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Kaijū
is a Japanese term that is commonly associated with media involving giant monsters. Its widespread contemporary use is credited to ''tokusatsu'' (special effects) director Eiji Tsuburaya and filmmaker Ishirō Honda, who popularized the ''kaiju'' film genre by creating the '' Godzilla'' franchise and its spin-offs. The term can also refer to the monsters themselves, which are usually depicted attacking major cities and battling either the military or other creatures. '' Godzilla'' (1954) is often regarded as the first ''kaiju'' movie. When developing it, Honda and Tsuburaya drew inspiration from the character of King Kong, both in its influential 1933 film and in the conception of a giant monster, establishing it as a pivotal precursor in the evolution of the genre.King Kong’s influence on the giant monster genre: * * * * * * * * * * * * * * During their formative years, ''kaiju'' movies were generally neglected by Japanese critics, who regarded them as "juveni ...
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Gamera
is a fictional giant monster, or ''kaiju'', that debuted in the Gamera, the Giant Monster, eponymous 1965 Japanese film. The character and the first film were intended to compete with the success of Toho's Godzilla (franchise), ''Godzilla'' film series. Since then, the franchise has become a Japanese icon in its own right and one of representatives of Cinema of Japan, Japanese cinema, appearing in a total of 12 films produced by Daiei Film and later by Tokuma Shoten and Kadokawa Daiei Studio (Kadokawa Corporation) respectively, and various other media such as novelizations, manga, video games, and more. Gamera is depicted as a giant, flying, fire-breathing monster, fire-breathing, prehistoric turtle. In the series' first film, Gamera is portrayed as an aggressive and destructive monster, though he also saved a child's life. As the films progressed, Gamera took on a more benevolent role, becoming a protector of humanity, especially children, nature, and the Earth from Extrater ...
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Tokusatsu
is a Japanese term for live-action films or television programs that make heavy use of practical special effects. Credited to special effects director Eiji Tsuburaya, ''tokusatsu'' mainly refers to science fiction film, science fiction, War film, war, fantasy film, fantasy, or Horror film, horror media featuring such technology but is also occasionally dubbed a genre itself. Its contemporary use originated in the Mass media in Japan, Japanese mass media around 1958 to explain special effects in an easy-to-understand manner and was popularized during the ":ja:第一次怪獣ブーム, first monster boom" (1966–1968). Prior to the monster boom, it was known in Japan as or shortened . Subgenres of include ''kaiju'' such as the ''Godzilla (film series), Godzilla'' and ''Gamera'' series; superhero such as the ''Kamen Rider Series, Kamen Rider'' and ''Metal Hero Series, Metal Hero'' series; Kyodai Hero, ''Kyodai'' Hero like ''Ultra Series, Ultraman, and Gridman the Hyper Agent, D ...
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Godzilla (1954 Film)
is a 1954 Japanese epic film, epic ''kaiju'' film directed and co-written by Ishirō Honda, with special effects by Eiji Tsuburaya. Produced and distributed by Toho, it is the first film in the Godzilla (franchise), ''Godzilla'' franchise. The film stars Akira Takarada, Momoko Kōchi, Akihiko Hirata, Takashi Shimura, Sachio Sakai, Fuyuki Murakami, Keiji Sakakida, Toyoaki Suzuki, Tsuruko Mano, Kin Sugai, Takeo Oikawa, Kan Hayashi, Seijiro Onda, and Toranosuke Ogawa with Haruo Nakajima and Katsumi Tezuka as Godzilla. In the film, Japan's authorities deal with the sudden appearance of a giant monster, whose attacks trigger fears of nuclear holocaust in post-occupation Japan, post-war Japan. ''Godzilla'' entered production after a Japanese-Indonesian co-production collapsed. Tsuburaya originally proposed a giant octopus before the filmmakers decided on a dinosaur-inspired creature. ''Godzilla'' pioneered a form of special effects called suitmation in which a stunt performer wear ...
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:Category:Japanese Words And Phrases
{{Commons Words and phrases by language Words Words Words A word is a basic element of language that carries meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consensus among linguists on its ...
