Kid606
Miguel Trost De Pedro (born July 27, 1979), better known by his stage name Kid606, is an electronic musician who was raised in San Diego and later moved to San Francisco. He is most closely associated with the Glitch (music), glitch, Intelligent dance music, IDM, hardcore techno and breakcore scenes. Kid606's music is similar to the work of his friend and colleague J Lesser, Lesser, as well as hardcore and IDM acts such as Atari Teenage Riot, Autechre, Mr. Oizo, and Matmos. He is primarily inspired not by his electronic contemporaries, but by his love of the industrial music, death metal, and industrial metal of the 1980s and 1990s, particularly bands like Godflesh and Napalm Death. His music is known for its high tempo breakbeats and liberal use of Noise music, noise and sampling (music), sampling, as well as its punk aesthetic, uninhibited genre-mixing, and irreverent sense of humor. However, he is equally adept at creating more serious tracks that often reside in the realm of ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ipecac Recordings
Ipecac Recordings is an independent record label based in California. It was founded on April 1, 1999, by Greg Werckman (ex-label manager of Alternative Tentacles, ex-lead singer of DUH, ex-employee of Mercury Records) and Mike Patton (Faith No More, Mr. Bungle, Fantômas, Tomahawk, Peeping Tom, and Mondo Cane) in Alameda, California. Originally, the label was created for the sole purpose of releasing the first Fantômas album. It has since distributed music by artists such as Melvins, Oxbow and Isis, as well as several of Patton's other projects and collaborations. The label is named after syrup of ipecac, an emetic, or vomit-inducing, medicine. Its slogan is "Ipecac Recordings—Making People Sick Since 1999". Business practices Ipecac is distinguished from most labels ( independent labels included) by their policy of signing bands to only one-album contracts. Werckman claims that "when starting our label we decided that it did not feel right to 'own' the artists on our ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Caracas
Caracas ( , ), officially Santiago de León de Caracas (CCS), is the capital and largest city of Venezuela, and the center of the Metropolitan Region of Caracas (or Greater Caracas). Caracas is located along the Guaire River in the northern part of the country, within the Caracas Valley of the Venezuelan coastal mountain range (Cordillera de la Costa). The valley is close to the Caribbean Sea, separated from the coast by a steep mountain range, Cerro El Ávila; to the south there are more hills and mountains. The Metropolitan Region of Caracas has an estimated population of almost 5 million inhabitants. The historic center of the city is the Cathedral, located on Bolívar Square, though some consider the center to be Plaza Venezuela, located in the Los Caobos area. Businesses in the city include service companies, banks, and malls. Caracas has a largely service-based economy, apart from some industrial activity in its metropolitan area. The Caracas Stock Exchange and ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Disc (band)
Disc is an experimental group formed by Miguel Depedro (Kid606), Jason Doerck (J Lesser), M. C. Schmidt and Drew Daniel (Matmos). The group was most active between 1997 and 1999. To produce their sound, digital media (DATs, CDs) were etched and painted, or used in broken players to produce new sounds. In ''Gaijincd4'', a "bonus" nonfunctional CD was included to suggest a multimedia disc. The double LP ''Transfer'' consisted entirely of locked grooves. Discography Albums * ''Gaijincd4'' – CD album with bonus nonfunctional CD (December 1997, Vinyl Communications) * ''2xCD'' – 2×CD album (May 12, 1998, Vinyl Communications) * ''Nullsonic'' – CD collaboration album with KK Null , known by his stage name KK Null, is a Japanese experimental multi-instrumentalist active since the early 1980s. He began as a guitarist but learned how to compose, sing, play drums, and create electronic music. He also studied Butoh dance at M ...(August 11, 1998, Vinyl Communications) * ''Brave2 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Death Metal
Death metal is an extreme metal, extreme subgenre of heavy metal music. It typically employs heavily distorted and low-tuned guitars, played with techniques such as palm muting and tremolo picking; deep death growl, growling vocals; aggressive, powerful drumming, featuring double kick and blast beat techniques; minor keys or atonality; abrupt tempo, key, and time signature changes; and Chromatic scale, chromatic chord progressions. The lyrical themes of death metal may include slasher film-style violence,Moynihan, Michael, and Dirik Søderlind (1998). Lords of Chaos (2nd ed.). Feral House. , p. 27 political conflict, religion, nature, philosophy, true crime and science fiction. Building from the musical structure of thrash metal and Black metal#First wave, early black metal, death metal emerged during the mid-1980s. Bands such as Venom (band), Venom, Celtic Frost, Slayer, and Kreator were important influences on the genre's creation. Possessed (band), Possessed, Death (metal ba ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Matmos
Matmos is an experimental electronic music duo formed in San Francisco and based in Baltimore. M. C. (Martin) Schmidt and Drew Daniel are the core members, but they frequently include other artists on their records and in their performances notably including J Lesser. Apart from releasing twelve full-length studio albums and numerous collaborative works, Matmos is also well known for their collaboration with Icelandic singer and musician Björk, both on studio recordings and live tours. After being signed to Matador Records for nine years, Matmos signed with Thrill Jockey in 2012. The name ''Matmos'' refers to the seething lake of evil slime beneath the city Sogo in the 1968 film '' Barbarella''. Notable work In 1998, Matmos remixed the Björk single " Alarm Call". Then the duo worked with Björk on her albums '' Vespertine'' (2001) and '' Medúlla'' (2004), as well as the ''Vespertine'' and ''Greatest Hits'' tours. In November 2004, Matmos spent 97 hours in the Yerba Buena ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Autechre
