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Indie-rock
Indie rock is a subgenre of rock music that originated in the United Kingdom, United States and New Zealand in the early to mid-1980s. Although the term was originally used to describe rock music released through independent record labels, by the 1990s it became more widely associated with the music such bands produced. The sound of indie rock has its origins in the New Zealand Dunedin sound of the Chills, Tall Dwarfs, the Clean and the Verlaines, and early 1980s college rock radio stations who would frequently play jangle pop bands like the Smiths and R.E.M. The genre solidified itself during the mid–1980s with ''NME''s ''C86'' cassette in the United Kingdom and the underground success of Sonic Youth, Dinosaur Jr. and Unrest in the United States. During the 1990s, indie rock bands like Sonic Youth, the Pixies and Radiohead all released albums on major labels and subgenres like slowcore, Midwest emo, slacker rock and space rock began. By this time, "indie" had evolved to ...
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Slowcore
Slowcore, also known as sadcore, is a subgenre of indie rock characterised by its subdued tempos, minimalist instrumentation, and sombre vocal performances. Slowcore's influences are diverse, involving varying other genres, including folk rock, alternative rock, and dream pop. As a result of these contrasting stylistic directions, there is no definitive characterisation of the genre. The history of slowcore began in the late-1980s, with several bands forming in reaction to the abrasive sounds of grunge. Slow rock music, with a pensive style inspired by genres such as singer-songwriter and folk, laid the groundwork for the genre in the early years and until the mid-1990s, when Low played a pivotal role in establishing slowcore as one of the era's microgenres; however, despite their retrospective acclamation as slowcore pioneers, Low was not the first band to produce slowcore. Codeine, Red House Painters, and Bedhead all released influential albums earlier that decade, while Am ...
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Post-rock
Post-rock is a subgenre of experimental rock that emphasizes Texture (music), texture, atmosphere, and non-traditional song structures over conventional rock techniques. Post-rock artists often combine rock instrumentation and rock stylings with Electronic musical instrument, electronics and digital production as a means of enabling the exploration of textures, timbres and different styles. Vocals, when present, are often used as an instrumental layer, with many bands opting for entirely instrumental compositions. The genre began in Indie music scene, indie and underground music scenes, but deviated. The term ''post-rock'' was coined by music journalist Simon Reynolds, being popularized in a review of Bark Psychosis' 1994 album ''Hex (Bark Psychosis album), Hex'', and he later expanded the concept as music "using rock instrumentation for non-rock purposes". The term has since developed to refer to bands oriented around dramatic and suspense-driven instrumental rock, making the t ...
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Chillwave
Chillwave (originally considered synonymous with glo-fi and hypnagogic pop) is a music microgenre that emerged in the late 2000s. It is characterized by evoking the popular music of the late 1970s and early 1980s while engaging with notions of memory and nostalgia. Common features include a faded or dreamy retro pop music, pop sound, Escapism, escapist lyrics (frequent topics include the beach or summer), psychedelic music, psychedelic or lo-fi music, lo-fi aesthetics, mellow vocals, slow-to-moderate tempos, Effects unit, effects processing (especially reverb), and vintage synthesizers. Chillwave was one of the first music genres to develop primarily through the Internet. The term was coined in 2009 by the satirical blog Hipster Runoff to lampoon microgenres and indie acts whose sounds resembled incidental music from 1980s VHS tapes. Prior to this, the music would have been labelled as shoegaze, dream pop, ambient music, ambient, or indietronica. Leading acts included Neon Indi ...
