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Cho-kantrum
Kantrum (, ) is a type of folk music played by the Khmer Surin, Khmer in Isan, Thailand, living near the border with Cambodia. It is a fast, traditional dance music. In its purest form, cho-kantrum, singers, percussion and fiddles dominate the sound. A more modern form using electric instrumentation arose in the mid-1980s. Language Kantrum is interesting from a linguistic perspective. As the Khmer people, Khmer native to Thailand are bilingual, kantrum songs can be sung in Thai language, Thai (Isan language, Isan dialect), Northern Khmer dialect, Northern Khmer or a combination of the two. In the case of the later, it is most common that a complete verse will be sung in Thai followed by a reciprocating verse in Khmer language, Khmer. However, Code-switching, code switching between the two languages within the same verse also occurs, lending to a wide variety of possibilities for rhyming and tonal euphony. Performers In the late-1980s, Darkie (musician), Darkie became the gen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folk Music
Folk music is a music genre that includes #Traditional folk music, traditional folk music and the Contemporary folk music, contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by Convention (norm), custom over a long period of time. It has been contrasted with popular music, commercial and art music, classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Code-switching
In linguistics, code-switching or language alternation occurs when a speaker alternates between two or more languages, or language varieties, in the context of a single conversation or situation. These alternations are generally intended to influence the relationship between the speakers, for example, suggesting that they may share identities based on similar linguistic histories. Code-switching is different from plurilingualism in that plurilingualism refers to the ability of an individual to use multiple languages, while code-switching is the act of using multiple languages together. Multilinguals (speakers of more than one language) sometimes use elements of multiple languages when conversing with each other. Thus, code-switching is the use of more than one linguistic variety in a manner consistent with the syntax and phonology of each variety. Code-switching may happen between sentences, sentence fragments, words, or individual morphemes (in synthetic languages). Ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Cambodia
The music of Cambodia is derived from a mesh of cultural traditions dating back to the ancient Khmer Empire, India, China and the original indigenous tribes living in the area before the arrival of Indian and Chinese travelers. With the rapid Westernization of popular music, Cambodian music has incorporated elements from music around the world through globalization. Folk and classical music Cambodian Art music is highly influenced by ancient forms as well as Hindu forms. Religious dancing, many of which depict stories and ancient myths, are common in Cambodian culture. Classical Khmer music usually is divided into three parts: ''pin peat, phleng kar,'' and ''mahori,'' all of which are associated with their religious dances. Some dances are accompanied by a pinpeat orchestra, which includes a ching (cymbal), roneat (bamboo xylophone), pai au (flute), sralai (oboe), chapey (bass moon lute or banjo), gong (bronze gong), tro (fiddle), and various kinds of drums. Each moveme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Thailand
The music of Thailand includes a wide array of distinct genres, both traditional and modern. Traditional Thai musical instruments are varied and reflect ancient influence from far afield – including the ''klong thap'' and ''khim'' (Iran, Persian origin), the ''chakhe'' (Indian origin), the ''klong chin'' (Chinese origin), and the ''klong khaek'' (Indonesian origin). The two most popular styles of traditional Thai music are luk thung and mor lam. The latter in particular has close affinities with the music of Laos. Aside from the Thai, Ethnic groups in Thailand, ethnic minorities such as the Lao people, Lao, Lawa people, Lawa, Hmong people, Hmong, Akha people, Akha, Khmer people, Khmer, Lisu people, Lisu, Karen people, Karen and Lahu people, Lahu peoples have retained traditional musical forms. Though Thailand was never colonization, colonized by colonialism, colonial powers, pop music and other forms of modern Asian, European and American music have become extremely influent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chrieng Brunh
Chrieng Brunh ( Northern Khmer: เจรียงเบริญ ) is a type of Khmer vocal music or epic recitative practiced by the Khmers indigenous to Northeast Thailand. From the Khmer words ''charieng'', meaning "song" and ''brunh'' referring to the particular rhythm, it is also sometimes transliterated as ''jarieng be-rin'' or similar variations. ''Chrieng brunh'' may be sung by an individual or as a duet by a man and a woman singing alternating verses. Although this type of folk music can be performed a cappella, it is often accompanied by the khaen. Ethnic Thai's sometime make comparisons to the Lao mor lam Mor lam (Lao language, Lao: ໝໍລຳ; Isan language, Isan: หมอลำ ; , , ) is a traditional Culture of Laos, Lao form of song, song originating in Laos that is also popular in Isan, where the majority of the population is ethnic Lao. ..., but linguist Christian Bauer has written that ''chrieng brunh'' is not an adaptation of other kinds of music in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Morlam
Mor lam ( Lao: ໝໍລຳ; Isan: หมอลำ ; , , ) is a traditional Lao form of song originating in Laos that is also popular in Isan, where the majority of the population is ethnic Lao. ''Morlam (or molam)'' is a traditional storytelling and entertainment form in the Southeast Asian country of Laos, and the northeastern part of Thailand (formerly part of Laos), known as ''Isaan''. The term ''molam'' is a combination of the term ''mo'', meaning “master,” and ''lam'', meaning to sing in a style called ''lam''. Literally then, ''molam'' means “master of the ''lam'' singing style,” but the term is also used more generally to performances in the lam genre. It refers to both the music and the artist. Other romanisations used include mor lum, maw lam, maw lum, moh lam, mhor lum, and molum. In Laos, both the music and singer is called mor lam (ໝໍລຳ), and when referencing the subgenre/ region of origin, the term "lam" is used, followed by the subgenre/regi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luk Thung