Autechre ( ) are an English electronic music duo consisting of Rob Brown and Sean Booth, both from Rochdale, Greater Manchester. Formed in 1987, they are among the best known acts signed to UK electronic label Warp Records, through which all of Autechre's full-length albums have been released beginning with their 1993 debut '' Incunabula''. They gained initial recognition when they were featured on Warp's 1992 compilation ''Artificial Intelligence''. Influenced by styles such as 1980s electro and hip-hop, the music of Autechre has evolved throughout their career from early, melodic techno recordings to later works often considered abstract and experimental, featuring complex composition and few stylistic conventions. Their work has been associated with the 1990s electronic genre known as intelligent dance music (IDM), [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Atari Teenage Riot
Atari Teenage Riot (ATR) is a German band formed in Berlin in 1992. Highly political, they fuse anarchist and anti-fascist views with punk vocals and a techno sound called digital hardcore, which is a term band member Alec Empire used as the name of his record label Digital Hardcore Recordings. After a long hiatus in 2000, they re-formed in 2010. History Atari Teenage Riot was founded as an attack on the Neo-Nazi subculture by fusing hardcore punk views with German techno; it consisted of three Berliners—Alec Empire, Hanin Elias and MC Carl Crack. ATR's early releases (which included the track "Hetzjagd Auf Nazis!"/"Hunt Down the Nazis!") were surrounded by controversy in Germany. After signing to major European label Phonogram Records in 1993, the band received a large financial advance which they duplicitously used to set up their own record label: Digital Hardcore Recordings (DHR). ATR never delivered a commercially viable demo to Phonogram. The major label Intercor ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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J Lesser
J Lesser is the stage name for Jason Doerck (born December 19, 1970). Between 2003 and 2006 Doerck was a member of the now defunct laptop group Sagan, alongside Blevin Blectum, Wobbly, and video artist Ryan Junell. Early years Born and raised around California, including Willits and San Diego, Doerck began his music career listening to and playing bass guitar black metal and punk, including a Metallica cover band. In San Diego, he had a job coloring New Kids on the Block comic books using computers. In 1997, he helped form the group Disc with Kid606, M.C. Schmidt and Drew Daniel (of Matmos). An interest in electronic music drove Doerck to begin work with record label Vinyl Communications in 1992, adding more electronic flavor to what was otherwise a punk record label. Doerck settled in the San Francisco Bay Area in 1994, where he participated in the drum & bass scene. There he toured with A Minor Forest, and later collaborated with Kid606, publishing a number of records on ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Breakcore
Breakcore is a style of electronic dance music that emerged from jungle, hardcore, and drum and bass in the mid-to-late 1990s. It is characterized by very complex and intricate breakbeats and a wide palette of sampling sources played at high tempos. History As the early days of "hardcore techno" or just "hardcore" began to settle in Europe, breakcore as a genre began to take more concrete forms in other parts of the world. Inspired by new labels such as Addict, from Milwaukee, US; Peace Off from Rennes, France; Sonic Belligeranza from Bologna, Italy; and Planet Mu, from London, it began to take a new shape, adding in more elements of mashup and IDM to the hardcore sounds. Each of these labels began to draw in aspects of their own social and aesthetic scenes, allowing for an even broader definition of what was possible in the music. In Europe, the breakcore genre was solidified by raves and club events such as Belgium's Breakcore Gives Me Wood, featuring local acts such ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hardcore Techno
Hardcore (also known as hardcore techno) is a genre of electronic dance music that originated in the Netherlands, Belgium, and Germany in the early 1990s. It is distinguished by faster tempos (160 to 200 BPM or more) and a distorted sawtooth kick, the intensity of the kicks and the synthesized bass (in some subgenres), the rhythm and the atmosphere of the themes (sometimes violent), the usage of saturation and experimentation close to that of industrial dance music. It would spawn subgenres such as gabber. History Early 1970s to early 1980s Hardcore is rooted in the 1970s and early 1980s industrial music, specifically the elements of hard electronic dance music. Groups such as Throbbing Gristle, Coil, Cabaret Voltaire, SPK, Foetus and Einstürzende Neubauten produced music using a wide range of electronic instruments. The message diffused by industrial was then very provocative. Some of the musical sounds and experimentation of industrial have directly influence ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Intelligent Dance Music
Intelligent dance music (IDM) is a style of electronic music originating in the early 1990s, defined by idiosyncratic experimentation rather than specific genre constraints.''"…the label 'IDM' (for avant-garde, 'intelligent dance music') seems to be based more on an association with individualistic experimentation than on a particular set of musical characteristics."'' Butler, M.J., ''Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music'', Indiana University Press, 2006, (p. 80). The music often described with the term originally emerged in the early 1990s from the culture and sound palette of styles of electronic dance music such as acid house, ambient techno, Detroit techno and breakbeat;''"The electronic listening music of the nineties is a prime example of an art form derived from and stimulated by countless influences. Partisan analyses of this music claim a baffling variety of prime sources (Detroit techno, New York electro + Chicago acid, En ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |