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Mandora
File:Mandora MET DP168838.jpg, Mandora (1726) File:Lute 2, MfM.Uni-Leipzig.jpg, 6~9 courses lute (Calchedon, Calichon) (1735)Georg Kinsky: Musikhistorisches Museum von Wilhelm Heyer in Cöln, Bd. 2, Köln 1912, S. 98. File:Gallichon, Muzeum Instrumentów Muzycznych w Pradze.jpg, Gallichon The mandora or gallichon is a type of 18th- and early 19th-century lute, with six to nine courses of strings. The terms were interchangeable, with ''mandora'' more commonly used from the mid-18th century onwards. History ''Mandora'' or ''gallichon'' generally refers to a bass lute from the 1700s, with a vibrating string length of 72 centimeters or greater, used in Germany and Bohemia. It could be either single- or double-strung. James Tyler pointed out in his book ''The Early Mandolin'' that the word mandora was rarely encountered before the 18th century. Then, it referred to a large bass lute. The gallichone, as it was better known, was a type of 6 or 8-course bass lute (possibly a desce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Paul Schiffelholz
Johann Paul Schiffelholz (13 March 1685 – 28 January 1758), was a German Baroque composer and an important composer for the variety of baroque lute called "calichon" or "gallichona" (top string in nominal D) or "mandora" (top string in nominal E) - not to be confused with the Italian "colascione" - as well as writing the usual trio sonatas, etc., for the violin family of instruments. He was born in Heideck. Guitar versions of the mandora music are published by Suvini Zerboni as well as one of the trio sonatas by Breitkopf & Härtel. External linksBiography * 1685 births 1758 deaths German Baroque composers 18th-century German classical composers German male classical composers People from Roth (district) 18th-century German composers 18th-century German male musicians {{Germany-composer-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Tyler (music)
James Tyler (August 3, 1940 – November 23, 2010) was a 20th-century American lutenist, banjoist, guitarist, composer, musicologist and author, who helped pioneer an early music revival with more than 60 recordings.James Tyler obituary (The Guardian, 2 Dec 2010).Lutenist, James Tyler (University of Southern California - 4 Dec 2010). Background James Henry Tyler was born in Hartford, Connecticut. His father worked for Pratt-Whitney. Initially, he studied the banjo (classic 5-string and tenor) and Mandolin with Walter K. Bauer (1954–1958), then the lute with Jos ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gittern
The gittern was a relatively small gut-strung, round-backed instrument that first appeared in literature and pictorial representation during the 13th century in Western Europe (Iberian Peninsula, Italy, France, England). It is usually depicted played with a quill plectrum, as can be seen clearly beginning in manuscript illuminations from the thirteenth century. It was also called the in Spain, or in France, the in Italy and in Germany. A popular instrument with court musicians, minstrels, and amateurs, the gittern is considered an ancestor of the modern guitar and other instruments like the mandore, bandurria and gallichon. From the early 16th century, a -shaped (flat-backed) began to appear in Spain, and later in France, existing alongside the gittern. Although the round-backed instrument appears to have lost ground to the new form which gradually developed into the guitar familiar today, the influence of the earlier style continued. Examples of lutes converted into g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lutes
A lute ( or ) is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted. More specifically, the term "lute" commonly refers to an instrument from the family of European lutes which were themselves influenced by Indian short-necked lutes in Gandhara which became the predecessor of the Islamic, the Sino-Japanese and the European lute families. The term also refers generally to any necked string instrument having the strings running in a plane parallel to the sound table (in the Hornbostel–Sachs system). The strings are attached to pegs or posts at the end of the neck, which have some type of turning mechanism to enable the player to tighten the tension on the string or loosen the tension before playing (which respectively raise or lower the pitch of a string), so that each string is tuned to a specific pitch (or note). The lute is plucked or strummed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lute
A lute ( or ) is any plucked string instrument with a neck (music), neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted. More specifically, the term "lute" commonly refers to an instrument from the Family (musical instruments), family of History of lute-family instruments, European lutes which were themselves influenced by India, Indian short-necked lutes in Gandhara which became the predecessor of the Islamic music, Islamic, the Sino-Japanese and the Early music, European lute families. The term also refers generally to any necked string instrument having the strings running in a plane parallel to the Sound board (music), sound table (in the Hornbostel–Sachs system). The strings are attached to pegs or posts at the end of the neck, which have some type of turning mechanism to enable the player to tighten the tension on the string or loosen the tension before playing (which respectively ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lutes
A lute ( or ) is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted. More specifically, the term "lute" commonly refers to an instrument from the family of European lutes which were themselves influenced by Indian short-necked lutes in Gandhara which became the predecessor of the Islamic, the Sino-Japanese and the European lute families. The term also refers generally to any necked string instrument having the strings running in a plane parallel to the sound table (in the Hornbostel–Sachs system). The strings are attached to pegs or posts at the end of the neck, which have some type of turning mechanism to enable the player to tighten the tension on the string or loosen the tension before playing (which respectively raise or lower the pitch of a string), so that each string is tuned to a specific pitch (or note). The lute is plucked or strummed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Antonio Brescianello