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Australian Indie Rock
Australian indie rock is part of the overall flow of Australian rock history but has a distinct history somewhat separate from mainstream rock in Australia, largely from the end of the punk rock era onwards. History Beginnings Rock and roll in Australia got started in the late 1950s and 1960s, influenced by the sounds coming from the United States and UK. Early on, the surf rock sound dominated, though in the mid-1960s, the beat genre from the UK had become established. Numerous garage bands formed in the cities and suburbs, and a vibrant musical culture began. Isolated from the diversity of genres in the northern hemisphere, Australian mainstream record labels tried to replicate the success of trends imported from overseas and produce radio friendly singles by successful artists such as John Farnham and The Easybeats. In the meantime, Russell Morris enjoyed a surprise hit with singles such as "The Real Thing". Produced by music legend Ian Molly Meldrum, and written by singing ...
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Alternative R&B
Alternative R&B (also referred to as alt-R&B, indie R&B, and originally known as PBR&B, hipster R&B, emo R&B, or R-Neg-B) is a term used by music journalists to describe a stylistic alternative to contemporary R&B that began in the mid 2000s and came to prominence with musical artists such as Frank Ocean, Khalid, SZA, Summer Walker, Jhené Aiko, Kehlani, Zayn Malik, Tyler, The Creator, Steve Lacy, Childish Gambino, Miguel, Drake, The Weeknd, Tinashe, Bryson Tiller, PartyNextDoor, Tory Lanez, 6lack, and others. It is considered to be "more progressive and diverse" than its mainstream counterpart. Etymology "Alternative R&B" was once used by the music industry during the late 1990s to market neo soul artists, such as D'Angelo, Erykah Badu, and Maxwell. There has been a variety of discussion about the differing genre terms, with several critics describing the music under the broad category of "alternative R&B" or " indie R&B". The term "hipster R&B" has been commonly used, ...
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The Scene That Celebrates Itself
Shoegaze (originally called shoegazing and sometimes conflated with dream pop) is a subgenre of indie and alternative rock characterized by its ethereal mixture of obscured vocals, guitar distortion and effects, feedback, and overwhelming volume.Pete Prown / Harvey P. Newquist: "One faction came to be known as dream-pop or "shoegazers" (for their habit of looking at the ground while playing the guitars on stage). They were musicians who played trancelike, ethereal music that was composed of numerous guitars playing heavy droning chords wrapped in echo effects and phase shifters.", Hal Leonard 1997, It emerged in Ireland and the United Kingdom in the late 1980s among neo-psychedelic groups who usually stood motionless during live performances in a detached, non-confrontational state. The name comes from the heavy use of effects pedals, as the performers were often looking down at their pedals during such concerts. My Bloody Valentine and their 1991 album ''Loveless'' are widely ...
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Music Of Nevada
Music is the arrangement of sound to create some combination of form, harmony, melody, rhythm, or otherwise expressive content. Music is generally agreed to be a cultural universal that is present in all human societies. Definitions of music vary widely in substance and approach. While scholars agree that music is defined by a small number of specific elements, there is no consensus as to what these necessary elements are. Music is often characterized as a highly versatile medium for expressing human creativity. Diverse activities are involved in the creation of music, and are often divided into categories of composition, improvisation, and performance. Music may be performed using a wide variety of musical instruments, including the human voice. It can also be composed, sequenced, or otherwise produced to be indirectly played mechanically or electronically, such as via a music box, barrel organ, or digital audio workstation software on a computer. Music often plays a key r ...
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Rock Music In The Netherlands
Dutch rock is a form of rock music produced in the Netherlands, primarily in the English language as well as in Dutch. History Mainstream Pioneers of Dutch rock were the so-called ''Indorock'' bands from the late 1950s, like The Tielman Brothers and the Blue Diamonds. They played rock guitar instrumental music at a time when white Dutch musicians did not perform rock 'n' roll. They stemmed from the Indo community in The Hague, which was also the center of the succeeding genre in the mid-1960s, Nederbeat, when Dutch musicians formed bands influenced by British beat groups and rock music. It earned the city the title of ''Beatstad'' ('Beat city') in later years. With 1960s bands like Golden Earring and Shocking Blue, Vandenberg in the 1980s, and Kane, Di-Rect and Anouk in the 1990s, 2000s The Hague became synonymous for mainstream rock. More progressive music emerged in the 1960s in Amsterdam. In 1964 (see 1964 in music), The Outsiders were the first Dutch psychedelic rock ...