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Screen Rant
''Screen Rant'' is an entertainment website that offers news in the fields of television, films, video games, and comic books. It is owned by Valnet, parent of publications including Comic Book Resources, Collider, MovieWeb and XDA Developers. History ''Screen Rant'' was launched by Vic Holtreman in 2003, and had its office in Saint-Laurent, Quebec, Canada. In February 2015, ''Screen Rant'' was acquired by Valnet, an online media company based in Montreal, Quebec. It was combined with its sister site, ''Game Rant'', in 2019, when Valnet acquired the other publication. After agreeing to sell Screen Rant to Valnet, founder Vic Holtreman, who had served as the company's CEO, retired. ''Screen Rant'' features a video series called ' by YouTube comedian Ryan George. By 2025, the series included over 400 videos, garnering a combined 400 million views. In the series, George Dual role, plays both a screenwriter and a film producer in a Pitch (filmmaking), pitch for a film or television ...
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Yōkai
are a class of supernatural entities and Spirit (supernatural entity) , spirits in Japanese folklore. The kanji representation of the word comprises two characters that both mean "suspicious, doubtful", and while the Japanese name is simply the Japanese transliteration or pronunciation of the Chinese term ''yaoguai, yāoguài'' (which designates similarly strange creatures), some Japanese commentators argue that the word ''yōkai'' has taken on many different meanings in Japanese culture, including referring to a large number of uniquely Japanese creatures. are also referred to as , or . However, most Japanese generally think of the two loose classes of spirits as highly different, although some academics and Shinto practitioners acknowledge similarities within the seeming dichotomy between the natures of them and most ''kami'', which are generally regarded as relatively beneficent in comparison, and class the two as ultimately the same type of spirits of nature or of a m ...
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Classic Of Mountains And Seas
The ''Classic of Mountains and Seas'', also known as ''Shanhai jing'' (), formerly romanized as the ''Shan-hai Ching'', is a Chinese classic text and a compilation of mythic geography and beasts. Early versions of the text may have existed since the 4th century BCE, but the present form was not reached until the early Han dynasty. It is largely a fabulous geographical and cultural account of pre- Qin China as well as a collection of Chinese mythology. The book is divided into eighteen sections; it describes over 550 mountains and 300 channels. Authorship Since Sima Qian, the debate about the author(s) of the book has been going on for more than two thousand years. Definite references Yu the Great and Boyi The earliest records of the ''Classic of Mountains and Seas'' can be found in Sima Qian's "Records of the Grand Historian - Biography of Dawan". The author of the book was first clearly identified in "The table of the Classic Mountains and Seas" written by Liu Xiu in ...
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Camille Flammarion
Nicolas Camille Flammarion FRAS (; 26 February 1842 – 3 June 1925) was a French astronomer and author. He was a prolific author of more than fifty titles, including popular science works about astronomy, several notable early science fiction novels, and works on psychical research and related topics. He also published the magazine '' L'Astronomie'', starting in 1882. He maintained a private observatory at Juvisy-sur-Orge, France. Biography Camille Flammarion was born in Montigny-le-Roi, Haute-Marne, France. He was the brother of Ernest Flammarion (1846–1936), the founder of the Groupe Flammarion publishing house. In 1858, he became a professional at computery at the Paris Observatory. He was a founder and the first president of the '' Société astronomique de France'', which originally had its own independent journal, ''BSAF'' (''Bulletin de la Société astronomique de France''), which was first published in 1887. In January 1895, after 13 volumes of '' L'Astrono ...
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King Ghidorah
is a fictional dragon-like alien monster, or ''kaiju'', which first appeared in Ishirō Honda's 1964 film ''Ghidorah, the Three-Headed Monster'', produced and distributed by Toho. The creature was initially created by Tomoyuki Tanaka, Eiji Tsuburaya, and Shinichi Sekizawa as an homage to the eight-headed mythological Japanese dragon ''Yamata no Orochi''. Although the name of the character is officially trademarked by Toho as "King Ghidorah", the character was originally referred to as Ghidorah, Ghidrah, or Monster Zero in some English markets. Although King Ghidorah's design has remained largely consistent throughout its appearances (an armless, bipedal, golden and yellowish-scaled dragon with three heads, two fan-shaped wings, and two tails), its origin story has varied from being an Extraterrestrial life, extraterrestrial planet-destroying dragon, a Genetic engineering, genetically engineered monster from the future, a guardian monster of ancient Japan, or a god from another di ...
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