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Biceps (prosody)
Biceps is a point in a metrical pattern where a pair of short syllables can freely be replaced by a long one. In Greek and Latin poetry, it is found in the dactylic hexameter and the first half of a dactylic pentameter, and also in anapaestic metres. It is not to be confused with resolution, which is a phenomenon where a normally long syllable in a line is sometimes replaced by two shorts. Resolution is typically found in an iambic metre such as the iambic trimeter or a trochaic metre such as the trochaic septenarius In ancient Greek and Latin literature, the trochaic septenarius (also known as the trochaic tetrameter catalectic) is a form of ancient poetic metre first used in 7th century BC Greek literature. It was one of the two most common metres of Roman .... References * Poetic rhythm {{Poetry-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meter (poetry)
In poetry, metre ( Commonwealth spelling) or meter ( American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, " prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular types. The familiar type of metre in English-language poetry is called qualitative metre, with stressed syllables comi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dactylic Hexameter
Dactylic hexameter is a form of meter used in Ancient Greek epic and didactic poetry as well as in epic, didactic, satirical, and pastoral Latin poetry. Its name is derived from Greek (, "finger") and (, "six"). Dactylic hexameter consists of six feet. The first five feet contain either two long syllables, a spondee (– –), or a long syllable followed by two short syllables, a dactyl (–ᴗᴗ). However, the last foot contains either a spondee or a long syllable followed by one short syllable, a trochee(– ᴗ). The six feet and their variation is symbolically represented below: The hexameter is traditionally associated with classical epic poetry in both Greek and Latin. Consequently, it has been considered to be ''the'' grand style of Western classical poetry. Examples of epics in hexameter are Homer's ''Iliad'' and ''Odyssey'', Apollonius of Rhodes's ''Argonautica'', Virgil's ''Aeneid'', Ovid's ''Metamorphoses'', Lucan's ''Pharsalia'', Valerius Flaccus's ''Argona ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dactylic Pentameter
The dactylic pentameter is a verse-form which, in classical Greek and Latin poetry, follows a dactylic hexameter to make up an elegiac couplet. It features two halves, each consisting of two dactyls, for which spondees can be substituted in the first half only, followed by a longum. Thus the line most normally looks as follows (note that "—" marks a long syllable, "∪" a short syllable and " ∪ ∪ " either one long or two shorts): , — ∪ ∪ , — ∪ ∪ , — , , — ∪ ∪ , — ∪ ∪ , — As in all classical verse-forms, the phenomenon of brevis in longo is observed, so the last syllable can actually be short or long. Also, the line has a diaeresis, where a word boundary must occur, after the first half-line, here marked , , . "Pentameter" may seem a slightly strange term for this meter, as it seems to have six parts, but the reason is that each half of the line has two and a half feet, the two together thus making up five. Each half-line is call ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prosody (Greek)
Prosody (from Middle French , from Latin , from Ancient Greek (), 'song sung to music', 'pronunciation of syllable') is the theory and practice of versification. Prosody Greek poetry is based on syllable length, not on syllable stress, as in English. The two syllable lengths in Greek poetry are long and short. It is probable that in the natural spoken language there were also syllables of intermediate length, as in the first syllable of words such as τέκνα /''tékna''/ 'children', where a short vowel is followed by a plosive + liquid combination; but for poetic purposes such syllables were treated as either long or short. Thus in the opening speech of the play ''Oedipus Tyrannus'', Sophocles treats the first syllable of τέκνα /''tékna''/ as long in line 1, but as short in line 6. Different kinds of poetry use different patterns of long and short syllables, known as meters (UK: metres). For example, the epic poems of Homer were composed using the pattern , – u u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Resolution (meter)
Resolution is the metrical phenomenon in poetry of replacing a normally long syllable in the meter with two short syllables. It is often found in iambic and trochaic meters, and also in anapestic, dochmiac and sometimes in cretic, bacchiac, and ionic meters. In iambic and trochaic meters, either the first or the second half of the metrical foot can be resolved, or sometimes both. The long syllables of dactylic meter are not usually resolved, and resolution is also not found in the last element of a line. The opposite of resolution is contraction, which is the substitution of one long syllable where the metrical pattern has a double short. Such a position, which is normally two short syllables, as in a dactylic hexameter, is known as a biceps element. In Ancient Greek Resolution is generally found in Greek lyric poetry and in Greek and Roman drama, most frequently in comedy. It should not be confused with a biceps, which is a point in a meter which can equally be two shorts or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iambic Trimeter
The Iambic trimeter, in classical Greek and Latin poetry, is a meter of poetry consisting of three iambic metra (each of two feet) per line. In English poetry, it refers to a meter with three iambic feet. In ancient Greek poetry and Latin poetry, an iambic trimeter is a quantitative meter, in which a line consists of three iambic ''metra''. Each '' metron'' consists of the pattern , x – u – , , where "–" represents a long syllable, "u" a short one, and "x" an ''anceps'' (either long or short). Resolution was common, especially in the first two metra of the line, so that any long or ''anceps'' syllable except the last could be replaced by two short syllables (see for example Euripides#Chronology), making a total of 13 or more syllables. It is the most common meter used for the spoken parts (as opposed to the sung parts) of Ancient Greek tragedy, comedy, and satyr plays. It is also common in iambus or 'blame poetry', although it is not the only meter for that genre. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trochaic Septenarius
In ancient Greek and Latin literature, the trochaic septenarius (also known as the trochaic tetrameter catalectic) is a form of ancient poetic metre first used in 7th century BC Greek literature. It was one of the two most common metres of Roman comedy of the early 1st century BC and was also used for the marching songs sung by soldiers at Caesar's victory parade. After a period when it was little used, it is found again in the (variously dated to between 2nd and 5th century AD), and taken up again as a metre for Christian hymns. The same metre, with stress-rhythm replacing quantitative metre, has continued to be used, especially for hymns and anthems, right up to the present day. The Ancient Greeks called poems in this metre simply "tetrameters", while the name "trochaic septenarius" (or plural "trochaic septenarii") is used for Latin poems in the metre. The basic metre consists of 15 syllables alternating strong and weak. The Greek version of the metre is as follows (where � ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
