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Doha (poetry)
Doha (, , ) is a form of self-contained rhyming couplet in poetry composed in Mātrika metre. This genre of poetry first became common in Apabhraṃśa and was commonly used in Hindustani language poetry. Among the most famous dohas are those of Sarahpa, Kabir, Mirabai, Rahim, Tulsidas, Surdas A doha is a couplet consisting of two lines, each of 24 instants (Matras). The rules for distinguishing light and heavy syllables is slightly different from Sanskrit. Each line has 13 instants in first part and 11 instants in the second. The first and third quarters of doha have 13 instants which must parse as 6-4-3. Many Hindi poets have created several books which explain whole stories and epics in the form of dohas. The most popular is Tulsidas' '' Ramcharitmanas'', a popular rendition of the Sanskrit epic ''Ramayana''. Examples Here is a Doha by Rahim: जो रहीम उत्तम प्रकृति का कर सकत कुसंग। चन्दन विष � ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Couplet
In poetry, a couplet ( ) or distich ( ) is a pair of successive lines that rhyme and have the same metre. A couplet may be formal (closed) or run-on (open). In a formal (closed) couplet, each of the two lines is end-stopped, implying that there is a grammatical pause at the end of a line of verse. In a run-on (open) couplet, the meaning of the first line continues to the second. Background The word "couplet" comes from the French word meaning "two pieces of iron riveted or hinged together". The term "couplet" was first used to describe successive lines of verse in Sir P. Sidney's ''Arcadia ''in 1590: "In singing some short coplets, whereto the one halfe beginning, the other halfe should answere." While couplets traditionally rhyme, not all do. Poems may use white space to mark out couplets if they do not rhyme. Couplets in iambic pentameter are called '' heroic couplets''. John Dryden in the 17th century and Alexander Pope in the 18th century were both well known for their w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Epic Poetry
Indian epic poetry is the epic poetry written in the Indian subcontinent, traditionally called ''Kavya'' (or ''Kāvya''; Sanskrit: काव्य, IAST: ''kāvyá''). The ''Ramayana'' and the '' Mahabharata'', which were originally composed in Sanskrit and later translated into many other Indian languages, and the Five Great Epics of Tamil literature and Sangam literature are some of the oldest surviving epic poems ever written. List of longest epics Hindi epics In modern Hindi literature, '' Kamayani'' by Jaishankar Prasad has attained the status of an epic. The narrative of Kamayani is based on a popular mythological story, first mentioned in Satapatha Brahmana. It is a story of the great flood and the central characters of the epic poem are Manu (a male) and Shraddha (a female). Manu is representative of the human psyche and Shradha represents love. Another female character is Ida, who represents rationality. Some critics surmise that the three lead characters o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Poetics
Indian or Indians may refer to: Associated with India * of or related to India ** Indian people ** Indian diaspora ** Languages of India ** Indian English, a dialect of the English language ** Indian cuisine Associated with indigenous peoples of the Americas * Indigenous peoples of the Americas ** First Nations in Canada ** Native Americans in the United States ** Indigenous peoples of the Caribbean ** Indigenous languages of the Americas Places * Indian, West Virginia, U.S. * The Indians, an archipelago of islets in the British Virgin Islands Arts and entertainment Film * ''Indian'' (film series), a Tamil-language film series ** ''Indian'' (1996 film) * ''Indian'' (2001 film), a Hindi-language film Music * Indians (musician), Danish singer Søren Løkke Juul * "The Indian", an unreleased song by Basshunter * "Indian" (song), by Sturm und Drang, 2007 * "Indians" (song), by Anthrax, 1987 * Indians, a song by Gojira from the 2003 album '' The Link'' Other uses ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanzaic Form
