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Fanqie
''Fanqie'' ( zh, t= 反切, p=fǎnqiè, l=reverse cut) is a method in traditional Chinese lexicography to indicate the pronunciation of a monosyllabic character by using two other characters, one with the same initial consonant as the desired syllable and one with the same rest of the syllable (the final). The method was introduced in the 3rd century AD and is to some extent still used in commentaries on the classics and dictionaries. History Early dictionaries such as the '' Erya'' (3rd century BC) indicated the pronunciation of a character by the ''dúruò'' (讀若, "read as") method, giving another character with the same pronunciation. The introduction of Buddhism to China around the 1st century brought Indian phonetic knowledge, which may have inspired the idea of ''fanqie''. According to the 6th-century scholar Yan Zhitui, ''fanqie'' were first used by Sun Yan (孫炎), of the state of Wei during the Three Kingdoms period (220–280 AD), in his ''Erya Yinyi'' (爾� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhyme Dictionary
A rime dictionary, rhyme dictionary, or rime book () is a genre of dictionary that records pronunciations for Chinese characters by tone (linguistics), tone and rhyme, instead of by graphical means like their Chinese character radicals, radicals. The most important rime dictionary tradition began with the (601), which codified correct pronunciations for reading the classics and writing poetry by combining the reading traditions of north and south China. This work became very popular during the Tang dynasty, and went through a series of revisions and expansions, of which the most famous is the ''Guangyun'' (1007–1008). These dictionaries specify the pronunciations of characters using the method, giving a pair of characters indicating the syllable onset, onset and remainder of the syllable respectively. The later rime tables gave a significantly more precise and systematic account of the sounds of these dictionaries by tabulating syllables by their onsets, rhyme groups, tones an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rime Table
A rime table or rhyme table ( zh, t=韻圖, s=韵图, p=yùntú, w=yün-t'u) is a Chinese phonological model, tabulating the syllables of the series of rime dictionaries beginning with the ''Qieyun'' (601) by their onsets, rhyme groups, tones and other properties. The method gave a significantly more precise and systematic account of the sounds of those dictionaries than the previously used analysis, but many of its details remain obscure. The phonological system that is implicit in the rime dictionaries and analysed in the rime tables is known as Middle Chinese, and is the traditional starting point for efforts to recover the sounds of early forms of Chinese. Some authors distinguish the two layers as Early and Late Middle Chinese respectively. The earliest rime tables are associated with Chinese Buddhist monks, who are believed to have been inspired by the Sanskrit syllable charts in the Siddham script they used to study the language. The oldest extant rime tables are the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Qieyun Dong Entry Fanqie
The ''Qieyun'' () is a Chinese rhyme dictionary that was published in 601 during the Sui dynasty. The book was a guide to proper reading of classical texts, using the ''fanqie'' method to indicate the pronunciation of Chinese characters. The ''Qieyun'' and later redactions, notably the ''Guangyun'', are important documentary sources used in the reconstruction of historical Chinese phonology. History The book was created by Lu Fayan (Lu Fa-yen; ) in 601. The preface of the ''Qieyun'' describes how the plan of the book originated from a discussion with eight of his friends 20 years earlier at his home in Chang'an, the capital of Sui China. None of these scholars was originally from Chang'an; they were native speakers of differing dialects – five northern and three southern. According to Lu, Yan Zhitui (顏之推) and Xiao Gai (), both men originally from the south, were the most influential in setting up the norms on which the ''Qieyun'' was based. However, the dictionary w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Qieyun
The ''Qieyun'' () is a Chinese rhyme dictionary that was published in 601 during the Sui dynasty. The book was a guide to proper reading of classical texts, using the '' fanqie'' method to indicate the pronunciation of Chinese characters. The ''Qieyun'' and later redactions, notably the '' Guangyun'', are important documentary sources used in the reconstruction of historical Chinese phonology. History The book was created by Lu Fayan (Lu Fa-yen; ) in 601. The preface of the ''Qieyun'' describes how the plan of the book originated from a discussion with eight of his friends 20 years earlier at his home in Chang'an, the capital of Sui China. None of these scholars was originally from Chang'an; they were native speakers of differing dialects – five northern and three southern. According to Lu, Yan Zhitui (顏之推) and Xiao Gai (), both men originally from the south, were the most influential in setting up the norms on which the ''Qieyun'' was based. However, the diction ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yupian
The ''Yupian'' (; "Jade Chapters") is a c. 543 Chinese dictionary edited by Gu Yewang ( 顧野王; Ku Yeh-wang; 519–581) during the Liang dynasty. It arranges 12,158 character entries under 542 radicals, which differ somewhat from the original 540 in the ''Shuowen Jiezi''. Each character entry gives a fanqie pronunciation gloss and a definition, with occasional annotation. The ''Yupian'' is a significant work in the history of Written Chinese. It is the first major extant dictionary in the four centuries since the completion of ''Shuowen'' and records thousands of new characters that had been introduced into the language in the interim. It is also important for documenting nonstandard ''súzì'' ( 俗字, "popular written forms of characters"), many of which were adopted in the 20th century as official simplified Chinese characters. For instance, the ''Yupian'' records that ''wàn'' ( traditional 萬, "ten thousand, myriad") had a popular form of (simplified 万), which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chen Li (scholar)
Chen Li (1810–1882) was a Cantonese scholar of the evidential research school, known for his contributions to historical Chinese phonology. Chen Li's family originally came from Shaoxing prefecture in Zhejiang province, moving to Nanjing in the early Ming dynasty. Chen's grandfather moved to Guangzhou, where his two sons remained after his death. Chen Li was the first in his family to register as a Guangzhou resident. He passed the provincial examination in 1832, but was unsuccessful in the imperial examination seven times. He also sat examinations at the Xuehaitang Academy in Guangzhou, headed by Ruan Yuan, and taught there as co-director for several decades from 1840. In his pioneering ''Qièyùn kǎo'' (切韻考 "An examination of the ''Qieyun''", 1842), Chen systematically analysed the pairs of characters (''fanqie'') used to indicate pronunciations of words in the ''Guangyun'', a Song dynasty redaction of the ''Qieyun'' dictionary published in 601. Chen was able to enum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kangxi Dictionary
