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Contour Tones
A tone contour or contour tone is a tone in a tonal language which shifts from one pitch to another over the course of the syllable or word. Tone contours are especially common in East Asia, Southeast Asia, West Africa, Nilo-Saharan languages, Khoisan languages, Oto-Manguean languages and some languages of South America. Contours When the pitch descends, the contour is called a ''falling tone;'' when it ascends, a ''rising tone;'' when it descends and then returns, a ''dipping'' or ''falling-rising tone;'' and when it ascends and then returns, it is called a ''peaking'' or ''rising-falling tone.'' A tone in a contour-tone language which remains at approximately an even pitch is called a ''level tone.'' Tones which are too short to exhibit much of a contour, typically because of a final plosive consonant, may be called '' checked, abrupt, clipped,'' or ''stopped tones.'' It has been theorized that the relative timing of a contour tone is not distinctive. That is, in some accents ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tone (linguistics)
Tone is the use of pitch (music), pitch in language to distinguish lexical or grammatical meaning—that is, to distinguish or to inflection, inflect words. All oral languages use pitch to express emotional and other para-linguistic information and to convey emphasis, contrast and other such features in what is called intonation (linguistics), intonation, but not all languages use tones to distinguish words or their inflections, analogously to consonants and vowels. Languages that have this feature are called tonal languages; the distinctive tone patterns of such a language are sometimes called tonemes, by analogy with ''phoneme''. Tonal languages are common in East Asia, East and Southeast Asia, Africa, the Americas, and the Pacific islands, Pacific. Tonal languages are different from pitch-accent languages in that tonal languages can have each syllable with an independent tone whilst pitch-accent languages may have one syllable in a word or morpheme that is more prominent t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Qiyang Dialect
The Qiyang dialect () is a dialect of Xiang Chinese spoken in Qiyang, Hunan Hunan is an inland Provinces of China, province in Central China. Located in the middle reaches of the Yangtze watershed, it borders the Administrative divisions of China, province-level divisions of Hubei to the north, Jiangxi to the east, Gu ... province. Tones The Qiyang dialect is quite unusual in that it is reported to have two "double contour" tones, high and low fall–rise–fall, or perhaps high fall – low fall and low fall – high fall: the entering tones ''yin qu'' (阴去) (4232) and ''yang qu'' (阳去) (2142). However, phonetically the pitch of a syllable depends on the voicing of the initial consonant, so these are phonemically a single tone. Moreover, the final fall of the ''yin qu'' tone is "not perceptually relevant", so it may be that 'dipping' (for ''yin qu'') and 'peaking' (for ''yang qu'') are a sufficient categorization. References *Wei Hu, 2011.Production and Percep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tone Name
In tonal languages, tone names are the names given to the tones these languages use. Chinese In contemporary standard Chinese (Mandarin), the tones are numbered from 1 to 4. They are descended from but not identical to the historical four tones of Middle Chinese, namely ''level'' (), ''rising'' (), ''departing'' (), and '' entering'' (), each split into ''yin'' () and ''yang'' () registers, and the categories of ''high'' and ''low'' syllables. Vietnamese Standard Vietnamese has six tones, known as ngang, sắc, huyền, hỏi, ngã, and nặng tones. Thai Thai has five phonemic tones: mid, low, falling, high and rising, sometimes referred to in older reference works as rectus, gravis, circumflexus, altus and demissus, respectively.Frankfurter, Oscar. Elements of Siamese grammar with appendices. American Presbyterian mission press, 190(Full text available on Google Books) The table shows an example of both the phoneme, phonemic tones and their phonetic Phon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contour (linguistics)
In phonetics, contour describes speech sounds that behave as single segments but make an internal transition from one quality, place, or manner to another. Such sounds may be tones, vowels, or consonants. Many tone languages have '' contour tones'', which move from one level to another. For example, Mandarin Chinese has four lexical tones. The high tone is level, without contour; the falling tone is a contour from high pitch to low; the rising tone a contour from mid pitch to high, and, when spoken in isolation, the low tone takes on a dipping contour, mid to low and then to high pitch. They are transcribed with series of either diacritics or tone letters, which with proper font support fuse into an iconic shape: . In the case of vowels, the terms ''diphthong'' and '' triphthong'' are used instead of 'contour'. They are vowels that glide from one place of articulation to another, as in English ''boy'' and ''bow.'' They are officially transcribed with a non-syllabic sign under ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modern Literal Taiwanese
Modern Literal Taiwanese (MLT), also known as Modern Taiwanese Language (MTL), is an orthography in the Latin alphabet for Taiwanese based on the Taiwanese Modern Spelling System (TMSS). MLT is able to use the ASCII character set plus ⟨ø⟩ to indicate the proper variation of pitch without any subsidiary scripts or diacritic symbols. The Phofsit Daibuun orthography is based on MLT, but substitutes ⟨oi⟩ for ⟨ø⟩. Phonology MLT Examples Universal Declaration of Human Rights MLT greetings The current system The MLT alphabet adopts the Latin alphabet of 26 letters and the Scandinavian letter ø to express the basic sounds of Taiwanese: :a b c ch e f g h i j k kh l m n ng ø o p ph q r s t th u v y z zh A MLT word, like each English word, can be formed by only one syllable or several syllables, with the two syllables being the most typical. Each syllable in MLT follows either one of the two underlying patterns (phonemes inside the bracket [] are optional): * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gwoyeu Romatzyh
