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Khananda
A khananda ( ; ; alternative spellings in English: khanende, khanande, khanandeh) is a name generally given to singers of mugham, an Culture of Azerbaijan, Azeri folk music genre. The word is of Persian origin and means "singer". When performing traditional mugham, a khananda is accompanied by a trio of musicians who play the tar (lute), tar, the kamancheh and the daf (tambourine). Often the khananda is the daf-player. Origins and development The exact origins of the art of khanandas have not been studied thoroughly however it is likely that it emerged during the urbanization in the Middle Ages, medieval epoch. In the growing cities, khanandas would perform at the events organized by the nobility, on weddings and fairs, in caravanserais and tea houses. With Persian language, Persian being the main language of the local literature at the time (mugham lyrics were based on Classical Islamic poetry), khanandas used it in their performance and therefore gained popularity mostly among ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mugham Trio
Mugham () or Mughamat () is one of the many art music, classical compositions from Azerbaijan, contrasting with tasnif and ashik. It is an art form that weds classical poetry and musical improvisation in specific local modes. Mugham is a modal system. Unlike Western modes, "mugham" modes are associated not only with scales but with an orally transmitted collection of melodies and melodic fragments that performers use in the course of improvisation. Mugham is a compound composition of many parts. The choice of a particular mugham and a style of performance fits a specific event. The dramatic unfolding in performance is typically associated with increasing intensity and rising pitches, and a form of poetic-musical communication between performers and initiated listeners. Three major schools of mugham performance existed from the late 19th and early 20th centuries in the regions of Karabakh, Shirvan, and Baku. The town of Shusha of Karabakh, was particularly renowned for this art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mugham
Mugham () or Mughamat () is one of the many classical compositions from Azerbaijan, contrasting with tasnif and ashik. It is an art form that weds classical poetry and musical improvisation in specific local modes. Mugham is a modal system. Unlike Western modes, "mugham" modes are associated not only with scales but with an orally transmitted collection of melodies and melodic fragments that performers use in the course of improvisation. Mugham is a compound composition of many parts. The choice of a particular mugham and a style of performance fits a specific event. The dramatic unfolding in performance is typically associated with increasing intensity and rising pitches, and a form of poetic-musical communication between performers and initiated listeners. Three major schools of mugham performance existed from the late 19th and early 20th centuries in the regions of Karabakh, Shirvan, and Baku. The town of Shusha of Karabakh, was particularly renowned for this art. A sho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jabbar Garyagdioglu
Jabbar Garyagdioglu or Garyaghdyoglu ( pronounced ) (31 March 1861 – 20 April 1944) was an Azerbaijani folk singer (khananda). He is known as the first khananda to perform mughamats in the Azeri language. He mostly sang in Azerbaijani language, Azerbaijani and Persian language, Persian. He was widely known both as a khanende and as a composer who performed both folk songs and his own song compositions, he was the author of new texts - tesnifs. His song "Baku" enjoyed great popularity in the 1930s-1940s. Jabbar Karjagdyoglu was also known outside the Caucasus. The art of the singer was admired by Uzeir Hajibeyov and Fedor Shalyapin, Sergei Yesenin and Bulbul, Reingold Glier. In 1906-1912 his voice was recorded by a number of joint stock companies (record companies) in Kiev, Moscow, Warsaw. In the Great Soviet Encyclopedia Karjagdy is called the biggest khanende, an expert in Azerbaijani folk music. Biography Childhood and youth He was born in the Seyidlar neighbourhood of Shus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khan Shushinski
