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Appropriation (art)
In art, appropriation is the use of pre-existing objects or images with little or no transformation applied to them. The use of appropriation has played a significant role in the history of the arts (literary, visual, musical and performing arts). In the visual arts, "to appropriate" means to properly adopt, borrow, recycle or sample aspects (or the entire form) of human-made visual culture. Notable in this respect are the readymades of Marcel Duchamp. Inherent in the understanding of appropriation is the concept that the new work recontextualizes whatever it borrows to create the new work. In most cases, the original "thing" remains accessible as the original, without change. Definition Appropriation, similar to found object art is "as an artistic strategy, the intentional borrowing, copying, and alteration of preexisting images, objects, and ideas". It has also been defined as "the taking over, into a work of art, of a real object or even an existing work of art." The Tate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oxford University Press
Oxford University Press (OUP) is the publishing house of the University of Oxford. It is the largest university press in the world. Its first book was printed in Oxford in 1478, with the Press officially granted the legal right to print books by decree in 1586. It is the second-oldest university press after Cambridge University Press, which was founded in 1534. It is a department of the University of Oxford. It is governed by a group of 15 academics, the Delegates of the Press, appointed by the Vice Chancellor, vice-chancellor of the University of Oxford. The Delegates of the Press are led by the Secretary to the Delegates, who serves as OUP's chief executive and as its major representative on other university bodies. Oxford University Press has had a similar governance structure since the 17th century. The press is located on Walton Street, Oxford, Walton Street, Oxford, opposite Somerville College, Oxford, Somerville College, in the inner suburb of Jericho, Oxford, Jericho. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neo-minimalism
Neo-minimalism is an amorphous art movement of the late 20th and early 21st centuries. It has alternatively been called Neo-Geometric or "Neo-Geo" art. Other terms include: Neo-Conceptualism, Neo-Futurism, Neo-Op, Neo-pop, New Abstraction, Poptometry, Post-Abstractionism, and Smart Art. Origins As a product of the modernist movement of the 1960s, it was influenced by the Bauhaus style of art which rejected lavish designs for a more down-to-earth approach. Arts The aspects of "postmodern art" that have been described as neo-minimalism (and related terms) involve a general "reevaluation of earlier art forms." Contemporary artists who have been linked to the term, or who have been included in shows employing it, include Peter Halley, Philip Taaffe, Lorenzo Belenguer, Ashley Bickerton, David Burdeny, Paul Kuhn, Pierluigi Manciniart, DoDoU, Eve Leader, Peter Schuyff, Christopher Willard and Tim Zuck. The steel sculptures of Richard Serra have been described as "austere neo-M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venus Of Urbino
The ''Venus of Urbino'' (also known as ''Reclining Venus'') is an oil painting by Italian painter Titian, depicting a nude young woman, traditionally identified with the goddess Venus, reclining on a couch or bed in the sumptuous surroundings of a Renaissance palace. Work on the painting seems to have begun anywhere from 1532 or 1534, and was perhaps completed in 1534, but not sold until 1538. It is currently held in the Galleria degli Uffizi in Florence. The figure's pose is based on the '' Dresden Venus'', traditionally attributed to Giorgione but for which Titian completed at least the landscape. In his own painting, Titian has moved Venus to an indoor setting, engaged her with the viewer, and made her sensuality explicit; some even believe the figure is engaging in masturbation. Interpretations of the painting fall into two groups; both agree that the painting has a powerful erotic charge, but beyond that, it is seen either as a portrait of a courtesan, perhaps Zaffetta, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Titian
Tiziano Vecellio (; 27 August 1576), Latinized as Titianus, hence known in English as Titian ( ), was an Italian Renaissance painter, the most important artist of Renaissance Venetian painting. He was born in Pieve di Cadore, near Belluno. Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exerted a profound influence not only on painters of the late Italian Renaissance, but on future generations of Art of Europe, Western artists. His career was successful from the start, and he became sought after by patrons, initially from Venice and its possessions, then joined by the north Italian princes, and finally the Habsburgs and the papacy. Along with Giorgione, he is considered a founder of the Venetian school of Italian Renaissance painting. In 1590, the painter and art theorist Giovanni Paolo Lomazzo describe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olympia (Manet)
''Olympia'' is an 1863 oil painting by Édouard Manet, depicting a nude white woman ("Olympia") lying on a bed being attended to by a black maid. The French government acquired the painting in 1890 after a public subscription organized by Claude Monet. The painting is now in the Musée d'Orsay, Paris. The figure of Olympia was modeled by Victorine Meurent, and that of her servant by Laure (art model), Laure. Olympia's confrontational gaze caused shock and controversy when the painting was first exhibited at the 1865 Salon (Paris), Paris Salon, especially because a number of details in the picture identified her as a Prostitution, prostitute. The title of the painting is generally attributed to Manet's close friend Zacharie Astruc, an art critic and artist, since an excerpt from one of Astruc's poems was included in the catalogue entry along with ''Olympia'' when it was first exhibited in 1865. Content Contemporary audiences were shocked by Olympia's confrontational gaze, combi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Édouard Manet
