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Yevgeny Vakhtangov
Yevgeny Bagrationovich Vakhtangov (also spelled Evgeny or Eugene; ; 13 February 1883 – 29 May 1922) was a Russian actor and theatre director who founded the Vakhtangov Theatre. He was a friend and mentor of Michael Chekhov.Martin BanhamThe Cambridge guide to theatre Cambridge University Press, 1995, p. 1157:"''Armenian born, Vakhtangov studied law at Moscow University before enrolling at A. I. Adashev’s drama school, where he was taught by, among others, Leopold Sulerzhitsky''." He is known for his distinctive style of theatre, his most notable production being ''Princess Turandot'' in 1922. Early life and education Vakhtangov was born to an Armenian father and a Russian mother in Vladikavkaz, Terek Oblast (now the capital of Northern Ossetia). He was educated at Moscow State University for a short time before joining the Moscow Art Theatre in 1911. Career Vakhtangov rose in the ranks at the Moscow Art Theatre, and by 1920 he was in charge of his own theatre studio. Fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vladikavkaz
Vladikavkaz, formerly known as Ordzhonikidze () or Dzaudzhikau (), is the capital city of North Ossetia–Alania, Russia. It is located in the southeast of the republic at the foothills of the Caucasus, situated on the Terek (river), Terek River. The city's population was 295,830 as of the 2021 Russian census, 2021 Census. As a result, Vladikavkaz is one of the most populous cities in the North Caucasus region. The city is an Industrial sector, industrial and transport, transportation centre. Manufactured products include processed zinc and lead, machinery, chemical substance, chemicals, clothing and food products. Etymology The name ''Vladikavkaz'', derived from the Russian language, literally means "ruler of the Caucasus". The Ossetian name Dzæwdžyqæw/Dzæwægighæw literally means " settlement". In 1911, wrote that the Ossetians prove that fortress was founded on the site of the Ingush village Zaur (village), Zaur by the name of Vladikavkaz in the Ossetian language: In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanislavski's 'system'
Stanislavski's system is a systematic approach to training actors that the Russian theatre practitioner Konstantin Stanislavski developed in the first half of the twentieth century. His system cultivates what he calls the "art of experiencing" (with which he contrasts the "art of representation").Benedetti (1999a, 201), Carnicke (2000, 17), and Stanislavski (1938, 16—36 "art of representation" corresponds to Mikhail Shchepkin's "actor of reason" and his "art of experiencing" corresponds to Shchepkin's "actor of feeling"; see Benedetti (1999a, 202). It mobilises the actor's conscious thought and will in order to activate other, less-controllable psychological processes—such as emotional experience and subconscious behaviour—sympathetically and indirectly. In rehearsal, the actor searches for inner motives to justify action and the definition of what the character seeks to achieve at any given moment (a "task"). Later, Stanislavski further elaborated what he called 'the Syst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bolshevik Revolution
The October Revolution, also known as the Great October Socialist Revolution (in Soviet historiography), October coup, Bolshevik coup, or Bolshevik revolution, was the second of two revolutions in Russia in 1917. It was led by Vladimir Lenin's Bolsheviks as part of the broader Russian Revolution of 1917–1923. It began through an insurrection in Petrograd (now Saint Petersburg) on . It was the precipitating event of the Russian Civil War. The initial stage of the October Revolution, which involved the assault on Petrograd, occurred largely without any casualties. The October Revolution followed and capitalized on the February Revolution earlier that year, which had led to the abdication of Nicholas II and the creation of the Russian Provisional Government. The provisional government, led by Alexander Kerensky, had taken power after Grand Duke Michael, the younger brother of Nicholas II, declined to take power. During this time, urban workers began to organize into ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cancer
Cancer is a group of diseases involving Cell growth#Disorders, abnormal cell growth with the potential to Invasion (cancer), invade or Metastasis, spread to other parts of the body. These contrast with benign tumors, which do not spread. Possible Signs and symptoms of cancer, signs and symptoms include a lump, abnormal bleeding, prolonged cough, unexplained weight loss, and a change in defecation, bowel movements. While these symptoms may indicate cancer, they can also have other causes. List of cancer types, Over 100 types of cancers affect humans. Tobacco use is the cause of about 22% of cancer deaths. Another 10% are due to obesity, poor Diet (nutrition), diet, sedentary lifestyle, lack of physical activity or Alcohol abuse, excessive alcohol consumption. Other factors include certain infections, exposure to ionizing radiation, and environmental pollutants. infectious causes of cancer, Infection with specific viruses, bacteria and parasites is an environmental factor cau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Habimah
The Habima Theatre ( ''Te'atron HaBima'', lit. "The Stage Theatre") is the national theatre of Israel and one of the first Hebrew language theatres. It is located in Habima Square in the center of Tel Aviv. History Habima was founded as an amateur troup by Nahum Lazarevich Tsemakh (Hebrew: Naḥum Tsemaḥ; 1887–1939) in Białystok (then in Grodno Governorate, Russian Empire) in 1912. Menahem Gnessin was one of its cofounders and early actors. Because its performances were in Hebrew, invoked the Jewish folk tradition, and dealt with issues of the Jewish people, soon it was banned by Russian authorities, and the theatre troupe was forced to become a travelling one. Beginning in 1918, the theatre operated under the auspices of the Moscow Art Theatre, which some consider its actual beginning. It encountered difficulties under the Soviet government as well, after the Russian Revolution. Konstantin Stanislavsky arranged for the mainly Jewish Polish actors to be trained by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Dybbuk
