. Powell, a specialist in the history of writing, states "It is hard to imagine how gimel = "camel" can be derived from the picture of a camel (it may show his hump, or his head and neck!)". In the Etruscan language, plosive consonants had no contrastive voicing, so the Greek ' Γ' (Gamma) was adopted into the Etruscan alphabet to represent . Already in the Western Greek alphabet, Gamma first took a '' form in Early Etruscan, then '' in Classical Et ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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God Save The Queen Melodic Sequence
In monotheistic belief systems, God is usually viewed as the supreme being, creator deity, creator, and principal object of Faith#Religious faith, faith. In polytheistic belief systems, a Deity, god is "a spirit or being believed to have created, or for controlling some part of the universe or life, for which such a deity is often worshipped". Belief in the existence of at least one deity, which interfers with the world, is called theism. Conceptions of God vary considerably. Many notable theologians and philosophers have developed arguments for and against the existence of God. Atheism rejects the belief in any deity. Agnosticism is the belief that the existence of God is unknown or unknowable. Some theists view knowledge concerning God as derived from faith. God is often conceived as the greatest entity in existence. God is often believed to be the cause of all things and so is seen as the creator, God the Sustainer, sustainer, and ruler of the universe. God is often thought ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |