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Zhongyuan Yinyun
''Zhongyuan Yinyun'' (), literally meaning "Rhymes of the central plain", is a rime book from the Yuan dynasty compiled by Zhou Deqing (周德清) in 1324. An important work for the study of historical Chinese phonology, it testifies many phonological changes from Middle Chinese to Old Mandarin, such as the reduction and disappearance of final stop consonants and the reorganization of the Middle Chinese tones. Though often termed a "rime dictionary", the work does not provide meanings for its entries. Background ''Zhongyuan Yinyun'' continued the tradition of ''Qieyun'' and other rime books. However, due to the phonological changes that took place from the Sui dynasty to the Yuan dynasty, the information needed to be updated in accordance with the then phonological system. From the middle of the 13th century to the end of the 14th century, Beiqu (北曲, Northern Verse) underwent quick development. The author of Sanqu, Zhou Deqing, delved into the research on Beiqu, disco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zhongyuan
Zhongyuan (), the Central Plain(s), also known as Zhongtu (, lit. 'central land') and Zhongzhou (, lit. 'central region'), commonly refers to the part of the North China Plain surrounding the lower and middle reaches of the Yellow River, centered on the region between Luoyang and Kaifeng. It has been perceived as the birthplace of the Chinese civilization. Historically, the Huaxia people viewed Zhongyuan as 'the center of the world'. Human activities in the Zhongyuan region can be traced back to the Palaeolithic period. In prehistoric times, Huaxia, a confederation of tribes that later developed into the Han ethnicity, lived along the middle and lower reaches of the Yellow River. The term 'Zhongguo' (Central State) was used to distinguish themselves from the Siyi tribes that were perceived as 'barbaric'. For a large part of Chinese history, Zhongyuan had been the political, economic, and cultural center of the Chinese civilization, as over 20 dynasties had located their cap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Four Tones
The four tones of Chinese poetry and dialectology () are four traditional tone classes of Chinese words. They play an important role in Chinese poetry and in comparative studies of tonal development in the modern varieties of Chinese, both in traditional Chinese and in Western linguistics. They correspond to the phonology of Middle Chinese, and are named ''even'' or ''level'' ( ''píng''), ''rising'' ( ''shǎng''), ''departing'' or ''going'' ( ''qù''), and ''entering'' or '' checked'' ( ''rù''). (The last three are collectively referred to as ''oblique'' (''zè''), an important concept in poetic tone patterns.) They are reconstructed as mid (˧ or 33), mid rising (˧˥ or 35), high falling (˥˩ or 51), and mid (˧ or 33) with a final stop consonant respectively. Due to historic splits and mergers, none of the modern varieties of Chinese have the exact four tones of Middle Chinese, but they are noted in rhyming dictionaries. Background According to the usual modern analysi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Dictionaries
There are two types of dictionaries regularly used in the Chinese language: list individual Chinese characters, and list words and phrases. Because tens of thousands of characters have been used in written Chinese, Chinese lexicographers have developed a number of methods to order and sort characters to facilitate more convenient reference. Chinese dictionaries have been published for over two millennia, beginning in the Han dynasty. This is the longest lexicographical history of any language. In addition to works for Mandarin Chinese, beginning with the 1st-century CE '' Fangyan'' dictionaries also been created for the many varieties of Chinese. One of the most influential Chinese dictionaries ever published was the ''Kangxi Dictionary'', finished in 1716 during the Qing dynasty, with the list of 214 Kangxi radicals it popularized are still widely used. Terminology The general term ''cishu'' ( zh, links=no, t=辭書, p=císhū, l=lexicographic books) semantically encompasses ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Text Project
The Chinese Text Project (CTP; ) is a digital library project that assembles collections of early Chinese texts. The name of the project in Chinese literally means "The Chinese Philosophical Book Digitization Project", showing its focus on books related to Chinese philosophy. It aims at providing accessible and accurate versions of a wide range of texts, particularly those relating to Chinese philosophy, and the site is credited with providing one of the most comprehensive and accurate collections of classical Chinese texts on the Internet. Site contents Texts are divided into pre-Qin and Han texts, and post-Han texts, with the former categorized by school of thought and the latter by dynasty. The ancient (pre-Qin and Han) section of the database contains over 5 million Chinese characters, the post-Han database over 20 million characters, and the publicly editable wiki section over 5 billion characters. Many texts also have English and Chinese translations, which are paired with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Internet Archive
The Internet Archive is an American 501(c)(3) organization, non-profit organization founded in 1996 by Brewster Kahle that runs a digital library website, archive.org. It provides free access to collections of digitized media including websites, Application software, software applications, music, audiovisual, and print materials. The Archive also advocates a Information wants to be free, free and open Internet. Its mission is committing to provide "universal access to all knowledge". The Internet Archive allows the public to upload and download digital material to its data cluster, but the bulk of its data is collected automatically by its web crawlers, which work to preserve as much of the public web as possible. Its web archiving, web archive, the Wayback Machine, contains hundreds of billions of web captures. The Archive also oversees numerous Internet Archive#Book collections, book digitization projects, collectively one of the world's largest book digitization efforts. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rime Table
