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Giovane Scuola
The giovane scuola ("young school") refers to a group of Italian composers (mostly operatic) who succeeded Verdi and flourished in the late 19th and early 20th century. The group all had close connections with the Milan Conservatory and included Puccini, Mascagni, Leoncavallo, Giordano, Cilea, Pietro Floridia, Catalani and Franchetti, as well as non-operatic composers such as Lorenzo Perosi, who wrote almost exclusively sacred music. Most of the operatic composers of the ''giovane scuola'' were also members of the verismo movement. Although they also wrote more mainstream operas, many of their works focused on "the rawness of life" and the effect of poverty on society, and were characterized by an emotional rhetoric influenced by Wagner and Massenet.Sadie (1992) p. 429 References *Budden, Julian (2002''Puccini: His Life and Works'' Oxford University Press. *Ciampa, Leonardo (2006). Don Lorenzo Perosi. *Fanelli, Jean Grundy (2004"Realism and the Giovane Scuola" ''Ope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Verdi
Giuseppe Fortunino Francesco Verdi ( ; ; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto, a small town in the province of Parma, to a family of moderate means, receiving a musical education with the help of a local patron, Antonio Barezzi. Verdi came to dominate the Italian opera scene after the era of Gioachino Rossini, Vincenzo Bellini, and Gaetano Donizetti, whose works significantly influenced him. In his early operas, Verdi demonstrated sympathy with the Risorgimento movement which sought the unification of Italy. He also served briefly as an elected politician. The chorus " Va, pensiero" from his early opera ''Nabucco'' (1842), and similar choruses in later operas, were much in the spirit of the unification movement, and the composer himself became esteemed as a representative of these ideals. An intensely private person, Verdi did not seek to ingratiate himself with popular movements. As he bec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Verismo
In opera, , from , meaning 'true', was a post-Romantic operatic tradition associated with Italian composers such as Pietro Mascagni, Ruggero Leoncavallo, Umberto Giordano, Francesco Cilea and Giacomo Puccini. ''Verismo'' as an operatic genre had its origins in an Italian literary movement of the same name. This was in turn related to the international literary movement of naturalism as practised by Émile Zola and others. Like naturalism, the ''verismo'' literary movement sought to portray the world with greater realism. In so doing, Italian ''verismo'' authors such as Giovanni Verga wrote about subject matter, such as the lives of the poor, that had not generally been seen as a fit subject for literature. History A short story by Verga called ' (), then developed into a play by the same author, became the source for what is usually considered to be the first ''verismo'' opera: ''Cavalleria rusticana'' by Mascagni, which premiered on 17 May 1890 at the Teatro Costan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Music History
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, a Romance ethnic group related to or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marination * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus * ''Italien'' (magazine), pro-Fascist magazine in Germany between 1927 and 1944 See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
19th-century Classical Music
The 19th century began on 1 January 1801 (represented by the Roman numerals MDCCCI), and ended on 31 December 1900 (MCM). It was the 9th century of the 2nd millennium. It was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanded beyond its British homeland for the first time during the 19th century, particularly remaking the economies and societies of the Low Countries, France, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Catholic Church, in response to the growing influence and power of modernism, secularism and materialism, formed the First Vatican Council in the late 19th century to deal with such problems and confirm ce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New Grove Dictionary Of Opera
''The New Grove Dictionary of Opera'' is an encyclopedia of opera. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volumes. The dictionary was first published in 1992 by Macmillan Reference, London, and edited by Stanley Sadie. Christina Bashford was the managing editor. While some entries were based on their equivalent entry in ''The New Grove Dictionary of Music and Musicians'', most were specially commissioned. The work contains contributions from over 1,300 scholars, with 11,000 articles in total, covering over 2,900 composers and 1800 operas. The operas discussed range from the earliest operas in 16th century Italy to the 1992 Philip Glass work '' The Voyage''. The final volume includes four appendices: an index of principal role names in 850 notable operas; an index of incipits of arias and ensembles (first line only, no musical examples); a list of contributors; and illustration acknowledgements. In 1997, the diction ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera News
''Opera News'' was an American classical music magazine. It was published from 1936 to 2023 by the Metropolitan Opera Guild—a non-profit organization, located at Lincoln Center, that was founded to promote opera and support the Metropolitan Opera ("the Met") of New York City. ''Opera News'' was initially focused almost exclusively on the Met and its activities, providing information for listeners of the Saturday afternoon live Metropolitan Opera radio broadcasts. Over the years, the magazine broadened its scope to include the larger American and international opera scenes. Published monthly, ''Opera News'' offered opera-related feature articles; artist interviews; production profiles; musicological pieces; music-business reportage; reviews of performances in the U.S. and Europe; reviews of recordings, videos, books and audio equipment; and listings of opera performances and recitals in the U.S. The final Editor-in-Chief was F. Paul Driscoll. Regular contributors to the mag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary Jane Phillips-Matz