Khan Shushinski (), born Isfandiyar Aslan oglu Javanshir (20 August 1901, Shusha – 18 March 1979, Baku), was an Azerbaijani khananda folk singer. Life Despite Shushinski's relation to the khans of Karabakh, his stage name derives from an episode in his adolescence. In 1918, he and his mugham teacher Islam Abdullayev attended a wedding in the village of Novruzlu (today in the Agdam Rayon of Azerbaijan), where guests were listened to a gramophone record of the Iranian singer Abul Hasan Khan performing the Kurd Shahnaz variety of mugham. After the song, young Isfandiyar was asked to re-sing that song live. Despite the complicated nature of Kurd Shahnaz, his performance impressed the guests to the point of them comparing Isfandiyar to Abul Hasan Khan and saying: "Now, here's the real Khan."Khan Shushinski . ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bulbul (singer)
Bulbul (22 June 189726 September 1961, born Murtuza Mashadi Rza oghlu Mammadov) was an Azerbaijani people, Azerbaijani and Soviet people, Soviet operatic tenor, folk music performer, and one of the founders of vocal arts and national musical theatre in Azerbaijan. Biography Bulbul was born in 1897 in , a hamlet in the former royal gardens between Shusha and Khankandi. His mother was from the village of Pareular, the daughter of a nomad Kurds, Kurd. He was known for his musical talent since his childhood, which is why people nicknamed him Bulbul ("nightingale" in Azerbaijani language, Azerbaijani). He chose it as a stage name when he became involved in professional music. While still a young khananda, he was invited to Baku in 1920 to perform the role of Karam in Uzeyir Hajibeyov's opera ''Asli and Karam''. There he became acquainted with European-style opera and decided to excel in this genre. He later studied music and vocal arts at Azerbaijan State Conservatoire (now known a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sazanda
A sazanda or sazandar ( / سازنده; ; ; ka, საზანდარი; alternative spellings in English: sazende, sazandeh) is one of the three musicians in the traditional ensemble of instrumentalists performing along with a singer (khananda, in the case of an Azeri mugham performance) in the South Caucasus. The word means "builder" in Persian. The trio consists of a tarist, a kamanchist and a daf player. Historically the word sazanda(r) was applied to any instrumentalist from Anatolia, the Caucasus or Iran, who played a folk instrument. History and development The tradition of a musical trio of sazandas playing the aforementioned instruments did not originate until the beginning of the 20th century. According to Jabbar Garyagdioglu, the mugham ensembles of the early 19th century consisted of three musicians playing the tar, the kamancheh and the balaban. In the late 19th-century, the latter was replaced by gosha-naghara. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shusha
Shusha (, ) or Shushi () is a city in Azerbaijan, in the region of Nagorno-Karabakh. Situated at an altitude of 1,400–1,800 metres (4,600–5,900 ft) in the Karabakh mountains, the city was a mountain resort in the Soviet Union, Soviet era. Most sources date Shusha's establishment to the 1750s by Panah Ali Khan, founder of the Karabakh Khanate, coinciding with the foundation of Shusha fortress, the fortress of Shusha. Some attribute this to an alliance between Panah Ali Khan and Melik Shahnazar II, Melik Shahnazar, the local Armenian prince () of Melikdom of Varanda, Varanda. In these accounts, the name of the town originated from a nearby Armenian village called Shosh, Nagorno-Karabakh, Shosh or Shushikent (see for alternative explanations). Conversely, some sources describe Shusha as an important center within the self-governing Armenian melikdoms of Karabakh in the 1720s, and others say the plateau was already the site of an Armenian fortification.Krunk Hayots Ashkha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rubaba Muradova
Rubaba Khalil qizi Muradova () (née Rubaba Ishragi; 21 March 1930 – 28 August 1983), was an Iranian and Azerbaijani opera (mezzo-soprano) and folk singer. She graduated from the Zeynalli College of Music in Baku and worked at the Azerbaijan State Opera and Ballet Theatre, where she started in 1954. In 1971, Muradova became the People's Artiste of the Azerbaijan SSR. Early life Rubaba Muradova was born to a family of cleric in the Iranian city of Ardabil. In 1943, she moved to the Soviet Azerbaijan, and settled in the city of Ali Bayramli. Since age 17, she acted in various roles at the local theaters. Career In 1950, a troupe from Baku was touring the region. During the tour, an actress for one of the main roles got sick, and the head trouper agreed to replace her with Muradova for one night. Despite poor performance (according to Muradova herself), she was successful mostly due to her vocal improvisation of the role. She then was invited to move to Baku to pursue a degre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caravanserai
