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ZAUM
Zaum (russian: зáумь) are the linguistic experiments in sound symbolism and language creation of Russian Futurist poets such as Velimir Khlebnikov and Aleksei Kruchenykh. Zaum is a non-referential phonetic entity with its own ontology. The language consists of neologisms that mean nothing. Zaum is a language organized through phonetic analogy and rhythm. Zaum literature cannot contain any onomatopoeia or psychopathological states. Usage Aleksei Kruchenykh created Zaum in order to show that language was indefinite and indeterminate. Kruchenykh stated that when creating Zaum, he decided to forgo grammar and syntax rules. He wanted to convey the disorder of life by introducing disorder into the language. Kruchenykh considered Zaum to be the manifestation of a spontaneous non-codified language. Khelinbov believed that the purpose of Zaum was to find the essential meaning of word roots in consonantal sounds. He believed such knowledge could help create a new univer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dyr Bul Shchyl
Dyr bul shchyl (russian: Дыр бул щыл, ) is the earliest and most famous zaum/transrational poem by Aleksei Kruchenykh, written using the Zaum language, which, according to the author, is "more Russian national, than in all of Pushkin's poetry". The poem was written in December 1912. This date the author then called "the time of occurrence of the phenomenon of Zaum language (i.e. the language that has no utility value), in which are written the whole independent works, and not just parts thereof (as the chorus, sound decoration, etc.)". Initiator of the creation of the work of the "unknown words" was David Burliuk. "Dyr bul shchyl" was published in January 1913 in a series of "three poems" in Kruchenykh's book "Pomada" ( en, Pomade Pomade (; French ''pommade'') or pomatum is a greasy, waxy, or water-based substance that is used to style hair. Pomade generally gives the user's hair a shiny and slick appearance. It lasts longer than most hair-care products, and oft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aleksei Kruchenykh
Aleksei Yeliseyevich Kruchyonykh (russian: Алексе́й Елисе́евич Кручёных; 9 February 1886 – 17 June 1968) was a Russian poet, artist, and theorist, perhaps one of the most radical poets of Russian Futurism, a movement that included Vladimir Mayakovsky, David Burliuk and others. Born in 1886, he lived in the time of the Russian Silver Age of literature, and together with Velimir Khlebnikov, another Russian Futurist, Kruchenykh is considered the inventor of ''zaum'', a poetry style utilising nonsense words. Kruchonykh wrote the libretto for the Futurist opera '' Victory Over the Sun'', with sets provided by Kazimir Malevich. In 1912, he wrote the poem ''Dyr bul shchyl''; four years later, in 1916, he created his most famous book, ''Universal War''. He is also known for his ''Declaration of the Word as Such'' (1913): "The worn-out, violated word "lily" is devoid of all expression. Therefore I call the lily ''éuy'' – and original purity is re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serge Segay
Serge Segay (real name Sergey Vsevolodovich Sigov russian: Сергей Всеволодович Сигов, 19 March 1947 - 21 September 2014), also known as Sergej Sigej, was a Russian artist, poet, writer as well as specialist in Russian Futurism. Many of his artworks are in private and public collections throughout the world. He was an important figure in Transfurism movement as an artist, poet, writer, as well as a prominent figure in Mail art history. He was also key member of "Uktuss School" and "Anarfut" art movements. Early life Segay was born in Murmansk, Russia on 19 March 1947. His father was a dean of Taganrog university and communist "aparatchik". After school he got a place in Taganrog university, studying Russian literature, with multiple private tutors being paid by his father. Arrangement did not last however, as there was a row between Serge Segay and his father about abstract art, which at that point was deemed as contradicting party guidelines. Row was v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Language Of The Gods
Divine language, the language of the gods, or, in monotheism, the language of God (or angels), is the concept of a mystical or divine proto-language, which predates and supersedes human speech. Abrahamic traditions In Judaism and Christianity, it is unclear whether the language used by God to address Adam was the language of Adam, who as name-giver (Genesis 2:19) used it to name all living things, or if it was a different divine language. In Islam, Arabic is the language God revealed the final revelation. Some Christians see the languages written on the INRI cross (Syriac, Greek and Latin) as God's languages. Indic traditions In Vedic religion, "speech" Vāc, i.e. the language of liturgy, now known as Vedic Sanskrit, is considered the language of the gods. Later Hindu scholarship, in particular the Mīmāṃsā school of Vedic hermeneutics, distinguished ''Vāc'' from ''Śábda'', a distinction comparable to the Saussurian langue and parole. The concept of Sphoṭa was in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sound Symbolism
In linguistics, sound symbolism is the resemblance between sound and meaning. It is a form of linguistic iconicity. For example, the English word ''ding'' may sound similar to the actual sound of a bell. Linguistic sound may be perceived as similar to not only sounds, but also to other sensory properties, such as size, vision, touch, or smell, or abstract domains, such as emotion or value judgment. Such correspondence between linguistic sound and meaning may significantly affect the form of spoken languages. History Plato and the Cratylus Dialogue In '' Cratylus'', Plato has Socrates commenting on the origins and correctness of various names and words. When Hermogenes asks if he can provide another hypothesis on how signs come into being (his own is simply 'convention'), Socrates initially suggests that they fit their referents in virtue of the sounds they are made of: However, faced by an overwhelming number of counterexamples given by Hermogenes, Socrates has to admit th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zangezi
