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Aak
''Aak'' is a genre of Korean court music. It is an imported form of the Chinese court music ''yayue'', and means "elegant music". ''Aak'' was performed almost exclusively in state sacrificial rites, and in the present day it is performed in certain Confucian ceremonies. Background ''Aak'' was brought to Korea in 1116 through a large gift of 428 musical instruments as well as 572 costumes and ritual dance objects from China, a gift to Emperor Yejong of Goryeo from Emperor Huizong of Song. It remained very popular for a time (there were originally no fewer than 456 different melodies in use) before dying out. It was revived in 1430, based on a reconstruction of older melodies, and preserved in "Treatise on Ceremonial Music" (''Aak Po''), a chapter of the Sejong Annals. ''Aak'' is one of three types of Korean court music; the other two are ''dangak'' and ''hyangak''. ''Aak'' is similar to ''dangak'' in that both have Chinese origins. All the instruments used in ''aak'' are d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Korean Court Music
Korean court music comprises three main musical genres: '' aak'', an imported form of Chinese ritual music; a pure Korean form called '' hyangak''; and a combination of Chinese and Korean styles called '' dangak''. Korean court music and its historical origins have been traced back to the ''Goryeo'' ''(918-1392)'' and ''Joseon'' dynasties ''(1392–1910)''. It was partly modelled on the court music of China, known as '' yayue''. Korean court music also has similarities with the court music of Japan, known as '' gagaku'' and of Vietnam, known as ''nhã nhạc''. Performances in the form of banquet dances typically accompany the court music, in which musical institutions play a role in teaching and training musicians and performers on the forms of traditional Korean dance. The instruments used in Korean court music vary depending on the specific genre, but do show various overlaps between the three different types. Traditional court music also continues to show significant cultu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lee Ju-hwan
Lee Ju-hwan(; April 10, 1909 - December 2, 1972) was an Ingan-munhwage of Korean traditional song, Gangtok, which is the 41st Important Intangible Cultural Properties of Korea. He is also a master of gasa, which is Korean traditional literature that is an intermediate form of poetry and prose and Lee Ju-hwan is designated as Ingan-munhwage of 30th Important Intangible Cultural Properties of Korea gasa either. He used Sonam () as a pseudonym. Biography Lee Ju-hwan was born in 1909 May 24 lunar in Jongno-gu, Gwansudong 30, Seoul as the second son of Lee Gik-sang and Choi Game-yeo. His original name was Bok-Gil (;). In March 1928, he graduated Gyodong public elementary school and entered Part of the aakbuwon Training Center of the yiwangjik aakbu as the 3rd group in April. At that time yiwangjik aakbu gathered students every 5 years and the 3rd group has only 18 members. Sung Kyung-lin, Lee Seok-Jae, Bong Hae-song, Kim Bo-nam, Kim Young-un are all his alumni in yiwangjik aakbu 3rd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yayue
''Yayue'' () was a form of classical music and dance performed at the royal court and temples in ancient China. The basic conventions of ''yayue'' were established in the Western Zhou. Together with law and rites, it formed the formal representation of aristocratic political power. The word ''ya'' () was used during the Zhou dynasty to refer to a form of song-texts used in court and collected in ''Shijing''. The term ''yayue'' itself appeared in '' Confucius' Analects'', where ''yayue'' was considered by Confucius to be the kind of music that is good and beneficial, in contrast to the popular music originated from the state of Zheng which he judged to be decadent and corrupting. ''Yayue'' is therefore regarded in the Confucian system as the proper form of music that is refined, improving, and essential for self-cultivation, and one that can symbolize good and stable governance. It means the kind of solemn ceremonial music used in court, as well as ritual music in temples ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Korean Music
Korea refers to music from the Korean peninsula ranging from prehistoric times to the division of Korea into South and North in 1945. It includes court music, folk music, poetic songs, and religious music used in shamanistic and Buddhist traditions. Together, traditional Korean music is referred to as ''gugak'' (Hangul: 국악), which literally means "national music." History Proto-Three Kingdoms of Korea Not much is known about music from the Proto-Three Kingdoms of Korea period (before 57 BCE). It is believed that Korean people practiced shamanistic rituals involving music at agricultural festivals. Tomb murals and ceramics from this period depict string instruments with complex features that suggest the instruments were quite developed. Three Kingdoms of Korea The Three Kingdoms of Korea refers to the period from 57 BCE to 668 CE when the Korean peninsula was ruled by three kingdoms: Goguryeo, Baekje, and Silla. Each kingdom was known for favoring different musical in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dangak
''Dangak'' (syllables: ''dang-ak'') is a genre of traditional Korean court music. The name means " Tang music", and the style was first adapted from Tang Dynasty Chinese music during the Unified Silla period in the late first millennium. It was continued through the Goryeo (918–1392) and Joseon (1392–1910) dynasties, when, along with '' hyangak'' and '' aak'' it was one of the three approved genres of court music. ''Dangak'' performances were accompanied by Tang-style dances known as ''dangak jeongjae''. Together with ''hyangak'', during the Joseon Dynasty ''dangak'' performances were the charge of the ''Jeonakseo'' (hangul: 전악서; hanja: 典 樂 署; 1394–1457) and later of the Jangagwon (hangul: 장악원; hanja: 掌 樂 院), the court office of music. Performers of ''hyangak'' and ''dangak'' were drawn from the lower classes, in contrast to performers of ''aak''. One of the most famous pieces in the ''dangak'' repertoire is called ''Nakyangchun'' (hangul: 낙 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Traditional Korean Musical Instruments
