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Kobza
The kobza ( uk , кобза), also called bandurka ( uk , бандурка) is a Ukrainian folk music instrument of the lute family ( Hornbostel-Sachs classification number 321.321-5+6), a relative of the Central European mandora. The term ''kobza'' however, has also been applied to a number of other Eastern European instruments distinct from the Ukrainian kobza. Construction The Ukrainian kobza was a traditionally gut-strung, lute-like stringed musical instrument with a body hewn from a single block of wood. Instruments with a staved assembly also exist. The kobza has a medium-length neck which may or may not have tied-on frets, which were usually made of gut. It was single-strung (sometimes also double-strung) and the strings were played with fingertips or occasionally with a plectrum threaded through a ring placed on the middle finger. History The term kobza is of Turkic origin and is related to the terms kobyz and komuz, thought to have been introduced into the Ukrainian l ...
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Kobzar
A ''kobzar'' ( ua, кобзар, pl. kobzari ua, кобзарі) was an itinerant Ukrainian bard who sang to his own accompaniment, played on a multistringed bandura or kobza. Tradition Kobzars were often blind and became predominantly so by the 1800s. ''Kobzar'' literally means ' kobza player', a Ukrainian stringed instrument of the lute family, and more broadly — a performer of the musical material associated with the kobzar tradition. The professional kobzar tradition was established during the Hetmanate Era around the sixteenth century in Ukraine. Kobzars accompanied their singing with a musical instrument known as the kobza, bandura, or lira. Their repertoire primarily consisted of para-liturgical psalms and "kanty", and also included a unique epic form known as dumas. At the turn of the nineteenth century there were three regional kobzar schools: Chernihiv, Poltava, and Slobozhan, which were differentiated by repertoire and playing style. Guilds In Ukraine, ...
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Starosvitska Bandura
A bandura ( uk, банду́ра) is a Ukrainian plucked string folk instrument. It combines elements of the zither and lute and, up until the 1940s, was also often referred to by the term kobza. Early instruments (c. 1700) had 5 to 12 strings and similar to the lute. In the 20th century, the number of strings increased initially to 31 strings (1926), then to 56 strings – 68 strings on modern 'concert' instruments (1954).Mizynec, V. Folk Instruments of Ukraine. Bayda Books, Melbourne, Australia, 1987, 48с. Musicians who play the bandura are referred to as bandurists. In the 19th – early 20th century traditional bandura players, often blind, were referred to as kobzars. It is suggested that the instrument developed as a hybrid of gusli (Eastern-European psaltery) and kobza (Eastern-European lute). Some also consider the ''kobza'' as a type or an instrument resembling the ''bandura''. The term ''bandura'' can date itself to Polish chronicles from 1441. The hybridization, howe ...
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Bandura
A bandura ( uk, банду́ра) is a Ukrainian plucked string folk instrument. It combines elements of the zither and lute and, up until the 1940s, was also often referred to by the term kobza. Early instruments (c. 1700) had 5 to 12 strings and similar to the lute. In the 20th century, the number of strings increased initially to 31 strings (1926), then to 56 strings – 68 strings on modern 'concert' instruments (1954).Mizynec, V. Folk Instruments of Ukraine. Bayda Books, Melbourne, Australia, 1987, 48с. Musicians who play the bandura are referred to as bandurists. In the 19th – early 20th century traditional bandura players, often blind, were referred to as kobzars. It is suggested that the instrument developed as a hybrid of gusli (Eastern-European psaltery) and kobza (Eastern-European lute). Some also consider the ''kobza'' as a type or an instrument resembling the ''bandura''. The term ''bandura'' can date itself to Polish chronicles from 1441. The hybridization, h ...
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Torban
The torban ( ua, Торбан, also ''teorban'' or ''Ukrainian theorbo'') is a Ukrainian musical instrument that combines the features of the Baroque lute with those of the psaltery. The Тorban differs from the more common European bass lute known as the theorbo in that it had additional short unfretted treble strings (known as ''prystrunky'') strung along the treble side of the soundboard. Overview It appeared ca. 1700, probably influenced by the central European Theorbo and the Angelique which, according to Ukrainian sources Cossack mercenaries would have encountered in the Thirty Years' War. According to Marcin Ludwicki and Roman Turovsky, the torban's inventor was Tuliglowski, a Paulite monk from Jasna Gora. The Torban was manufactured and used mainly in Ukraine, but also occasionally encountered in neighbouring Poland and Russia (only 3 luthiers could be identified from the surviving instruments). There are about 40 torbans in museums around the world, with the largest gr ...
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Prystrunky
Prystrunky is a term used for the additional unfretted strings strung across the body of Ukrainian folk instruments such as the kobza, bandura, and torban. Prystrunky means "near the strings". These additional strings are thought to have appeared on these instruments as early as the 17th century. Others{{who, date=November 2021 feel that these additional strings appeared later in the mid to late 18th century. On the contemporary bandura they are now the main strings on which the performer plays, and are similar to the super treble strings on a harp guitar. Bibliography * Diakowsky, M. J. - ''The Bandura''. The Ukrainian Trend, 1958, №I, - С.18-36 * Diakowsky, M. – ''Anyone can make a bandura – I did.'' The Ukrainian Trend, Volume 6 * Haydamaka, L. – ''Kobza-bandura – National Ukrainian Musical Instrument''. "Guitar Review" №33, Summer 1970 (С.13-18) * Mishalow, V. - A ''Short History of the Bandura''. East European Meetings in Ethnomusicology 1999, Romanian Socie ...
