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Konnakol
Konnakol (also spelled Konokol, Konakkol, Konnakkol) ( koṉṉakkōl) () is the art of performing percussion syllables vocally in South Indian Carnatic music. Konnakol is the spoken component of solkattu, which refers to a combination of konnakol syllables spoken while simultaneously counting the tala (meter) with the hand. It is comparable in some respects to '' bol'' in Hindustani music, but allows the composition, performance or communication of rhythms. A similar concept in Hindustani classical music is called padhant. Usage Musicians from a variety of traditions have found konnakol useful in their practice. Prominent among these is John McLaughlin, who led the Mahavishnu Orchestra and has long used konnakol as a compositional aid. V. Selvaganesh, who plays alongside McLaughlin in the group Remember Shakti, and Ranjit Barot, who plays with McLaughlin in the group 4th Dimension, are other noted konnakol virtuosos. A few of the prominent names performing konnakol are B K ...
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Arun Luthra
Arun Luthra (Hindi: अरुण लूथरा; Punjabi: ਅਰੁਣ ਲੂਥਰਾ) is a saxophonist, konnakol artist, composer, and bandleader based in New York City. Career He has worked with Billy Harper, Eddie Henderson, Kenny Garrett, Dennis Irwin, Joe Chambers, Charli Persip, Portinho, Zé Renato, The Temptations, The Four Tops, Frankie Valli, Bobby Short, Lew Soloff, Bernard Purdie and Ray Vega. Luthra has also performed or studied with the Hindustani and Carnatic musicians Selvaganesh Vinayakram, Pandit Trichy Sankaran, Pandit Samir Chatterjee, Krishnan Lalgudi & Vijayalakshmi Lalgudi, Pandit Karaikudi Subramaniam, Steve Gorn, Kiran Ahluwalia, Sufi singer Zila Khan, and Asha Puthli. Luthra was interviewed by Linus Wyrsch on ''The Jazz Hole'' for Breakthruradio. Luthra was named the 2017–2018 composer-in-residence at Flushing Town Hall by Exploring the Metropolis. In conjunction with this he was awarded a 2018 New Work Grant by the Queens Council on th ...
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B C Manjunath
B. C. Manjunath (born in 1976 in Karnataka) is an Indian Mridangam player, active in Indian classical music as well as Jazz and World music genres. He is also known as a practitioner and proponent of Konnakol Konnakol (also spelled Konokol, Konakkol, Konnakkol) ( koṉṉakkōl) () is the art of performing percussion syllables vocally in South Indian Carnatic music. Konnakol is the spoken component of solkattu, which refers to a combination of konnako ..., including via online videos exploring mathematical structures through the practice, including the Fibonacci Tala. References {{DEFAULTSORT:Manjunath, B C Living people 1976 births Indian classical musicians ...
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John McLaughlin (musician)
John McLaughlin (born 4 January 1942), also known as Mahavishnu, is an English guitarist, bandleader, and composer. A pioneer of jazz fusion, his music combines elements of jazz with rock, world music, Classical music, Western classical music, flamenco, and blues. After contributing to several key British groups of the early 1960s, McLaughlin made ''Extrapolation (album), Extrapolation'', his first album as a bandleader, in 1969. He then moved to the U.S., where he played with drummer Tony Williams (drummer), Tony Williams's group The Tony Williams Lifetime, Lifetime and then with Miles Davis on his 1969-72 electric jazz fusion albums ''In a Silent Way'', ''Bitches Brew'', ''Jack Johnson (album), Jack Johnson'', ''Live-Evil (Miles Davis album), Live-Evil'', and ''On the Corner''. His 1970s electric band, the Mahavishnu Orchestra, performed a technically virtuosic and complex style of music that fused electric jazz and rock with Indian influences. McLaughlin's solo on "Miles Bey ...