Traditional Korean musical instruments comprise a wide range of string, wind, and percussion instruments. Many traditional Korean musical instruments (especially those used in Confucian ceremonies) derive from Chinese musical instruments. String Korean string instruments include those that are plucked, bowed, and struck. Most Korean string instruments use silk strings, except as noted. Plucked Zithers * Gayageum (hangul: 가야금; hanja: 伽 倻 琴) – A long zither with 12 strings; modern versions may have 13, 15, 17, 18, 21, 22, or 25 strings * Geomungo (hangul: 거문고) – A fretted bass zither with six to eleven silk strings that is plucked with a bamboo stick and played with a weight made out of cloth ** Cheolhyeongeum (hangul: 철현금; hanja: 鐵 絃 琴) – A geomungo with 8 steel strings plucked with a bamboo stick and played with a slide made out of either glass or metal in the manner of a slide guitar, developed in the 20th century [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Munmyo
Munmyo (more specifically Seoul Munmyo or Seonggyungwan Munmyo) is Korea's primary temple of Confucius ("munmyo" is also the general Korean term for a temple of Confucius). It is located in central Seoul, South Korea, on the campus of Sungkyunkwan University. Munmyo houses a shrine to Confucius known as Daeseongjeon, or "Hall of Great Achievement." The main gate leading to the shrine Sinsammun, literally "Spirit Three Gate", is open only on special occasions such as Seokjeon Daeje. The central gate is reserved for the spirit of Confucius and his disciple, and no one else may enter through this gate. Past this gate is the central path that leads to Daeseongjeon, and visitors may not cross this path, especially during a ceremony when the gates are open. The courtyard is used for the '' Seokjeon Daeje'' ceremony. Munmyo also contains two other halls (''Dongmu'' and ''Seomu'', east and west hall), two dormitories (''Dongjae'' and ''Seojae'', east and west dormitories), a Confucia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yejong Of Goryeo
Yejong of Goryeo (11 February 1079 – 15 May 1122) (r. 1105–1122) was the 16th monarch of the Korean Goryeo dynasty. He was the eldest son of King Sukjong and Queen Myeongui, and succeeded to the throne upon his father's death. His reign is usually described as one of the most splendid periods of Goryeo, during which the arts and philosophy flourished, and military strengthening policies were implemented to ensure border security. Early years Yejong was born Wang U in 1079, the thirty-third year of his grandfather King Munjong's reign. He was the eldest son of King Sukjong, who took the throne in 1095 after a coup against King Heonjong, and of Queen Myeongui. He was made crown prince in 1100, aged 21, and became king in 1105 when Sukjong died returning from Jangnak Palace in Seogyeong. Foreign relations As soon as he ascended the throne, Yejong found himself having to face the conflict with the Jurchens that broke out during his father's reign. By the end of the eleventh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emperor Huizong Of Song
Emperor Huizong of Song (7 June 1082 – 4 June 1135), personal name Zhao Ji, was the eighth emperor of the Northern Song dynasty of China. He was also a very well-known calligrapher. Born as the 11th son of Emperor Shenzong, he ascended the throne in 1100 upon the death of his elder brother and predecessor, Emperor Zhezong, because Emperor Zhezong's only son died prematurely. He lived in luxury, sophistication and art in the first half of his life. In 1126, when the Jurchen-led Jin dynasty invaded the Song dynasty during the Jin–Song Wars, Emperor Huizong abdicated and passed on his throne to his eldest son, Zhao Huan who assumed the title Emperor Qinzong while Huizong assumed the honorary title of '' Taishang Huang'' (or "Retired Emperor"). The following year, the Song capital, Bianjing, was conquered by Jin forces in an event historically known as the Jingkang Incident. Emperor Huizong and Emperor Qinzong and the rest of their family were taken captive by the Jurc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Gugak Center
The National Gugak Center, located in Seoul, South Korea, is the primary institution of learning for Korean traditional music (), including both court music and folk music. It was founded in 1951 through a merger of Korean musical organizations. It is dedicated to "preserving and promoting traditional Korean music." Through academic courses, private study, ensembles, research, and performances, it preserves Korea's ancient musical traditions, including the ancient court ritual music called '' aak'' as well as the ritual music performed for the Jongmyo (royal ancestral shrine) and the Munmyo (Confucian shrine). Historical musical organizations While Korean court music dates back to the music institute of the Silla kingdom in the 7th century, the present is the direct successor to the Jangakwon music institution of the Joseon Dynasty. Jangakwon went through various name changes until 1945: *Jangakwon 장악원 掌樂院 (1470) *Gyobangsa 교방사 敎坊司 (1897) *Janga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Akhak Gwebeom
The ''Akhak gwebeom'' (Hangul: 악학궤범, Hanja: 樂學軌範; literally "Musical Canon") is a nine-volume treatise on music, written in Korea in the 15th century, in the Joseon Dynasty. It is written by hand in hanja, and depicts, in line drawings, most of the musical instruments in use at the time, with detailed descriptions and fingerings. See also * Traditional Korean musical instruments Traditional Korean musical instruments comprise a wide range of string, wind, and percussion instruments. Many traditional Korean musical instruments (especially those used in Confucian ceremonies) derive from Chinese musical instruments. String K ... References * Chang, Sa-hun (1976). ''Hanguk Eumaksa'' (The History of Korean Music). Seoul, South Korea: Eumsa. External links Lists of ''Akhakgwebeom'' images 악학궤범 (樂學軌範)froKorean Studies Information Center, Academy of Korean Studies Brief information about 악학궤범 (樂學軌範)froKorean Studies Information Center ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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