Édouard Manet (, ; ; 23 January 1832 – 30 April 1883) was a French Modernism, modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism (art movement), Realism to Impressionism. Born into an upper-class household with strong political connections, Manet rejected the naval career originally envisioned for him; he became engrossed in the world of painting. His early masterworks, Le Déjeuner sur l'herbe, ''The Luncheon on the Grass'' (''Le déjeuner sur l'herbe'') and ''Olympia (Manet), Olympia'', premiering in 1863 and '65, respectively, caused great controversy with both critics and the Academy of Fine Arts, but soon were praised by progressive artists as the breakthrough acts to the new style, Impressionism. These works, along with others, are considered watershed paintings that mark the start of modern art. The last 20 years of Manet's life saw him form bonds with other great artists of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portrait Of Madame Moitessier
''Madame Moitessier'' is a portrait of Marie-Clotilde-Inès Moitessier (née de Foucauld) begun in 1844 and completed in 1856 by Jean-Auguste-Dominique Ingres. The portrait, which depicts Madame Moitessier seated, is now in the collection of the National Gallery in London, which acquired it in 1946. ''Madame Moitessier'' is also the title of a second portrait by Ingres, which depicts her standing; it was painted in 1851 and is now in the collection of the National Gallery of Art, Washington, D.C. Subject Marie-Clotilde-Inès de Foucauld (1821–1897) was the daughter of a French civil servant in the department of forests and waterways.Tinterow; Conisbee et al, 426 In 1842 she married a widower twice her age, the rich banker and lace merchant Sigisbert Moitessier, thus becoming Madame Moitessier. In 1844 Ingres was approached by his longtime friend and former painting subject Charles Marcotte, who was one of Sigisbert Moitessier's colleagues, with the idea of painting Madame Moi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Auguste-Dominique Ingres
Jean-Auguste-Dominique Ingres ( ; ; 29 August 1780 – 14 January 1867) was a French Neoclassicism, Neoclassical Painting, painter. Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against the ascendant Romanticism (art), Romantic style. Although he considered himself a History painting, painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, it is his portraits, both painted and drawn, that are recognized as his greatest legacy. His expressive distortions of form and space made him an important precursor of modern art, influencing Henri Matisse, Pablo Picasso, and other modernists. Born into a modest family in Montauban, he travelled to Paris to study in the studio of Jacques-Louis David, David. In 1802 he made his Paris Salon, Salon debut, and won the for his painting ''The Ambassadors of Agamemnon in the tent of Achilles''. By the time he departed in 1806 for his residency in Ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcel Duchamp, 1917, Fountain, Photograph By Alfred Stieglitz
Marcel may refer to: People * Marcel (given name), people with the given name Marcel * Marcel (footballer, born August 1981), Marcel Silva Andrade, Brazilian midfielder * Marcel (footballer, born November 1981), Marcel Augusto Ortolan, Brazilian striker * Marcel (footballer, born 1983), Marcel Silva Cardoso, Brazilian left back * Marcel (footballer, born 1992), Marcel Henrique Garcia Alves Pereira, Brazilian midfielder * Marcel (singer), American country music singer * Étienne Marcel (died 1358), provost of merchants of Paris * Gabriel Marcel (1889–1973), French philosopher, Christian existentialist and playwright * Jean Marcel (died 1980), Madagascan Anglican bishop * Jean-Jacques Marcel (1931–2014), French football player * Rosie Marcel (born 1977), English actor * Sylvain Marcel (born 1974), Canadian actor * Terry Marcel (born 1942), British film director * Claude Marcel (1793-1876), French diplomat and applied linguist Other uses * Marcel (Friends), Marcel (''Friends''), a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jeff Koons
Jeffrey Lynn Koons (; born January 21, 1955) is an American artist recognized for his work dealing with popular culture and his sculptures depicting everyday objects, including balloon animals produced in stainless steel with mirror- finish surfaces. He lives and works in both New York City and his hometown of York, Pennsylvania. His works have sold for substantial sums, including at least two record auction prices for a work by a living artist: US$58.4 million for '' Balloon Dog (Orange)'' in 2013 and US$91.1 million for ''Rabbit'' in 2019. Critics come sharply divided in their views of Koons. Some view his work as pioneering and of major art-historical importance. Others dismiss his work as kitsch, crass, and based on cynical self-merchandising. Koons has stated that there are no hidden meanings or critiques in his works. Early life Koons was born in York, Pennsylvania, to Henry Koons and Nancy Loomis. His father was a furniture dealer and interior decorator. His mother wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zhou Tiehai
Zhou Tiehai (; born 1966) is a contemporary Chinese artist. Trained as a painter in his native Shanghai, Zhou co-founded Shanghai's first international art fair, SH Contemporary, in 2007, assumed the directorship of the Minsheng Art Museum in 2010, and founded West Bund Art & Design in 2014. Artistic career Zhou's art work often attempts to satirize much of modern Chinese art. He does not paint his own works, though he earned a M.F.A. from the School of Fine Arts at Shanghai University in 1989. He was quick to perceive the subtle colonialism that undergirded the Chinese art world of the early 1990s. Zhou takes on the role of both artist and patron, as many of his airbrush paintings are rendered by assistants under his supervision. A typical process for Zhou Tiehai is to conceptualize a work, realize it on the computer, then rely upon the help of assistants to physically create it. He is mostly known for appropriation art, in particular, appropriating the Camel advertising charac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