''The Dybbuk'', or ''Between Two Worlds'' (, trans. ''Mezh dvukh mirov ibuk'; , ''Tsvishn Tsvey Veltn – der Dibuk'') is a play by S. An-sky, authored between 1913 and 1916. It was originally written in Russian and later translated into Yiddish by An-sky himself. ''The Dybbuk'' had its world premiere in that language, performed by the Vilna Troupe at Warsaw in 1920. A Hebrew version was prepared by Hayim Nahman Bialik and staged in Moscow at Habima Theater in 1922. The play, which depicts the possession of a young woman by the malicious spirit – known as '' dybbuk'' in Jewish folklore – of her dead beloved, became a canonical work of both Hebrew and Yiddish theatre, being further translated and performed around the world. Characters * Leah, daughter of Sender, a maiden who had come of age and yet her father constantly rejects her suitors * Khanan, a poor Yeshiva student enamored with Leah, who is rumored to practice forbidden Kabbalah * Sender, son of Henya, a rich m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Gozzi
__NOTOC__ Carlo, Count Gozzi (; 13 December 1720 – 4 April 1806) was an Italian ( Venetian) playwright and champion of ''Commedia dell'arte''. Early life Gozzi was born and died in Venice; he came from a family of minor Venetian aristocracy, the Tiepolos. At a young age, his parents were no longer able to support him financially, so he joined the army in Dalmatia. Three years later, he had returned to Venice and joined the Granelleschi Society. This society was dedicated to preserving Tuscan literature from the influence of foreign culture; it was particularly interested in handing down traditional Italian comedic performance: the ''Commedia dell'arte''. Works Pietro Chiari and Carlo Goldoni, two Venetian writers, were moving away from the old style of Italian theatre, which threatened the work of the Granelleschi Society. In 1757 Gozzi defended ''Commedia dell'arte'' by publishing a satirical poem, ''La tartana degli influssi per l'anno 1756''; and in 1761, in his comedy b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turandot (Gozzi)
''Turandot'' (1762) is a ''commedia dell'arte'' play by Count Carlo Gozzi after a supposedly Persian story from the collection ''Les Mille et un jours'' (1710–1712) by François Pétis de la Croix (not to be confused with ''One Thousand and One Nights''). Gozzi's ''Turandot'' was first performed at the Teatro San Samuele, Venice, on 22 January 1762. Gozzi's play has given rise to a number of subsequent artistic endeavours, including combinations of: versions/translations by Friedrich Schiller, Karl Vollmöller and Bertolt Brecht; theatrical productions by Johann Wolfgang von Goethe, Max Reinhardt and Yevgeny Vakhtangov; incidental music by Carl Maria von Weber, Ferruccio Busoni and Wilhelm Stenhammar; and operas by Busoni, Giacomo Puccini and Havergal Brian. Original play and performance ''Turandot'' was written deliberately in the Commedia dell'arte style by Gozzi, as part of a campaign in his literary war against the bourgeois, realistic works of Pietro Chiari and Carlo G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gestus
''Gestus'' (, from Latin meaning "gesture, attitude, carriage") is an acting technique developed by the German theatre practitioner Bertold Brecht. It carries the sense of a combination of physical gestures and "gist" or attitude. It is a means by which "an attitude or single aspect of an attitude" is revealed, insofar as it is "expressible in words or actions."Willett (1964, 42). ''Gestus'', as the embodiment of an attitude, carries at least two distinct meanings in Brecht's theatre: first, the uncovering or revealing of the motivations and transactions that underpin a dramatic exchange between the characters; and second, the "epic" narration of that character by the actor (whether explicitly or implicitly). In the first sense, that of anatomizing the character, a ''Gestus'' reveals a specific ''aspect'' of a character: rather than his metaphysical, subconscious or other psychological dimensions, a ''Gestus'' makes visible a character's social relations and the causality of his be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Demonstration (acting)
'Demonstration' is a monstration that serves as Demonstration (proof), proof in storytelling. Demonstration is a central part of the Bertolt Brecht, Brechtian approach to acting. It implies a definite distance built into the actor's manner of playing a character (in contrast to the absolute identification with a character demanded by the Stanislavsky System, Stanislavski-influenced "Method Acting, method acting" approach). References Bertolt Brecht theories and techniques {{theatre-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Princess Turandot - 1922
Princess is a title used by a female member of a regnant monarch's family or by a female ruler of a principality. The male equivalent is a prince (from Latin ''princeps'', meaning principal citizen). Most often, the term has been used for the consort of a prince, or for the daughter of a monarch. A crown princess can be the heir apparent to the throne or the spouse of the heir apparent. Princess as a substantive title Some princesses are reigning monarchs of principalities. There have been fewer instances of reigning princesses than reigning princes, as most principalities excluded women from inheriting the throne. An example of a princess regnant is Constance of Antioch, princess regnant of Antioch in the 12th century. Since the president of France, an office for which women are eligible, is ''ex-officio'' a co-prince of Andorra, then Andorra could theoretically be jointly ruled by a princess. Princess as a courtesy title Descendants of monarchs For many centuries, the t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bertolt Brecht
Eugen Berthold Friedrich Brecht (10 February 1898 – 14 August 1956), known as Bertolt Brecht and Bert Brecht, was a German theatre practitioner, playwright, and poet. Coming of age during the Weimar Republic, he had his first successes as a playwright in Munich and moved to Berlin in 1924, where he wrote ''The Threepenny Opera'' with Elisabeth Hauptmann and Kurt Weill and began a life-long collaboration with the composer Hanns Eisler. Immersed in Marxist thought during this period, Brecht wrote didactic ''Lehrstücke'' and became a leading theoretician of epic theatre (which he later preferred to call "dialectical theatre") and the . When the Nazi Party, Nazis came to power in Germany in 1933, