|
Hard-bop
Hard bop is a subgenre of jazz that is an extension of bebop (or "bop") music. Journalists and record companies began using the term in the mid-1950s to describe a new current within jazz that incorporated influences from rhythm and blues, gospel music, and blues, especially in saxophone and piano playing. David H. Rosenthal contends in his book ''Hard Bop'' that the genre is, to a large degree, the natural creation of a generation of African-American musicians who grew up at a time when bop and rhythm and blues were the dominant forms of black American music. Prominent hard bop musicians included Horace Silver, Clifford Brown, Charles Mingus, Art Blakey, Cannonball Adderley, Miles Davis, John Coltrane, Hank Mobley, Thelonious Monk, Lee Morgan, Wes Montgomery, Pat Martino and others. Characteristics Hard bop is sometimes referred to as "funky hard bop". The "funky" label refers to the rollicking, rhythmic feeling associated with the style. The descriptor is also used to desc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jymie Merritt
Jymie Merritt (; May 3, 1926 – April 10, 2020) was an American jazz bassist, bandleader, and composer. Merritt was a member of Art Blakey's Jazz Messengers group from 1957 until 1962. The same year he left Blakey's band, Merritt formed his own group, The Forerunners, which he led sporadically until his death in 2020. Merritt also worked as a sideman for blues and jazz musicians such as Bull Moose Jackson, B.B. King, Chet Baker, Max Roach, Dizzy Gillespie, and Lee Morgan. Early life Born and raised in Philadelphia, Jymie Merritt, was the son of Agnes Merritt (née Robinson), a choral director, voice and piano teacher, and Raleigh Howard "RH" Merritt, a businessman and author. After serving in the U.S. Army during World War II from 1944 to 1946 Jymie returned home to work for a short time in his father's real estate business, and after a brief flirtation with the clarinet he was inspired by a Duke Ellington recording featuring bassist Jimmy Blanton. Encouraged by his mother he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David H
David (; , "beloved one") was a king of ancient Israel and Judah and the Kings of Israel and Judah, third king of the Kingdom of Israel (united monarchy), United Monarchy, according to the Hebrew Bible and Old Testament. The Tel Dan stele, an Canaanite and Aramaic inscriptions, Aramaic-inscribed stone erected by a king of Aram-Damascus in the late 9th/early 8th centuries BCE to commemorate a victory over two enemy kings, contains the phrase (), which is translated as "Davidic line, House of David" by most scholars. The Mesha Stele, erected by King Mesha of Moab in the 9th century BCE, may also refer to the "House of David", although this is disputed. According to Jewish works such as the ''Seder Olam Rabbah'', ''Seder Olam Zutta'', and ''Sefer ha-Qabbalah'' (all written over a thousand years later), David ascended the throne as the king of Judah in 885 BCE. Apart from this, all that is known of David comes from biblical literature, Historicity of the Bible, the historicit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pat Martino
Pat Martino (born Patrick Carmen Azzara; August 25, 1944 – November 1, 2021) was an American jazz guitarist and composer. He has been cited as one of the greatest guitarists in jazz. Early life Martino was born Patrick Carmen Azzara in Philadelphia, Pennsylvania, United States, to father Carmen "Mickey" Azzara (d. 1990) and mother Jean (née Orlando, d. 1989). He was first exposed to jazz by his father, who sang in local clubs and briefly studied guitar. Career Martino studied with renowned jazz teacher Dennis Sandole, and in his studio met some of Sandole's other students; among them, John Coltrane, James Moody (saxophonist), James Moody, McCoy Tyner and others. Martino began playing professionally at the age of 15 after moving to New York City. He lived for a period with Les Paul and began playing at jazz clubs such as Smalls Paradise. He later moved into a suite in the President Hotel on 48th Street (Manhattan), 48th Street. He played at Smalls for six months of the yea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wes Montgomery
John Leslie "Wes" Montgomery (March 6, 1923 – June 15, 1968) was an American jazz guitarist. Montgomery was known for his unusual technique of plucking the strings with the side of his thumb and for his extensive use of octaves, which gave him a distinctive sound. Montgomery often worked with his brothers Buddy Montgomery, Buddy (Charles F.) and Monk Montgomery, Monk (William H.), as well as organist Melvin Rhyne. His recordings up to 1965 were oriented toward hard bop, soul jazz, and post bop, but around 1965 he began recording more pop-oriented instrumental albums that found mainstream success. His later guitar style influenced jazz fusion and smooth jazz. Early life and education Montgomery was born in Indianapolis, Indiana, Indianapolis, Indiana. According to NPR, the nickname "Wes" was a child's abbreviation of his middle name, Leslie. The family was large, and the parents split up early in the lives of the children. Montgomery and his brothers moved to Columbus, Ohio, with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lee Morgan
Edward Lee Morgan (July 10, 1938 – February 19, 1972) was an American jazz trumpeter and composer. One of the key hard bop musicians of the 1960s and a cornerstone of the Blue Note Records, Blue Note label, Morgan came to prominence in his late teens, recording with bandleaders like John Coltrane, Curtis Fuller, Dizzy Gillespie, Hank Mobley and Wayne Shorter, and playing in Art Blakey's The Jazz Messengers, Jazz Messengers. Morgan stayed with Blakey until 1961 and started to record as leader in the late '50s. Morgan's solo recordings often alternated between conventional hard bop sessions and more adventurous post-bop and Avant-garde jazz, avant-garde experiments, many of which did not see release during his lifetime. His composition "The Sidewinder (song), The Sidewinder", on the The Sidewinder, album of the same name, became a surprise crossover hit on the pop and R&B charts in 1964. After a second stint in Blakey's band, Morgan continued to work prolifically as both a leade ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thelonious Monk
Thelonious Sphere Monk ( October 10, 1917 – February 17, 1982) was an American Jazz piano, jazz pianist and composer. He had a unique improvisational style and made numerous contributions to the Jazz standard, standard jazz repertoire, including "'Round Midnight (song), 'Round Midnight", "Blue Monk", "Straight, No Chaser (composition), Straight, No Chaser", "Ruby, My Dear (composition), Ruby, My Dear", "In Walked Bud", and "Well, You Needn't". Monk is the second-most-recorded jazz composer after Duke Ellington. Monk's compositions and improvisations feature consonance and dissonance, dissonances and angular melodic twists, often using flat ninths, flat fifths, unexpected chromatic notes together, low bass notes and stride, and fast whole tone scale, whole tone runs, combining a highly percussive attack with abrupt, dramatic use of switched key releases, silences, and hesitations. Monk's distinct look included suits, hats, and sunglasses. He also had an idiosyncratic habit dur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hank Mobley
Henry Mobley (July 7, 1930 – May 30, 1986) was an American tenor saxophonist and composer. Mobley was described by Leonard Feather as the "middleweight champion of the tenor saxophone", a metaphor used to describe his tone, that was neither as aggressive as John Coltrane nor as mellow as Lester Young, and his style that was laid-back, subtle and melodic, especially in contrast with players such as Coltrane and Sonny Rollins. The critic Stacia Proefrock claimed him "one of the most underrated musicians of the bop era." Mobley's compositions include "Double Exposure", "Soul Station", and "Dig Dis". Early life and education Mobley was born in Eastman, Georgia, but was raised in Elizabeth, New Jersey, near Newark. He described himself as coming from a musical family and spoke of his uncle playing in a jazz band. As a child, Mobley played piano. When he was 16, an illness kept him in the house for several months. In response, his grandmother bought him a saxophone to help him ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Coltrane
John William Coltrane (September 23, 1926 – July 17, 1967) was an American jazz saxophonist, bandleader and composer. He is among the most influential and acclaimed figures in the Jazz#Post-war jazz, history of jazz and 20th-century music. Born and raised in North Carolina, after graduating from high school Coltrane moved to Philadelphia, where he studied music. Working in the bebop and hard bop idioms early in his career, Coltrane helped pioneer the use of Modal jazz, modes and was one of the players at the forefront of free jazz. He led at least fifty recording sessions and appeared on many albums by other musicians, including trumpeter Miles Davis and pianist Thelonious Monk. Over the course of his career, Coltrane's music took on an increasingly spiritual dimension, as exemplified on his most acclaimed album ''A Love Supreme'' (1965) and others. Decades after his death, Coltrane remains influential, and he has received numerous posthumous awards, including a Pulitzer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miles Davis
Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American jazz trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th century music, 20th-century music. Davis adopted a variety of musical directions in a roughly five-decade career that kept him at the forefront of many major stylistic developments in jazz. Born into an upper-middle-class family in Alton, Illinois, and raised in East St. Louis, Davis started on the trumpet in his early teens. He left to study at Juilliard School, Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker's bebop quintet from 1944 to 1948. Shortly after, he recorded the ''Birth of the Cool'' sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, while addicted to heroin, Davis recorded some of the earliest hard bop music under Prestige Records. After a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cannonball Adderley
Julian Edwin "Cannonball" Adderley (September 15, 1928August 8, 1975) was an American jazz Alto saxophone, alto saxophonist of the hard bop era of the 1950s and 1960s. Adderley is perhaps best remembered by the general public for the 1966 soul jazz single "Mercy, Mercy, Mercy", which was written for him by his keyboardist Joe Zawinul and became a major crossover hit on the Billboard Hot 100, pop and Hot R&B/Hip-Hop Songs, R&B charts. A cover version by the Buckinghams, who added lyrics, also reached No. 5 on the charts. Adderley worked with Miles Davis, first as a member of the Davis sextet, appearing on the seminal records ''Milestones (Miles Davis album), Milestones'' (1958) and ''Kind of Blue'' (1959), and then on his own 1958 album ''Somethin' Else (Cannonball Adderley album), Somethin' Else''. He was the elder brother of jazz trumpeter Nat Adderley, who was a longtime member of his band. Early life and career Julian Edwin Adderley was born on September 15, 1928, in Tampa, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Blakey
Arthur Blakey (October 11, 1919 – October 16, 1990) was an American jazz drummer and bandleader. He was also known as Abdullah Ibn Buhaina after he converted to Islam for a short time in the late 1940s. Blakey made a name for himself in the 1940s in the big bands of Fletcher Henderson and Billy Eckstine. He then worked with bebop musicians Thelonious Monk, Charlie Parker, and Dizzy Gillespie. In the mid-1950s, Horace Silver and Blakey formed The Jazz Messengers, a group which he led for the next 35 years. The group was formed as a collective of contemporaries, but over the years the band became known as an incubator for young talent, including Freddie Hubbard, Wayne Shorter, Lee Morgan, Benny Golson, Kenny Dorham, Hank Mobley, Donald Byrd, Jackie McLean, Johnny Griffin, Curtis Fuller, Chuck Mangione, Chick Corea, Keith Jarrett, Cedar Walton, Woody Shaw, Terence Blanchard, and Wynton Marsalis. ''The Biographical Encyclopedia of Jazz'' calls the Jazz Messengers "the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Mingus
Charles Mingus Jr. (April 22, 1922 – January 5, 1979) was an American jazz Double bass, upright bassist, composer, bandleader, pianist, and author. A major proponent of collective Musical improvisation, improvisation, he is considered one of the greatest jazz musicians and composers in history,See the 1998 documentary ''Triumph of the Underdog'' with a career spanning three decades and collaborations with other jazz greats such as Duke Ellington, Charlie Parker, Max Roach, and Eric Dolphy. Mingus's work ranged from advanced bebop and avant-garde jazz with small and midsize jazz ensemble, ensembles to pioneering the post-bop style on seminal recordings like ''Pithecanthropus Erectus (album), Pithecanthropus Erectus'' (1956) and ''Mingus Ah Um'' (1959) and progressive big band experiments such as ''The Black Saint and the Sinner Lady'' (1963). Mingus's compositions continue to be played by contemporary musicians ranging from the repertory bands Mingus Big Band, Mingus Dynasty (b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
