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Zinc White
Zinc white is an inorganic pigment composed of zinc oxide that has been used by painters since the late eighteenth century. Alongside lead and titanium white, it is among the three most prominent white pigments that are commercially available today. Its primary advantages are its low toxicity (particularly in contrast with lead white) and the cool clarity of its color. It was initially developed in the 1780s by the French chemist and magistrate Louis-Bernard Guyton de Morveau, who struggled to popularize its use. The French Academy of Sciences approved of the invention in 1782, but artists from the French Royal Academy of Painting and Sculpture expressed skepticism. Initially, zinc white pigment was more costly to produce than lead white, but its price diminished as production methods improved over the course of the nineteenth century. While the superior safety of zinc white had been established by the end of the eighteenth century, manufacturers of lead white downplayed these d ...
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Johann Georg Von Dillis - Trivaschlösschen - 9392 - Bavarian State Painting Collections
Johann, typically a male given name, is the German form of ''Iohannes'', which is the Latin form of the Greek name ''Iōánnēs'' (), itself derived from Hebrew name '' Yochanan'' () in turn from its extended form (), meaning "Yahweh is Gracious" or "Yahweh is Merciful". Its English language equivalent is John. It is uncommon as a surname. People People with the name Johann include: Mononym * Johann, Count of Cleves (died 1368), nobleman of the Holy Roman Empire * Johann, Count of Leiningen-Dagsburg-Falkenburg (1662–1698), German nobleman *Johann, Prince of Hohenzollern-Sigmaringen (1578–1638), German nobleman A–K * Johann Adam Hiller (1728–1804), German composer * Johann Adam Reincken (1643–1722), Dutch/German organist * Johann Adam Remele (died 1740), German court painter * Johann Adolf I, Duke of Saxe-Weissenfels (1649–1697) * Johann Adolph Hasse (1699-1783), German Composer * Johann Altfuldisch (1911—1947), German Nazi SS concentration camp officer executed f ...
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Hiding Power
The hiding power is an ability of a paint to hide the surface that the paint was applied to. Numerically, it is defined as an area of surface coated by a volume of paint ( spreading rate) at which the " complete hiding" of the underlying surface occurs. Causes Whenever light is shone onto a paint-coated surface, it is partially reflected and absorbed by the coating. Once the light reaches the underlying surface (''substrate''), it is again reflected and absorbed by the substrate, the process happens once more as the reflected light travels back through the paint layer. Depending on the paint properties, the information about the substrate might be visible (or not) in the light that emerges back from the coating. Hiding power is the property of the paint material that inhibits this visibility, manifesting in the opacity of a ''layer'' of paint. The term ''hiding'' is generic and applied to designate either hiding power or opacity. If the coating of paint is highly absorptive, t ...
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Inorganic Pigments
An inorganic compound is typically a chemical compound that lacks carbon–hydrogen bonds⁠that is, a compound that is not an organic compound. The study of inorganic compounds is a subfield of chemistry known as '' inorganic chemistry''. Inorganic compounds comprise most of the Earth's crust, although the compositions of the deep mantle remain active areas of investigation. All allotropes (structurally different pure forms of an element) and some simple carbon compounds are often considered inorganic. Examples include the allotropes of carbon (graphite, diamond, buckminsterfullerene, graphene, etc.), carbon monoxide , carbon dioxide , carbides, and salts of inorganic anions such as carbonates, cyanides, cyanates, thiocyanates, isothiocyanates, etc. Many of these are normal parts of mostly organic systems, including organisms; describing a chemical as inorganic does not necessarily mean that it cannot occur within living things. History Friedrich Wöhler's conv ...
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The Scream
''The Scream'' is an art composition created by Norwegian artist Edvard Munch in 1893. The Norwegian name of the piece is ('Screaming, Scream'), and the German title under which it was first exhibited is ' ('The Scream of Nature'). The agonized face in the painting has become one of the most iconic images in art, seen as symbolizing the angst, anxiety of the human condition. Munch's work, including ''The Scream'', had a formative influence on the Expressionist movement. Munch recalled that he had been out for a walk at sunset when suddenly the setting sun's light turned the clouds "Weather lore#Red sky at night, a blood red". He sensed an "infinite scream passing through nature". Scholars have located the spot along a fjord path overlooking Oslo and have suggested various explanations for the unnaturally orange sky, ranging from the effects of a volcanic eruption to a psychological reaction by Munch to his sister's commitment at a nearby lunatic asylum. Munch created two versi ...
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Edvard Munch
Edvard Munch ( ; ; 12 December 1863 – 23 January 1944) was a Norwegian painter. His 1893 work ''The Scream'' has become one of Western art's most acclaimed images. His childhood was overshadowed by illness, bereavement and the dread of inheriting a mental condition that ran in the family. Studying at the Norwegian National Academy of Fine Arts, Royal School of Art and Design in Kristiania (Oslo), Munch began to live a bohemian life under the influence of the nihilist Hans Jæger, who urged him to paint his own emotional and psychological state ('Expressionism, soul painting'); from this emerged his distinctive style. Travel brought new influences and outlets. In Paris, he learned much from Paul Gauguin, Vincent van Gogh and Henri de Toulouse-Lautrec, especially their use of color. In Berlin, he met the Swedish dramatist August Strindberg, whom he painted, as he embarked on a major series of paintings he would later call ''The Frieze of Life'', depicting a series of deeply-fel ...
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Impressionism
Impressionism was a 19th-century art movement characterized by visible brush strokes, open Composition (visual arts), composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s. The Impressionists faced harsh opposition from the conventional art community in France. The name of the style derives from the title of a Claude Monet work, ''Impression, soleil levant'' (''Impression, Sunrise''), which provoked the critic Louis Leroy to coin the term in a Satire, satirical 1874 review of the First Impressionist Exhibition published in the Parisian newspaper ''Le Charivari''. The development of Impressionism in the visual arts was soon foll ...