A rime table or rhyme table ( zh, t=韻圖, s=韵图, p=yùntú, w=yün-t'u) is a Chinese phonological model, tabulating the syllables of the series of rime dictionaries beginning with the ''Qieyun'' (601) by their onsets, rhyme groups, tones and other properties. The method gave a significantly more precise and systematic account of the sounds of those dictionaries than the previously used analysis, but many of its details remain obscure. The phonological system that is implicit in the rime dictionaries and analysed in the rime tables is known as Middle Chinese, and is the traditional starting point for efforts to recover the sounds of early forms of Chinese. Some authors distinguish the two layers as Early and Late Middle Chinese respectively. The earliest rime tables are associated with Chinese Buddhist monks, who are believed to have been inspired by the Sanskrit syllable charts in the Siddham script they used to study the language. The oldest extant rime tables are the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Menggu Ziyun
''Menggu Ziyun'' ( zh, c=蒙古字韻, "Rimes in Mongol Script") is a 14th-century rime dictionary of Old Mandarin Chinese as written in the 'Phags-pa script that was used during the Yuan dynasty (1271–1368). The only surviving examplar of this dictionary is an 18th-century manuscript copy that belonged to Stephen Wootton Bushell (1844–1908), and is now held at the British Library (Or. 6972). As the only known example of a 'Phags-pa script dictionary of Chinese, it is important both as an aid for interpreting Yuan dynasty texts and inscriptions written in Chinese using the 'Phags-pa script, and as a source for the reconstructed pronunciation of Old Mandarin. The British Library manuscript The British Library manuscript was acquired by the antiquarian and art historian S. W. Bushell when he worked as a physician at the British Legation in Beijing, China from 1868 to 1900, probably in 1872 during a trip to Inner Mongolia and the ruins of Shangdu, the fabled summer ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nanguan Music
Nanguan (; also ''nanyin'', ''nanyue'', ''xianguan'', or ''nanqu'') is a style of Chinese classical music, Chinese chamber music from the southern Chinese province of Fujian. Nanguan was first brought to Taiwan during the Ming dynasty by the Han Chinese immigrants who later settled predominantly in southern Taiwan, where they established quguan music societies to maintain and transmit their cultural practices. However, over the centuries, Nanguan evolved separately from its mainland counterpart, shaped strongly by Taiwan’s unique socio-political conditions and local influences. Historically, Nanguan was played for the elite, including Emperor Kangxi, which allowed for its status to be elevated within society. Participation in quguan societies was once strictly regulated, with membership restricted from individuals who were seen as ‘improper’ - barbers, stage performers, or geisha entertainers. It became popular in Taiwan, particularly Lukang, Changhua, Lukang on west coas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fanqie
''Fanqie'' ( zh, t= 反切, p=fǎnqiè, l=reverse cut) is a method in traditional Chinese lexicography to indicate the pronunciation of a monosyllabic character by using two other characters, one with the same initial consonant as the desired syllable and one with the same rest of the syllable (the final). The method was introduced in the 3rd century AD and is to some extent still used in commentaries on the classics and dictionaries. History Early dictionaries such as the '' Erya'' (3rd century BC) indicated the pronunciation of a character by the ''dúruò'' (讀若, "read as") method, giving another character with the same pronunciation. The introduction of Buddhism to China around the 1st century brought Indian phonetic knowledge, which may have inspired the idea of ''fanqie''. According to the 6th-century scholar Yan Zhitui, ''fanqie'' were first used by Sun Yan (孫炎), of the state of Wei during the Three Kingdoms period (220–280 AD), in his ''Erya Yinyi'' (爾� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ji-Lu Mandarin
Jilu or Ji–Lu Mandarin, formerly known as Beifang Mandarin "Northern Mandarin", is a dialect of Mandarin Chinese spoken in the Chinese provinces of Hebei (冀, Jì) and the western part of Shandong (魯, Lǔ) and Xunke, Tangwang & Jiayin counties of Heilongjiang. Its name is a combination of the abbreviated names of the two provinces, which derive from ancient local provinces. The names are combined as ''Ji–Lu Mandarin''. Although these areas are near Beijing, Ji–Lu has a different accent and many lexical differences from the Beijing dialect, which is the basis for Standard Chinese, the official national language. There are three dialect groups: Bao–Tang, Shi–Ji, and Cang–Hui.Cahiers de linguistique: Asie orientale - Volume 37, Issues 1-2 2008 -- Page 32 "Therefore, given that the uses of gei as a direct object marker or an agent marker do not appear to be typical for other dialects of the Greater Beijing Mandarin and Jì-Lǔ Mandarin area, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Entering Tone
A checked tone, commonly known by the Chinese calque entering tone, is one of the four syllable types in the phonology of Middle Chinese. Although usually translated as "tone", a checked tone is not a tone in the western phonetic sense but rather a type of syllable that ends in a stop consonant or a glottal stop. Separating the checked tone allows ''-p'', ''-t'', and ''-k'' to be treated as allophones of ''-m'', ''-n'', and ''-ng'', respectively, since they are in complementary distribution. Stops appear only in the checked tone, and nasals appear only in the other tones. Because of the origin of tone in Chinese, the number of tones found in such syllables is smaller than the number of tones in other syllables. Chinese phonetics have traditionally counted them separately. Final voiceless stops and therefore the checked "tones" have disappeared from most Mandarin dialects, spoken in northern and southwestern China, but have been preserved in southeastern Chinese branches like Nanj ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tone Name
In tonal languages, tone names are the names given to the tones these languages use. Chinese In contemporary standard Chinese (Mandarin), the tones are numbered from 1 to 4. They are descended from but not identical to the historical four tones of Middle Chinese, namely ''level'' (), ''rising'' (), ''departing'' (), and '' entering'' (), each split into ''yin'' () and ''yang'' () registers, and the categories of ''high'' and ''low'' syllables. Vietnamese Standard Vietnamese has six tones, known as ngang, sắc, huyền, hỏi, ngã, and nặng tones. Thai Thai has five phonemic tones: mid, low, falling, high and rising, sometimes referred to in older reference works as rectus, gravis, circumflexus, altus and demissus, respectively.Frankfurter, Oscar. Elements of Siamese grammar with appendices. American Presbyterian mission press, 190(Full text available on Google Books) The table shows an example of both the phoneme, phonemic tones and their phonetic Phon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
