|
Yugoslav New Wave Music
New wave in Yugoslavia ( sr-Cyrl-Latn, Нови талас, Novi talas; ; ; ) was the new wave music scene of the Socialist Federal Republic of Yugoslavia. As its counterparts, the British and the American new wave, from which the main influences came, the Yugoslav scene was also closely related to punk rock, ska, reggae, 2 tone, power pop and mod revival. Some of its acts are also counted as belonging to the Yugoslav punk scene which already existed prior to new wave. Such artists were labeled as both punk rock and new wave (the term "new wave" was initially interchangeable with "punk"). Overview The new wave scene in Yugoslavia emerged in the late 1970s and had a significant impact on the Yugoslav culture. The Yugoslav rock scene in general, including the freshly arrived new wave music, was socially accepted, well developed and covered in the media. New wave was especially advocated by the magazines ''Polet'' from Zagreb and ''Džuboks'' from Belgrade, as well as the TV show ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Wave Music
New wave is a music genre that encompasses pop music, pop-oriented styles from the 1970s through the 1980s. It is considered a lighter and more melodic "broadening of Punk subculture, punk culture". It was originally used as a catch-all for the various styles of music that emerged after punk rock. Later, critical consensus favored "new wave" as an umbrella term involving many contemporary popular music styles, including synth-pop, alternative dance and post-punk. The main new wave movement coincided with late 1970s punk and continued into the early 1980s. The common characteristics of new wave music include a humorous or quirky pop approach, angular guitar riffs, jerky rhythms, the use of electronics, and a distinctive visual style in fashion. In the early 1980s, virtually every new pop and rock act – and particularly those that employed synthesizers – were tagged as "new wave" in the United States. Although new wave shares punk's do-it-yourself philosophy, the musician ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Azra (band)
Azra was a Yugoslav Rock music, rock Musical ensemble, band that was one of the most popular acts of the Yugoslav new wave music of the 1980s. Azra was formed in 1977 by its frontman Branimir Štulić, Branimir "Johnny" Štulić. The other two members of the original line-up were Mišo Hrnjak (bass guitar, bass) and Boris Leiner (drum kit, drums). The band is named after a verse from "Der Asra" by Heinrich Heine. They are considered to be one of the most influential bands from the Yugoslav new wave rock era and the Yugoslav rock scene in general. They released their first single in 1979 with "Balkan" and "A šta da radim". Their Azra (album), eponymous debut was released in 1980 and achieved commercial success, giving them commercial success in Yugoslavia. Their second album was released in 1981. Azra recorded its last studio album ''Između krajnosti'' (''Between the Extremes'') in 1987. In 1988 the band recorded 4LP live album under the name ''Zadovoljština'' (''Satisfaction'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Black And White
Black-and-white (B&W or B/W) images combine black and white to produce a range of achromatic brightnesses of grey. It is also known as greyscale in technical settings. Media The history of various visual media began with black and white, and as technology improved, altered to color. However, there are exceptions to this rule, including black-and-white fine art photography, as well as many film motion pictures and art film(s). Early photographs in the late 19th and early to mid 20th centuries were often developed in black and white, as an alternative to sepia due to limitations in film available at the time. Black and white was also prevalent in early television broadcasts, which were displayed by changing the intensity of monochrome phosphurs on the inside of the screen, before the introduction of colour from the 1950s onwards. Black and white continues to be used in certain sections of the modern arts field, either stylistically or to invoke the perception of a hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crno-bijeli Svijet
''Crno-bijeli svijet'' ( Croatian: "Black and White World") is the second album by the Croatian and former Yugoslav rock band Prljavo Kazalište from their new wave period. Overview This album was released by the Zagreb based Suzy record label in 1980. The title of the album and the record sleeve holds a reference to the 2 Tone movement and included the ska songs "Crno bijeli svijet" (Black white world) and the hit "Mi plešemo" (We dance). The lyrics "(...)smrt dječaka u Kabulu" (death of a small boy in Kabul) in the reggae themed "Neka te ništa ne brine" refer to the Soviet invasion of Afghanistan in 1979. The song is also included in the soundtrack for the ex-Yugoslav new wave music-related film '' Dečko koji obećava''. The album is an important record from the Yugoslav new wave era. A cover version of the main single ''Crno bijeli svijet'' is included in the tribute album Yugoton (ZIC ZAC Music Company and BMG Poland) named after the former Yugoslav record company Jugot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pankrti