Giuseppe Antonio Brescianello (also Bressonelli; ca. 1690, Bologna – 4 October 1758, Stuttgart) was an Italian Baroque composer and violinist. Brescianello's name is mentioned for the first time in a document from 1715 in which Maximilian II Emanuel, Elector of Bavaria conferred on him an appointment as violinist in the court orchestra in Munich. Soon after, in 1716, following the death of Johann Christoph Pez, he was given a post at the court in Stuttgart of Eberhard Ludwig, Duke of Württemberg, as director of music and ''maître des concerts de la chambre''. In 1717, he was appointed ''Hofkapellmeister''. Around 1718, he composed the ''pastorale'' opera ''La Tisbe'', which he dedicated to the Archduke in the vain hope that it would be programmed at the Stuttgart theatre. Between 1719 and 1721, Brescianello came into conflict with the composer Reinhard Keiser, who launched repeated attempts to seize his post. He held out and in 1731 was even granted the more senior title ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colascione
The colascione (or calascione, , , also sometimes known as liuto della giraffa meaning giraffe-lute, a reference to its long neck) is a plucked string instrument from the late Renaissance and early Baroque periods,Anthony Baines: Lexikon der Musikinstrumente. J.B. Metzler'sche Verlagsbuchhandlung, Stuttgart 2005, S. 66 with a lute-like resonant body and a very long neck. It was mainly used in southern Italy. It has two or three strings tuned in fifths. Noteworthy are the great similarities of the colascione with instruments such as the dutar or the saz. Nevertheless, there are important differences, such as the bridge being on the top of the body. Fotothek df tg 0008352 Akustik ^ Saiteninstrument ^ Zupfinstrument ^ Colachon ^ Ordensliteratur.jpg, Image of Colascione from woodcut from Deutsche Fotothek File:Colascione.jpg, A modern reconstruction File:Domenico Colla and his brother.jpg, Domenico Colla and his brother, who toured Europe in the 1760s, playing both colascione and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jaw Harp
The Jew's harp, also known as jaw harp, juice harp, or mouth harp, is a lamellophone instrument, consisting of a flexible metal or bamboo tongue or Reed (mouthpiece), reed attached to a frame. Despite the colloquial name, the Jew's harp most likely originated in China, with the earliest known Jew's harps dating back 4,000 years ago from Shaanxi, Shaanxi province. It has no relation to the Jewish people. Jew's harps may be categorized as idioglot or heteroglot (whether or not the frame and the tine are one piece); by the shape of the frame (rod or plaque); by the number of tines, and whether the tines are plucked, joint-tapped, or string-pulled. Characteristics The frame is held firmly against the performer's parted teeth or lips (depending on the type), using the mouth (plus the throat and lungs when breathing freely) as a Resonator#Acoustic, resonator, greatly increasing the volume of the instrument. The teeth must be parted sufficiently for the reed to vibrate freely, and the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kobza
The kobza (), also called bandura () is a Ukrainian folk music instrument of the lute family (Hornbostel-Sachs classification number 321.321-5+6), a relative of the Central European mandora. The term ''kobza'' however, has also been applied to a number of other Eastern European instruments distinct from the Ukrainian kobza. Construction The Ukrainian kobza was a traditionally gut-strung, lute-like stringed musical instrument with a body hewn from a single block of wood. Instruments with a staved assembly also exist. The kobza has a medium-length neck which may or may not have tied-on frets, which were usually made of gut. It was single-strung (sometimes also double-strung) and the strings were played with fingertips or occasionally with a plectrum threaded through a ring placed on the middle finger. History The term kobza is of Turkic languages, Turkic origin and is related to the terms kobyz and komuz, thought to have been introduced into the Ukrainian language in the 13th ce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Anton Logy
Johann, typically a male given name, is the German form of ''Iohannes'', which is the Latin form of the Greek name ''Iōánnēs'' (), itself derived from Hebrew name '' Yochanan'' () in turn from its extended form (), meaning "Yahweh is Gracious" or "Yahweh is Merciful". Its English language equivalent is John. It is uncommon as a surname. People People with the name Johann include: Mononym * Johann, Count of Cleves (died 1368), nobleman of the Holy Roman Empire *Johann, Count of Leiningen-Dagsburg-Falkenburg (1662–1698), German nobleman *Johann, Prince of Hohenzollern-Sigmaringen (1578–1638), German nobleman A–K * Johann Adam Hiller (1728–1804), German composer * Johann Adam Reincken (1643–1722), Dutch/German organist * Johann Adam Remele (died 1740), German court painter * Johann Adolf I, Duke of Saxe-Weissenfels (1649–1697) * Johann Adolph Hasse (1699-1783), German Composer * Johann Altfuldisch (1911—1947), German Nazi SS concentration camp officer executed for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Albrechtsberger
Johann Georg Albrechtsberger (3 February 1736 – 7 March 1809) was an Austrian composer, organist, and music theorist, widely regarded as one of the leading figures in counterpoint and composition theory during the Classical period. He was a prolific composer of church music, orchestral works, and keyboard pieces, though he is best remembered for his influence as a teacher. Albrechtsberger was a mentor to several important composers, most notably Ludwig van Beethoven, whom he instructed in counterpoint and fugue. His theoretical writings and pedagogical methods had a lasting impact on 19th-century composition, and his treatises on harmony and counterpoint remain highly regarded. He was also a friend of Haydn and Mozart. In addition to his teaching contributions, Albrechtsberger held several prestigious positions, including Kapellmeister of St. Stephen's Cathedral in Vienna. He was a composer though his works are little performed today. Biography Albrechtsberger was born at Klost ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
