|
Art Historical Photo Archive
{{No footnotes, date=September 2023 Art historical photo archives (or photo archives) are collections of reproductions of works of art that document paintings, drawings, prints, sculpture, architecture and sometimes installation photos. They are essential resource tools for the study of art history. Image collections deepen understanding of specific objects of art and the careers of individual artists as they also provide the means for a comparative approach to the study of artists’ works, national schools and period styles. The documentation that accompanies the images can also reveal patterns of art collecting, art market fluctuations and the changeable nature of public opinion. Photo archives build their collections and gather documentation for the works of art they record through purchases, gifts and photography campaigns. Information about ownership, condition, attribution, and subject identification is recorded at the time of acquisition and is frequently updated. History ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Hamann
Heinrich Richard Hamann (29 May 1879, in Seehausen – 9 January 1961, in Immenstadt im Allgäu) was a German art historian. He attended the Kloster Unser Lieben Frauen in Magdeburg, and later studied Germanistics, art history and philosophy at the University of Berlin. In 1902 he received his promotion with the dissertation-thesis ''Das Symbol'' as a student of Wilhelm Dilthey. In 1911 he obtained his habilitation at Berlin, and subsequently became a professor of art history at Posen Academy. In 1913 he relocated to the University of Marburg, where he founded the Bildarchiv Foto Marburg (photo archives). From 1947 to 1957 he served as a guest professor at the University of Berlin. Since 2009 the "Richard-Hamann-Preis für Kunstgeschichte" has been awarded for outstanding scientific achievements in the history of art or the promotion of art history research. Selected works * ''Rembrandts Radirungen'' (1906) – Rembrandt's etchings. * ''Der Impressionismus in Leben und ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Villa I Tatti
Villa I Tatti, The Harvard Center for Italian Renaissance Studies is a center for advanced research in the humanities located in Florence, Italy, and belongs to Harvard University. It houses a collection of Italian primitives, and of Chinese and Islamic art, as well as a research library of 140,000 volumes and a collection of 250,000 photographs. It is the site of Italian and English gardens. Villa I Tatti is located on an estate of olive groves, vineyards, and gardens on the border of Florence, Fiesole and Settignano. While guided tours of the gardens are offered, Villa I Tatti itself is not generally open to the public. History For almost sixty years Villa I Tatti was the home of Bernard Berenson (1865–1959), the connoisseur whose attributions of early Italian Renaissance painting guided scholarship and collecting in this field for the first half of the twentieth century. The property originated as a seventeenth-century farmhouse given to the expatriate English John Temp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art History
Art history is the study of Work of art, artistic works made throughout human history. Among other topics, it studies art’s formal qualities, its impact on societies and cultures, and how artistic styles have changed throughout history. Traditionally, the discipline of art history emphasized painting, drawing, sculpture, architecture, ceramics and decorative arts; yet today, art history examines broader aspects of visual culture, including the various visual and conceptual outcomes related to art. Art history is a broad discipline encompassing many branches. Some focus on specific time periods, while others concentrate on particular geographic regions, such as the Art of Europe, art of Art of Europe, Europe. Thematic categorizations include feminist art history, iconography, the analysis of symbols, and Design history, design history. Studying the history of art emerged as a means of documenting and critiquing artistic works, with influential historians and methods originating ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deutscher Kunstverlag
The Deutscher Kunstverlag (DKV) is an educational publishing house with offices in Berlin and Munich. The publisher specializes in books about art, cultural history, architecture Architecture is the art and technique of designing and building, as distinguished from the skills associated with construction. It is both the process and the product of sketching, conceiving, planning, designing, and construction, constructi ..., and historic preservation. History Deutscher Kunstverlag was founded in 1921 in Berlin. Founders were the publishing companies Insel Verlag, E. A. Seemann, Deutsche Verlags-Anstalt, Julius Hoffmann, G. Grote, Julius Bard, and Walter de Gruyter, as well as the bank . Some book series appeared already in 1925, which to this day still partially determine the publishing profile. In addition to scientific publications, the Deutscher Kunstverlag publishes art books and exhibition catalogs. After the Second World War, the publisher moved its hea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Florence Declaration
The Florence Declaration – Recommendations for the Preservation of Analogue Photo Archives is an initiative of the Photo Library of the Kunsthistorisches Institut in Florenz. Background With this Declaration, published in German, English, Italian, French and Polish, the aim of the Kunsthistorisches Institut is to foster understanding of the fundamental importance of analogue photos and photo archives for the future of the arts, humanities and social sciences. The ''Florence Declaration'' was presented on 31 October 2009 in the framework of the International Conference “Photo Archives and the Photographic Memory of Art History – Part II” (Kunsthistorisches Institut in Florenz, 29–31 October 2009). Since then the Declaration has received the backing and been subscribed by numerous international scholars. Content of the Declaration Against the background of the ongoing debate on the complete digitization of photo archives and the frequent demands thus being made for t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Offner