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Henrik Andersen (musician)
Henrik Andersen (born 7 February 1966) is a Danish jazz guitarist, singer-songwriter, multi-instrumentalist, and vocal percussionist. Among his instruments is a fifty-two string guitar made for him by Linda Manzer. Andersen was born and raised in Copenhagen, Denmark. He graduated from the Rhythmic Music Conservatory of Copenhagen. Since the age of eighteen he has performed professionally as a guitarist and vocalist. He studied carnatic music (Indian music) with Trilok Gurtu and Pete Lockett and it became a vital element of his compositions. He specializes in vocal percussion styles, such as beatboxing and konnakol and has taught master classes in konnakol and guitar. He performed with the jazz trio Music Spoken Here and as a soloist in ''The Mediterranean'', a concerto for guitar and orchestra by John McLaughlin. Andersen belonged to the World of Guitar Trio with Roman Miroshnichenko Roman Miroshnichenko () (born June 4, 1977) is a Ukrainian jazz guitarist and composer. Fro ...
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Bol (music)
A bol is a standardized mnemonic A mnemonic device ( ), memory trick or memory device is any learning technique that aids information retention or retrieval in the human memory, often by associating the information with something that is easier to remember. It makes use of e ... syllable used in North Indian classical music to define the tala, or rhythmic pattern. Bol is derived from the Hindi word ''bolna'' (बोलना), which means "to speak." One who learns to play the tabla or pakhavaj (or pakhawaj) drum is taught to recite the rhythms as bols, which can be quite complex. Bol is analogous to konnakol, which is used to recite rhythms for the mridangam drum in Carnatic music, which is South Indian classical music. See also * * * * References External linksKKSongs Talamala - Tabla Bol Referencehas recordings of tabla bols.Instruments in Depth: Tabla: Drums of North India an online feature froBloomingdale School of Music(March, 2008) contains detail ...
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Claus Hessler
Claus Hessler, also spelled Claus Heßler, is a German drummer, author, and teacher. He is a clinician who specializes in Open-handed drumming and rudimental drumming, especially Basel Drumming and Moeller method. Biography Claus Hessler was born in Laufach, Bavaria, Germany in 1969 and started playing the drums in 1973 at the age of 4. He studied the Moeller Method with Jim Chapin starting in 1990 and also developed an Open-Handed playing technique. He published his first book with Dom Famularo in 2008, ''Open-Handed Playing Vol. 1'', He followed its success with ''Daily Drumset Workout'' in 2011, which was nominated for a "Drummie" award in ''DRUM!'' magazine and also nominated for "Best Educational Book" in ''Modern Drummer'' magazine. In 2011, Hessler worked with Dom Famularo again to publish ''Open-Handed Playing Vol. 2 - A Step Beyond.'' He followed the success of his early books with a book/DVD combo called ''Drumming Kairos'' in 2013. Hessler received his second nomin ...
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Padhant
Padhant in Hindustani classical music or Indian classical dance refers to the recitation of rhythmic syllables, known as bol, during a performance. The term is derived from the Hindi word ''padhna'', meaning "to read, study or recite". ''Padhant'' is closely associated with the percussion instrument tabla and the classical dance Kathak, and the recitation of rhythmic patterns before playing them is considered an art in itself. The dancer in Kathak would pause at intervals to recite the rhythms before executing them through dance. The recitation is often accompanied by hand gestures. The recited syllables are also used in storytelling, creating an atmosphere or inducing a mood in the audience; for example, in a performance of Kalidasa's '' Meghaduta'' (''Cloud Messenger''), the sounds ''ghe-ghe-thi-ta'' can signify a rumble of clouds or, its expanded version, the arrival of clouds. In Carnatic music, a similar concept is called konnakol Konnakol (also spelled Konokol, Konakkol, Ko ...