Gwoyeu Romatzyh ( ; GR) is a system for writing Standard Chinese using the Latin alphabet. It was primarily conceived by Yuen Ren Chao (1892–1982), who led a group of linguists on the National Languages Committee in refining the system between 1925 and 1926. In September 1928, it was adopted by the Republic of China (1912–1949), Republic of China as the national romanization system for Standard Chinese. GR indicates the four tones of Standard Chinese by varying the spelling of syllables, a method originally proposed by team member Lin Yutang (1895–1976). Distinct sets of spellings are assigned to syllables in GR according to particular rules. This differs from approaches used by other systems to denote tones, like the Tone number, numerals used by the earlier Wade–Giles system, or the diacritics used by the later Hanyu Pinyin system. Despite support from linguists both in China and overseas—including some early proponents who hoped it would eventually replace Chinese ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latinxua Sin Wenz
Latinxua Sin Wenz () is a historical set of romanizations for Chinese language, Chinese. Promoted as a revolutionary reform to combat illiteracy and replace Chinese characters, Sin Wenz distinctively does not indicate Tone (linguistics), tones, for pragmatic reasons and to encourage the use of everyday colloquial language. Beifangxua Latinxua Sin Wenz (), for Mandarin Chinese, was the original iteration, and a number of variations for various varieties of Chinese were developed by regional Sin Wenz associations. Latinxua is historically notable as being the first romanization system used in place of Chinese characters by native Chinese speakers. It was originally developed by groups of Chinese and Russian scholars in the Soviet Union and used by Ethnic Chinese in Russia, Chinese expatriates there until the majority of them left the Soviet Union. Later, it was revived for some time in North China, Northern China where it was used in over 300 publications before its usage was ende ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tone Letter
Tone letters are letters that represent the tones of a language, most commonly in languages with contour tones. __TOC__ Chao tone letters (IPA) A series of iconic tone letters based on a musical staff was devised by Yuen Ren Chao in the 1920s by adding a reference stave to the existing convention of the International Phonetic Alphabet. The stave was adopted by the IPA as an option in 1989 and is now nearly universal. When the contours had been drawn without a staff, it was difficult to discern subtle distinction in pitch. Only nine or so of the possible tones were commonly distinguished: high, medium and low level, (or as dots rather than macrons for 'unaccented' tones); high rising and falling, ; low rising and falling, ; and peaking and dipping, , though more precise notation was found and the IPA specifically provided for mid rising and falling tones if needed. The Chao tone letters were originally x-height, but are now taller to make distinctions in pitch more vis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diacritic
A diacritic (also diacritical mark, diacritical point, diacritical sign, or accent) is a glyph added to a letter or to a basic glyph. The term derives from the Ancient Greek (, "distinguishing"), from (, "to distinguish"). The word ''diacritic'' is a noun, though it is sometimes used in an attributive sense, whereas ''diacritical'' is only an adjective. Some diacritics, such as the acute , grave , and circumflex (all shown above an 'o'), are often called ''accents''. Diacritics may appear above or below a letter or in some other position such as within the letter or between two letters. The main use of diacritics in Latin script is to change the sound-values of the letters to which they are added. Historically, English has used the diaeresis diacritic to indicate the correct pronunciation of ambiguous words, such as "coöperate", without which the letter sequence could be misinterpreted to be pronounced . Other examples are the acute and grave accents, which can indica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
International Speech Communication Association
The International Speech Communication Association (ISCA) is a non-profit organization and one of the two main professional associations for speech communication science and technology, the other association being the IEEE Signal Processing Society. Purpose The purpose of the International Speech Communication Association (ISCA) is to promote the study and application of automatic speech processing, including speech recognition and synthesis, as well as related areas such as speaker recognition and speech compression. The association's activities cover all aspects of speech processing, including computational, linguistic, and theoretical aspects. The primary goal of the International Speech Communication Association (ISCA) is to advance the field of automatic speech processing and communication technology through research, education, and collaboration. By promoting the study and application of speech technologies such as speech recognition, speech synthesis, speaker recognition, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prosodic Unit
In linguistics, a prosodic unit is a segment of speech that occurs with specific prosodic properties. These properties can be those of stress, intonation (a single pitch and rhythm contour), or tonal patterns. Prosodic units occur at a hierarchy of levels, from the syllable, the metrical foot and phonological word to the intonational unit (IU) and to a complete utterance. However, the term is often restricted to intermediate levels which do not have a dedicated terminology. Prosodic units do not generally correspond to syntactic units, such as phrases and clauses; it is thought that they reflect different aspects of how the brain processes speech, with prosodic units being generated through on-line interaction and processing, and with morphosyntactic units being more automated. Defining characteristics Prosodic units are characterized by several phonetic cues, such as pitch movement, pre-boundary lengthening, and pauses. Breathing, both inhalation and exhalation, only occ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Xiang
Old Xiang, also known as Lou-Shao (), is a conservative Xiang Chinese language. It is spoken in the central areas of Hunan where it has been to some extent isolated from the neighboring Chinese languages, Southwestern Mandarin and Gan languages, and it retains the voiced plosives of Middle Chinese, which are otherwise only preserved in Wu languages like Shanghainese. See Shuangfeng dialect for details. Mao Zedong Mao Zedong pronounced ; traditionally Romanization of Chinese, romanised as Mao Tse-tung. (26December 18939September 1976) was a Chinese politician, revolutionary, and political theorist who founded the People's Republic of China (PRC) in ... was a speaker of Old Xiang with his native Shaoshan dialect. Dialects and regions The Shuangfeng dialect is representative. Laba Miao (喇叭苗话) is an Old Xiang dialect spoken by the Laba Miao people of western Guizhou. In Guizhou, it is spoken in Qinglong County 晴隆县 (including in Changliu Township 长 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