The ''Kangxi Dictionary'' () is a Chinese dictionary published in 1716 during the High Qing, considered from the time of its publishing until the early 20th century to be the most authoritative reference for written Chinese characters. Wanting an improvement upon earlier dictionaries, as well as to show his concern for Confucian culture and to foster standardization of the Chinese writing system, its compilation was ordered by the Kangxi Emperor in 1710, from whom the compendium gets its name. The dictionary was the largest of its kind, containing 47,043 character entries. Around 40% of them were graphical variants, while others were dead, archaic, or found only once in the Classical Chinese corpus. In today's vernacular written Chinese, fewer than a quarter of the dictionary's characters are commonly used. The text is available in many forms, from Qing dynasty block print editions, to reprints using traditional Chinese bookbinding, to Western-style hardcovers including revi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guangyun
The ''Guangyun'' (''Kuang-yun''; ) is a Chinese rhyme dictionary that was compiled from 1007 to 1008 under the patronage of Emperor Zhenzong of Song. Its full name was ''Dà Sòng chóngxiū guǎngyùn'' (, literally "Great Song revised and expanded rhymes"). Chen Pengnian (, 961–1017) and Qiu Yong () were the chief editors. The dictionary is a revision and expansion of the influential '' Qieyun'' rhyme dictionary of 601, and was itself later revised as the '' Jiyun''. '' Pingshui Yun'' system, the standard for poetry rhyming after the Song Dynasty, is also based on ''Guangyun''. Until the discovery of an almost complete early 8th century edition of the ''Qieyun'' in 1947, the ''Guangyun'' was the most accurate available account of the ''Qieyun'' phonology, and was heavily used in early work on the reconstruction of Middle Chinese Middle Chinese (formerly known as Ancient Chinese) or the Qieyun system (QYS) is the historical variety of Chinese language, Chinese recorded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Dictionary
There are two types of dictionaries regularly used in the Chinese language: list individual Chinese characters, and list words and phrases. Because tens of thousands of characters have been used in written Chinese, Chinese lexicographers have developed a number of methods to order and sort characters to facilitate more convenient reference. Chinese dictionaries have been published for over two millennia, beginning in the Han dynasty. This is the longest lexicographical history of any language. In addition to works for Mandarin Chinese, beginning with the 1st-century CE '' Fangyan'' dictionaries also been created for the many varieties of Chinese. One of the most influential Chinese dictionaries ever published was the '' Kangxi Dictionary'', finished in 1716 during the Qing dynasty, with the list of 214 Kangxi radicals it popularized are still widely used. Terminology The general term ''cishu'' ( zh, links=no, t=辭書, p=císhū, l=lexicographic books) semantically encompasse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manchu Language
Manchu ( ) is a critically endangered language, endangered Tungusic language native to the historical region of Manchuria in Northeast China. As the traditional native language of the Manchu people, Manchus, it was one of the official languages of the Qing dynasty (1644–1912) of China, although today the vast majority of Manchus speak only Mandarin Chinese. Several thousand can speak Manchu as a second language through governmental primary education or free classes for adults in classrooms or online. The Manchu language has high historical value for historians of China, especially for the Qing dynasty. Manchu-language texts supply information that is unavailable in Chinese, and when both Manchu and Chinese versions of a given text exist, they provide controls for understanding the Chinese. Like most Siberian languages, Manchu is an agglutinative language that demonstrates limited vowel harmony. It has been demonstrated that it is derived mainly from the Jurchen language thou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jingdian Shiwen
The ''Jingdian Shiwen'', often simply referred to as the ''Shiwen'' by Chinese philologists, was a Chinese dictionary compiled by the scholar Lu Deming . Based on the works of 230 scholars whose work spanned the Han, Wei, and Six Dynasties periods, the work provides exegetical commentary on the evolution of words present in the Confucian Thirteen Classics and the Daoist ''Tao Te Ching'' and ''Zhuangzi''. Namely, it tacks the gradual shifts in both the meaning and pronunciation of classical words. to It also cites numerous ancient works that no longer exist; citations which for some constitute the only documentary evidence of their previous existence. The dictionary's pronunciations are given by ''fanqie'' annotations, and have proved invaluable for historical linguists studying the Middle Chinese stage of the language's history. Sinologist Bernhard Karlgren considered the ''Jingdian Shiwen'' and the ''Qieyun'', a rime dictionary assembled in 601, as the two primary sources f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Transcription Into Chinese Characters
Transcription into Chinese characters is the use of traditional or simplified Chinese characters to '' phonetically'' transcribe the sound of terms and names of foreign words to the Chinese language. Transcription is distinct from translation into Chinese whereby the ''meaning'' of a foreign word is communicated in Chinese. Since English classes are now standard in most secondary schools, it is increasingly common to see foreign names and terms left in their original form in Chinese texts. However, for mass media and marketing within China and for non-European languages, particularly those of the Chinese minorities, transcription into characters remains very common. Except for a handful of traditional exceptions, most modern transcription in mainland China uses the standardized Mandarin pronunciations exclusively. Official standards Modern Han Chinese consists of about 412 syllables in 5 tones, so homophones abound and most non-Han words have multiple possible transcripti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
