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Jueju
''Jueju'' (), or Chinese quatrain, is a type of '' jintishi'' ("modern form poetry") that grew popular among Chinese poets in the Tang Dynasty (618–907), although traceable to earlier origins. ''Jueju'' poems are always quatrains; or, more specifically, a matched pair of couplets, with each line consisting of five or seven syllables. The five-syllable form is called ''wujue'' () and the seven-syllable form '' qijue'' (). History The origins of the ''jueju'' style are uncertain. Fränkel states that it arose from the '' yuefu'' form in the fifth or sixth century. This pentasyllabic song form, dominant in the Six Dynasties period, may have carried over into ''shi'' composition and thus created a hybrid of the ''yuefu'' quatrain and ''shi'' quatrain. Indeed, many Tang dynasty ''wujue'' poems were inspired by these ''yuefu'' songs. In the seventh century the jueju developed into its modern form, as one of the three "modern" verse forms, or ''jintishi'', the other two types ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Regulated Verse
Regulated verse – also known as Jintishi () – is a development within Classical Chinese poetry of the '' shi'' main formal type. Regulated verse is one of the most important of all Classical Chinese poetry types. Although often regarded as a Tang Dynasty innovation, the origin of regulated verse within the Classical Chinese poetic tradition is associated with Shen Yue (441–513), based on his "four tones and eight defects" (四聲八病) theory regarding tonality.Watson, 110–112 There are three types of regulated verse: the eight-lined '' lüshi'', the four-lined ''jueju'', and the linked couplets of indeterminate length '' pailu''. All regulated verse forms are rhymed on the even lines, with one rhyme being used throughout the poem. Also, and definitionally, the tonal profile of the poem is controlled (that is, "regulated"). Furthermore, semantic and tonal parallelism is generally required of certain interior couplets. During the Tang Dynasty, the "Shen-Song" team of Shen Qu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spring Lament
"Spring Lament" () is a five-word jueju () poem written by Jin Changxu () during the late Tang dynasty. This is historically the only poem attributed to him. It is a notable example of the genre as it clearly illustrates various important techniques associated with jueju. The poem is about a woman longing for her husband who is on a far away campaign in Liaoxi. Poem Critical analysis The words and expressions in the poem are lively like that in folk songs and stitched tightly together, with the images one after another. The resulting four-line poem is a single cohesive unit which cannot be separated. In composing five-word jueju verse, there are two types. One type is "one line one concept" (). Du Fu was the master of this type, where each line can stand on its own. The other is "''one poem one concept''" (), where every line is critical to the central vision presented by the poem. Read as two couplets, the first couplet is about oriole songs. The second couplet turns the subject ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Qijue
''Qiyan jueju'' (七言絕句; abbr. ''qijue'' 七絕), known in Japan as is a type of jueju poetry form consisting of four phrases each seven Chinese characters (or kanji) in length. ''Shichigon-zekku'' are the most common form of classical Chinese poems ('' kanshi''), and the standard form of '' shigin'' (Japanese chanted poetry). Composition In composing ''Qiyan Jueju'', the character of the phrases (''Jueju'') is important. The rules are as follows: *First phrase : Depiction of the scene *Second phrase : Add further illustration and detail to the ''Qiju'' *Third phrase : By changing the scene of action, reveal the true essence of the poem *Fourth phrase : In assimilating the ''Zhuanju'' draw together and complete the poem Examples * Example of ''qiyan jueju'': * Example of ''shichigon-zekku'': See also *Chinese poetry *Jueju * Kishōtenketsu * Shigin *Japanese poetry Japanese poetry is poetry typical of Japan, or written, spoken, or chanted in the Japanese langua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Poetry
Chinese poetry is poetry written, spoken, or chanted in the Chinese language. While this last term comprises Classical Chinese, Standard Chinese, Mandarin Chinese, Yue Chinese, and other historical and vernacular forms of the language, its poetry generally falls into one of two primary types, '' Classical Chinese poetry'' and '' Modern Chinese poetry''. Poetry has consistently been held in extremely high regard in China, often incorporating expressive folk influences filtered through the minds of Chinese literation. In Chinese culture, poetry has provided a format and a forum for both public and private expressions of deep emotion, offering an audience of peers, readers, and scholars insight into the inner life of Chinese writers across more than two millennia. Chinese poetry often reflects the influence of China's various religious traditions as well. Classical Chinese poetry includes, perhaps first and foremost '' shi'' (詩/诗), and also other major types such as '' ci'' (� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Li Bai
Li Bai (, 701–762), also pronounced as Li Bo, courtesy name Taibai (), was a Chinese poet, acclaimed from his own time to the present as a brilliant and romantic figure who took traditional poetic forms to new heights. He and his friend Du Fu (712–770) were two of the most prominent figures in the flourishing of Chinese poetry in the Tang dynasty, which is often called the " Golden Age of Chinese Poetry". The expression "Three Wonders" denotes Li Bai's poetry, Pei Min's swordplay, and Zhang Xu's calligraphy. Around 1000 poems attributed to Li are extant. His poems have been collected into the most important Tang dynasty poetry, ''Heyaue yingling ji'', compiled in 753 by Yin Fan. Thirty-four of Li Bai’s poems are included in the anthology '' Three Hundred Tang Poems'', which was first published in the 18th century. Around the same time, translations of his poems began to appear in Europe. The poems were models for celebrating the pleasures of friendship, the depth of nat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yue Fu
