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Zwiefacher
The Zwiefacher () is a southern German folk dance with a quick tempo and changing beat patterns. Location The Zwiefacher is danced primarily in Bavaria, especially Lower Bavaria, Hallertau, and Upper Palatinate; it is also known in the Black Forest, Austria, Alsace, the Czech Republic, and Sudetenland. Name The first documented use of the word ''Zwiefach'' was in 1780. It loosely translates as "two times" or "double". Although this may be indicative of the ''two'' different time signatures, the title may refer to the ''couple'' being tightly wound against each other, a departure from earlier traditions. The dance is still known by various other names in different regions, such as ''Schweinauer'', ''Schleifer'', ''Übern Fuaß'', ''Mischlich'', ''Grad und Ungrad'', ''Neu-Bayerischer'' and, above all ''Bairischer'' (meaning "Farmer Dance", a name sometimes confused with the Bavarian polka). The number of different names for the same dance should not be surprising, as the dance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Austrian Folk Dancing
Austrian folk dancing is mostly associated with Schuhplattler, Ländler, polka and waltz. However, there are other dances such as Zwiefacher, ''Kontratänze'' and ''Sprachinseltänze''. Types of dance In Austria, folk dances in general are known as ''Folkloretänze'', i.e. "folklore dances", whereas the Austrian type of folk dance is known as ''Volkstanz'' (literally "folk dance"). Figure dancing is a type of dance where different figures are put together with a certain tune and given a name. Round dancing, which includes the waltz, the polka, Zwiefacher etc., involves basic steps which can be danced to different tunes. In folk dancing, the waltz and the polka are in a different form to standard ballroom dancing. ''Sprachinseltänze'' (literally "language island dances") are those dances which are actually by German-speaking minorities (see German as a Minority Language) living outside Austria, but which originate in Austria, e.g. those of Transylvania. One example of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folk Dance
A folk dance is a dance that reflects the life of the people of a certain country or region. Not all ethnic dances are folk dances. For example, Ritual, ritual dances or dances of ritual origin are not considered to be folk dances. Ritual dances are usually called "religious dances" because of their purpose. The terms "ethnic" and "traditional" are used when it is required to emphasize the cultural roots of the dance. In this sense, nearly all folk dances are ethnic ones. If some dances, such as polka, cross ethnic boundaries and even cross the boundary between "folk" and "ballroom dance", ethnic differences are often considerable enough to mention. Background Folk dances share some or all of the following attributes: *Dances are usually held at folk dance gatherings or social functions by people with little or no professional training, often to traditional music. *Dances not generally designed for public performance or the stage, though they may later be arranged and set for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ländler
The Ländler () is a European folk dance in time. Along with the waltz and allemande, the ländler was sometimes referred to by the generic term German Dance in publications during the late 18th and early 19th centuries. Despite its association with Germany, the ländler was danced in many European countries. Composers from a variety of European nations wrote music for the ländler dance; including Austria, Switzerland, Bohemia, Moravia, Slovenia and northern Italy in addition to Germany. History The ländler is a partner dance that strongly features hopping and stamping. It might be purely instrumental or have a vocal part, sometimes featuring yodeling. When dance halls became popular in Europe in the 19th century, the Ländler was made quicker and more elegant, and the men shed the hobnail boots that they wore to dance it. Along with a number of other folk dances from Germany and Bohemia, it is thought to have influenced the development of the waltz. A number of cla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Folk Dances Sorted By Origin
This is a list of dances grouped by ethnicity, country, or region. These dances should also be listed on the general, noncategorized index list of specific dances. Albania *Dance of Osman Taka * Entarisi ala benziyor * Gusharaveli * Napoloni * Pogonishte * Rugovo (sword dance) *Shota (dance) * Vallja e cobanit Argentina *Carnavalito *Chacarera *Cueca *Cumbia Villera * Milonga *Tango * Zamba Armenia Note: in Armenian "bar" means "dance". *Berd * Entarisi ala benziyor *Kochari * Shalakho *Tamzara * Temuraga *Yarkhushta Austria *Ländler *Schuhplattler *Tyrolienne *Waltz Azerbaijan * Abayı * Agir Karadagi * Anzali * Asma kasma * Choban Regsi * Halay * Innaby * Jangi * Khanchobany * * Shalakho * Tarakama * Tello * Uzundara * Youz bir Belarus * Liavonicha ( Lyavonikha) * Karahod (Khorovod) * Trasucha (Poĺka-Trasucha) * Kryzhachok Bolivia *Awki awki *Caporales *Diablada *Kullawada * Llamerada *Morenada * Oruro Diablada * P'aquchi * Siklla * Tobas * Waka w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Southern Germany
Southern Germany (, ) is a region of Germany that includes the areas in which Upper German dialects are spoken, which includes the stem duchies of Bavaria and Swabia in present-day Bavaria, Baden-Württemberg, and the southern portion of Hesse and Rhineland-Palatinate that were part of the Duchy of Franconia. German-speaking Switzerland, Austria, Liechtenstein, Alsace, and South Tyrol are also historically, culturally, and linguistically associated with the region. Boundaries Southern Germany primarily contrasts with Northern Germany and defines the territories of modern Germany that did not form part of the North German Confederation in the 19th century. Between Northern and Southern Germany is the loosely defined area known as Central Germany (''Mitteldeutschland''), roughly corresponding to the areal of Central German dialects ( Franconia, Thuringia, Saxony). The boundary between the spheres of political influence of Prussia (Northern Germany) and Austria (Southern Ger ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
European Folk Dances
European, or Europeans, may refer to: In general * ''European'', an adjective referring to something of, from, or related to Europe ** Ethnic groups in Europe ** Demographics of Europe ** European cuisine, the cuisines of Europe and other Western countries * ''European'', an adjective referring to something of, from, or related to the European Union ** European Union citizenship ** Demographics of the European Union In publishing * ''The European'' (1953 magazine), a far-right cultural and political magazine published 1953–1959 * ''The European'' (newspaper), a British weekly newspaper published 1990–1998 * ''The European'' (2009 magazine), a German magazine first published in September 2009 *''The European Magazine'', a magazine published in London 1782–1826 *''The New European'', a British weekly pop-up newspaper first published in July 2016 Other uses * * Europeans (band), a British post-punk group, from Bristol See also * * * Europe (other) * The Europ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schuhplattler
The Schuhplattler is a traditional style of folk dance popular in the Eastern Alps, specifically originating in Upper Bavaria, Tyrol, and Salzburg (state), Salzburg. In this dance, the performers stomp, clap, and strike the soles of their shoes (''Schuhe''), thighs, and knees with their hands held flat (''platt''). The more than 150 basic Schuhplattlers, as well as marches and acrobatic feats, are often interspersed with the basic dance in performance. They may be seen today in Europe and in German-immigrant communities around the world. While the Schuhplattler is still largely performed by adults, it has become increasingly popular with youngsters, who love its colorful costumes and its bouncing, leaping, kicking, and choreographed horseplay. History and style One of the earliest accounts of the Schuhplattler may date from 1030 AD, when a monk in the Tegernsee Abbey of Bavaria described a village dance containing leaps and hand gestures. Over the centuries, the form gradua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Bartered Bride
''The Bartered Bride'' (, ''The Sold Bride'') is a comic opera in three acts by the Czech composer Bedřich Smetana, to a libretto by Karel Sabina. The work is generally regarded as a major contribution towards the development of Czech music. It was composed during the period 1863 to 1866, and first performed at the Provisional Theatre (Prague), Provisional Theatre, Prague, on 30 May 1866 in a two-act format with spoken dialogue. Set in a country village and with realistic characters, it tells the story of how, after a late surprise revelation, true love prevails over the combined efforts of ambitious parents and a scheming marriage broker. The opera was not immediately successful, and was revised and extended in the following four years. In its final version, premiered in 1870, it rapidly gained popularity and eventually became a worldwide success. Until this time, the Czech national opera had only been represented by minor, rarely performed works. This opera, Smetana's second, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bedřich Smetana
Bedřich Smetana ( ; ; 2 March 1824 – 12 May 1884) was a Czech composer who pioneered the development of a musical style that became closely identified with his people's aspirations to a cultural and political "revival". He has been regarded in his homeland as the father of Czech music. Internationally he is best known for his 1866 opera '' The Bartered Bride'' and for the symphonic cycle '' Má vlast'' ("My Fatherland"), which portrays the history, legends and landscape of the composer's native Bohemia. It contains the famous symphonic poem "Vltava", also popularly known by its German name "Die Moldau" (in English, "The Moldau"). Smetana was naturally gifted as a composer, and gave his first public performance at the age of six. After conventional schooling, he studied music under Josef Proksch in Prague. His first nationalistic music was written during the 1848 Prague uprising, in which he briefly participated. After failing to establish his career in Prague, he left fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Furiant
A furiant is a rapid and fiery Bohemian dance in alternating 2/4 and 3/4 time, with frequently shifting accents; or, in "art music", in 3/4 time "with strong accents forming pairs of beats". The stylised form of the dance was often used by Czech composers such as Antonín Dvořák in the first and eighth dances from his '' Slavonic Dances'', Piano Quintet Op. 81 and 6th Symphony; in his '' Czech Suite'', fifth movement; in his Terzetto for Two Violins and Viola, third movement; and by Bedřich Smetana in ''The Bartered Bride ''The Bartered Bride'' (, ''The Sold Bride'') is a comic opera in three acts by the Czech composer Bedřich Smetana, to a libretto by Karel Sabina. The work is generally regarded as a major contribution towards the development of Czech music. It ...'' and in his second volume for piano of Czech Dances (''České tance 2''), published in 1879 (Op. 21). It was also used by Brahms in the middle section of the second movement of his Sextet No. 2 in G Major. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carmina Burana (Orff)
' is a cantata composed in 1935 and 1936 by Carl Orff, based on 24 poems from the medieval collection '' Carmina Burana''. Its full Latin title is ' ("Songs of Beuern: Secular songs for singers and choruses to be sung together with instruments and magical images"). It was first performed by the Oper Frankfurt on 8 June 1937. It is part of '' Trionfi'', a musical triptych that also includes '' Catulli Carmina'' and '' Trionfo di Afrodite''. The first and last sections of the piece are called "" ("Fortune, Empress of the World") and start with " O Fortuna". The autograph manuscript of the work is preserved in the Bavarian State Library, and was issued in a facsimile edition by Schott Music. Text In 1934, Orff encountered the 1847 edition of the '' Carmina Burana'' by Johann Andreas Schmeller, the original text dating mostly from the 11th or 12th century, including some from the 13th century. was a young law student and an enthusiast of Latin and Greek; he assisted Orff in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
