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Yo-pop
Yo-pop is a style of Nigerian popular music, popularized in the 1980s by Segun Adewale. The style did not remain popular for long and was replaced by afro-pop towards the end of the 1980s. It was influenced by juju music ''Juju Music'' is the 1982 major label debut of Nigerian jùjú band King Sunny Adé and His African Beats. It was produced by keyboard player Martin Meissonnier, who introduced synthesizers and Linn drums into Adé's established juju sound. .... References Nigerian styles of music African popular music {{Music-genre-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Nigeria
The music of Nigeria includes many kinds of folk and popular music. Little of the country's music history prior to European contact has been preserved, although bronze carvings dating back to the 16th and 17th centuries have been found depicting musicians and their instruments. The country's most internationally renowned genres are Indigenous, Apala, Aurrebbe music, Rara music, Were music, Ogene, Fuji, Jùjú, Afrobeat, Afrobeats, Igbo highlife, Afro-juju, Waka, Igbo rap, Gospel, Nigerian pop and Yo-pop. Styles of folk music are related to the over 250 ethnic groups in the country, each with their own techniques, instruments, and songs. The largest ethnic groups are the Igbo, Hausa and Yoruba. Traditional music from Nigeria and throughout Africa is often functional; in other words, it is performed to mark a ritual such as the wedding or funeral and not to achieve artistic goals. Although some Nigerians, especially children and the elderly, play instruments for the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Segun Adewale
Omoba Segun Adewale (born 1949) is a Nigerian musician. He is considered the pioneer of Yo-pop, a mix of funk, jazz, juju, reggae, and Afro-beat. Biography Omoba Segun Adewale was born into a royal family in Osogbo Nigeria. Because his father objected to his career in music Adewale left home and moved to Lagos, Nigeria, where he met Juju musicians S. L. Atolagbe and I. K. Dairo. In the 1970s, Adewale and Shina Peters both played with Prince Adekunle, a pioneer of Afrobeat Jùjú music Jùjú is a style of Yoruba popular music, originated in Lagos, Nigeria. It first began developing in the 1920s with Tunde King (Abdulrafiu Babatunde King). Early styles of jùjú music consisted of banjo or acoustic guitar, drums, gourd rattle, .... Musical career In 1977 Adewale, along with Shina Peters, formed a new group called ''Shina Adewale and the Superstars International''. They released nine recordings but split in 1980 to form their own separate groups. By 1984 the music of Adew ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afro-pop
African popular music (also styled Afropop, Afro-pop, Afro pop or African pop) can be defined as any African music, regardless of genre, that uses Western pop musical instruments, such as the guitar, piano, trumpet, etc.Olabode, O. (2023, January 24)''Afropop shaping the future of global music'' FAB L’Style. Afropop is a genre of music that combines elements from both African traditional music with Western pop music, characterized by the use of African rhythms and melodies, as well as western instrumentation and production techniques. Like African traditional music, Afropop is vast and varied. Most contemporary genres of western popular music build on cross-pollination with traditional African American and African popular music. Many genres in popular music of rock, metal, pop, blues, jazz, salsa, zouk, and rumba derive, of varying degrees, musical traditions from Africa cultured to the Americas, by enslaved Africans. These rhythms and sounds have subsequently been adap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juju Music
''Juju Music'' is the 1982 major label debut of Nigerian jùjú band King Sunny Adé and His African Beats. It was produced by keyboard player Martin Meissonnier, who introduced synthesizers and Linn drums into Adé's established juju sound. It represented the first worldwide release for Adé, who was already established in his native Nigeria as its "biggest musical draw and juju music's reigning monarch". The album was a critical and commercial success,Baxter, Nicky. (August 1, 2006World beater'' Metro''. Retrieved 29-01-08. peaking at #111 on Billboard's " Pop Albums" chart. ''The New York Times'', which described the album in 1982 as "the year's freshest dance-music album", later credited it in 1990 with having launched the "World Beat movement in the United States".Watrous, Peter. (September 13, 1990Into Juju's ecstatic heart''The New York Times''. Retrieved 29-01-08. In its review, Allmusic indicates that the album gave Adé "unprecedented exposure on the Western market ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nigerian Styles Of Music
Nigerians or the Nigerian people are citizens of Nigeria or people with ancestry from Nigeria. The name Nigeria was derived from the Niger River running through the country. This name was allegedly coined in the late 19th century by British journalist Flora Shaw, who later married Baron Frederick Lugard, a British colonial administrator. Nigeria is composed of various ethnic groups and cultures and the term Nigerian refers to a citizenship-based civic nationality. Nigerians are derived from over 250 ethno-linguistic groups.Toyin Falola. ''Culture and Customs of Nigeria''. Westport, Connecticut, USA: Greenwood Press, 2001. p. 4. Though there are multiple ethnic groups in Nigeria, economic factors result in significant mobility of Nigerians of multiple ethnic and religious backgrounds to reside in territories in Nigeria that are outside their ethnic or religious background, resulting in the mixing of the various ethnic and religious groups, especially in Nigeria's cities.Toyin Fal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
