|
Amphibrach
An amphibrach () is a metrical foot used in Latin and Greek prosody. It consists of a long syllable between two short syllables. The word comes from the Greek ἀμφίβραχυς, ''amphíbrakhys'', "short on both sides". In English accentual-syllabic poetry, an amphibrach is a stressed syllable surrounded by two unstressed syllables. It is rarely used as the overall meter of a poem, usually appearing only in a small amount of humorous poetry, children's poetry, and experimental poems. The individual amphibrachic foot often appears as a variant within, for instance, anapaestic meter. It is the main foot used in the construction of the limerick, as in "There once was / a girl from / Nantucket." It was also used by the Victorians for narrative poetry, e.g. Samuel Woodworth's poem "The Old Oaken Bucket" (1817) beginning "How dear to / my heart are / the scenes of / my childhood." W. H. Auden's poem "O where are you going?" (1931) is a more recent and slightly less metrically- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metrical Foot
The foot is the basic repeating rhythmic unit that forms part of a line of verse in most Indo-European traditions of poetry, including English accentual-syllabic verse and the quantitative meter of classical ancient Greek and Latin poetry. The unit is composed of syllables, and is usually two, three, or four syllables in length. The most common feet in English are the iamb, trochee, dactyl, and anapest. The foot might be compared to a bar, or a beat divided into pulse groups, in musical notation. The English word "foot" is a translation of the Latin term ''pes'', plural ''pedes'', which in turn is a translation of the Ancient Greek ποῦς, pl. πόδες. The Ancient Greek prosodists, who invented this terminology, specified that a foot must have both an arsis and a thesis, that is, a place where the foot was raised ("arsis") and where it was put down ("thesis") in beating time or in marching or dancing. The Greeks recognised three basic types of feet, the iambic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Famous Blue Raincoat
"Famous Blue Raincoat" is a song by Leonard Cohen. It is the sixth track on his third album, '' Songs of Love and Hate'', released in 1971. The song is written in the form of a letter (many of the lines are written in amphibrachs). The lyric tells the story of a love triangle among the speaker, a woman named Jane, and the male addressee, who is identified only briefly as "my brother, my killer." Background The lyrics contain references to the German love song "Lili Marlene," to Scientology, and to Clinton Street. Cohen lived on Clinton Street in Manhattan in the 1970s when it was a lively Latino area. In 1994 Cohen said that "it was a song I've never been satisfied with". In the 1999 book, ''The Complete Guide to the Music of Leonard Cohen'', the authors comment that Cohen's question, "Did you ever go clear?", in the song, is a reference to the Scientology state of " Clear". In the liner notes to 1975's ''The Best of Leonard Cohen'', which includes the song, he mentions that the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prosody (poetry)
In poetry, metre ( Commonwealth spelling) or meter ( American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, " prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular types. The familiar type of metre in English-language poetry is called qualitative metre, with stressed syllables comi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Bolesław Ożóg
Jan Bolesław Ożóg (1 March 1913 in Nienadówka – 1 March 1991 in Kraków) was a Polish writer, poet and translator. He was born into the family of a village church organist. His first university studies were in theology, but later he changed his mind and took a degree in Polish philology at the Jagiellonian University in Kraków. In spite of not finishing theological studies, Ożóg in his poetry was concerned with religious themes all his lifetime. Being a peasant, he was one of the main representatives of the ''Autentyzm'' poetic movement. Together with Stanisław Czernik he wrote its manifesto. He published his poems in the ''Okolica Poetów'' (''The Neighbourhood of Poets'') review. During World War II he organised secret schools and was soldier of the Home Army. After the war he was a teacher and worked in many places. He was one of the founders of the ''Barbarus'' poetic group. He is buried at Rakowicki Cemetery in Kraków. In his poetry Ożóg deals with themes of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Limerick (poetry)
A limerick ( ) is a form of verse, usually humorous and frequently rude, in five-line, predominantly trimeter with a strict rhyme scheme of AABBA, in which the first, second and fifth line rhyme, while the third and fourth lines are shorter and share a different rhyme. The following example is a limerick of unknown origin: The form appeared in England in the early years of the 18th century. It was popularized by Edward Lear in the 19th century, although he did not use the term. Gershon Legman, who compiled the largest and most scholarly anthology, held that the true limerick as a folk form is always obscene, and cites similar opinions by Arnold Bennett and George Bernard Shaw, describing the clean limerick as a "periodic fad and object of magazine contests, rarely rising above mediocrity". From a folkloric point of view, the form is essentially transgressive; violation of taboo is part of its function. Form The standard form of a limerick is a stanza of five lines, with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Versace (song)
"Versace" is the debut single by American hip hop group Migos. It was released in July 2013, by Quality Control Music. The hook "Versace Versace Versace was created by Peter Thomson who spit the hook to the Migos and Quality Control when they were in Springfield Massachusetts. The track, which was included on their mixtape '' Y.R.N. (Young Rich Niggas)'' (2013), was produced by Zaytoven. Following a remix by Canadian rapper Drake, the song became popular and peaked at number 99 on the US ''Billboard'' Hot 100 chart. Drake performed it at the 2013 iHeartRadio Music Festival. The song is ranked as one of the 100 songs that defined the 2010s decade by ''Billboard''. Background The beat of the song, produced by Zaytoven, was also given to Soulja Boy, who used it for his song "OMG Part 2" two years earlier in 2011. Legacy and flow Versace is highly notable for bringing mainstream attention to the triplet flow within hip hop. While not the first song to do so, it is considered to be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Migos
