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The Amazing Bud Powell (Vol
''The Amazing Bud Powell'' is a ten-inch LP by American jazz pianist Bud Powell, recorded on August 8, 1949, and May 1, 1951, and released on Blue Note in April 1952. In the first session, Powell performed in quintet with Fats Navarro, Sonny Rollins, Tommy Potter and Roy Haynes, and in trio with Potter and Haynes. In the second, Powell performed in trio with Curley Russell and Max Roach, and solo. Release history All eight original cuts (four from each session) were originally released as 78 rpm singles in 1949 and 1951: "You Go to My Head c/w Ornithology" (BN 1566), "Bouncing with Bud c/w Wail" (BN 1567), "Over the Rainbow c/w A Night in Tunisia" (BN 1576), and "Un Poco Loco c/w It Could Happen to You" (BN 1577). Blue Note discontinued their 10" Modern Jazz late 1955. The following year, the label recompiled Powell's first three sessions as ''The Amazing Bud Powell, Volume 1'' (1956; BLP 1503) and ''The Amazing Bud Powell, Volume 2'' (1956; BLP 1504). In 1989, the album w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bud Powell
Earl Rudolph "Bud" Powell (September 27, 1924 – July 31, 1966) was an American jazz pianist and composer. A pioneer in the development of bebop and its associated contributions to jazz theory,Grove Powell's application of complex phrasing to the piano influenced both his contemporaries and later pianists including Walter Davis Jr., Toshiko Akiyoshi, and Barry Harris. Born in the midst of the Harlem Renaissance to a musical family, Powell, during the 1930s, developed an attacking, right-handed approach to the piano, which marked a break from the left-handed approach of stride and ragtime that had been prevalent. Upon joining trumpeter Cootie Williams's band in 1943, he received attention from the broader musical community for his fluency and advanced technique. In 1945, he suffered a severe beating by police, followed by several years of intermittent institutionalizations. However, his recordings and live performances with Charlie Parker, Sonny Stitt, and Max Roach during ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Penguin Guide To Jazz
''The Penguin Guide to Jazz'' is a reference work containing an encyclopedic directory of jazz recordings on CD which were (at the time of publication) currently available in Europe or the United States. The first nine editions were compiled by Richard Cook and Brian Morton, two chroniclers of jazz resident in the United Kingdom. History The first edition was published in Britain by Penguin Books in 1992. Every subsequent two years, through 2010, a new edition was published with updated entries. The eighth and ninth editions, published in 2006 and 2008, respectively, each included 2,000 new CD listings. The title took on different forms over the lifetime of the work, as audio technology changed. The seventh edition was known as ''The Penguin Guide to Jazz on CD'' while subsequent editions were titled ''The Penguin Guide to Jazz Recordings''. The earliest edition had the title ''The Penguin Guide to Jazz on CD, LP and Cassette''. Richard Cook died in 2007, prior to the com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Over The Rainbow
"Over the Rainbow", also known as "Somewhere Over the Rainbow", is a ballad by Harold Arlen with lyrics by Yip Harburg. It was written for the 1939 film '' The Wizard of Oz'', in which it was sung by actress Judy Garland in her starring role as Dorothy Gale. About five minutes into the film, Dorothy sings the song after failing to get Aunt Em, Uncle Henry, and the farmhands to listen to her story of an unpleasant incident involving her dog, Toto, and the town spinster, Miss Gulch ( Margaret Hamilton). Aunt Em tells her to "find yourself a place where you won't get into any trouble". This prompts her to walk off by herself, musing to Toto, "Someplace where there isn't any trouble. Do you suppose there is such a place, Toto? There must be. It's not a place you can get to by a boat, or a train. It's far, far away. Behind the moon, beyond the rain", at which point she begins singing. "Over the Rainbow" won the Academy Award for Best Original Song and became Garland's signature ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Cuba
The music of Cuba, including its instruments, performance, and dance, comprises a large set of unique traditions influenced mostly by west African and European (especially Spanish) music. Due to the syncretic nature of most of its genres, Cuban music is often considered one of the richest and most influential regional music in the world. For instance, the son cubano merges an adapted Spanish guitar (tres), melody, harmony, and lyrical traditions with Afro-Cuban percussion and rhythms. Almost nothing remains of the original native traditions, since the native population was exterminated in the 16th century. Since the 19th century, Cuban music has been hugely popular and influential throughout the world. It has been perhaps the most popular form of regional music since the introduction of recording technology. Cuban music has contributed to the development of a wide variety of genres and musical styles around the globe, most notably in Latin America, the Caribbean, West Africa, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latin American Music
The music of Latin America refers to music originating from Latin America, namely the Spanish language, Spanish and Portuguese language, Portuguese-speaking regions of the Americas south of the United States. Latin American music highly incorporates its Africa, African influences into the music of Latin America, as well as Indigenous peoples of the Americas#Music and art, indigenous music of Latin America. Due to its highly Syncretism, syncretic nature, Latin American music encompasses a wide variety of styles, including influential genres such as cumbia, Bachata (music), bachata, bossa nova, Merengue music, merengue, Cuban rumba, rumba, Salsa music, salsa, samba, son (music), son, candombe and Tango music, tango. During the 20th century, many styles were influenced by the music of the United States giving rise to genres such as Latin pop, Latin rock, rock, Latin jazz, jazz, Latin hip hop, hip hop, and reggaeton. Geographically, it usually refers to the Spanish and Portuguese-spe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Night In Tunisia