Richard Offner (June 30, 1889 – August 26, 1965) was an Austrian-American art historian dedicated to the study of Florentine paintings from the Renaissance. Biography Offner was born in Vienna, Austria, on June 30, 1889. In 1891, his family emigrated to New York City. He pursued his undergraduate degree at Harvard University from 1909 to 1912, continuing as a Fellow at the American Academy in Rome from 1912 to 1914. In 1914, he submitted his dissertation in art history under Max Dvořák at the University of Vienna. He was granted his Doctorate, however, his dissertation is now lost. In 1915, Offner accepted a position as an instructor of art history at the University of Chicago. In 1920, he moved to Harvard as a Sachs Fellow. Offner then joined New York University as an assistant professor in 1923, advancing to full professorship in 1927. He remained at NYU for the remainder of his career, serving as head of the fine arts department from 1930 to 1933, and as an emeritus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frick Art Reference Library Photoarchive
The Frick Art Research Library’s Photoarchive in New York is a study collection of more than 1.5 million photographic reproductions of works of art from the fourth to the mid-twentieth century. It was founded in 1920 by Helen Clay Frick to facilitate object-oriented research. Alongside the reproductions, the extensive documentation it offers is continuously updated and records details on each work of art and its history, such as changes in ownership, attribution, and condition. It contains works of art by over 40,000 artists. History The Photoarchive was the founding collection of the Frick Art Reference Library (renamed Frick Art Research Library in 2024). It was originally housed in the Henry Clay Frick House, Frick mansion’s bowling alley. At the time of its inception, there was a growing body of art historical literature, but texts rarely included reproductions. Although many scholars had personal image libraries, the Frick Art Reference Library was one of the first instit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rijksbureau Voor Kunsthistorische Documentatie
The Netherlands Institute for Art History or RKD (Dutch: ), previously Rijksbureau voor Kunsthistorische Documentatie (RKD), is located in The Hague and is home to the largest art history center in the world. The center specializes in documentation, archives, and books on Western art from the late Middle Ages until modern times. All of this is open to the public, and much of it has been digitized and is available on their website. The main goal of the bureau is to collect, categorize, and make art research available, most notably in the field of Dutch Masters. Via the available databases, the visitor can gain insight into archival evidence on the lives of many artists of past centuries. The library owns approximately 450,000 titles, of which ca. 150,000 are auction catalogs. There are ca. 3,000 magazines, of which 600 are currently running subscriptions. Though most of the text is in Dutch, the standard record format includes a link to library entries and images of known works, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Witt Library
The Courtauld Institute of Art (), commonly referred to as The Courtauld, is a self-governing college of the University of London specialising in the study of the history of art and conservation. The art collection is known particularly for its French Impressionist and Post-Impressionist paintings and is housed in the Courtauld Gallery. The Courtauld is based in Somerset House, in the Strand in London. In 2019, the Courtauld's teaching and research activities temporarily relocated to Vernon Square, London, while its Somerset House site underwent a major regeneration project. History The Courtauld was founded in 1932 through the philanthropic efforts of the industrialist and art collector Samuel Courtauld, the diplomat and collector Lord Lee of Fareham, and the art historian Sir Robert Witt. Originally the Courtauld was based in Home House, a townhouse designed by Robert Adam in Portman Square, Marylebone. The Strand block of Somerset House, designed by William Chambers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aby Warburg
Aby Moritz Warburg (June 13, 1866 – October 26, 1929) was a German art historian and cultural theorist who founded the ''Kulturwissenschaftliche Bibliothek Warburg'' (Warburg Library for Cultural Studies), a private library, which was later moved to the Warburg Institute, London. At the heart of his research was the legacy of the classical world, and the transmission of classical representation, in the most varied areas of Western culture through to the Renaissance. Warburg described himself as: "''Amburghese di cuore, ebreo di sangue, d'anima Fiorentino''" ('Hamburger at heart, Jew by blood, Florentine in spirit'). Early life and education Aby Warburg was born in Hamburg into the wealthy Warburg family of German Jewish bankers. His ancestors had come to Germany from Italy in the 17th century and settled in the town of Warburg in Westphalia, taking on the town's name as their family name. In the 18th century the Warburgs moved to Altona near Hamburg. Two brothers Warburg f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Warburg Institute
The Warburg Institute is a research institution associated with the University of London in central London, England. A member of the School of Advanced Study, its focus is the study of cultural history and the role of images in culture – cross-disciplinary and global. It is concerned with the histories of art and science, and their relationship with superstition, magic, and popular beliefs. The researches of the Warburg Institute are historical, philological and anthropological. It is dedicated to the study of the survival and transmission of cultural forms – whether in literature, art, music or science – across borders and from the earliest times to the present including especially the study of the influence of classical antiquity on all aspects of European Western culture, civilisation. Based originally in Hamburg, Germany, in 1933 the collection was moved to London, where it became incorporated into the University of London in 1944. Following a major renovation from 20 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