Zangezi (russian: Зангези), or Zangezi: A Supersaga in 20 Planes, is a futurist poem-play by Russian, later Soviet, poet, writer and scholar Velimir Khlebnikov (born Victor Khlebnikov; Velimir was his pen name). Title and history Zangezi is the name of a prophet in the work, the name being composed from Kalmyk word 'zyange', that in Kalmyk language means "messenger". The name Zangezi had different variants in Velimir Khlebnikov's draft book (which he was ironically calling in German fashion 'Großbuch'): Zengezi, Mangezi, Changezi, Changili (Зенгези, Мангези, Чангези, Чангили). Some critics said the name Zangezi associated with famous rivers Ganges and Zambezi. Other pointed out that Zangezi is name composed from Kalmyk word 'zyange', that in Kalmyk language means 'the messenger'. Velimir Khlebnikov wrote to his friend, fellow futurist poet Vasily Kamensky in 1909, that he had wanted to create a work in which 'every chapter must not have a like ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phonetics
Phonetics is a branch of linguistics that studies how humans produce and perceive sounds, or in the case of sign languages, the equivalent aspects of sign. Linguists who specialize in studying the physical properties of speech are phoneticians. The field of phonetics is traditionally divided into three sub-disciplines based on the research questions involved such as how humans plan and execute movements to produce speech ( articulatory phonetics), how various movements affect the properties of the resulting sound ( acoustic phonetics), or how humans convert sound waves to linguistic information ( auditory phonetics). Traditionally, the minimal linguistic unit of phonetics is the phone—a speech sound in a language which differs from the phonological unit of phoneme; the phoneme is an abstract categorization of phones. Phonetics deals with two aspects of human speech: production—the ways humans make sounds—and perception—the way speech is understood. The communicative moda ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Language Of The Birds
In Abrahamic and European mythology, medieval literature and occultism, the language of the birds is postulated as a mystical, perfect divine language, Adamic language, Enochian, angelic language or a mythical or magical language used by birds to communicate with the initiated. History In Indo-European religion, the behavior of birds has long been used for the purposes of divination by augurs. According to a suggestion by Walter Burkert, these customs may have their roots in the Paleolithic when, during the Ice Age, early humans looked for carrion by observing scavenging birds. There are also examples of contemporary bird-human communication and symbiosis. In North America, ravens have been known to lead wolves (and native hunters) to prey they otherwise would be unable to consume. In Africa, the greater honeyguide is known to guide humans to beehives in the hope that the hive will be incapacitated and opened for them. Dating to the Renaissance, birdsong was the inspirat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samizdat
Samizdat (russian: самиздат, lit=self-publishing, links=no) was a form of dissident activity across the Eastern Bloc in which individuals reproduced censored and underground makeshift publications, often by hand, and passed the documents from reader to reader. The practice of manual reproduction was widespread, because most typewriters and printing devices required official registration and permission to access. This was a grassroots practice used to evade official Soviet censorship. Name origin and variations Etymologically, the word ''samizdat'' derives from ''sam'' (, "self, by oneself") and ''izdat'' (, an abbreviation of , , "publishing house"), and thus means "self-published". The Ukrainian language has a similar term: ''samvydav'' (самвидав), from ''sam'', "self", and ''vydavnytstvo'', "publishing house". A Russian poet Nikolay Glazkov coined a version of the term as a pun in the 1940s when he typed copies of his poems and included the note ''Samsebyaiz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ry Nikonova
Anna Aleksandrovna Tarshis (russian: Анна Александровна Таршис; 25 June 1942 – 10 March 2014), better known as Ry Nikonova (russian: Ры Никонова) or Rea Nikonova, was a Russian artist, poet, and writer. Many of her artworks are held in private and public collections throughout the world. Nikonova was a main theoretical thinker behind Transfurism movement as well as a prominent figure in mail art history. Her literary and visual works were published in Russia, Spain, US, and other countries. She was an editor of samizdat magazines Transponans and Double. She founded "Uktuss School" art movement in Yekaterinburg, Russia. Biography Early life RyNikonova was born Anna Aleksandrovna Tarshis on 25 June 1942 in Yeysk, which was occupied by Nazi Germany at the time. She was born into a very artistic family who saw playing piano, singing, and composing music as normal after-work entertainment. She graduated from Yekaterinburg Music College in 1961, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artistic Language
An artistic language, or artlang, is a constructed language designed for aesthetic and phonetic pleasure. Language can be artistic to the extent that artists use it as a source of creativity in art, poetry, calligraphy or as a metaphor to address themes as cultural diversity and the vulnerability of the individual in a globalizing world. Unlike engineered languages or auxiliary languages, artistic languages often have irregular grammar systems, much like natural languages. Many are designed within the context of fictional worlds, such as J. R. R. Tolkien's Middle-earth. Others can represent fictional languages in a world not patently different from the real world, or have no particular fictional background attached. Genres Several different genres of constructed languages are classified as 'artistic'. An artistic language may fall into any one of the following groups, depending on the aim of its use. Similarly to philosophical languages, artlangs are created in accordance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