In poetry, a stanza (; from Italian ''stanza'', ; ) is a group of lines within a poem, usually set off from others by a blank line or indentation. Stanzas can have regular rhyme and metrical schemes, but they are not required to have either. There are many different forms of stanzas. Some stanzaic forms are simple, such as four-line quatrains. Other forms are more complex, such as the Spenserian stanza. Fixed verse poems, such as sestinas, can be defined by the number and form of their stanzas. The stanza has also been known by terms such as ''batch'', ''fit'', and ''stave''. The term ''stanza'' has a similar meaning to '' strophe'', though ''strophe'' sometimes refers to an irregular set of lines, as opposed to regular, rhymed stanzas. Even though the term "stanza" is taken from Italian, in the Italian language the word "strofa" is more commonly used. In music, groups of lines are typically referred to as '' verses''. The stanza in poetry is analogous with the paragr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hanuman Chalisa
The ''Hanuman Chalisa'' (Hindi: हनुमान चालीसा) (Sanskrit: हनुमान् चालीसा) (; '' Forty chaupais on Hanuman'') is a Hindu devotional hymn ('' stotra'') in praise of Hanuman, and popularly recited by millions of Hindus every day.Rambhadradas 1984pp. 1–8. Karan Singh, in Nityanand Misra 2015, p. xvi. It is an Awadhi language text attributed to Tulsidas, and is his best known text apart from the '' Ramcharitmanas''. The word 'chālīsā' is derived from 'chālīs' meaning the number 'forty' in Hindi, denoting the number of verses in the ''Hanuman Chalisa'' (excluding the couplets at the beginning and the end). Hanuman is a Hindu deity and a devotee of the Hindu god, Rama. He is one of the central characters of the ''Ramayana''. According to the Shaiva tradition, he is also an incarnation of Shiva. The ''Hanuman Chalisa'' praises the power and other qualities of Hanuman including his strength, courage, wisdom, celibacy (brahmacharya ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doha (Indian Literature)
Doha is a lyrical verse-format which was extensively used by Indian poets and bards of North India probably since the beginning of the 6th century AD. Dohas of Kabir, Tulsidas, Raskhan, Rahim and the dohas of Nanak called Sakhis are famous. Satasai of Hindi poet, Bihārī, contains many dohas. Dohas are written even now. Background Doha is a very old "verse-format" of Indian poetry. It is an independent verse, a couplet, the meaning of which is complete in itself. As regards its origin, Hermann Jacobi had suggested that the origin of ''doha'' can be traced to the Greek Hexametre, that it is an amalgam of two hexametres in one line. This format had found favour with the Abhiras or Ahirs who had greatly encouraged its use, the Abhiras belonged to Gandhara region now in Pakistan. Jacobi's theory rests on the premise that the Indians possessed a translation of Homer's works as asserted by Dio of Alexandria. Therefore, for a very long time the Doha verse-format was popularly used ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chhand (poetry)
''Chhand'' (, , ) is a quatrain used in the poetry, poetic traditions of North India and Pakistan. Chhands in culture In the culture of the northwestern part of the Indian subcontinent, it is customary for ''chhands'' to be recited at ceremonial occasions such as weddings, where they are used by grooms to praise their in-laws. Formerly, the form was extensively employed by court bards to praise royal personages. ''Chhands'' are also used extensively in the ''Nautanki'' dance-drama tradition of the region, especially in the ''alha chhand'' or ''bir chhand'' formats. A typical Punjabi wedding ''chhand'' might extol the mother- and father-in-law, for instance this one, which says the groom holds them in the same esteem as his own parents - A Rajasthani language ''chhand'', from the poem ''Haldighati'' by Kanhaiyalal Sethia, describes Maharana Pratap's determination to fight on against the Mughal Empire, Mughals at all costs - Chhands in religion Jaap Sahib is the morning prayer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Songs Of Realization
Songs of realization, or Songs of Experience (; Devanāgarī: दोहा; Romanized Sanskrit: ''Dohā''; Oriya: ପଦ), are sung poetry forms characteristic of the tantric movement in both Vajrayana Buddhism and in Hinduism. Doha is also a specific poetic form. Various forms of these songs exist, including caryagiti (), or 'performance songs' and vajragiti (Sanskrit: ''vajragīti'', Tibetan: ''rDo-rje gan-sung'' ), or 'diamond songs', sometimes translated as vajra songs and doha (Sanskrit: ''dohā'', दोह, 'that which results from milking the cow'), also called doha songs, distinguishing them from the unsung Indian poetry form of the doha. According to Roger Jackson, caryagiti and vajragiti "differ generically from dohās because of their different context and function"; the doha being primarily spiritual aphorisms expressed in the form of rhyming couplets whilst caryagiti are stand-alone performance songs and vajragiti are songs that can only be understood in the context ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chaupai (poetry)
