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Metallophones
A metallophone is any musical instrument in which the sound-producing body is a piece of metal (other than a metal string), such as tuned metal bars, tubes, rods, bowls, or plates. Most frequently the metal body is struck to produce sound, usually with a mallet, but may also be activated by friction, keyboard action, or other means. Metallophones have been used in music in Asia for thousands of years. There are several different types used in Balinese and Javanese gamelan ensembles, including the gendèr, gangsa and saron. These instruments have a single row of bars, tuned to the distinctive pelog or slendro scales, or a subset of them. The Western glockenspiel and vibraphone are also metallophones: they have two rows of bars, in an imitation of the piano keyboard, and are tuned to the chromatic scale. In music of the 20th century and beyond, the word ''metallophone'' is sometimes applied specifically to a single row of metal bars suspended over a resonator box. Metallophones tu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Traditional Indonesian Instruments
A tradition is a system of beliefs or behaviors (folk custom) passed down within a group of people or society with symbolic meaning or special significance with origins in the past. A component of cultural expressions and folklore, common examples include holidays or impractical but socially meaningful clothes (like lawyers' wigs or military officers' spurs), but the idea has also been applied to social norms and behaviors such as greetings, etc. Traditions can persist and evolve for thousands of years— the word ''tradition'' itself derives from the Latin word ''tradere'' literally meaning to transmit, to hand over, to give for safekeeping. While it is reportedly assumed that traditions have an ancient history, many traditions have been invented on purpose, whether it be political or cultural, over short periods of time. Various academic disciplines also use the word in a variety of ways. The phrase "according to tradition" or "by tradition" usually means that what follows i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Orff
Carl Heinrich Maria Orff (; 10 July 1895 – 29 March 1982) was a German composer and music educator, who composed the cantata ''Carmina Burana (Orff), Carmina Burana'' (1937). The concepts of his Orff Schulwerk, Schulwerk were influential for children's music education. Life Early life Carl Heinrich Maria Orff was born in Munich on 10 July 1895, the son of Paula Orff (née Köstler, 1872–1960) and Heinrich Orff (1869–1949). His family was Kingdom of Bavaria, Bavarian and was active in the Imperial German Army; his father was an army officer with strong musical interests, and his mother was a trained pianist. His grandfathers, Carl von Orff (1828–1905) and Karl Köstler (1837–1924), were both major generals and also scholars. His paternal grandmother, Fanny Orff (née Kraft, 1833–1919), was Catholic of Jewish descent. His maternal grandmother was Maria Köstler (née Aschenbrenner, 1845–1906). Orff had one sibling, his younger sister Maria ("Mia", 1898–1975), who ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Celesta
The celesta () or celeste (), also called a bell-piano, is a struck idiophone operated by a keyboard. It looks similar to an upright piano (four- or five-octave), albeit with smaller keys and a much smaller cabinet, or a large wooden music box (three-octave). The keys connect to hammers that strike a graduated set of metal (usually steel) plates or bars suspended over wooden resonators. Four- or five-octave models usually have a damper pedal that sustains or damps the sound. The three-octave instruments do not have a pedal because of their small "table-top" design. One of the best-known works that uses the celesta is Pyotr Ilyich Tchaikovskys "Dance of the Sugar Plum Fairy" from ''The Nutcracker''. The sound of the celesta is similar to that of the glockenspiel, but with a much softer and more subtle timbre. This quality gave the instrument its name, ''celeste'', meaning "heavenly" in French. The celesta is often used to enhance a melody line played by another instrument or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cegléd Water Jug
The Cegléd water jug () is a container for water named after the city of Cegléd, Hungary. It is also used as a musical instrument in folk music, in particular, in Romani music of Hungary. In such cases it is often called simply kanna."Ceglédi kanna" , ''Ceglédi Panorama''; lexicon Container A Cegléd jug (container), jug is a 7–9 liter metal jug for water, with a handle and a lid. It is a relatively modern invention. They were first manufactured by a János Rónai in Cegléd in the 1910s. Before the wide distribution of water pipelines, Cegléd jugs were popular for delivery of water to farmers during harvest, construction and other workers away from residential places. They quickly became popular, because they were not fragile like pottery jugs, easy to carry ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bonang
The bonang is an Music of Indonesia, Indonesian musical instrument used in the Javanese people, Javanese gamelan. It is a collection of small gongs (sometimes called "kettles" or "pots") placed horizontally onto strings in a wooden frame (''rancak''), either one or two rows wide. All of the kettles have a central boss, but around it the lower-pitched ones have a flattened head, while the higher ones have an arched one. Each is tuned to a specific pitch in the appropriate scale; thus there are different bonang for pelog and slendro. They are typically hit with padded sticks (''tabuh''). This is similar to the other cradled gongs in the gamelan, the kethuk, kempyang, and kenong. Bonang may be made of forged bronze, welded and cold-hammered iron, or a combination of metals. In addition to the gong-shaped form of kettles, economical bonang made of hammered iron or brass plates with raised bosses are often found in village gamelan, in Suriname-style gamelan, and in some American gam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bell Plate
