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Additive Resynthesis
Additive synthesis is a sound synthesis technique that creates timbre by adding sine waves together. The timbre of musical instruments can be considered in the light of Fourier theory to consist of multiple harmonic or inharmonic '' partials'' or overtones. Each partial is a sine wave of different frequency and amplitude that swells and decays over time due to modulation from an ADSR envelope or low frequency oscillator. Additive synthesis most directly generates sound by adding the output of multiple sine wave generators. Alternative implementations may use pre-computed wavetables or the inverse fast Fourier transform. Explanation The sounds that are heard in everyday life are not characterized by a single frequency. Instead, they consist of a sum of pure sine frequencies, each one at a different amplitude. When humans hear these frequencies simultaneously, we can recognize the sound. This is true for both "non-musical" sounds (e.g. water splashing, leaves rustling, etc.) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sound Synthesis
A synthesizer (also synthesiser or synth) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II, which was controlled with punch cards and used hundreds of vacuum tubes. The Moog synthesizer, developed by Robert Moog and first sold ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Upright Piano
A piano is a keyboard instrument that produces sound when its keys are depressed, activating an action mechanism where hammers strike strings. Modern pianos have a row of 88 black and white keys, tuned to a chromatic scale in equal temperament. A musician who specializes in piano is called a pianist. There are two main types of piano: the #Grand, grand piano and the #Upupright piano. The grand piano offers better sound and more precise key control, making it the preferred choice when space and budget allow. The grand piano is also considered a necessity in venues hosting skilled pianists. The upright piano is more commonly used because of its smaller size and lower cost. When a key is depressed, the strings inside are struck by felt-coated wooden hammers. The vibrations are transmitted through a Bridge (instrument), bridge to a Soundboard (music), soundboard that amplifies the sound by Coupling (physics), coupling the Sound, acoustic energy to the air. When the key is rel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmonic Additive Synthesis Spectrum
In physics, acoustics, and telecommunications, a harmonic is a sinusoidal wave with a frequency that is a positive integer multiple of the ''fundamental frequency'' of a periodic signal. The fundamental frequency is also called the ''1st harmonic''; the other harmonics are known as ''higher harmonics''. As all harmonics are periodic at the fundamental frequency, the sum of harmonics is also periodic at that frequency. The set of harmonics forms a '' harmonic series''. The term is employed in various disciplines, including music, physics, acoustics, electronic power transmission, radio technology, and other fields. For example, if the fundamental frequency is 50 Hz, a common AC power supply frequency, the frequencies of the first three higher harmonics are 100 Hz (2nd harmonic), 150 Hz (3rd harmonic), 200 Hz (4th harmonic) and any addition of waves with these frequencies is periodic at 50 Hz. In music, harmonics are used on string instruments and w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Key Frequencies
This is a list of the fundamental frequencies in hertz (cycles per second) of the keys of a modern 88-key standard or 108-key extended piano in twelve-tone equal temperament, with the 49th key, the fifth A (called A4), tuned to 440 Hz (referred to as A440). Every octave is made of twelve steps called semitones. A jump from the lowest semitone to the highest semitone in one octave doubles the frequency (for example, the fifth A is 440 Hz and the sixth A is 880 Hz). The frequency of a pitch is derived by multiplying (ascending) or dividing (descending) the frequency of the previous pitch by the twelfth root of two (approximately 1.059463). For example, to get the frequency one semitone up from A4 (A4), multiply 440 Hz by the twelfth root of two. To go from A4 up two semitones (one whole tone) to B4, multiply 440 twice by the twelfth root of two (or once by the sixth root of two, approximately 1.122462). To go from A4 up three semitones to C5 (a minor third In music th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arctangent
In mathematics, the inverse trigonometric functions (occasionally also called ''antitrigonometric'', ''cyclometric'', or ''arcus'' functions) are the inverse functions of the trigonometric functions, under suitably restricted domains. Specifically, they are the inverses of the sine, cosine, tangent, cotangent, secant, and cosecant functions, and are used to obtain an angle from any of the angle's trigonometric ratios. Inverse trigonometric functions are widely used in engineering, navigation, physics, and geometry. Notation Several notations for the inverse trigonometric functions exist. The most common convention is to name inverse trigonometric functions using an arc- prefix: , , , etc. (This convention is used throughout this article.) This notation arises from the following geometric relationships: when measuring in radians, an angle of radians will correspond to an arc whose length is , where is the radius of the circle. Thus in the unit circle, the cosine of x f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atan2
In computing and mathematics, the function (mathematics), function atan2 is the 2-Argument of a function, argument arctangent. By definition, \theta = \operatorname(y, x) is the angle measure (in radians, with -\pi 0, \\[5mu] \arctan\left(\frac y x\right) + \pi &\text x < 0 \text y \ge 0, \\[5mu] \arctan\left(\frac y x\right) - \pi &\text x < 0 \text y < 0, \\[5mu] +\frac &\text x = 0 \text y > 0, \\[5mu] -\frac &\text x = 0 \text y < 0, \\[5mu] \text &\text x = 0 \text y = 0. \end Instead of the tangent, it can be convenient to use the half-tangent as a representation of an angle, partly because the angle has a unique half-tangent, (See tangent half-angle formula.) The expression with in the denominator should be used when and to avoid possible loss of significance in computing . When an function is unavailable, it can be computed as twice the arctangent of the half-tangent . That is, |
Phase (waves)
In physics and mathematics, the phase (symbol φ or ϕ) of a wave or other periodic function F of some real variable t (such as time) is an angle-like quantity representing the fraction of the cycle covered up to t. It is expressed in such a scale that it varies by one full turn as the variable t goes through each period (and F(t) goes through each complete cycle). It may be measured in any angular unit such as degrees or radians, thus increasing by 360° or 2\pi as the variable t completes a full period. This convention is especially appropriate for a sinusoidal function, since its value at any argument t then can be expressed as \varphi(t), the sine of the phase, multiplied by some factor (the amplitude of the sinusoid). (The cosine may be used instead of sine, depending on where one considers each period to start.) Usually, whole turns are ignored when expressing the phase; so that \varphi(t) is also a periodic function, with the same period as F, that repeatedly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Equal-loudness Contour
An equal-loudness contour is a measure of sound pressure level, over the frequency spectrum, for which a listener perceives a constant loudness when presented with pure steady tones. The unit of measurement for loudness levels is the phon and is arrived at by reference to equal-loudness contours. By definition, two sine waves of differing frequencies are said to have equal-loudness level measured in phons if they are perceived as equally loud by the average young person without significant hearing impairment. The Fletcher–Munson curves are one of many sets of equal-loudness contours for the human ear, determined experimentally by Harvey Fletcher and Wilden A. Munson, and reported in a 1933 paper entitled "Loudness, its definition, measurement and calculation" in the ''Journal of the Acoustical Society of America''. Fletcher–Munson curves have been superseded and incorporated into newer standards. The definitive curves are those defined in ISO 226 from the International O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