A chaupai is a quatrain verse of Indian poetry, especially medieval Hindi poetry, that uses a metre of four syllables. Famous chaupais include those of poet-saint Tulsidas (used in his classical text '' Ramcharitamanas'' and poem ''Hanuman Chalisa'') . Chaupai is identified by a syllable count 16/16, counted with a value of 1 in case of Hrasva (short sounding letter) and 2 in case of Dirgha (long sounding letter). Examples Some of the famous 40 ''chaupais'' (known as "chalisa"); *Hanuman Chalisa * Ganesh Chalisa * Shiv Chalisa See also *Chhand (poetry) *Chaupai (Sikhism) Kaviyo Bach Benti Chaupai (also referred to as Chaupai Sahib or simply as Benti Chaupai) (Gurmukhi: ਕਬਿਯੋਬਾਚ ਬੇਨਤੀ ਚੌਪਈ or ਚੌਪਈ ਸਾਹਿਬ) is a hymn by Guru Gobind Singh. Chaupai is the 405th ''Ch ... Indian poetics Stanzaic form Poetic rhythm {{India-lit-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramayana
The ''Ramayana'' (; ), also known as ''Valmiki Ramayana'', as traditionally attributed to Valmiki, is a smriti text (also described as a Sanskrit literature, Sanskrit Indian epic poetry, epic) from ancient India, one of the two important epics of Hinduism known as the ''Itihasas'', the other being the ''Mahabharata''. The epic narrates the life of Rama, the seventh ''avatar'' of the Hindu deity Vishnu, who is a prince of Ayodhya (Ramayana), Ayodhya in the kingdom of Kosala. The epic follows Exile of Lord Rama, his fourteen-year exile to the forest urged by his father King Dasharatha, on the request of Rama's stepmother Kaikeyi; his travels across the forests in the Indian subcontinent with his wife Sita and brother Lakshmana; the kidnapping of Sita by Ravana, the king of Lanka, that resulted in bloodbath; and Rama's eventual return to Ayodhya (Ramayana), Ayodhya along with Sita to be crowned as a king amidst jubilation and celebration. Scholarly estimates for the earliest stage ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramcharitmanas
''Ramcharitmanas'' ( deva, रामचरितमानस, rāmacaritamānasa), is an epic poem in the Awadhi language, composed by the 16th-century Indian bhakti poet Tulsidas (c. 1511–1623). It has many inspirations, the primary being the ''Ramayana'' of Valmiki. This work is also called, in popular parlance, ''Tulsi Ramayana'', ''Tulsikrit Ramayana'', ''Tulsidas Ramayana'' or simply '' Manas''. The word ''Ramcharitmanas'' literally means "Lake of the deeds of Rama". It is considered one of the greatest works of Hindu literature. The work has variously been acclaimed as "the living sum of Indian culture", "the tallest tree in the magic garden of medieval Indian poetry", "the greatest book of all devotional literature" and "the best and most trustworthy guide to the popular living faith of the Indian people".Lutgendorf 1991, p. 1. Tulsidas was a great scholar of Sanskrit, but due to limited accessibility of the language, he chose to write it in the vernacular, Awadhi, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanskrit
Sanskrit (; stem form ; nominal singular , ,) is a classical language belonging to the Indo-Aryan languages, Indo-Aryan branch of the Indo-European languages. It arose in northwest South Asia after its predecessor languages had Trans-cultural diffusion, diffused there from the northwest in the late Bronze Age#South Asia, Bronze Age. Sanskrit is the sacred language of Hinduism, the language of classical Hindu philosophy, and of historical texts of Buddhism and Jainism. It was a lingua franca, link language in ancient and medieval South Asia, and upon transmission of Hindu and Buddhist culture to Southeast Asia, East Asia and Central Asia in the early medieval era, it became a language of religion and high culture, and of the political elites in some of these regions. As a result, Sanskrit had a lasting effect on the languages of South Asia, Southeast Asia and East Asia, especially in their formal and learned vocabularies. Sanskrit generally connotes several Indo-Aryan languages# ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
