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Jegogan
Gamelan gong kebyar is a style or musical genre, genre of Balinese gamelan music of Indonesia. ''Kebyar'' means "to flare up or burst open", and refers to the explosive changes in tempo and dynamics (music), dynamics characteristic of the style. Gong kebyar music is based on a pentatonic scale, five-tone musical scale, scale called ''pelog selisir'' (tones 1, 2, 3, 5, and 6 of the 7-tone pelog scale), and is characterized by brilliant sounds, syncopations, sudden and gradual changes in sound colour, loudness, dynamics, tempo and Articulation (music), articulation, and complex, complementary hocket, interlocking melody, melodic and rhythmic patterns called kotekan. History Gamelan gong kebyar was first documented to exist in North Bali in the early 1900s. The first public performance was in December 1915 at a gamelan gong competition in Jagaraga, North Bali. Following their invasion of the island, Dutch occupiers responded to international criticism by building cultural inst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gamelan
Gamelan (; ; , ; ) is the traditional musical ensemble, ensemble music of the Javanese people, Javanese, Sundanese people, Sundanese, and Balinese people, Balinese peoples of Indonesia, made up predominantly of percussion instrument, percussive instruments. The most common instruments used are metallophones (played with mallets) and a set of hand-drums called ''kendang'', which keep the beat (music), beat. The ''kemanak'', a banana-shaped idiophone, and the ''gangsa'', another metallophone, are also commonly used gamelan Musical instrument, instruments on Bali. Other notable instruments include xylophones, bamboo flutes (similar to the Indian ''bansuri''), a bowed string instrument called a ''rebab'' (somewhat similar to the ''gadulka'' of Bulgaria), and a zither-like instrument called a ''siter'', used in Javanese gamelan. Additionally, vocalists may be featured, being referred to as ''sindhen'' for females or ''gerong'' for males.Sumarsam (1998)''Introduction to Javanese ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jegogan
Gamelan gong kebyar is a style or musical genre, genre of Balinese gamelan music of Indonesia. ''Kebyar'' means "to flare up or burst open", and refers to the explosive changes in tempo and dynamics (music), dynamics characteristic of the style. Gong kebyar music is based on a pentatonic scale, five-tone musical scale, scale called ''pelog selisir'' (tones 1, 2, 3, 5, and 6 of the 7-tone pelog scale), and is characterized by brilliant sounds, syncopations, sudden and gradual changes in sound colour, loudness, dynamics, tempo and Articulation (music), articulation, and complex, complementary hocket, interlocking melody, melodic and rhythmic patterns called kotekan. History Gamelan gong kebyar was first documented to exist in North Bali in the early 1900s. The first public performance was in December 1915 at a gamelan gong competition in Jagaraga, North Bali. Following their invasion of the island, Dutch occupiers responded to international criticism by building cultural inst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gamelan Gong Kebyar
Gamelan gong kebyar is a style or genre of Balinese gamelan music of Indonesia. ''Kebyar'' means "to flare up or burst open", and refers to the explosive changes in tempo and dynamics characteristic of the style. Gong kebyar music is based on a five-tone scale called ''pelog selisir'' (tones 1, 2, 3, 5, and 6 of the 7-tone pelog scale), and is characterized by brilliant sounds, syncopations, sudden and gradual changes in sound colour, dynamics, tempo and articulation, and complex, complementary interlocking melodic and rhythmic patterns called kotekan. History Gamelan gong kebyar was first documented to exist in North Bali in the early 1900s. The first public performance was in December 1915 at a gamelan gong competition in Jagaraga, North Bali. Following their invasion of the island, Dutch occupiers responded to international criticism by building cultural institutions. They sponsored these competitions until Japanese forces ended their rule in World War II. Rel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metallophones
A metallophone is any musical instrument in which the sound-producing body is a piece of metal (other than a metal string), such as tuned metal bars, tubes, rods, bowls, or plates. Most frequently the metal body is struck to produce sound, usually with a mallet, but may also be activated by friction, keyboard action, or other means. Metallophones have been used in music in Asia for thousands of years. There are several different types used in Balinese and Javanese gamelan ensembles, including the gendèr, gangsa and saron. These instruments have a single row of bars, tuned to the distinctive pelog or slendro scales, or a subset of them. The Western glockenspiel and vibraphone are also metallophones: they have two rows of bars, in an imitation of the piano keyboard, and are tuned to the chromatic scale. In music of the 20th century and beyond, the word ''metallophone'' is sometimes applied specifically to a single row of metal bars suspended over a resonator box. Metallophones tu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Balinese People