"A Night in Tunisia" is a musical composition written by American trumpeter Dizzy Gillespie in 1942. He wrote it while he was playing with the Benny Carter band. It has become a jazz standard. It is also known as "Interlude", and with lyrics by Raymond Leveen was recorded by Sarah Vaughan in 1944. Background Gillespie called the tune "Interlude" and said "some genius decided to call it 'A Night in Tunisia'". He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. "A Night in Tunisia" was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame. On the album '' A Night at Birdland Vol. 1'', Art Blakey introduced his 1954 cover version with this statement: "At this ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Africa
The continent of Africa is vast and its music is diverse, with different Regions of Africa, regions and List of African countries, nations having many distinct musical traditions. African music includes the genres like makwaya, highlife, Mbube (genre), mbube, township music, Jùjú music, jùjú, Fuji music, fuji, jaiva, afrobeat, Afro fusion, afrofusion, mbalax, Congolese rumba, soukous, ndombolo, makossa, kizomba, taarab and others. African music also uses a large variety of instruments from all across the continent. The music and dance of the African diaspora, formed to varying degrees on African musical traditions, include music of the United States, American music like Dixieland jazz, blues, jazz, and many Caribbean music, Caribbean genres, such as calypso music, calypso (see kaiso) and soca music, soca. Latin American music genres such as cumbia, salsa music, son cubano, Cuban rumba, rumba, conga (music), conga, Bomba (Puerto Rico), bomba, samba and Zouk (musical movemen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Machito
Frank Grillo (born Francisco Raúl Gutiérrez Grillo; December 3, 1909 – April 15, 1984) known professionally as Machito (previously as Macho), was a Latin jazz musician who helped refine Afro-Cuban jazz and create both Cubop and salsa music. Ginell, Richard S. ''Biography''. Allmusic, 2011/ref> He was raised in Havana with his sister, singer Graciela. In New York City, Machito formed the Afro-Cubans in 1940, and with Mario Bauzá as musical director, brought together Cuban rhythms and big band arrangements in one group. He made numerous recordings from the 1940s to the 1980s, many with Graciela as singer. Machito changed to a smaller ensemble format in 1975, touring Europe extensively. He brought his son and daughter into the band, and received a Grammy Award in 1983, one year before he died. Machito's music had an effect on the careers of many musicians who played in the Afro-Cubans over the years, and on those who were attracted to Latin jazz after hearing him. Georg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dizzy Gillespie
John Birks "Dizzy" Gillespie ( ; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improvisation, improviser, building on the virtuosic style of Roy Eldridge but adding layers of Harmony, harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, scat singing, bent horn, pouched cheeks, and light-hearted personality have made him an enduring icon. In the 1940s, Gillespie, with Charlie Parker, became a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles Davis, Jon Faddis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Chuck Mangione, and balladeer Johnny Hartman. He pioneered Afro-Cuban jazz and won several Grammy Awards. Scott Yanow wrote: "Di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afro-Cuban Jazz
Afro-Cuban jazz is the earliest form of Latin jazz. It mixes Afro-Cuban clave-based rhythms with jazz harmonies and techniques of improvisation. Afro-Cuban music has deep roots in African ritual and rhythm. The genre emerged in the early 1940s with the Cuban musicians Mario Bauzá and Frank Grillo "Machito" in the band Machito and his Afro-Cubans in New York City. In 1947, the collaborations of bebop trumpeter Dizzy Gillespie and percussionist Chano Pozo brought Afro-Cuban rhythms and instruments, such as the tumbadora and the bongo, into the East Coast jazz scene. Early combinations of jazz with Cuban music, such as " Manteca" and "Mangó Mangüé", were commonly referred to as "Cubop" for Cuban bebop. During its first decades, the Afro-Cuban jazz movement was stronger in the United States than in Cuba. In the early 1970s, Kenny Dorham and his Orquesta Cubana de Música Moderna, and later Irakere, brought Afro-Cuban jazz into the Cuban music scene, influencing styles su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Un Poco Loco
"Un Poco Loco" is an Afro-Cuban jazz standard composed by American jazz pianist Bud Powell. It was first recorded for Blue Note Records by Powell, Curly Russell, and Max Roach on May 1, 1951. Musical characteristics "Un Poco Loco" is in thirty-two bar form. It uses the lydian scale, incorporating chords overlapping chords to imply a polytonality (D major 7 over C major 7: CEGBDF#AC#) with the improvisation based on an alternating polytonality and an altered dominant chord. Particularly remarkable to jazz musicians is the placement of C# against a C major 7 chord; James Weidman attributed this to bitonality, while Tardo Hammer attributed it to an extension of the circle of fifths.DeMotta, David J. (2015) The contributions of Earl "Bud" Powell to the modern jazz style. Doctoral dissertation, The City University of New York. Legacy In the late 1980s, literary and cultural critic Harold Bloom Harold Bloom (July 11, 1930 – October 14, 2019) was an American literary critic a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New York Times
''The New York Times'' (''NYT'') is an American daily newspaper based in New York City. ''The New York Times'' covers domestic, national, and international news, and publishes opinion pieces, investigative reports, and reviews. As one of the longest-running newspapers in the United States, the ''Times'' serves as one of the country's Newspaper of record, newspapers of record. , ''The New York Times'' had 9.13 million total and 8.83 million online subscribers, both by significant margins the List of newspapers in the United States, highest numbers for any newspaper in the United States; the total also included 296,330 print subscribers, making the ''Times'' the second-largest newspaper by print circulation in the United States, following ''The Wall Street Journal'', also based in New York City. ''The New York Times'' is published by the New York Times Company; since 1896, the company has been chaired by the Ochs-Sulzberger family, whose current chairman and the paper's publ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