A caravanserai (or caravansary; ) was an inn that provided lodging for travelers, merchants, and Caravan (travellers), caravans. They were present throughout much of the Islamic world. Depending on the region and period, they were called by a variety of names including ''khan'', ''funduq'' and ''wikala.'' Caravanserais supported the flow of commerce, information, and people across the network of trade routes covering Asia, North Africa and Southeast Europe, most notably the Silk Road. In the countryside, they were typically built at intervals equivalent to a day's journey along important roads, where they served as a kind of Stage station, staging post. Urban versions of caravanserais were historically common in cities where they could serve as inns, depots, and venues for conducting business. The buildings were most commonly rectangular structures with one protected entrance. Inside, a central courtyard was surrounded by an array of rooms on one or more levels.'''' In additio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kamancheh
The kamancheh (also kamānche or kamāncha) (, , , ) is an Iranian bowed string instrument used in Persian, Azerbaijani, Armenian, Kurdish, Georgian, Turkmen, and Uzbek music with slight variations in the structure of the instrument. The kamancheh is related to the rebab which is the historical ancestor of the kamancheh and the bowed Byzantine lyra. The strings are played with a variable-tension bow. In 2017, the art of crafting and playing with Kamantcheh/Kamancha was included into the UNESCO Intangible Cultural Heritage Lists of Azerbaijan and Iran. Name and etymology The word "kamancheh" means "little bow" in Persian (''kæman'', bow, and ''-cheh'', diminutive). The Turkish word kemençe is borrowed from Persian, with the pronunciation adapted to Turkish phonology. It also denotes a bowed string instrument, but the Turkish version differs significantly in structure and sound from the Persian kamancheh. There is also an instrument called ''kabak kemane'' lite ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bulbuljan
Bulbuljan (), born as Abdulbagi Ali oglu Zulalov (1841–1927), was an Azerbaijani singer of folk music and mugam (an original improvisational genre of classical folk music in Azerbaijan). He was also famous for his performance of Azeri mugams in other regional languages, such as Georgian, Lezgian, Kumyk, Persian, and Russian. Life and career Abdulbagi Zulalov, later known as Bulbuljan, was born in 1841 in Shusha (then part of the Russian Empire, nowadays in Azerbaijan). In his younger years he travelled a lot throughout the Caucasus and Iran. During one of his visits in Iran Mozzafar al-Din Shah Qajar (the ruler of Iran) liked his performance so much that he awarded Zulalov the Shir-o Khorshid order, the highest Iranian order at the time. In 1875 Zulalov moved to Tbilisi, the regional cultural capital at the time, where he would live until 1905. He gave concerts together with his fellow-countryman, a great tar player Sadigjan. Due to his wonderful voice, attractive appea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alim Qasimov
Alim Hamza oghlu Qasimov (; born August 14, 1957) is an Azerbaijani musician and one of the most major mugham singers in Azerbaijan. He was awarded the International Music Council-UNESCO Music Prize in 1999, one of the highest international prizes for music. His music is characterized by his vocal improvisation and represents a move away from the traditional style of mugham. Qasimov has recorded nine albums, three of which are mugham albums with his daughter, Farghana Qasimova. According to ''The New York Times'', "Qasimov is simply one of the greatest singers alive, with a searing spontaneity that conjures passion and devotion, contemplation and incantation." He joined fellow Azerbaijani Sabina Babayeva on stage at the Grand Finale of the Eurovision Song Contest 2012 in Baku to sing back vocals for her entry, " When the Music Dies." Additionally, Qasimov was featured as part of the opening act of the Grand Final. Early life Born in 1957, Qasimov grew up in Nabur of Shamakh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