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Baggy
Baggy is a British alternative dance genre popular in the late 1980s and early 1990s, and generally associated with the Northern UK's Madchester scene. The style saw alternative rock bands draw influence from psychedelia as well as dance music. History The genesis of indie-dance was the Balearic beat scene (where there were DJs playing an eclectic mix of records including such rock/dance crossovers like "Jesus on the Payroll" by Thrashing Doves and producers like Paul Oakenfold) and the indie music scene in the north west of England, which featured Tony Wilson's Factory Records and former post-punk band The Stone Roses in Manchester. Even though they were not signed to Factory Records, instead signing to Paul Birch's Revolver Records in Wolverhampton (before taking a deal with Jive Records' Silvertone), the band did have links to Tony Wilson, Martin Hannett and Peter Hook, with the New Order bassist scheduled to produce their debut album, before John Leckie took over. It ...
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Paisley Underground
Paisley Underground is a musical genre that originated in California. It was particularly popular in Los Angeles, reaching a peak in the mid-1980s. Paisley Underground bands incorporated psychedelia, rich vocal harmonies and guitar interplay, owing a particular debt to 1960s groups such as Love and the Byrds, but more generally referencing a wide range of pop and garage rock revival. Etymology The term "Paisley Underground" originated in late 1982, and took root with a comment made by Michael Quercio of the band the Three O'Clock, during an interview with the '' LA Weekly'' alternative newspaper. As the event was later reported: Quercio was close friends with Lina Sedillo who was the bass player with local punk band Peer Group, who had played on the same bill as The Salvation Army on occasion. One evening Sedillo taped Peer Group rehearsing and one of the numbers contained an improvised spoken middle section. Sedillo was wearing a red paisley dress she had bought from a th ...
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Indie Rock In Belgium
Belgian rock refers to rock music produced in Belgium or written and performed by Belgian musicians. It was originally inspired by rock and roll music from America and the United Kingdom in the 1960s, but later evolved to be influenced by other genres including alternative rock and electronic music. Because Belgium is a federal state with strong cultural identities - a French-speaking area in the southern region of Wallonia as well as a Dutch-speaking population in the north region of Flanders - Belgian rock music uses these two national languages, as well as the English language. The history of Belgian rock echoes that of European rock: after the 1950s, during which rock pioneers introduced the new genre, rock evolved further under the influences of beat music and pop music. During the 1970s, hard rock and progressive rock expressed new forms of rock, and punk rock signalled a return to the simplicity of rock and roll with Belgian bands like The Kids (Belgian band), The Kids, Red ...
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New Yorkshire
New Yorkshire was a musical movement identified by UK music magazine ''NME'' in 2005, in response to the success of Yorkshire bands such as Arctic Monkeys, The Cribs, and Kaiser Chiefs at the time. The bands cited by the magazine included Sheffield guitar-based groups Milburn (band), Milburn, Harrisons, Bromheads Jacket, and The Long Blondes, and Leeds bands The Pigeon Detectives, Your Vegas, The Research, and Black Wire. ''NME'' identified new crossover genres developing in Leeds, which it described as "disco-punk" and "dance-metal". ¡Forward, Russia!, and The Sunshine Underground are examples of this. Other bands that fall into this genre include Stable, O Fracas, The Defunct, Dead Disco, Stoney (musician), Stoney, This Et Al, The Ivories, Monkey Swallows the Universe, Tiny Dancers, Little Man Tate (Band), Little Man Tate, Bhuna, Solar Powered Butterflies, Reverend and The Makers, Duels (band), Duels, Little Ze, Letters and Colours, The Yell, Smokers Die Younger, Champion Ki ...
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