A bell plate is a percussion instrument consisting of a flat and fairly thick sheet of metal, producing a sound similar to a bell. They are most often used in orchestral and theater music.Blades, James, Percussion Instruments and their History, (Westport, CT: Bold Strummer, 1992), 393, 401.Baines, Anthony, The Oxford Companion to Musical Instruments, (New York: Oxford University Press, 1992), 34-35. History Bell plates were first developed and implemented as percussion instruments in ancient Asia, but did not enter into Western music until the late 19th century. This instrument then became popular, particularly in theater music, in the early 20th century. Construction Bell plates are made of sheets of aluminium, steel or bronze, ranging in size from and (bronze) to and (aluminium). While normal bell plates are suspended from a pair of holes in the corners (going through a node so as not to influence its sound), the variation of the bell plate known as the Burma bell, a d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bell
A bell /ˈbɛl/ () is a directly struck idiophone percussion instrument. Most bells have the shape of a hollow cup that when struck vibrates in a single strong strike tone, with its sides forming an efficient resonator. The strike may be made by an internal "clapper" or "uvula", an external hammer, or—in small bells—by a small loose sphere enclosed within the body of the bell ( jingle bell). Bells are usually cast from bell metal (a type of bronze) for its resonant properties, but can also be made from other hard materials. This depends on the function. Some small bells such as ornamental bells or cowbells can be made from cast or pressed metal, glass or ceramic, but large bells such as a church, clock and tower bells are normally cast from bell metal. Bells intended to be heard over a wide area can range from a single bell hung in a turret or bell-gable, to a musical ensemble such as an English ring of bells, a carillon or a Russian zvon which are tuned to a common ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aluphone
The Aluphone is a tuned percussion instrument consisting of aluminum bells that are struck with a mallet to produce musical tones. In its standard configuration, the bells of the Aluphone are mounted on a frame, but it can also be played as a single handheld bell or as a stack of bells. The bells of the Aluphone are very durable, so they can be struck with a large variety of mallets, wands, or hammers depending on the tone that the musician seeks to produce. The Aluphone is closely associated with Evelyn Glennie, who played the instrument in the opening ceremony of the 2012 Summer Olympics. History According to Harry Ellis, the idea for the Aluphone was developed at a trade show that two men, Michael Hansen and Kai Stensgaard, were separately attending. At the trade show, Hansen was showcasing aluminum cones that were designed to protect the tops of wooden posts. As a musician, Stensgaard was curious about the sound the cones would make when he struck. He was impressed wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarunay
The ''kulintang a tiniok'' is a type of Philippine metallophone with eight tuned knobbed metal plates strung together via string a top a wooden antangan (rack). ''Kulintang a tiniok'' is a Maguindanaon term meaning "kulintang with string," but they also could call them ''kulintang a putao'', meaning "kulintang of metal." The Maranao refer to this instrument as a ''sarunay'' (or ''salunay'', ''salonay'', ''saronay'', ''saronai'' or ''sarunai''), terminology which has become popular for this instrument in North America. This is considered a relatively recent instrument and surprisingly many of them are only made of tin-can. Like the '' kulintang a kayo'', it is used only for self-entertainment purpose in the home, to train beginners on new songs before using the kulintang and in America, master artists have been training students en masse on these instruments. References See also *Metallophone A metallophone is any musical instrument in which the sound-producing body is a piece ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percussion Idiophone
Struck idiophones is one of the categories of idiophones (that is, any musical instrument that creates sound primarily by the instrument as a whole vibrating—without the use of strings or membranes) that are found in the Hornbostel-Sachs system of musical instrument classification. Struck idiophones are categorised as 11 in the Hornbostel-Sachs system. There are two main categories of struck idiophones, directly (111) and indirectly (112) struck. According to Sachs, Directly struck (111) Directly struck idiophones produce sound resulting from a direct action of the performer as opposed to the indirectly struck idiophones. The player strikes the instrument with a direct action, either by hand or by mechanical intermediate devices, beaters, keyboards, or by pulling ropes, etc. It is definitive that the player can apply clearly defined individual strokes and that the instrument itself is equipped for this kind of percussion. There are two main categories of directly struck idio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harry Partch
Harry Partch (June 24, 1901 – September 3, 1974) was an American composer, music theorist, and creator of unique musical instruments. He composed using scales of unequal intervals in just intonation, and was one of the first 20th-century composers in the West to work systematically with microtonal scales, alongside Lou Harrison. He built his own instruments in these tunings on which to play his compositions, and described the method behind his theory and practice in his book '' Genesis of a Music'' (1947). Partch composed with scales dividing the octave into 43 unequal tones derived from the natural harmonic series; these scales allowed for more tones of smaller intervals than in standard Western tuning, which uses twelve equal intervals to the octave. To play his music, Partch built many unique instruments, with such names as the Chromelodeon, the Quadrangularis Reversum, and the Zymo-Xyl. Partch described his music as "corporeal" (emphasizing its physical/viscera ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
