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Lorenzo Perosi
Monsignor Lorenzo Perosi (21 December 1872 – 12 October 1956) was an Italian composer of sacred music and the only member of the Giovane Scuola who did not write opera. In the late 1890s, while he was still only in his twenties, Perosi was an internationally celebrated composer of sacred music, especially large-scale oratorios. Nobel Prize winner Romain Rolland wrote, "It's not easy to give you an exact idea of how popular Lorenzo Perosi is in his native country." Perosi's fame was not restricted to Europe. A 19 March 1899 ''New York Times'' article entitled "The Genius of Don Perosi" began, "The great and ever-increasing success which has greeted the four new oratorios of Don Lorenzo Perosi has placed this young priest-composer on a pedestal of fame which can only be compared with that which has been accorded of late years to the idolized Pietro Mascagni by his fellow-countrymen." Gianandrea Gavazzeni made the same comparison: "The sudden clamors of applause, at the end of ...
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Perosi
Perosi is an Italian surname. Notable people with the surname include: *Carlo Perosi (1868–1930), Italian cardinal *Lorenzo Perosi (1872–1956), Italian classical composer *Marziano Perosi (1875–1959), Italian classical organist, choirmaster and composer {{surname Italian-language surnames ...
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Michele Saladino
Michele () is an Italian male given name, akin to the English male name Michael. Michele (usually pronounced ), is also an English female given name that is derived from the French Michèle. It is a variant spelling of the more common (and identically pronounced) name Michelle. Michele can also be a surname. The names are ultimately derived from the Hebrew מִיכָאֵל, through the Greek Μιχαήλ and the Latin Michael meaning " Who is like God?". Men with the given name Michele * Michele (singer) (born 1944), Italian pop singer * Michele Abruzzo (1904–1996), Italian actor *Michele Alboreto (1956–2001), Italian Grand Prix racing driver * Michele Amari (1806–1889), Italian politician and historian * Michele Andreolo (1912–1981), Italian footballer *Michele Bianchi (1883–1930), Italian journalist and revolutionary *Michele Bravi (born 1994), Italian singer *Michele Cachia (1760–1839), Maltese architect and military engineer *Michele Canini (born 1985), Italian ...
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Venice
Venice ( ; ; , formerly ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 islands that are separated by expanses of open water and by canals; portions of the city are linked by 438 bridges. The islands are in the shallow Venetian Lagoon, an enclosed bay lying between the mouths of the Po River, Po and the Piave River, Piave rivers (more exactly between the Brenta (river), Brenta and the Sile (river), Sile). As of 2025, 249,466 people resided in greater Venice or the Comune of Venice, of whom about 51,000 live in the historical island city of Venice (''centro storico'') and the rest on the mainland (''terraferma''). Together with the cities of Padua, Italy, Padua and Treviso, Italy, Treviso, Venice is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE), which is considered a statistical metropolitan area, with a total population of 2.6 million. The name is derived from the ancient Adr ...
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St Mark's Basilica
The Patriarchal Cathedral Basilica of Saint Mark (), commonly known as St Mark's Basilica (; ), is the cathedral church of the Patriarchate of Venice; it became the episcopal seat of the Patriarch of Venice in 1807, replacing the earlier cathedral of San Pietro di Castello. It is dedicated to and holds the relics of Saint Mark the Evangelist, the patron saint of the city. The church is located on the eastern end of Saint Mark's Square, the former political and religious centre of the Republic of Venice, and is attached to the Doge's Palace. Prior to the fall of the republic in 1797, it was the chapel of the Doge and was subject to his jurisdiction, with the concurrence of the procurators of Saint Mark for administrative and financial affairs. The present structure is the third church, begun probably in 1063 to express Venice's growing civic consciousness and pride. Like the two earlier churches, its model was the sixth-century Church of the Holy Apostles in Constanti ...
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Cappella Marciana
The Cappella Marciana is the modern name for the choir and instrumentalists of St Mark's Basilica, Venice, Italy. Overview The masters of the ''cappella ducale'' in the 16th and 17th centuries included many of the most notable composers of the Italian baroque. In addition to providing music at the Basilica, the choir and instrumentalists of the ''cappella'' performed important functions in the Venetian calendar of feasts. Many of the works of the maestri di cappella are preserved in illuminated choir books at the Archivio di Stato di Venezia (ASV), the Biblioteca del Civico Museo Correr and the Biblioteca Nazionale Marciana. History Maestri di cappella File:Adrian Willaert.jpg, Adrian Willaert File:Claudio Monteverdi.jpg, Claudio Monteverdi File:Baldassare Galuppi Memorial.jpeg, Baldassare Galuppi File:DonLorenzoPerosi.jpg, Don Lorenzo Perosi File:Venedig Basilika.jpg, Front of the basilica The list of ''maestri'', musical directors, and organists includes:F. Caffi, ''Stor ...
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Gregorian Chant
Gregorian chant is the central tradition of Western plainsong, plainchant, a form of monophony, monophonic, unaccompanied sacred song in Latin (and occasionally Greek language, Greek) of the Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions. Although popular legend credits Pope Gregory I with inventing Gregorian chant, scholars believe that he only ordered a compilation of melodies throughout the whole Christian world, after having instructed his emissaries in the Schola cantorum, where the Neume, neumatical notation was perfected, with the result of most of those melodies being a later Carolingian synthesis of the Old Roman chant and Gallican chant. Gregorian chants were organized initially into four, then eight, and finally 12 mode (music), modes. Typical melodic features include a characteristic Ambitus (music), ambitus, and also characteristic intervallic patterns relat ...