The Balinese people (, ) are an Austronesian ethnic group native to the Indonesian island of Bali. The Balinese population of 4.2 million (1.7% of Indonesia's population) live mostly on the island of Bali, making up 89% of the island's population. There are also significant populations on the island of Lombok and in the easternmost regions of Java (e.g. the regency of Banyuwangi). The Balinese are distinctive amongst Indonesian ethnic groups for their adherence to Balinese Hinduism rather than Sunni Islam. Origins The Balinese originated from three periods of migration. The first waves of immigrants came from Java and Kalimantan in prehistoric times and were of Proto-Malay stock. The second wave of Balinese came slowly over the years from Java during the Hindu period. The third and final wave came from Java, between the 15th and 16th centuries, about the same time as the conversion to Islam in Java, causing aristocrats and peasants to flee to Bali after the collapse of the Ja ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythm
Rhythm (from Greek , ''rhythmos'', "any regular recurring motion, symmetry") generally means a " movement marked by the regulated succession of strong and weak elements, or of opposite or different conditions". This general meaning of regular recurrence or pattern in time can apply to a wide variety of cyclical natural phenomena having a periodicity or frequency of anything from microseconds to several seconds (as with the riff in a rock music song); to several minutes or hours, or, at the most extreme, even over many years. The Oxford English Dictionary defines rhythm as ''"The measured flow of words or phrases in verse, forming various patterns of sound as determined by the relation of long and short or stressed and unstressed syllables in a metrical foot or line; an instance of this"''. Rhythm is related to and distinguished from pulse, meter, and beats: In the performance arts, rhythm is the timing of events on a human scale; of musical sounds and silences that occur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17 Years Of Sekar Jepun 2014-11-01 64 Edit
Seventeen or 17 may refer to: *17 (number) * One of the years 17 BC, AD 17, 1917, 2017, 2117 Science * Chlorine, a halogen in the periodic table * 17 Thetis, an asteroid in the asteroid belt Literature Magazines * ''Seventeen'' (American magazine), an American magazine * ''Seventeen'' (Japanese magazine), a Japanese magazine Novels * ''Seventeen'' (Tarkington novel), a 1916 novel by Booth Tarkington *''Seventeen'' (''Sebuntiin''), a 1961 novel by Kenzaburō Ōe *'' Seventeen'' (''Kuraimāzu hai''), a 2003 novel by Hideo Yokoyama * ''Seventeen'' (Serafin novel), a 2004 novel by Shan Serafin Stage and screen Film * ''Seventeen'' (1916 film), an American silent comedy film *''Number Seventeen'', a 1932 film directed by Alfred Hitchcock * ''Seventeen'' (1940 film), an American comedy film *''Stalag 17'', an American war film *''Eric Soya's '17''' (Danish: ''Sytten''), a 1965 Danish comedy film * ''Seventeen'' (1985 film), a documentary film * ''17 Again'', a 2009 film whose wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Calung
The Calung () is a type of Indonesian bamboo xylophone originating from Baduy culture and commonly used in Baduy, Bantenese, Sundanese, Banyumasan, and Balinese performances. The calung (instrument) consists of multiple bamboo tubes which are struck at the base to produce a woody sound. In the Balinese Gamelan gong kebyar, the metallophone jublag can also be known as ''Calung'', it has a one-octave range, and is generally utilized to play mid-range melodies. In Banyumas, southwestern Central Java in Indonesia, when Calung is referred to as an ensemble, it uses multiple bamboo instruments and is composed of singers and dancers. (2007). The ensemble is characterized by a variety of traits that include: interlocking melodies and |
Ugal
The ugal is an instrument in the Indonesian gamelan orchestra. It is a bronze metallophone played one handed with a small hammer, often in a dance-like manner. There are usually ten keys, giving a maximum range spanning about two octaves. Like the gangsa and gendèr, they are suspended over tuned bamboo resonators. The ugal features mainly in gamelan gong kebyar, where it carries the central melody (''pokok'') of the piece. Sometimes it may give its melodic duty to the jublag, where it then takes over as the leader of a kotekan. There is often only one ugal in the kebyar ensemble, and it is usually deeper toned. It is played by one of the leaders of the ensemble. A second, higher toned ugal is sometimes used. The ugal is taller than the other gangsa A gangsa is a type of metallophone which is used mainly in Balinese and Javanese Gamelan music in Indonesia. In Balinese gong kebyar styles, there are two types of gangsa typically used: the smaller, higher pitched and the larger ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gangsa
A gangsa is a type of metallophone which is used mainly in Balinese and Javanese Gamelan music in Indonesia. In Balinese gong kebyar styles, there are two types of gangsa typically used: the smaller, higher pitched and the larger . Each instrument consists of several tuned metal bars (either iron or bronze) each placed over an individual resonator. The bars are hit with a wooden , each producing a different pitch. Duration of sound intensity and sound quality factors are generally accomplished by damping the vibration of the bar with the fingers of the free hand. Balinese gong , as with other metallophones in gong ensembles, are played in neighboring pairs with interlocking, rapid-tempo parts that elaborate on the melody of a piece of music (see Kotekan); these pairs are tuned to be dissonant and create certain wavelengths of sympathetic vibrations to create a shimmering tone (see Ombak) that travels long distances. The gangsa is very similar to the old and the . The same wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
