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Galop Dance Pattern
In dance, the galop, named after the fastest running gait of a horse (see Horse gait#Gallop, Gallop), a shortened version of the original term galoppade, is a lively country dance, introduced in the late 1820s to Parisian society by the Princess Caroline Ferdinande of Bourbon-Two Sicilies, Duchesse de Berry and popular in Vienna, Berlin and London. In the same closed position familiar in the waltz, the step combined a glissade (dance move), glissade with a chassé on alternate feet, ordinarily in a fast time. The galop was a forerunner of the polka, which was introduced in Prague ballrooms in the 1830s and made fashionable in Paris when Raab, a dancing teacher of Prague, danced the polka at the Odéon Theatre in 1840. In Australian bush dance, the dance is often called galopede. An even livelier, faster version of the galop called the can-can developed in Paris around 1830. The galop was particularly popular as the final dance of the evening. The "Post horn#Post Horn Galop, Pos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Strauss I - Wiener Scene - Der Große Galop
Strauss, Strauß, or Straus is a common Germanic surname. Outside Germany and Austria ''Strauß'' is usually spelled ''Strauss'' (the letter " ß" is not used in the German-speaking part of Switzerland). In classical music, "Strauss" most commonly refers to Richard Strauss or Johann Strauss II. The name has been used by families in the Germanic area for at least a thousand years. The overlord of Gröna, for example, went by the name of Struz and used the image of an ostrich as his symbol. Examples of it could still be seen on the thousand-year-old church bell of that town. "Struz" or "Strutz" is the North-German form of the word "Strauss", which is the modern German word for ostrich. Some of the earliest Jewish bearers of the name hailed from the Judengasse in medieval Frankfurt, where families have been known by the name of the houses they inhabited. All the houses had names and these included Haus Strauß, complete with an image of an ostrich on the façade. When, for tax ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lady Macbeth Of Mtsensk (opera)
''Lady Macbeth of Mtsensk'', Op. 29 () is an opera in four acts and nine scenes by Dmitri Shostakovich. The libretto, jointly written by Alexander Preys and the composer, is based on the novella ''Lady Macbeth of the Mtsensk District'' by Nikolai Leskov. Dedicated by Shostakovich to his first wife, physicist Nina Varzar, the roughly 160-minute opera was first performed on 22 January 1934 at the Leningrad Maly Operny, and two days later in Moscow. It incorporates elements of expressionism and verismo, telling the story of a lonely woman in 19th-century Russia who falls in love with one of her husband's workers and is driven to murder. Performance history Despite early success on popular and official levels, ''Lady Macbeth'' became the vehicle for a general denunciation of Shostakovich's music by the CPSU in early 1936: after being condemned in an anonymous article (sometimes attributed to Joseph Stalin but actually authored by David Zaslavsky) in ''Pravda'', titled " Mud ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Copenhagen Steam Railway Galop
The ''Copenhagen Steam Railway Galop'' (), often just called the ''Railway Galop'' (), is a musical composition by the Danish composer Hans Christian Lumbye (1810–1874) which was written to celebrate the opening of the Copenhagen–Roskilde railway line in 1847. It is one of Hans Christian Lumbye's best known and popular works, and together with Lumbye's '' Telegraph Galop'' and ''Champagne Galop'', it was included in the 2006 Danish Culture Canon as a masterpiece of Danish classical music."Telegraph-Galop, 1844, Champagne-Galop, 1845, Kjöbenhavns Jernbane-Damp-Galop, 1847, H.C. Lumbye (1810–1874)" , in Kulturkontacten 20, 2006. Retrieved 13 February 2013. |
Champagne Galop