Migos () is an American hip hop trio from Lawrenceville, Georgia, founded in 2008. The group was originally composed of Southern rappers Quavo, Takeoff, and Offset. Quavo is from Athens, Georgia; Offset and Takeoff were born and raised in Lawrenceville, Georgia. They are managed by Coach K, the former manager of Gucci Mane and Jeezy, and frequently collaborated with producers such as DJ Durel, Murda Beatz, Zaytoven, and Buddah Bless. Recognized for their contribution to trap music in the 2010s, ''Billboard (magazine), Billboard'' stated that the group "influenced pop culture and the entire English language by bringing their North Atlanta roots to the mainstream". Migos released their commercial debut single "Versace (song), Versace" in 2013, taken from their mixtape ''Y.R.N. (Young Rich Niggas)''. They released several more singles, including "Fight Night (song), Fight Night" (2014), "Look at My Dab" (2015), and their four Billboard Hot 100, ''Billboard'' Hot 100 top 10 e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ocalenie
''Ocalenie'' ("Rescue") is a poetry collection by Czesław Miłosz. It was first published in 1945. Many of the poems collected were written in Warsaw during the Nazi occupation. Partial contents * "World: Naïve Poems"—a sequence of pastoral A pastoral lifestyle is that of shepherds herding livestock around open areas of land according to seasons and the changing availability of water and pasture. It lends its name to a genre of literature, art, and music ( pastorale) that de ... poems ** "By the Peonies" * "Song on the End of the World" * "Campo dei Fiori"—"a civic-minded poem about people’s indifference to the deaths of others" * "The Voices of Poor People"—cycle ** "A Poor Christian Looks at the Ghetto" * "Dedication" References 1945 poetry books Polish poetry collections Poetry by Czesław Miłosz {{1940s-poem-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Czesław Miłosz
Czesław Miłosz (, also , ; 30 June 1911 – 14 August 2004) was a Polish-American poet, prose writer, translator, and diplomat. Regarded as one of the great poets of the 20th century, he won the 1980 Nobel Prize in Literature. In its citation, the Swedish Academy called Miłosz a writer who "voices man's exposed condition in a world of severe conflicts". Miłosz survived the German occupation of Warsaw during World War II and became a cultural attaché for the Polish government during the postwar period. When communist authorities threatened his safety, he defected to France and ultimately chose exile in the United States, where he became a professor at the University of California, Berkeley. His poetry—particularly about his wartime experience—and his appraisal of Stalinism in a prose book, '' The Captive Mind'', brought him renown as a leading '' émigré'' artist and intellectual. Throughout his life and work, Miłosz tackled questions of morality, politics, history, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tetrametre
In poetry, a tetrameter is a line of four metrical feet. The particular foot can vary, as follows: * ''Anapestic tetrameter:'' ** "And the ''sheen'' of their ''spears'' was like ''stars'' on the ''sea''" (Lord Byron, "The Destruction of Sennacherib") ** "Twas the ''night'' before ''Christ''mas when ''all'' through the ''house''" ("A Visit from St. Nicholas") * ''Iambic tetrameter:'' ** "Be''cause'' I ''could'' not ''stop'' for ''Death''" (Emily Dickinson, eponymous lyric) * ''Trochaic tetrameter:'' ** "''Pet''er, ''Pet''er, ''pump''kin-''eat''er" ( English nursery rhyme) * ''Dactylic tetrameter:'' ** ''Pic''ture your ''self'' in a ''boat'' on a ''riv''er with ..(The Beatles, "Lucy in the Sky with Diamonds") * ''Spondaic tetrameter:'' ** ''Long sounds move slow'' * ''Pyrrhic tetrameter'' (with spondees white breast" and "dim sea": ** And the ''white breast'' of the ''dim sea'' * '' Amphibracic tetrameter:'' ** And, ''speak''ing of ''birds'', there's the ''Russ''ian Pa''loo''ski, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masculine And Feminine Endings
Masculine ending and feminine ending are terms used in prosody, the study of verse form. "Masculine ending" refers to a line ending in a stressed syllable. "Feminine ending" is its opposite, describing a line ending in a stressless syllable. This definition is applicable in most cases; see below, however, for a more refined characterization. Example Below are the first two stanzas of "A Psalm of Life" by Henry Wadsworth Longfellow. In each stanza, the first and third lines have a feminine ending and the second and fourth lines a masculine one. Tell me not, in mournful numbers, Life is but an empty dream!— For the soul is dead that slumbers, And things are not what they seem. Life is real! Life is earnest! And the grave is not its goal; Dust thou art, to dust returnest, Was not spoken of the soul. The final stressless syllables, creating feminine endings, are ''-bers'', again ''-bers'', ''-nest'', and again ''-nest''. The final stressed syllables, creat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leopold Staff
Leopold Henryk Staff (November 14, 1878 – May 31, 1957) was a Polish poet; an artist of European modernism twice granted the Degree of Doctor honoris causa by universities in Warsaw and in Kraków. He was also nominated for the Nobel Prize in Literature by Polish PEN Club. Representative of classicism and symbolism in the poetry of Young Poland, he was an author of many philosophical poems influenced by the philosophy of Friedrich Nietzsche (from whom he translated several books into Polish), the ideas of Franciscan order as well as paradoxes of Christianity. Life Staff was born in Lwów (then in the Austrian partition; now Lviv, Ukraine) during the military partitions of Poland. He was one of three children of the local confectioner of Czech & German origin. He studied law and philosophy at the Lwów University, and in 1918 settled in Warsaw at the cusp of Poland's return to independence. He died at the age of 78 in Skarżysko-Kamienna soon after the end of Stalin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