Luk thung (, , ) is a genre of Thai music that emerged after World War II in the Central Thailand, central region of Thailand. The genre was derived from phleng Thai sakon, and developed in the early-20th century. Suphan Buri in particular became the center of ''luk thung'' music, producing many major artists, including Suraphol Sombatcharoen, and Pumpuang Duangjan. The genre has been prominently popularized in the northeastern region, having from its beginnings drawn upon northeastern ''mor lam'' musical traditions and the northeastern Isan language. ''Luk thung'' songs consist of poetic lyrics that often reflect the rural lifestyle, cultural traits and social patterns in Thailand. The songs are typically sung with a distinctive country accent and common use of vibrato, and are harmonized with Western instruments, mostly brass instruments, brass and electronic instruments, alongside Traditional Thai musical instruments, Thai traditional instruments such as the khene, khaen and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chalermpol Malakham
Chalermpol Malakham (also written Malakam, ; born 10 October 1962 in Surin Province), is a singer from the Isan area of Thailand. Known mostly for the Luk Thung and Mor lam styles, he is also considered a talented performer of Kantrum. Although the majority of Chalermpol's songs are in Thai, he often sings in Northern Khmer as well. Early life and career He was born on 10 October 1962, in Surin Province. He finished education in Primary 4, and started on stage in a singing contest presented by Radio Thailand of Surin Province. He recorded his first album "Sa Uen Uai Porn", but he was made popular in 1990 by song titled "Tam Jai Mae Terd Nong", because Mor lam is very popular at national level as well as in foreign countries to date. After becoming popular, he moved to Ubon Ratchathani Province. In 2011 Thai general election, he registered as a member of House of Representatives of Thailand from Chartthaipattana Party The Chartthaipattana Party (CTPP; ) is a conservative ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Songs Recorded By Sinn Sisamouth
More than 1,200 songs are listed below. Some of the songs are songs that Sinn Sisamouth Sinn Sisamouth (c. 1932 – c. 1976) was a Cambodian singer-songwriter active from the 1950s to the 1970s. Widely considered the "King of Khmer Music", Sisamouth, along with Ros Serey Sothea, Pen Ran, Mao Sareth, and other Cambodian artists ... composed and sang himself, or with Ros Serey Sothea or Pan Ron. Sinn Sisamouth has been featured on more than 250 Chlangden (remixed) albums, 158 Wat Phnom albums (originals), more than 90 Sayonara Sound albums(remixed), and more than 50 Original Master albums of Rasmey Pean Meas (originals) including various production albums of the 2000s. Solo performances *"Just Want To See (ចង់ត្រឹមតែឃើញ)" lbum: Chlangden Vol. 038*"Sparrow Cries For Love (ចាបយំប្រាប់ស្នេហ៍ចាស់)" *"Blood’s All Over My Hand (ឈាមប្រឡាក់ដៃខ្ញុំ)" *"Your Name Is Like A Star ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sinn Sisamouth
Sinn Sisamouth (c. 1932 – c. 1976) was a Cambodian singer-songwriter active from the 1950s to the 1970s. Widely considered the "King of Khmer Music", Sisamouth, along with Ros Serey Sothea, Pen Ran, Mao Sareth, and other Cambodian artists, was part of a thriving pop music scene in Phnom Penh that blended elements of Khmer traditional music with the sounds of rhythm and blues and rock and roll to develop a Cambodian rock sound. Sisamouth died during the Khmer Rouge regime under circumstances that are unclear. Biography Early life Sinn Sisamouth was born in Kampong Thom Province, the son of Sinn Leang and mother Seb Bunlei. One or both of Sisamouth's parents were partially Lao.John Pirozzi and LinDa Saphan, liner notes, ''Don't Think I've Forgotten'', soundtrack, 2015.Jeff Cole, liner notes, ''Cambodia Rock Spectacular!'', 2011. Most sources list his year of birth as 1935, though some list 1932 or 1933. 23 August 1933 is generally accepted as his date of birth. Some peo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Darkie (musician)
Darkey, Darkie or Darky is a given name, nickname and surname which may refer to: People Nickname * David Bedell-Sivright (1880–1915), Scottish international rugby union player nicknamed Darkie * Harlond Clift (1912–1992), American Major League Baseball player nicknamed Darkie * Richard Darkie Hutton (1849–1921), reformed criminal and Salvation Army officer * Dorcas Darkey Kelly (died 1761), Irish brothel-keeper and alleged serial killer burned at the stake * Paddy Prendergast (racehorse trainer) Patrick Joseph Prendergast (1910–1980), known as Paddy "Darkie" Prendergast was an Irish trainer of racehorses. He won seventeen Irish classics and became the first Irish trainer to have a major impact on British flat racing. He trained t ... (1910–1980), Irish racehorse trainer nicknamed Darkie Other people * Darkey, a disparaging term for a black person * Darkey Africa, South African politician and diplomat * Darkie Ellis (1914–1946), British boxer born Cyril H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khmer Language
Khmer ( ; , Romanization of Khmer#UNGEGN, UNGEGN: ) is an Austroasiatic language spoken natively by the Khmer people. This language is an official language and national language of Cambodia. The language is also widely spoken by Khmer people in Eastern Thailand and Isan, Thailand, as well as in the Southeast (Vietnam), Southeastern and Mekong Delta regions of Vietnam. Khmer has been influenced considerably by Sanskrit and Pali especially in the royal and religious Register (sociolinguistics), registers, through Hinduism and Buddhism, due to Old Khmer being the language of the historical empires of Chenla and Angkorian Empire, Angkor. The vast majority of Khmer speakers speak ''Central Khmer'', the dialect of the central plain where the Khmer are most heavily concentrated. Within Cambodia, regional accents exist in remote areas but these are regarded as varieties of Central Khmer. Two exceptions are the speech of the capital, Phnom Penh, and that of the Khmer Khe in Stung Treng ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