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Duma (epic)
A Duma ( uk , дума, plural ''dumy'') is a sung epic poem which originated in Ukraine during the Hetmanate Era in the Sixteenth century (possibly based on earlier Kyivan epic forms). Historically, dumy were performed by itinerant Cossack bards called kobzari, who accompanied themselves on a kobza or a torban, but after the abolition of Hetmanate by the Empress Catherine of Russia the epic singing became the domain of blind itinerant musicians who retained the kobzar appellation and accompanied their singing by playing a bandura (rarely a kobza) or a relya/lira (a Ukrainian variety of hurdy-gurdy). Dumas are sung in recitative, in the so-called " duma mode", a variety of the Dorian mode with a raised fourth degree. Dumy were songs built around historical events, many dealing with the military actions in some forms. Embedded in these historical events were religious and moralistic elements. There are themes of the struggle of the Cossacks against enemies of different faiths ...
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Timofiy Bilohradsky
Timofiy Bilohradsky (also Belogradsky, Pelogradsky; uk, Тимофій Білоградський; ca. 1710 — ca. 1782) was a lutenist, composer and kobzar- bandurist of Ukrainian ethnicity, active in St. Petersburg and Königsberg. Little is known about his childhood. He is thought to have been born in or near the city of Cherkasy in Ukraine and that he learned to play the kobza and lute at the Hlukhiv Music Academy in Ukraine. He had an excellent voice and great musical aptitude. In 1725 he was invited to St Petersburg to sing in the Imperial Church Capella. In 1733 Tsarina Anna sent Bilohradsky to Dresden in the retinue of the ambassador Count Keyserlinck to perfect his lute playing under the tutelage of Silvius Leopold Weiss - the most important lutenist-composer of the 18th century. He also studied voice with Faustina Bordoni-Hasse, and castrato Domenico Annibali. Bilohradsky eventually became one of the highest trained musicians in the Russian Court Capella. ...
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Mandora
File:Mandora MET DP168838.jpg, 6~9 courses lute (Calchedon, Calichon) (1726)Georg Kinsky: Musikhistorisches Museum von Wilhelm Heyer in Cöln, Bd. 2, Köln 1912, S. 98. File:Gallichon, Muzeum Instrumentów Muzycznych w Pradze.jpg, Gallichon The mandora or gallichon is a type of 18th- and early 19th-century lute, with six to nine courses of strings. The terms were interchangeable, with ''mandora'' more commonly used from the mid-18th century onwards. History ''Mandora'' or ''gallichon'' generally refers to a bass lute from the 1700s, with a vibrating string length of 72 centimeters or greater, used in Germany and Bohemia. It could be either single- or double-strung. James Tyler pointed out in his book ''The Early Mandolin'' that the word mandora was rarely encountered before the 18th century. Then, it referred to a large bass lute. The gallichone, as it was better known, was a type of 6 or 8-course bass lute (possibly a descendant of the guiterne and/or chitarra italiana) us ...
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Lute
A lute ( or ) is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted. More specifically, the term "lute" can refer to an instrument from the family of European lutes. The term also refers generally to any string instrument having the strings running in a plane parallel to the sound table (in the Hornbostel–Sachs system). The strings are attached to pegs or posts at the end of the neck, which have some type of turning mechanism to enable the player to tighten the tension on the string or loosen the tension before playing (which respectively raise or lower the pitch of a string), so that each string is tuned to a specific pitch (or note). The lute is plucked or strummed with one hand while the other hand "frets" (presses down) the strings on the neck's fingerboard. By pressing the strings on different places of the fingerboard, the player can sho ...
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Mandora
File:Mandora MET DP168838.jpg, 6~9 courses lute (Calchedon, Calichon) (1726)Georg Kinsky: Musikhistorisches Museum von Wilhelm Heyer in Cöln, Bd. 2, Köln 1912, S. 98. File:Gallichon, Muzeum Instrumentów Muzycznych w Pradze.jpg, Gallichon The mandora or gallichon is a type of 18th- and early 19th-century lute, with six to nine courses of strings. The terms were interchangeable, with ''mandora'' more commonly used from the mid-18th century onwards. History ''Mandora'' or ''gallichon'' generally refers to a bass lute from the 1700s, with a vibrating string length of 72 centimeters or greater, used in Germany and Bohemia. It could be either single- or double-strung. James Tyler pointed out in his book ''The Early Mandolin'' that the word mandora was rarely encountered before the 18th century. Then, it referred to a large bass lute. The gallichone, as it was better known, was a type of 6 or 8-course bass lute (possibly a descendant of the guiterne and/or chitarra italiana) us ...
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Lute
A lute ( or ) is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted. More specifically, the term "lute" can refer to an instrument from the family of European lutes. The term also refers generally to any string instrument having the strings running in a plane parallel to the sound table (in the Hornbostel–Sachs system). The strings are attached to pegs or posts at the end of the neck, which have some type of turning mechanism to enable the player to tighten the tension on the string or loosen the tension before playing (which respectively raise or lower the pitch of a string), so that each string is tuned to a specific pitch (or note). The lute is plucked or strummed with one hand while the other hand "frets" (presses down) the strings on the neck's fingerboard. By pressing the strings on different places of the fingerboard, the player can sho ...
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Kharkiv
Kharkiv ( uk, wikt:Харків, Ха́рків, ), also known as Kharkov (russian: Харькoв, ), is the second-largest List of cities in Ukraine, city and List of hromadas of Ukraine, municipality in Ukraine.Kharkiv "never had eastern-western conflicts"
''Euronews'' (23 October 2014)
Located in the northeast of the country, it is the largest city of the historic Sloboda Ukraine, Slobozhanshchyna region. Kharkiv is the administrative centre of Kharkiv Oblast and of the surrounding Kharkiv Raion. The latest population is Kharkiv was founded in 1654 as Kharkiv fortress, and after these humble beginnings, it grew to be a major centre of industry, trade and Ukrainian culture in the Russian Empire. At the beginning of the 20th century, ...
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