Mary Jane Phillips-Matz (January 30, 1926 – January 19, 2013) was an American biographer and writer on opera. She is mainly known for her biography of Giuseppe Verdi, a result of 30 years' research and published in 1992 by Oxford University Press. Born in Lebanon, Ohio and educated at Smith College and Columbia University, she lived for many years in Italy, and even after her return to the United States in the early 1970s spent her summers in Verdi's hometown of Busseto where she continued her exhaustive research into his life. She died in New York City at the age of 86 Biography Mary Jane Phillips was born in Lebanon, Ohio to William Mason Phillips and Hazel Spencer Phillips. Her mother was the author of several books on Ohio history and folklore. She grew up in Dayton and acquired her interest in opera as a child from family excursions to the Cincinnati Zoo where the price of admission included a free performance by Cincinnati Opera in the zoo's pavilion. After earning a bachel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Massenet
Jules Émile Frédéric Massenet (; 12 May 1842 – 13 August 1912) was a French composer of the Romantic music, Romantic era best known for his operas, of which he wrote more than thirty. The two most frequently staged are ''Manon'' (1884) and ''Werther'' (1892). He also composed oratorios, ballets, orchestral works, incidental music, piano pieces, songs and other music. While still a schoolboy, Massenet was admitted to France's principal music college, the Paris Conservatoire. There he studied under Ambroise Thomas, whom he greatly admired. After winning the country's top musical prize, the , in 1863, he composed prolifically in many genres, but quickly became best known for his operas. Between 1867 and his death forty-five years later he wrote more than forty stage works in a wide variety of styles, from opéra-comique to grand-scale depictions of classical myths, romantic comedies, Drame lyrique, lyric dramas, as well as oratorios, cantatas and ballets. Massenet had a g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, essayist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the ''Gesamtkunstwerk'' ("total work of art"), whereby he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. The drama was to be presented as a continuously sung narrative, without conventional operatic structures like arias and recitatives. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the 16-hour, four-opera cycle ''Der Ring des N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo Perosi
Monsignor Lorenzo Perosi (21 December 1872 – 12 October 1956) was an Italian composer of sacred music and the only member of the Giovane Scuola who did not write opera. In the late 1890s, while he was still only in his twenties, Perosi was an internationally celebrated composer of sacred music, especially large-scale oratorios. Nobel Prize winner Romain Rolland wrote, "It's not easy to give you an exact idea of how popular Lorenzo Perosi is in his native country." Perosi's fame was not restricted to Europe. A 19 March 1899 ''New York Times'' article entitled "The Genius of Don Perosi" began, "The great and ever-increasing success which has greeted the four new oratorios of Don Lorenzo Perosi has placed this young priest-composer on a pedestal of fame which can only be compared with that which has been accorded of late years to the idolized Pietro Mascagni by his fellow-countrymen." Gianandrea Gavazzeni made the same comparison: "The sudden clamors of applause, at the end of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milan Conservatory
The Milan Conservatory, also known as the Conservatorio di Milano and the Conservatorio Giuseppe Verdi, is a Music school, college of music in Milan, Italy. History The conservatory was established by a royal decree of 1807 in Milan, capital of the Napoleonic Kingdom of Italy (Napoleonic), Kingdom of Italy. It opened the following year with premises in the cloisters of the Baroque (architecture), Baroque church of Santa Maria della Passione. There were initially eighteen boarders, including students of both sexes. Today it is the largest institute of musical education in Italy. (In the ''Conservatorio'' drop down menu) Alumni and faculty In its 200-year history, the conservatory has educated some of Italy's most prominent musicians and conductors, including Fausto Romitelli, Oscar Bianchi, Luca Francesconi, Stefano Gervasoni, Marco Stroppa, Giacomo Puccini, Alfredo Piatti, Amilcare Ponchielli, Arrigo Boito, Giovanni Bottesini, Alfredo Catalani, Riccardo Chailly, Amelita Galli- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alberto Franchetti
Alberto Franchetti (18 September 1860 – 4 August 1942) was an Italian composer and racing driver, best known for the 1902 opera ''Germania''. Biography Alberto Franchetti was born in Turin, a Jewish nobleman of independent means. He studied first in Venice, then at the Munich Conservatory under Josef Rheinberger, and finally in Dresden under Felix Draeseke. His first major success occurred in 1888 with his opera '' Asrael''. His operatic style combined Wagnerianism and the traits of Meyerbeer with Italian verismo. During his life, critics sometimes referred to him as the "Meyerbeer of modern Italy." The words of music critic G. B. Nappi sum up Franchetti's primary talents: "His character is perhaps unsuitable for passionate dramas, but rather for those subjects, where the fantastic, romantic and epic are required in the symphonic texture and large choral pictures. In this regard Alberto Franchetti knows that he has no rival" (from "Orfeo" 6.3, 1915). '' Grove'' consid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