Pankrti (The ''Bastards'' in Slovene) are a punk rock band from Ljubljana, Slovenia, active in the late 1970s and 1980s. They were known for provocative and political songs. They billed themselves as ''The First Punk Band Behind The Iron Curtain'' (one of their songs was titled, ''Behind the iron curtain old broads pull red beet''). They are one of the most important former Yugoslav punk groups and one of the first punk rock bands ever formed in a communist country. Biography Gregor Tomc and Peter Lovšin, two young men from the Ljubljana suburb of Kodeljevo, came up with the idea of forming a band in 1977. From the start, the band was heavily influenced by the UK punk scene. Tomc and Lovšin were the primary songwriters. Lovšin was the lead singer in the band, while Tomc came up with the band name and was the band's manager. The band started playing in the fall of 1977, practicing in the basement of Kodeljevo's music school, and held their first concert at Moste General ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soviet Union
The Union of Soviet Socialist Republics. (USSR), commonly known as the Soviet Union, was a List of former transcontinental countries#Since 1700, transcontinental country that spanned much of Eurasia from 1922 until Dissolution of the Soviet Union, it dissolved in 1991. During its existence, it was the list of countries and dependencies by area, largest country by area, extending across Time in Russia, eleven time zones and sharing Geography of the Soviet Union#Borders and neighbors, borders with twelve countries, and the List of countries and dependencies by population, third-most populous country. An overall successor to the Russian Empire, it was nominally organized as a federal union of Republics of the Soviet Union, national republics, the largest and most populous of which was the Russian SFSR. In practice, Government of the Soviet Union, its government and Economy of the Soviet Union, economy were Soviet-type economic planning, highly centralized. As a one-party state go ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maljčiki
"Maljčiki" (Serbian Cyrillic alphabet, Serbian Cyrillic: Маљчики; ) is the second single by the Serbian and Socialist Federal Republic of Yugoslavia, Yugoslav New wave music, new wave band Idoli. Its re-recorded version appeared on the New wave music in Yugoslavia, Yugoslav new wave compilation ''Paket aranžman'', which is one of the most important Yugoslav rock releases. History Vlada Divljan, the member of Idoli wanted to create a song which would be a parody on the Soviet Union, Soviet socialist realism. Prior to the release of "Maljčiki", Idoli had written songs about freedom of love like "Retko te viđam sa devojkama" (re-recorded and re-released on the B-side of the "MaljčikI" single), but had not done anything explicitly Music and politics, political. The Soviet Union–Yugoslavia relations, Soviet embassy condemned the release of the song. The song depicts a sort of Alexei Stakhanov, Stakhanov-like Proletariat, proletarian who enthusiastically wakes up in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Idoli
Idoli ( sr-Cyrl, Идоли; trans. The Idols) were a Serbian new wave band from Belgrade. They are considered to be one of the most notable acts of the Yugoslav rock scene, and their 1982 album ''Odbrana i poslednji dani'' was on several occasions voted by the music critics as the greatest Yugoslav rock album. History Merlin and Zvuk Ulice The roots of Idoli can be found in a band called Merlin (not to be confused with the Sarajevo pop rock band of the same name) and then Zvuk Ulice consisting of Vlada Divljan on guitar and vocals, bassist Zdenko Kolar, keyboard player Dragan Mitrić, drummer Kokan Popović, Bora Antić on saxophone and Dragana Milković on piano and vocals. The band played a combination of jazz and pop rock. Besides performing cover versions of notable foreign bands from the sixties, the band wrote their own songs. In 1978, the band performed at the Novi Sad BOOM Festival and at the Zaječar Gitarijada feastival. Even though the band had several recordi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Šarlo Akrobata
Šarlo Akrobata ( sr-Cyrl, Шарло Акробата, lit= Charlot the Acrobat) were a seminal Serbian new wave/post-punk band from Belgrade. Short-lived but extremely influential, in addition to being one of the most important acts of the Yugoslav new wave scene, the three piece left an indelible mark on the entire music scene of former Yugoslavia. Spawning from the progressive/hard rock group Limunovo Drvo ( sr-Cyrl, Лимуново Дрво, lit=Lemon Tree), founded in 1977 by guitarist and vocalist Milan Mladenović and guitarist Dragomir "Gagi" Mihajlović, after several lineup changes, moved towards new wave music, with the arrival of bassist and vocalist Dušan "Koja" Kojić and drummer Ivan "Vd" Vdović. After performing as an opening act for Pankrti in April 1980, Mihajlović left the band and the remaining three members changed their name to Šarlo Akrobata, after a Yugoslav nickname for Charlie Chaplin's character the Tramp. Subsequently, the trio recorded fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-garde
In the arts and literature, the term ''avant-garde'' ( meaning or ) identifies an experimental genre or work of art, and the artist who created it, which usually is aesthetically innovative, whilst initially being ideologically unacceptable to the artistic establishment of the time. The military metaphor of an ''advance guard'' identifies the artists and writers whose innovations in style, form, and subject-matter challenge the artistic and aesthetic validity of the established forms of art and the literary traditions of their time; thus, the artists who created the anti-novel and Surrealism were ahead of their times. As a stratum of the intelligentsia of a society, avant-garde artists promote progressive and radical politics and advocate for societal reform with and through works of art. In the essay "The Artist, the Scientist, and the Industrialist" (1825), Benjamin Olinde Rodrigues's political usage of ''vanguard'' identified the moral obligation of artists to "ser ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
