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Nocturne
A nocturne is a musical composition that is inspired by, or evocative of, the night. History The term ''nocturne'' (from French ''nocturne'' "of the night") was first applied to musical pieces in the 18th century, when it indicated an ensemble piece in several movements, normally played for an evening party and then laid aside. Sometimes it carried the Italian equivalent, ''notturno'', such as Wolfgang Amadeus Mozart's Notturno in D, K.286, written for four lightly echoing separated ensembles of paired horns with strings, and his ''Serenata Notturna'', K. 239. At this time, the piece was not necessarily evocative of the night, but might merely be intended for performance at night, much like a serenade. The chief difference between the serenade and the notturno was the time of the evening at which they would typically be performed: the former around 9:00 pm, the latter closer to 11:00 pm. In its form as a single-movement character piece usually written for solo piano, the noctur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Field (composer)
John Field (26 July 1782, Dublin – 23 January 1837, Moscow) was an Irish pianist, composer and teacher widely credited as the creator of the nocturne. While other composers were writing in a similar style at this time, Field was the first to use the term 'Nocturne' specifically to apply to a character piece featuring a cantabile melody over an arpeggiated accompaniment. He was born into a musical family, in Dublin, and received his early education there, in particular with the Italian composer Tommaso Giordani. The family moved to London in 1793, where Field studied under Muzio Clementi, and under whose tutelage Field soon became a famous and sought-after concert pianist. Together, master and pupil visited Paris, Vienna, and St. Petersburg. Ambiguity surrounds Field's decision to remain in the former Russian capital (Saint Petersburg), but it is likely that Field acted as a sales representative for the Clementi Pianos. Field was very highly regarded by his contemporaries ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nocturnes (Chopin)
Frédéric Chopin wrote 21 nocturnes for solo piano between 1827 and 1846. They are generally considered among the finest short solo works for the instrument and hold an important place in contemporary concert repertoire. Although Chopin did not invent the nocturne, he popularized and expanded on it, building on the form developed by Irish composer John Field (composer), John Field. Chopin's nocturnes numbered 1 to 18 were published during his lifetime, in twos or threes, in the order of composition. However, numbers 19 and 20 were actually written first, prior to Chopin's departure from Poland, but published posthumously. Number 21 was not originally entitled "nocturne" at all, but since its publication in 1938 as such, it is generally included with publications and recordings of the set. Influences By the time of Chopin's birth in 1810, John Field was already an accomplished composer. Eventually, the young Chopin became a great admirer of Field, taking some influence from the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nocturne Op
A nocturne is a musical composition that is inspired by, or evocative of, the night. History The term ''nocturne'' (from French '':wikt:nocturne#French, nocturne'' "of the night") was first applied to musical pieces in the 18th century, when it indicated an ensemble piece in several movements, normally played for an evening party and then laid aside. Sometimes it carried the Italian equivalent, ''notturno'', such as Wolfgang Amadeus Mozart's Notturno in D, K.286, written for four lightly echoing separated ensembles of paired horns with strings, and his ''Serenata Notturna'', K. 239. At this time, the piece was not necessarily evocative of the night, but might merely be intended for performance at night, much like a serenade. The chief difference between the serenade and the notturno was the time of the evening at which they would typically be performed: the former around 9:00 pm, the latter closer to 11:00 pm. In its form as a single-movement character piece usually written for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Sculthorpe
Peter Joshua Sculthorpe (29 April 1929 – 8 August 2014) was an Australian composer. Much of his music resulted from an interest in the music of countries neighbouring Australia as well as from the impulse to bring together aspects of Aboriginal Australian music with that of the heritage of the West. He was known primarily for his orchestral and chamber music, such as '' Kakadu'' (1988) and ''Earth Cry'' (1986), which evoke the sounds and feeling of the Australian bushland and outback. He also wrote 18 string quartets, using unusual timbral effects, works for piano, and two operas. He stated that he wanted his music to make people feel better and happier for having listened to it. He typically avoided the dense, atonal techniques of many of his contemporary composers. His work was often characterised by its distinctive use of percussion. As one of the compositional pioneers of a distinctively Australian sound, Sculthorpe and his music have been likened to the role played by Aa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nocturnes (Debussy)
''Nocturnes'', L 98 (also known as ''Trois Nocturnes'' or Three Nocturnes) is an Impressionist orchestral composition in three movements by the French composer Claude Debussy, who wrote it between 1892 and 1899. It is based on poems from ''Poèmes anciens et romanesques'' ( Henri de Régnier, 1890). Composition "Three Scenes at Twilight" Based on comments in various Debussy letters and in Léon Vallas's biography, it has generally been assumed that composition of the ''Nocturnes'' began in 1892 under the title ''Trois Scènes au Crépuscule'' ("Three Scenes at Twilight"), an orchestral triptych. However, the lack of actual manuscripts makes it impossible to determine whether such works were truly related to the ''Nocturnes''. ''Trois Scènes au Crépuscule'' was inspired by ten poems by Henri de Régnier entitled ''Poèmes anciens et romanesques'' (published in 1890). Régnier was a symbolist poet, and his poems contain vivid imagery and dreamlike associations of ideas. In a l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Midsummer Night's Dream