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Joseph Pothier
Dom Joseph Pothier, O.S.B. (1835–1923) was a worldwide known French prelate, liturgist and scholar who reconstituted the Gregorian chant. Benedictine life Born in 1835 at Bouzemont, France, Dom Joseph Pothier was ordained a priest in the diocese of Saint-Dié in 1858, before immediately joining St Peter's Abbey, Solesmes under Abbot Dom Prosper Guéranger. By founding, in the then derelict priory of Solesmes, the first new abbey of the Order of Saint Benedict in France, Dom Guéranger had re-established monastic life in the country after it had been wiped out by the French Revolution. Pothier later was made subprior (1862-1863 and 1866-1893) of Solesmes, then claustral prior (1893-1894) of St Martin's Abbey, Ligugé, also a former deserted priory which had been resettled by Solesmes. In 1895 he became superior of the colony of monks from Ligugé sent to repopulate the monastery of St Wandrille (Fontenelle), an ancient and abandoned Benedictine abbey - also suppressed durin ...
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André Mocquereau
André Mocquereau (6 June 1849 – 18 January 1930) was a French monk at Solesmes Abbey, Gregorian musicologist, who had a great influence on the restoration of Gregorian chant thanks to his musical ability. His scientific studies resulted in the use of the being ended at the Vatican in 1901. Publications * 1908: ''Le nombre musical grégorien ou rythmique grégorienne — théorie et pratique —'', tome I, Société de Saint-Jean-l'Évangéliste ainsi que Desclée & Cie., Rome et Tournai, 430 pRead online* 1927: ''Le nombre musical grégorien ou rythmique grégorienne, théorie et pratique'', tome II, Desclée, Paris, 855 p. See also * Solesmes Abbey, * Gregorian chant * ''Liber usualis'' Bibliography * ''Études grégoriennes'', tome XXVIII, Abbaye Saint-Pierre, Solesmes 2011 * Pierre Combe, ''Justine Ward and Solesmes'', translation by Philipe and Guillemine de Lacoste, The Catholic University of America Press, Washington 1987, 410 pRead online * Daniel Walden (Ha ...
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Solesmes Abbey
Solesmes Abbey or St. Peter's Abbey, Solesmes () is a Benedictine monastery in Solesmes, Sarthe, France, and the source of the restoration of Order of Saint Benedict, Benedictine monastic life in the country under Dom Prosper Guéranger after the French Revolution. The current abbot is the Right Reverend Dom Abbot Geoffrey Kemlin, O.S.B., elected in 2022. Parish Prior to the foundation of Solesmes Abbey, a parish existed at the site. This parish may have been founded at the site as early as the 5th century. Evidence also suggests that the site may first have been built upon in the 6th or 7th century. This original parish was surrounded by a large cemetery. Sarcophagi found at the site suggest that they may go back to the Merovingian period. These sites are still preserved to this day. Priory Solesmes Abbey was founded in 1010 by Geoffrey, Lord of Sablé, who donated the monastery and its farm to the Order of St. Benedict, Benedictine monks of the Saint-Pierre de la Couture Abbe ...
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Imola
Imola (; or ) is a city and ''comune'' in the Metropolitan City of Bologna, located on the river Santerno, in the Emilia-Romagna region of northern Italy. The city is traditionally considered the western entrance to the historical region Romagna. The city is best-known as the home of the Autodromo Enzo e Dino Ferrari which hosts the Formula One Emilia Romagna Grand Prix and formerly hosted the San Marino Grand Prix, named after the independent nation of San Marino around 100 km to the south. History Sometime around 82 Common Era, BCE, the Roman dictator L. Cornelius Sulla founded the city, which was originally known eponymously in ancient times as ''Forum Cornelii'' ("Forum of Cornelius"). The city was an agricultural and trading centre, famous for its ceramics (art), ceramics. The name Imola was first used in the 7th century by the Lombards, who applied it to the fortress (the present Castellaccio, the construction of which is attributed to the Lombard Clefi), whence the ...
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Lassus
Orlando di Lasso ( various other names; probably – 14 June 1594) was a composer of the late Renaissance. The chief representative of the mature polyphonic style in the Franco-Flemish school, Lassus stands with William Byrd, Giovanni Pierluigi da Palestrina, and Tomás Luis de Victoria as one of the leading composers of the later Renaissance. Immensely prolific, his music varies considerably in style and genres, which gave him unprecedented popularity throughout Europe. Name Lasso's name appears in many forms, often changed depending on the place in which his music was being performed or published. In addition to Orlando di Lasso, variations include Orlande de Lassus, Roland de Lassus, Orlandus Lassus, Orlande de Lattre and Roland de Lattre. Since these various spellings or translations of the same name have been known and accepted for centuries, and since there is no evidence that he stated a preference, none of them can be considered incorrect. Life and career Orlan ...
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Giovanni Pierluigi Da Palestrina
Giovanni Pierluigi da Palestrina (between 3 February 1525 and 2 February 1526 – 2 February 1594) was an Italian composer of late Renaissance music. The central representative of the Roman School, with Orlande de Lassus and Tomás Luis de Victoria, Palestrina is considered the leading composer of late 16th-century Europe. Born in the town of Palestrina in the Papal States, Palestrina moved to Rome as a child and underwent musical studies there. In 1551, Pope Julius III appointed him '' maestro di cappella'' of the Cappella Giulia at St. Peter's Basilica. He left the post four years later, unable to continue as a layman under the papacy of Paul IV, and held similar positions at St. John Lateran and Santa Maria Maggiore in the following decade. Palestrina returned to the Cappella Giulia in 1571 and remained at St Peter's until his death in 1594. Primarily known for his masses and motets, which number over 105 and 250 respectively, Palestrina had a long-lasting influence ...
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