''Yuefu'' are Chinese poems composed in a folk song style. The term originally literally meant "Music Bureau", a reference to the imperial Chinese governmental organization(s) originally charged with collecting or writing the lyrics, later the term ''yuefu'' was applied to later literary imitations or adaptations of the Music Bureau's poems. The use of ''fu'' in ''yuefu'' is different from the other Chinese term ''fu'' that refers to a type of poetry or literature: although homonyms in English, the other '' fu'' () is a rhapsodic poetry/prose form of literature. The term ''yuefu'' covers original folk songs, court imitations and versions by known poets (such as those of Li Bai). As opposed to what appears to be more of an authentic anonymous folk verse which was collected by the Music Bureau, verse written deliberately in this style, often by known authors, is often referred to as "literary ''yuefu''". The lines of the ''yuefu'' can be of uneven length, reflecting its origins as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wang Wei (Tang Dynasty)
Wang Wei (; 699–759) was a Chinese poet, musician, painter, and politician of the middle Tang dynasty. He is regarded as one of the most famous men of arts and letters of his era. Many of his poems survive and 29 of them are included in the 18th-century anthology '' Three Hundred Tang Poems''. Wang Wei is especially known as a poet and painter of nature. Some 400 poems survive. These were first collected and originally edited into a corpus by his next-youngest brother, Wang Jin, by imperial command. Of his paintings, no authenticated specimens survive, although there is evidence of his work through influences on later paintings and descriptive accounts of his paintings. His musical talents were regarded very highly, although nothing survives of his music except reports. He furthermore had a successful career as a court official. Eventually, he became a devout Zen Buddhist and a vegetarian. Wang Wei spent ten years studying with Chán master Daoguang. Names His family name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quatrain
A quatrain is a type of stanza, or a complete poem, consisting of four lines. Existing in a variety of forms, the quatrain appears in poems from the poetic traditions of various ancient civilizations including Persia, Ancient India, Ancient Greece, Ancient Rome, and China, and continues into the 21st century, where it is seen in works published in many languages. This form of poetry has been continually popular in Iran since the medieval period, as Ruba'is form; an important faction of the vast repertoire of Persian poetry, with famous poets such as Omar Khayyam and Mahsati Ganjavi of Seljuk Persia writing poetry only in this format. Michel de Nostredame ( Nostradamus) used the quatrain form to deliver his famous prophecies in the 16th century. There are fifteen possible rhyme schemes, but the most traditional and common are ABAA, AAAA, ABAB, and ABBA. Forms *The heroic stanza or elegiac stanza consists of the iambic pentameter, with the rhyme scheme of ABAB or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Character
Chinese characters () are logograms developed for the writing of Chinese. In addition, they have been adapted to write other East Asian languages, and remain a key component of the Japanese writing system where they are known as '' kanji''. Chinese characters in South Korea, which are known as '' hanja'', retain significant use in Korean academia to study its documents, history, literature and records. Vietnam once used the ''chữ Hán'' and developed chữ Nôm to write Vietnamese before turning to a romanized alphabet. Chinese characters are the oldest continuously used system of writing in the world. By virtue of their widespread current use throughout East Asia and Southeast Asia, as well as their profound historic use throughout the Sinosphere, Chinese characters are among the most widely adopted writing systems in the world by number of users. The total number of Chinese characters ever to appear in a dictionary is in the tens of thousands, though most are g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tang Dynasty
The Tang dynasty (, ; zh, t= ), or Tang Empire, was an imperial dynasty of China that ruled from 618 to 907 AD, with an interregnum between 690 and 705. It was preceded by the Sui dynasty and followed by the Five Dynasties and Ten Kingdoms period. Historians generally regard the Tang as a high point in Chinese civilization, and a golden age of cosmopolitan culture. Tang territory, acquired through the military campaigns of its early rulers, rivaled that of the Han dynasty. The Lǐ family () founded the dynasty, seizing power during the decline and collapse of the Sui Empire and inaugurating a period of progress and stability in the first half of the dynasty's rule. The dynasty was formally interrupted during 690–705 when Empress Wu Zetian seized the throne, proclaiming the Wu Zhou dynasty and becoming the only legitimate Chinese empress regnant. The devastating An Lushan Rebellion (755–763) shook the nation and led to the decline of central authority in the dynas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Four Tones (Middle Chinese)
The four tones of Chinese poetry and dialectology () are four traditional tone classes of Chinese words. They play an important role in Chinese poetry and in comparative studies of tonal development in the modern varieties of Chinese, both in traditional Chinese and in Western linguistics. They correspond to the phonology of Middle Chinese, and are named ''even'' or ''level'' ( ''píng''), ''rising'' ( ''shǎng''), ''departing'' or ''going'' ( ''qù''), and ''entering'' or '' checked'' ( ''rù''). (The last three are collectively referred to as ''oblique'' (''zè''), an important concept in poetic tone patterns.) They were reconstructed as mid (˧ or 33), mid rising (˧˥ or 35), high falling (˥˩ or 51), and mid (˧ or 33) with a final stop consonant respectively. Due to historic splits and mergers, none of the modern varieties of Chinese have the exact four tones of Middle Chinese, but they are noted in rhyming dictionaries. Background According to the usual modern analysis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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