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Steve Smith (musician)
Steven Bruce Smith (born August 21, 1954) is an American drummer best known as a member of the rock band Journey across three stints: 1978 to 1985, 1995 to 1998 and 2015 to 2020. ''Modern Drummer'' magazine readers have voted him the No. 1 All-Around Drummer five years in a row. In 2001, the publication named Smith one of the Top 25 Drummers of All Time, and in 2002 he was voted into the Modern Drummer Hall of Fame. He was inducted into the Rock and Roll Hall of Fame as a member of Journey on April 7, 2017. Early life Smith received his first drum kit at age two and in 1963 he began taking formal lessons with local Boston area drum teacher Bill Flanagan, who played in big bands in the swing era. Smith got his first "real" drum set when he was 12 years old. On many nights, Steve could be heard practicing in a small shed in the back yard of his Harvard Street home. Smith performed in the usual school band program and garage bands while in his teens, including Clyde, a South Shore ...
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Drum Rudiment
In ''rudimental drumming'', a form of percussion music, a drum rudiment is one of a number of relatively small patterns which form the foundation for more extended and complex drumming patterns. The term "drum rudiment" is most closely associated with various forms of ''field drumming'', where the snare drum plays a prominent role. In this context "rudiment" means not only "basic", but also ''fundamental''. This tradition of drumming originates in military drumming and it is a central component of martial music. Definition Rudimental drumming has something of a flexible definition, even within drumming societies devoted to that form of drumming. RudimentalDrumming.com defines it as "the study of coordination." The Percussive Arts Society defines it as a particular method for learning the drums—beginning with rudiments, and gradually building up speed and complexity through practicing those rudiments. ''Camp Duty Update'' defines a drum rudiment as an excerpt from a mili ...
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South India
South India, also known as Southern India or Peninsular India, is the southern part of the Deccan Peninsula in India encompassing the states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu and Telangana as well as the union territories of Lakshadweep and Puducherry, occupying 19.31% of India's area () and 20% of India's population. It is bound by the Bay of Bengal in the east, the Arabian Sea in the west and the Indian Ocean in the south. The geography of the region is diverse, with two mountain ranges, the Western and Eastern Ghats, bordering the plateau heartland. The Godavari, Krishna, Kaveri, Penna, Tungabhadra and Vaigai rivers are important non-perennial sources of water. Chennai, Bengaluru, Hyderabad, Coimbatore and Kochi are the largest urban areas in the region. The majority of the people in South India speak at least one of the four major Dravidian languages: Telugu, Tamil, Kannada and Malayalam. During its history, a number of dynastic kingdoms ruled ove ...
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Tabla
A ''tabla'' is a pair of hand drums from the Indian subcontinent. Since the 18th century, it has been the principal percussion instrument in Hindustani classical music, where it may be played solo, as an accompaniment with other instruments and vocals, or as a part of larger ensembles. It is frequently played in popular and folk music performances in India, Bangladesh, Afghanistan, Pakistan, Nepal and Sri Lanka.Tabla
Encyclopædia Britannica
The tabla is an essential instrument in the bhakti devotional traditions of Hinduism and Sikhism, such as during ''bhajan'' and ''kirtan'' singing. It is one of the main qawwali instruments used by Sufi musicians. The instrument is also featured in dance performances such as Kathak. Tabla is a rhythmic instrument. The word ''tabla'' likely comes from ''tabl'', the Arabic word for drum.
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Mridangam
The ''mridangam'' is an ancient percussion instrument originating from the Indian subcontinent. It is the primary rhythmic accompaniment in a Carnatic music ensemble. In Dhrupad, a modified version, the pakhawaj, is the primary percussion instrument. A related instrument is the Kendang, played in Maritime Southeast Asia. Its a complex instrument to tune and involves a lot of mathematics to construct korvais. During a percussion ensemble, the mridangam is often accompanied by the ghatam, the kanjira, and the morsing. Etymology The word "Mridangam" is formulated by the union (sandhi) of the two Sanskrit words ''mŗd'' (clay or earth) and ''anga'' (limb), as the Khol, earliest versions of the instrument were made of hardened clay. An Article in the Journal of the Madras Music Academy (Vol. XXIV P:135- 136) Dr V Raghavan opines that the Mridangam gets its name by applying the black paste which produces the specialised tone for the instrument. Eventhough the original version of ...
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