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John Singer Sargent
John Singer Sargent (; January 12, 1856 – April 15, 1925) was an American expatriate artist, considered the "leading portrait painter of his generation" for his evocations of Edwardian era, Edwardian-era luxury. He created roughly 900 oil paintings and more than 2,000 watercolors, as well as countless sketches and charcoal drawings. His ''oeuvre'' documents worldwide travel, from Venice to the Tyrol, Corfu, Capri, Spain, the Middle East, Montana, Maine, and Florida. Born in Florence to American parents, he was trained in Paris before moving to London, living most of his life in Europe. He enjoyed international acclaim as a portrait painter. An early submission to the Paris Salon in the 1880s, his ''Portrait of Madame X'', was intended to consolidate his position as a society painter in Paris but instead resulted in scandal. During the year following the scandal, Sargent departed for England, where he continued a successful career as a portrait artist. From the beginning, S ...
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Edvard Munch, 1893, The Scream, Oil, Tempera And Pastel On Cardboard, 91 X 73 Cm, National Gallery Of Norway
Edvard is a form of Edward and may refer to: * Edvard Askeland (born 1954), Norwegian jazz musician * Edvard Befring (born 1936), Norwegian educationalist * Edvard Beneš (1884–1948), Czech politician * Edvard Christian Danielsen (1888–1964), Norwegian military officer * Edvard Diriks (1855–1930), Norwegian painter * Edvard Drabløs (1883–1976), Norwegian actor and theatre director * Edvard Engelsaas (1872–1902), Norwegian speed skater * Edvard Eriksen (1876–1959), Danish-Icelandic sculptor * Edvard Grieg (1843–1907), Norwegian composer * Edvard Heiberg (1911–2000), Norwegian director and engineer * Edvard Hjelt (1855–1921), Finnish chemist, politician and member of the Senate of Finland * Edvard Hoem (born 1949), Norwegian writer * Edvard Hultgren (1904–1984), Swedish boxer * Edvard Huupponen (1898–1977), Finnish wrestler * Edvard Isto (1865–1905), Finnish artist * Edvard Kardelj (1910–1979), Yugoslav politician * Edvard Johanson (1882–1936), Sw ...
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Pre-Raphaelite Brotherhood
The Pre-Raphaelite Brotherhood (PRB), later known as the Pre-Raphaelites, was a group of English painters, poets, and art critics, founded in 1848 by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti, William Michael Rossetti, James Collinson, Frederic George Stephens and Thomas Woolner who formed a seven-member "Brotherhood" partly modelled on the Nazarene movement. The Brotherhood was only ever a loose association and their principles were shared by other artists of the time, including Ford Madox Brown, Arthur Hughes and Marie Spartali Stillman. Later followers of the principles of the Brotherhood included Edward Burne-Jones, William Morris and John William Waterhouse. The group sought a return to the abundant detail, intense colours and complex compositions of Quattrocento Italian art. They rejected what they regarded as the mechanistic approach first adopted by Mannerist artists who succeeded Raphael and Michelangelo. The Brotherhood believed the ...
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Oil Painting
Oil painting is a painting method involving the procedure of painting with pigments combined with a drying oil as the Binder (material), binder. It has been the most common technique for artistic painting on canvas, wood panel, or oil on copper, copper for several centuries. The advantages of oil for painting images include "greater flexibility, richer and denser color, the use of layers, and a wider range from light to dark". The oldest known oil paintings were created by Buddhism, Buddhist artists in Afghanistan, and date back to the 7th century AD. Oil paint was later developed by Europeans for painting statues and woodwork from at least the 12th century, but its common use for painted images began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of egg tempera paints for panel paintings in most of Europe, though not for Orthodox icons or wall paintings, where tempera a ...
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Pigment
A pigment is a powder used to add or alter color or change visual appearance. Pigments are completely or nearly solubility, insoluble and reactivity (chemistry), chemically unreactive in water or another medium; in contrast, dyes are colored substances which are soluble or go into solution at some stage in their use. Dyes are often organic compounds whereas pigments are often inorganic compound, inorganic. Pigments of prehistoric and historic value include ochre, charcoal, and lapis lazuli. Economic impact In 2006, around 7.4 million tons of inorganic chemistry, inorganic, organic chemistry, organic, and special pigments were marketed worldwide. According to an April 2018 report by ''Bloomberg Businessweek'', the estimated value of the pigment industry globally is $30 billion. The value of titanium dioxide – used to enhance the white brightness of many products – was placed at $13.2 billion per year, while the color Ferrari red is valued at $300 million each yea ...
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Winsor & Newton
Winsor & Newton (also abbreviated W&N) is an England, English manufacturing company based in London that produces a wide variety of fine art products, including acrylic paint, acrylics, oil paint, oils, watercolour painting, watercolour, gouache, brushes, canvases, papers, inks, graphite pencil, graphite and coloured pencil, coloured pencils, Marker pen, markers, and charcoals. History The company was founded in 1832 by William Winsor and Henry Newton (Winsor & Newton Founder), Henry Newton. The firm was originally located at Henry Newton's home in 38 Rathbone Place, London. This was then part of an artists' quarter in which a number of eminent painters, including John Constable, Constable, had studios, and other colourmen were already established. The standards of quality for W&N's most renowned line of kolinsky sable-hair brush, kolinsky sable brush, the Series 7, began after Queen Victoria ordered it should be "the very finest watercolour brush" in 1866. A few months befor ...
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