''A Midsummer Night's Dream'' is a Comedy (drama), comedy play written by William Shakespeare in about 1595 or 1596. The play is set in Athens, and consists of several subplots that revolve around the marriage of Theseus and Hippolyta. One subplot involves a conflict among four Athenian lovers. Another follows a group of six amateur actors rehearsing the play which they are to perform before the wedding. Both groups find themselves in a forest inhabited by fairies who manipulate the humans and are engaged in their own domestic intrigue. ''A Midsummer Night's Dream'' is one of Shakespeare's most popular and widely performed plays. Characters The Athenians: * Theseus – Duke of Athens * Hippolyta – Queen of the Amazons and Theseus' fianceé * Hermia – in love with Lysander * Helena (A Midsummer Night's Dream), Helena – in love with Demetrius * Lysander (A Midsummer Night's Dream), Lysander – in love with Hermia * Demetrius (A Midsummer Night's Dream), Demetrius – s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Incidental Music
Incidental music is music in a play, television program, radio program, video game, or some other presentation form that is not primarily musical. The term is less frequently applied to film music, with such music being referred to instead as the film score or soundtrack. Incidental music is often background music, and is intended to add atmosphere to the action. It may take the form of something as simple as a low, ominous tone suggesting an impending startling event or to enhance the depiction of a story-advancing sequence. It may also include pieces such as overtures, music played during scene changes, or at the end of an act, immediately preceding an interlude, as was customary with several nineteenth-century plays. It may also be required in plays that have musicians performing on-stage. History The phrase "incidental music" is from the German ''Inzidenzmusik'', which is defined in the ''Methuen Drama Dictionary of the Theatre'' as "music that is specifically written fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Felix Mendelssohn
Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 18094 November 1847), widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic music, Romantic period. Mendelssohn's compositions include symphony, symphonies, concertos, piano music, organ music and chamber music. His best-known works include the Overture#Concert overture, overture and incidental music for ''A Midsummer Night's Dream (Mendelssohn), A Midsummer Night's Dream'' (which includes his "Wedding March (Mendelssohn), Wedding March"), the ''Symphony No. 4 (Mendelssohn), Italian'' and ''Symphony No. 3 (Mendelssohn), Scottish'' Symphonies, the oratorios ''St. Paul (oratorio), St. Paul'' and ''Elijah (oratorio), Elijah'', the ''The Hebrides (overture), Hebrides'' Overture, the mature Violin Concerto (Mendelssohn), Violin Concerto, the Octet (Mendelssohn), String Octet, and the melody used in the Christmas carol "Hark! The Herald Angels Sing". Mendelssohn's ''Songs W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orchestra
An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments: * String instruments, such as the violin, viola, cello, and double bass * Woodwinds, such as the flute, oboe, clarinet, bassoon, and occasional saxophone * Brass instruments, such as the French horn (commonly known as the "horn"), trumpet, trombone, cornet, and tuba, and sometimes euphonium * Percussion instruments, such as the timpani, snare drum, bass drum, cymbals, triangle, tambourine, tam-tam and mallet percussion instruments Other instruments such as the piano, harpsichord, pipe organ, and celesta may sometimes appear in a fifth keyboard section or may stand alone as soloist instruments, as may the concert harp and, for performances of some modern compositions, electronic instruments, and guitars. A full-size Western orchestra may sometimes be called a or phil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Helps
Robert Eugene Helps (b. Passaic, New Jersey, United States, September 23, 1928; d. Tampa, Florida, United States, November 24, 2001) was an American pianist and composer. Career Helps studied at the universities of Columbia (1947–49) and Berkeley (1949–51) He was one of the most distinguished pupils of Abby Whiteside and perhaps the most well-known practitioner of her theories of rhythm and of a technique directed from the humerus rather than the fingers. He studied composition with Roger Sessions, who exerted a strong influence on his career, and whose music he often performed and recorded. He cultivated a lifelong interest for Frédéric Chopin's Études as well as Leopold Godowsky's Studies on Chopin's Études which informed both his piano playing and his composition. Helps taught piano at the New England Conservatory of Music, the San Francisco Conservatory of Music, Princeton University, Stanford University, the University of California, Berkeley, and the Manhattan Sc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel Barber
Samuel Osmond Barber II (March 9, 1910 – January 23, 1981) was an American composer, pianist, conductor (music), conductor, baritone, and music educator, and one of the most celebrated composers of the mid-20th century. Principally influenced by nine years' composition studies with Rosario Scalero at the Curtis Institute and more than 25 years' study with his uncle, the composer Sidney Homer, Barber's music usually eschewed the experimental trends of Modernism (music), musical modernism in favor of traditional 19th-century harmonic language and formal structure embracing lyricism and emotional expression. However, he adopted elements of modernism after 1940 in some of his compositions, such as an increased use of dissonance and chromaticism in the ''Cello Concerto (Barber), Cello Concerto'' (1945) and ''Medea's Dance of Vengeance'' (1955); and the use of tonal ambiguity and a narrow use of serialism in his ''Piano Sonata (Barber), Piano Sonata'' (1949), ''Prayers of Kierkegaard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Glenn Williams
Michael Glenn Williams (born October 23, 1957, in Lancaster, California) is an American composer, pianist and technologist. Musical Biography Williams' earliest years were spent in New York City, beginning trumpet studies and composing at 8 years old. At age 12 he was programming DEC PDP 8 minicomputers. He attended CSU Northridge as a dual major in composition and piano performance where he studied with Aurelio de la Vega, Daniel Kessner, Frank Campo, and Francoise Regnat. He pioneered composing for FM synthesis combined with music concrete and acoustic instruments. He did graduate studies at the Eastman School of Music as a composition major, where he taught undergraduate electronic music, and worked with Samuel Adler, Robert Morris, Warren Benson, pianist Rebecca Penneys, and briefly with Joseph Schwantner and David Burge. Performance career Williams is performing as pianist in The Chopin Project, with the jazz group 1 40 4 20, and as a studio pianist for film and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
