|
Galop
In dance, the galop, named after the fastest running gait of a horse (see Gallop), a shortened version of the original term galoppade, is a lively country dance, introduced in the late 1820s to Parisian society by the Duchesse de Berry and popular in Vienna, Berlin and London. In the same closed position familiar in the waltz, the step combined a glissade with a chassé on alternate feet, ordinarily in a fast time. The galop was a forerunner of the polka, which was introduced in Prague ballrooms in the 1830s and made fashionable in Paris when Raab, a dancing teacher of Prague, danced the polka at the Odéon Theatre in 1840. In Australian bush dance, the dance is often called galopede. An even livelier, faster version of the galop called the can-can developed in Paris around 1830. The galop was particularly popular as the final dance of the evening. The " Post Horn Galop", written by the cornet virtuoso Herman Koenig, was first performed in London in 1844; it remains a si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galop Dance Pattern
In dance, the galop, named after the fastest running gait of a horse (see Horse gait#Gallop, Gallop), a shortened version of the original term galoppade, is a lively country dance, introduced in the late 1820s to Parisian society by the Princess Caroline Ferdinande of Bourbon-Two Sicilies, Duchesse de Berry and popular in Vienna, Berlin and London. In the same closed position familiar in the waltz, the step combined a glissade (dance move), glissade with a chassé on alternate feet, ordinarily in a fast time. The galop was a forerunner of the polka, which was introduced in Prague ballrooms in the 1830s and made fashionable in Paris when Raab, a dancing teacher of Prague, danced the polka at the Odéon Theatre in 1840. In Australian bush dance, the dance is often called galopede. An even livelier, faster version of the galop called the can-can developed in Paris around 1830. The galop was particularly popular as the final dance of the evening. The "Post horn#Post Horn Galop, Pos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orpheus In The Underworld
''Orpheus in the Underworld'' and ''Orpheus in Hell'' are English names for (), a comic opera with music by Jacques Offenbach and words by Hector-Jonathan Crémieux, Hector Crémieux and Ludovic Halévy. It was first performed as a two-act "opéra bouffon" at the Théâtre des Bouffes-Parisiens, Paris, on 21 October 1858, and was extensively revised and expanded in a four-act "opéra féerie" version, presented at the Théâtre de la Gaîté (rue Papin), Théâtre de la Gaîté, Paris, on 7 February 1874. The opera is a lampoon of the ancient legend of Orpheus and Eurydice. In this version Orpheus is not the son of Apollo but a rustic violin teacher. He is glad to be rid of his wife, Eurydice, when she is abducted by the god of the underworld, Pluto (mythology), Pluto. Orpheus has to be bullied by Public Opinion into trying to rescue Eurydice. The reprehensible conduct of the gods of Mount Olympus#Name and mythological associations, Olympus in the opera was widely seen as a vei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Champagne Galop
The ''Champagne Galop'' () is a piece of orchestral music by the Danish composer Hans Christian Lumbye (1810–1874) which was written to celebrate the second anniversary of Copenhagen's Tivoli in 1845. Together with Lumbye's ''Telegraph Galop'' and '' Copenhagen Steam Railway Galop'', it was included in the 2006 Danish Culture Canon as a masterpiece of Danish classical music."Telegraph-Galop, 1844, Champagne-Galop, 1845, Kjöbenhavns Jernbane-Damp-Galop, 1847, H.C. Lumbye (1810–1874)" , in Kulturkontacten 20, 2006. Retrieved 13 February 2013. Background The ''Champagne Galop'' was composed for the second anniversary of Copenhagen's Tivoli Gardens on ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polka
Polka is a dance style and genre of dance music in originating in nineteenth-century Bohemia, now part of the Czech Republic. Though generally associated with Czech and Central European culture, polka is popular throughout Europe and the Americas. History Etymology The term ''polka'' referring to the dance is believed to derive from the Czech words "půlka", meaning "half-step". Czech cultural historian ÄŒenÄ›k ZÃbrt attributes the term to the Czech word ''půlka'' (half), referring to both the half-tempo and the half-jump step of the dance.ÄŒenÄ›k ZÃbrt, "Jak se kdy v ÄŒechách tancovalo: dÄ›jiny tance v ÄŒechách, na MoravÄ›, ve Slezsku a na Slovensku z vÄ›ků nejstarÅ¡Ãch až do nové doby se zvláštnÃm zÅ™etelem k dÄ›jinám tance vůbec", Prague, 189(Google eBook)/ref> This name has been changed to "Polka" as an expression of honour and sympathy for Poland and the Poles after the November Uprising 1830-1831. "Polka" meaning, in both the Czech and Poli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Copenhagen Steam Railway Galop
The ''Copenhagen Steam Railway Galop'' (), often just called the ''Railway Galop'' (), is a musical composition by the Danish composer Hans Christian Lumbye (1810–1874) which was written to celebrate the opening of the Copenhagen–Roskilde railway line in 1847. It is one of Hans Christian Lumbye's best known and popular works, and together with Lumbye's '' Telegraph Galop'' and ''Champagne Galop'', it was included in the 2006 Danish Culture Canon as a masterpiece of Danish classical music."Telegraph-Galop, 1844, Champagne-Galop, 1845, Kjöbenhavns Jernbane-Damp-Galop, 1847, H.C. Lumbye (1810–1874)" , in Kulturkontacten 20, 2006. Retrieved 13 February 2013. |
Telegraph Galop
The ''Telegraph Galop'' ( Danish_ Telegrafgalopen) is a musical composition by the Danish composer Hans Christian Lumbye (1810–1874) . It is one of Hans Christian Lumbye's best known and popular works, and together with Lumbye's ''Copenhagen Steam Railway Galop'' and ''Champagne Galop'', it was included in the 2006 Danish Culture Canon as a masterpiece of Danish classical music."Telegraph-Galop, 1844, Champagne-Galop, 1845, Kjöbenhavns Jernbane-Damp-Galop, 1847, H.C. Lumbye (1810–1874)" , in Kulturkontacten 20, 2006. Retrieved 13 February 2013. History The ''Telegraph Gallop'' premiered in Tivoli’s Concert Hall on 11 June 1844. It is dedicated, ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Devil's Galop