The ''Champagne Galop'' () is a piece of orchestral music by the Danish composer Hans Christian Lumbye (1810–1874) which was written to celebrate the second anniversary of Copenhagen's Tivoli in 1845. Together with Lumbye's ''Telegraph Galop'' and '' Copenhagen Steam Railway Galop'', it was included in the 2006 Danish Culture Canon as a masterpiece of Danish classical music."Telegraph-Galop, 1844, Champagne-Galop, 1845, Kjöbenhavns Jernbane-Damp-Galop, 1847, H.C. Lumbye (1810–1874)" , in Kulturkontacten 20, 2006. Retrieved 13 February 2013. Background The ''Champagne Galop'' was composed for the second anniversary of Copenhagen's Tivoli Gardens on ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Telegraph Galop
The ''Telegraph Galop'' ( Danish_ Telegrafgalopen) is a musical composition by the Danish composer Hans Christian Lumbye (1810–1874) . It is one of Hans Christian Lumbye's best known and popular works, and together with Lumbye's ''Copenhagen Steam Railway Galop'' and ''Champagne Galop'', it was included in the 2006 Danish Culture Canon as a masterpiece of Danish classical music."Telegraph-Galop, 1844, Champagne-Galop, 1845, Kjöbenhavns Jernbane-Damp-Galop, 1847, H.C. Lumbye (1810–1874)" , in Kulturkontacten 20, 2006. Retrieved 13 February 2013. History The ''Telegraph Gallop'' premiered in Tivoli’s Concert Hall on 11 June 1844. It is dedicated, ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Christian Lumbye
Hans Christian Lumbye (; 2 May 1810 – 20 March 1874) was a Danish composer of waltzes, polkas, mazurkas and galops, among other things. Beginnings As a child, he studied music in Randers and Odense, and by age 14 he was playing the trumpet in a military band. In 1829, he joined the Horse Guards in Copenhagen, still continuing his music education. In 1839, he heard a Viennese orchestra play music by Johann Strauss I Johann Baptist Strauss I (; ; 14 March 1804 – 25 September 1849), also known as Johann Strauss Sr., the Elder or the Father (), was an Austrian composer of the Romantic music, Romantic Period. He was famous for his light music, namely waltzes, ..., after which he composed in the style of Strauss, eventually earning the nickname "The Strauss of the North". Career From 1843 to 1872, he served as the music director and in-house composer for Tivoli Gardens, Copenhagen. Such was his popularity in the Danish capital that many Danes revered him and considered Jo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Lanner
Joseph Lanner (12 April 1801 – 14 April 1843) was an Austrian dance music composer and dance orchestra conductor. He is best remembered as one of the earliest Viennese composers to reform the waltz from a simple peasant dance to something that even the highest society could enjoy, either as an accompaniment to the dance, or for the music's own sake. He was just as famous as his friend and musical rival Johann Strauss I, who was better known outside of Austria in their day because of his concert tours abroad, in particular, to France and England. Lanner had a lesser-known son, August Lanner, who was just as musically gifted and prodigious as his father, but whose budding career was cut short by his early death at age 20. His daughter Katharina became a well known international ballet dancer, settling in London where she became an influential choreographer and teacher. Biography Lanner was born in St. Ulrich in Vienna (today the district of Neubau). Largely self-taught on t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Émile Waldteufel
Charles Émile Waldteufel (; ; ; 9 December 1837 – 12 February 1915) was a French composer, pianist, and conductor known for his numerous popular salon pieces. Among his best known works is " Les Patineurs" (1882), known as "The Skater's Waltz". Life Waldteufel was born Charles Émile Lévy at 84 Grand'Rue in the centre of Strasbourg. From a Jewish Alsatian family of musicians, his grandfather, father, and two uncles were all dance musicians who had used the name "Waldteufel" (German for ''forest devil'') professionally. His father, Lazare Levy, led a respected orchestra, and his brother Léon was a successful performer. When Léon won a place to study violin at the Conservatoire de Paris, the family followed him there. Waldteufel's mother Flora Neubauer, originally from Bavaria, had been a student of Hummel and had met Haydn; she was also a keen singer and dancer.Hering, Pierre. Emile Waldteufel (1837-1915). In: ''La Musique en Alsace hier et aujourd'hui'' (Strasbourg: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dmitry Kabalevsky
