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Mandora
File:Mandora MET DP168838.jpg, 6~9 courses lute (Calchedon, Calichon) (1726)Georg Kinsky: Musikhistorisches Museum von Wilhelm Heyer in Cöln, Bd. 2, Köln 1912, S. 98. File:Gallichon, Muzeum Instrumentów Muzycznych w Pradze.jpg, Gallichon The mandora or gallichon is a type of 18th- and early 19th-century lute, with six to nine courses of strings. The terms were interchangeable, with ''mandora'' more commonly used from the mid-18th century onwards. History ''Mandora'' or ''gallichon'' generally refers to a bass lute from the 1700s, with a vibrating string length of 72 centimeters or greater, used in Germany and Bohemia. It could be either single- or double-strung. James Tyler pointed out in his book ''The Early Mandolin'' that the word mandora was rarely encountered before the 18th century. Then, it referred to a large bass lute. The gallichone, as it was better known, was a type of 6 or 8-course bass lute (possibly a descendant of the guiterne and/or chitarra italiana) us ...
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Gittern
The gittern was a relatively small gut-strung, round-backed instrument that first appears in literature and pictorial representation during the 13th century in Western Europe (Iberian Peninsula, Italy, France, England). It is usually depicted played with a quill plectrum, as can be seen clearly beginning in manuscript illuminations from the thirteenth century. It was also called the in Spain, or in France, the in Italy and in Germany. A popular instrument with court musicians, minstrels, and amateurs, the gittern is considered an ancestor of the modern guitar and other instruments like the mandore, bandurria and gallichon. From the early 16th century, a -shaped (flat-backed) began to appear in Spain, and later in France, existing alongside the gittern. Although the round-backed instrument appears to have lost ground to the new form which gradually developed into the guitar familiar today, the influence of the earlier style continued. Examples of lutes converted into gu ...
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James Tyler (music)
James Tyler (August 3, 1940 – November 23, 2010) was a 20th-century American lutenist, banjoist, guitarist, composer, musicologist and author, who helped pioneer an early music revival with more than 60 recordings.James Tyler obituary
( The Guardian, 2 Dec 2010).
Lutenist, James Tyler
( University of Southern California - 4 Dec 2010).


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Johann Paul Schiffelholz
Johann Paul Schiffelholz (13 March 1685 – 28 January 1758), was a German Baroque composer and an important composer for the variety of baroque lute called "calichon" or "gallichona" (top string in nominal D) or "mandora" (top string in nominal E) - not to be confused with the Italian "colascione" - as well as writing the usual trio sonatas, etc., for the violin family of instruments. He was born in Heideck. Guitar versions of the mandora music are published by Suvini Zerboni as well as one of the trio sonatas by Breitkopf & Härtel Breitkopf & Härtel is the world's oldest music publishing house. The firm was founded in 1719 in Leipzig by Bernhard Christoph Breitkopf. The catalogue currently contains over 1,000 composers, 8,000 works and 15,000 music editions or books on .... External linksBiography * 1685 births 1758 deaths German Baroque composers 18th-century classical composers German male classical composers People from Roth (district) 18th-century German co ...
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Kobza
The kobza ( uk , кобза), also called bandurka ( uk , бандурка) is a Ukrainian folk music instrument of the lute family ( Hornbostel-Sachs classification number 321.321-5+6), a relative of the Central European mandora. The term ''kobza'' however, has also been applied to a number of other Eastern European instruments distinct from the Ukrainian kobza. Construction The Ukrainian kobza was a traditionally gut-strung, lute-like stringed musical instrument with a body hewn from a single block of wood. Instruments with a staved assembly also exist. The kobza has a medium-length neck which may or may not have tied-on frets, which were usually made of gut. It was single-strung (sometimes also double-strung) and the strings were played with fingertips or occasionally with a plectrum threaded through a ring placed on the middle finger. History The term kobza is of Turkic origin and is related to the terms kobyz and komuz, thought to have been introduced into the Ukrainian l ...
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Colascione
The colascione (or calascione, Italian: [], French: ''colachon'' [], also sometimes known as liuto della giraffa meaning giraffe-lute, a reference to its long neck) is a plucked string instrument from the late Renaissance and early Baroque periods,Anthony Baines: Lexikon der Musikinstrumente. J.B. Metzler'sche Verlagsbuchhandlung, Stuttgart 2005, S. 66 with a lute-like resonant body and a very long neck. It was mainly used in southern Italy. It has two or three strings tuned in fifths. Noteworthy are the great similarities of the colascione with instruments such as the dutar or the saz. Nevertheless, there are important differences, such as the bridge being on the top of the body. Fotothek df tg 0008352 Akustik ^ Saiteninstrument ^ Zupfinstrument ^ Colachon ^ Ordensliteratur.jpg, Image of Colascione from woodcut from Deutsche Fotothek File:Colascione.jpg, A modern reconstruction File:Domenico Colla and his brother.jpg, Domenico Colla and his brother, who toured Europe in the ...