"Devil's Galop" is a piece of light music composed by Charles Williams. It became famous as the theme tune to the radio serial ''Dick Barton – Special Agent''. The word "galop" in the title refers to the galop dance (which, in turn, refers to a horse's gallop). In popular culture It has since been used in a number of productions, often to give a sense of dramatic urgency to a chase scene. As well as being the theme for the BBC Light Programme's serial ''Dick Barton'' and its 1979 Southern Television revival, its other appearances include ''Dad's Army'', ''Danger Mouse'', ''The Goodies'', and the ''Goon Show'' (the original theme music for which is called "Goons Gallop" and is reminiscent of "Devil's Galop"). ''Monty Python's Flying Circus'' used this theme throughout its run on television, including in the famous " The Spanish Inquisition" sketch. Excerpts from the piece form part of the opening theme to the video game '' Monty on the Run''. The music has featured more recentl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Émile Waldteufel
Charles Émile Waldteufel (; ; ; 9 December 1837 – 12 February 1915) was a French composer, pianist, and conductor known for his numerous popular salon pieces. Among his best known works is " Les Patineurs" (1882), known as "The Skater's Waltz". Life Waldteufel was born Charles Émile Lévy at 84 Grand'Rue in the centre of Strasbourg. From a Jewish Alsatian family of musicians, his grandfather, father, and two uncles were all dance musicians who had used the name "Waldteufel" (German for ''forest devil'') professionally. His father, Lazare Levy, led a respected orchestra, and his brother Léon was a successful performer. When Léon won a place to study violin at the Conservatoire de Paris, the family followed him there. Waldteufel's mother Flora Neubauer, originally from Bavaria, had been a student of Hummel and had met Haydn; she was also a keen singer and dancer.Hering, Pierre. Emile Waldteufel (1837-1915). In: ''La Musique en Alsace hier et aujourd'hui'' (Strasbourg: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horse Gait
Horses can use various gaits (patterns of leg movement) during Terrestrial locomotion, locomotion across solid ground, either naturally or as a result of specialized horse training, training by humans.Ensminger, M. E. ''Horses and Horsemanship'' 6th edition USA: Interstate Publishers 1990 pp. 65–66 Classification Gait, Gaits are typically categorized into two groups: the "natural" gaits that most horses will use without special training, and the "Ambling gait, ambling" gaits that are various smooth-riding, four-beat footfall patterns that may appear naturally in some individuals. Special training is often required before a horse will perform an ambling gait in response to a equestrianism, rider's command. Another system of classification that applies to Quadrupedalism, quadrupeds uses three categories: walking and ambling gaits, running or trotting gaits, and leaping gaits.Tristan David Martin Roberts (1995) ''Understanding Balance: The Mechanics of Posture and Locomotion'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Christian Lumbye
Hans Christian Lumbye (; 2 May 1810 – 20 March 1874) was a Danish composer of waltzes, polkas, mazurkas and galops, among other things. Beginnings As a child, he studied music in Randers and Odense, and by age 14 he was playing the trumpet in a military band. In 1829, he joined the Horse Guards in Copenhagen, still continuing his music education. In 1839, he heard a Viennese orchestra play music by Johann Strauss I Johann Baptist Strauss I (; ; 14 March 1804 – 25 September 1849), also known as Johann Strauss Sr., the Elder or the Father (), was an Austrian composer of the Romantic music, Romantic Period. He was famous for his light music, namely waltzes, ..., after which he composed in the style of Strauss, eventually earning the nickname "The Strauss of the North". Career From 1843 to 1872, he served as the music director and in-house composer for Tivoli Gardens, Copenhagen. Such was his popularity in the Danish capital that many Danes revered him and considered Jo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Lanner
Joseph Lanner (12 April 1801 – 14 April 1843) was an Austrian dance music composer and dance orchestra conductor. He is best remembered as one of the earliest Viennese composers to reform the waltz from a simple peasant dance to something that even the highest society could enjoy, either as an accompaniment to the dance, or for the music's own sake. He was just as famous as his friend and musical rival Johann Strauss I, who was better known outside of Austria in their day because of his concert tours abroad, in particular, to France and England. Lanner had a lesser-known son, August Lanner, who was just as musically gifted and prodigious as his father, but whose budding career was cut short by his early death at age 20. His daughter Katharina became a well known international ballet dancer, settling in London where she became an influential choreographer and teacher. Biography Lanner was born in St. Ulrich in Vienna (today the district of Neubau). Largely self-taught on t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Can-can
The can-can (also spelled cancan as in the original French /kɑ̃kɑ̃/) is a high-energy, physically demanding dance that became a popular music-hall dance in the 1840s, continuing in popularity in French cabaret to this day. Originally danced by couples, it is now traditionally associated with a chorus line of female dancers. The main features of the dance are the vigorous manipulation of skirts and petticoats, along with high kicks, splits, and cartwheels. History The can-can is believed to have evolved from the final figure in the quadrille, a social dance for four or more couples. The exact origin of the dance is obscure, but the steps may have been inspired by a popular entertainer of the 1820s, Charles-François Mazurier (1798–1828), well known for his mime and acrobatic dance, including the grand écart or jump splits—both popular features of the can-can; his greatest success was in ''Jocko, or The Brazilian Ape'' (1825). The dance was considered scandalou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