Dmitry Borisovich Kabalevsky ( ; – 14 February 1987) was a Soviet composer, conductor, pianist and pedagogue of Russian gentry descent. He helped set up the Union of Soviet Composers in Moscow and remained one of its leading figures during his lifetime. He was a prolific composer of piano music and chamber music; many of his piano works were performed by Vladimir Horowitz. He is best known in Western Europe for his Second Symphony; the "Comedians' Galop" from '' The Comedians'' Suite, Op. 26; and his Third Piano Concerto. Life Kabalevsky was born in Saint Petersburg in 1904, but moved to Moscow at a young age. His father was a mathematician and encouraged him to study mathematics, but he showed a fascination for the arts. He studied at the Academic Music College in Moscow and graduated in 1922. He then continued his studies with Vasily Selivanov. In 1925, he then went on to study at the Moscow Conservatory where he learned composition with first Georgy Catoire, then ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Comedians (Kabalevsky)
''The Comedians'', Op. 26, is an orchestral suite of ten numbers by Dmitry Kabalevsky. It is one of his best-known and best-loved works. In particular, the "Comedians' Galop" (No. 2) is the single most famous piece of music he ever wrote. It is popular as a piece played on sports days in Japan. Background In 1938 or 1939, Kabalevsky wrote incidental music for a children's play called ''The Inventor and the Comedians'', by the Soviet writer Mark Daniel. The play was about the German inventor Johannes Gutenberg and a group of travelling buffoons; it was staged at the Central Children's Theatre in Moscow Moscow is the Capital city, capital and List of cities and towns in Russia by population, largest city of Russia, standing on the Moskva (river), Moskva River in Central Russia. It has a population estimated at over 13 million residents with .... Mark Daniel died young the following year. Concert suite In 1940, Kabalevsky chose ten short numbers from the incidental mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Offenbach
Jacques Offenbach (; 20 June 18195 October 1880) was a German-born French composer, cellist and impresario. He is remembered for his nearly 100 operettas of the 1850s to the 1870s, and his uncompleted opera ''The Tales of Hoffmann''. He was a powerful influence on later composers of the operetta genre, particularly Franz von Suppé, Johann Strauss II and Arthur Sullivan. His best-known works were continually revived during the 20th century, and many of his operettas continue to be staged in the 21st. ''The Tales of Hoffmann'' remains part of the standard opera repertory. Born in Cologne, Kingdom of Prussia, the son of a synagogue hazzan, cantor, Offenbach showed early musical talent. At the age of 14, he was accepted as a student at the Paris Conservatoire; he found academic study unfulfilling and left after a year, but remained in Paris. From 1835 to 1855 he earned his living as a cellist, achieving international fame, and as a conductor. His ambition, however, was to compose c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orpheus In The Underworld
''Orpheus in the Underworld'' and ''Orpheus in Hell'' are English names for (), a comic opera with music by Jacques Offenbach and words by Hector-Jonathan Crémieux, Hector Crémieux and Ludovic Halévy. It was first performed as a two-act "opéra bouffon" at the Théâtre des Bouffes-Parisiens, Paris, on 21 October 1858, and was extensively revised and expanded in a four-act "opéra féerie" version, presented at the Théâtre de la Gaîté (rue Papin), Théâtre de la Gaîté, Paris, on 7 February 1874. The opera is a lampoon of the ancient legend of Orpheus and Eurydice. In this version Orpheus is not the son of Apollo but a rustic violin teacher. He is glad to be rid of his wife, Eurydice, when she is abducted by the god of the underworld, Pluto (mythology), Pluto. Orpheus has to be bullied by Public Opinion into trying to rescue Eurydice. The reprehensible conduct of the gods of Mount Olympus#Name and mythological associations, Olympus in the opera was widely seen as a vei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