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Lutes
A lute ( or ) is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted. More specifically, the term "lute" can refer to an instrument from the family of European lutes. The term also refers generally to any string instrument having the strings running in a plane parallel to the sound table (in the Hornbostel–Sachs system). The strings are attached to pegs or posts at the end of the neck, which have some type of turning mechanism to enable the player to tighten the tension on the string or loosen the tension before playing (which respectively raise or lower the pitch of a string), so that each string is tuned to a specific pitch (or note). The lute is plucked or strummed with one hand while the other hand "frets" (presses down) the strings on the neck's fingerboard. By pressing the strings on different places of the fingerboard, the player can short ...
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Lute
A lute ( or ) is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted. More specifically, the term "lute" can refer to an instrument from the family of European lutes. The term also refers generally to any string instrument having the strings running in a plane parallel to the sound table (in the Hornbostel–Sachs system). The strings are attached to pegs or posts at the end of the neck, which have some type of turning mechanism to enable the player to tighten the tension on the string or loosen the tension before playing (which respectively raise or lower the pitch of a string), so that each string is tuned to a specific pitch (or note). The lute is plucked or strummed with one hand while the other hand "frets" (presses down) the strings on the neck's fingerboard. By pressing the strings on different places of the fingerboard, the player can sho ...
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Lutes
A lute ( or ) is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted. More specifically, the term "lute" can refer to an instrument from the family of European lutes. The term also refers generally to any string instrument having the strings running in a plane parallel to the sound table (in the Hornbostel–Sachs system). The strings are attached to pegs or posts at the end of the neck, which have some type of turning mechanism to enable the player to tighten the tension on the string or loosen the tension before playing (which respectively raise or lower the pitch of a string), so that each string is tuned to a specific pitch (or note). The lute is plucked or strummed with one hand while the other hand "frets" (presses down) the strings on the neck's fingerboard. By pressing the strings on different places of the fingerboard, the player can short ...
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Giuseppe Antonio Brescianello
Giuseppe Antonio Brescianello (also Bressonelli; ca. 1690, Bologna – 4 October 1758, Stuttgart) was an Italian Baroque composer and violinist. Brescianello's name is mentioned for the first time in a document from 1715 by which Maximilian II Emanuel, Elector of Bavaria conferred on him an appointment as violinist in the court orchestra in Munich. Soon after, in 1716, following the death of Johann Christoph Pez, Brescianello was given a post at the court in Stuttgart of Eberhard Ludwig, Duke of Württemberg, as director of music and ''maître des concerts de la chambre''. In 1717, came an appointment there as ''Hofkapellmeister''. Around 1718, he composed the ''pastorale'' opera ''La Tisbe'', which he dedicated to the Archduke in the vain hope that it would be listed at the Stuttgart theatre. In the years from 1719 to 1721 there arose a fierce conflict when Reinhard Keiser launched repeated attempts to obtain Brescianello's post. Brescianello survived and in 1731 even bec ...
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Georg Philipp Telemann
Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesheim, Telemann entered the University of Leipzig to study law, but eventually settled on a career in music. He held important positions in Leipzig, Sorau, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of that city's five main churches. While Telemann's career prospered, his personal life was always troubled: his first wife died less than two years after their marriage, and his second wife had extramarital affairs and accumulated a large gambling debt before leaving him. Telemann is one of the most prolific composers in history, at least in terms of surviving oeuvre. He was considered by his contemporaries to be one of the leading German composers of the time, and he was compared favourabl ...
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Johann Albrechtsberger
Johann Georg Albrechtsberger (3 February 1736 – 7 March 1809) was an Austrian composer, organist, and music theorist, and one of the teachers of Ludwig van Beethoven. He was a friend of Haydn and Mozart. Biography Albrechtsberger was born at Klosterneuburg, near Vienna. He originally studied music at Melk Abbey and philosophy at a Benedictine seminary in Vienna, and became one of the most learned and skilful contrapuntists of his age. Albrechtsberger's earliest classmates included Michael Haydn and Franz Joseph Aumann. After being employed as organist at Raab in 1755 and Maria Taferl in 1757, he was appointed Thurnermeister back at Melk Abbey. In 1772 he was appointed organist to the court of Vienna, and in 1792 Kapellmeister of St. Stephen's Cathedral. His fame as a theorist attracted to him in the Austrian capital a large number of pupils, some of whom afterwards became eminent musicians. Among these were Johann Nepomuk Hummel, Ignaz Moscheles, Josef Weigl, Ludwig-Wilhelm Te ...
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