Joan La Barbara
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Joan La Barbara
Joan Linda Lotz La Barbara (born June 8, 1947) is an American vocalist and composer known for her explorations of non-conventional or "extended" vocal techniques. Considered to be a vocal virtuoso in the field of contemporary music, she is credited with advancing a new vocabulary of vocal sounds including trills, whispers, cries, sighs, inhaled tones, and multiphonics (singing two or more pitches simultaneously). Biography An influential figure in experimental music, La Barbara was born in Philadelphia, Pennsylvania. She is a classically trained singer who studied with soprano Helen Boatwright at Syracuse University, Phyllis Curtin at Tanglewood/Berkshire Music School and contralto Marion Szekeley Freschl at the Juilliard School in New York. Joan La Barbara's early creative work (early to mid 1970s) focuses on experimentation and investigation of vocal sound as raw sonic material, including works that explore varied timbres on a single pitch,"circular singing" inhaled and exhal ...
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Avant-garde Music
Avant-garde music is music that is considered to be at the forefront of innovation in its field, with the term "avant-garde" implying a critique of existing aesthetic conventions, rejection of the status quo in favor of unique or original elements, and the idea of deliberately challenging or alienating audiences. Avant-garde music may be distinguished from experimental music by the way it adopts an extreme position within a certain tradition, whereas experimental music lies outside tradition. Distinctions Avant-garde music may be distinguished from experimental music by the way it adopts an extreme position within a certain tradition, whereas experimental music lies outside tradition. The biggest distinction between avant-garde and experimental music was how it relates to tradition. Other distinctions include subject matter, as well as having a superficial idea to avoid diving into serious subjects. Even though avant-garde and experimental music have many distinctions, experi ...
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Timbre
In music, timbre (), also known as tone color or tone quality (from psychoacoustics), is the perceived sound of a musical note, sound or tone. Timbre distinguishes sounds according to their source, such as choir voices and musical instruments. It also enables listeners to distinguish instruments in the same category (e.g., an oboe and a clarinet, both woodwinds). In simple terms, timbre is what makes a particular musical instrument or human voice have a different sound from another, even when they play or sing the same note. For instance, it is the difference in sound between a guitar and a piano playing the same note at the same volume. Both instruments can sound equally tuned in relation to each other as they play the same note, and while playing at the same amplitude level each instrument will still sound distinctive with its own unique tone color. Musicians distinguish instruments based on their varied timbres, even instruments playing notes at the same pitch and volume ...
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HB Studio
The HB Studio (Herbert Berghof Studio) is a non-profit 501(c)(3) organization offering professional training in the performing arts through classes, workshops, free lectures, theater productions, theater rentals, a theater artist residency program, as well as full-time study through their International Student Program and Uta Hagen Institute. Located in Greenwich Village, New York City, HB Studio offers training and development to aspiring and professional artists in acting, directing, playwriting, musical theatre, movement and the body, dialect study (speech and voice), scene study analysis, screenwriting and classes for young people. Selected classes require an audition for admission. History Founded in 1945 by Viennese-born American actor/director Herbert Berghof, HB Studio is one of the original New York acting studios, providing training and practice in the performing arts. In 1948, Uta Hagen joined the Studio as Berghof's artistic partner, and the two wed ten years ...
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Guggenheim Fellowship
Guggenheim Fellowships are Grant (money), grants that have been awarded annually since by the John Simon Guggenheim Memorial Foundation, endowed by the late Simon Guggenheim, Simon and Olga Hirsh Guggenheim. These awards are bestowed upon individuals who have demonstrated distinguished accomplishment in the past and potential for future achievement. The recipients exhibit outstanding aptitude for prolific scholarship or exceptional talent in the arts. The foundation holds two separate competitions each year: * One open to citizens and permanent residents of the United States and Canada. * The other to citizens and permanent residents of Latin America and the Caribbean. The Latin America and Caribbean competition is currently suspended "while we examine the workings and efficacy of the program. The U.S. and Canadian competition is unaffected by this suspension." The performing arts are excluded from these fellowships, but composers, film directors, and choreographers are still ...
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Kenneth Goldsmith
Kenneth Goldsmith (born 1961) is an American poetry, poet and critic. He is the founding editor of UbuWeb and an artist-in-residence at the Center for Programs in Contemporary Writing (CPCW) at the University of Pennsylvania, where he teaches. He is also a senior editor of PennSound at the University of Pennsylvania. He hosted a weekly radio show at WFMU from 1995 until June 2010. He published 32 books including ten books of poetry, notably ''Fidget'' (2000), ''Soliloquy'' (2001), ''Day'' (2003) and his American trilogy, ''The Weather'' (2005), ''Traffic'' (2007), and ''Sports'' (2008), 'Seven American Deaths and Disasters'' (2011), and 'Capital: New York Capital of the Twentieth Century'' (2015). He also was the author of three books of essays, ''Uncreative Writing: Managing Language in the Digital Age'' (2011), ''Wasting Time on The Internet'' (2016), and ''Duchamp Is My Lawyer: The Polemics, Pragmatics, and Poetics of UbuWeb'' (2020). In 2013, he was appointed the Museum of Mod ...
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Merce Cunningham
Mercier Philip "Merce" Cunningham (April 16, 1919 – July 26, 2009) was an American dancer and choreographer who was at the forefront of American modern dance for more than 50 years. He frequently collaborated with artists of other disciplines, including musicians John Cage, David Tudor, Brian Eno, and graphic artists Robert Rauschenberg, Bruce Nauman, Andy Warhol, Roy Lichtenstein, Frank Stella, and Jasper Johns; and fashion designer Rei Kawakubo. Works that he produced with these artists had a profound impact on avant-garde art beyond the world of dance. As a choreographer, teacher, and leader of the Merce Cunningham Dance Company, Cunningham had a profound influence on modern dance. Many dancers who trained with Cunningham formed their own companies. They include Paul Taylor, Remy Charlip, Viola Farber, Charles Moulton, Karole Armitage, Deborah Hay, Robert Kovich, Foofwa d'Imobilité, Kimberly Bartosik, Flo Ankah, Jan Van Dyke, Jonah Bokaer, and Alice R ...
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Morton Subotnick
Morton Subotnick (born April 14, 1933) is an American composer of electronic music, best known for his 1967 composition '' Silver Apples of the Moon'', the first electronic work commissioned by a record company, Nonesuch. He was one of the founding members of California Institute of the Arts, where he taught for many years. Subotnick has worked extensively with interactive electronics and multi-media, co-founding the San Francisco Tape Music Center with Pauline Oliveros and Ramon Sender, often collaborating with his wife Joan La Barbara. Morton Subotnick is one of the pioneers in the development of electronic music and multi-media performance and an innovator in works involving instruments and other media, including interactive computer music systems. Most of his music calls for a computer part, or live electronic processing; his oeuvre utilizes many of the important technological breakthroughs in the history of the genre. Early career Subotnick was born in Los Angeles, ...
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Alvin Lucier
Alvin Augustus Lucier Jr. (May 14, 1931 – December 1, 2021) was an American experimental composer and sound artist. A long-time music professor at Wesleyan University in Middletown, Connecticut, Lucier was a member of the influential Sonic Arts Union, which also included Robert Ashley, David Behrman, and Gordon Mumma. Much of Lucier's work explores psychoacoustic phenomena and the physical properties of sound. Early life Alvin Augustus Lucier Jr. was born on May 14, 1931, in Nashua, New Hampshire, to Kathryn E. Lemery, a pianist, and Alvin Augustus Lucier Sr., a lawyer and politician who served as mayor of Nashua from 1934 to 1937. He was educated in Nashua public and parochial schools; the Portsmouth Abbey School in Portsmouth, Rhode Island; Yale University; and Brandeis University. In 1958 and 1959, Lucier studied under Lukas Foss and Aaron Copland at the Tanglewood Center. In 1960, he left for Rome on a Fulbright grant, where he befriended American expatriate co ...
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Peter Gordon (composer)
Peter Laurence Gordon (born June 20, 1951) is an American saxophonist, clarinetist, pianist and experimental composer, whose influences include jazz, disco, funk, rock, opera, classical and world music. He has released several albums and composed scores for film and theater, and he has also toured and re-interpreted the music of Arthur Russell, on whose compositions he played, as well as that of Robert Ashley. Early life and education Gordon was born in New York City, and grew up in Virginia, Munich, and Los Angeles. He began piano lessons at age 7 and learned the clarinet in early childhood. He started to play the saxophone, which would become his main instrument, at age 14. His earliest musical influences were jazz artists from New Orleans, as well as The Shadows, The Ventures, Albert Ayler, Igor Stravinsky, Sun Ra, The Animals and The Yardbirds. When he was a senior in high school, Gordon made friends with Captain Beefheart and spent time at Beefheart's home studio while ...
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Larry Austin
Larry Don Austin (September 12, 1930 – December 30, 2018) was an American composer noted for his electronic and computer music works. He was a co-founder and editor of the avant-garde music periodical '' Source: Music of the Avant Garde''. Austin gained additional international recognition when he realized a completion of Charles Ives's '' Universe Symphony''. Austin served as the president of the International Computer Music Association (ICMA) from 1990 to 1994 and served on the board of directors of the ICMA from 1984 to 1988 and from 1990 to 1998. Early life Austin was born in Duncan, Oklahoma. He received a bachelor's (Music Education, 1951) and master's degree (Music, 1952) from University of North Texas College of Music. In 1955 he studied at Mills College, and from 1955 to 1958 he engaged in graduate study at the University of California, Berkeley, leaving to accept a faculty position at the University of California, Davis. Austin studied with Canadian composer Violet ...
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Philip Glass
Philip Glass (born January 31, 1937) is an American composer and pianist. He is widely regarded as one of the most influential composers of the late 20th century. Glass's work has been associated with minimal music, minimalism, being built up from repetitive Phrase (music), phrases and shifting layers. He described himself as a composer of "music with repetitive structures", which he has helped to evolve stylistically. Glass founded the Philip Glass Ensemble in 1968. He has written 15 operas, numerous chamber operas and musical theatre works, 14 symphony, symphonies, 12 concertos, nine string quartets, various other chamber music pieces, and many film scores. He has received nominations for four Grammy Awards, including two for Grammy Award for Best Contemporary Classical Composition, Best Contemporary Classical Composition for ''Satyagraha (opera), Satyagraha'' (1987) and ''String Quartet No. 2 (Glass), String Quartet No. 2'' (1988). He has received three Academy Award for Best ...
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Morton Feldman
Morton Feldman (January 12, 1926 – September 3, 1987) was an American composer. A major figure in 20th-century classical music, Feldman was a pioneer of indeterminacy in music, a development associated with the experimental New York School of composers also including John Cage, Christian Wolff, and Earle Brown. Feldman's works are characterized by notational innovations that he developed to create his characteristic sound: rhythms that seem to be free and floating, pitch shadings that seem softly unfocused, a generally quiet and slowly evolving music, and recurring asymmetric patterns. His later works, after 1977, also explore extremes of duration. Biography Morton Feldman was born in Woodside, Queens, New York City, on January 12, 1926. His parents, Irving and Frances Breskin Feldman, were Russian Jews who had emigrated to New York from Pereiaslav (Irving, in 1910) and Bobruysk (Frances, in 1901). His father was a manufacturer of children's coats. As a child he studied ...
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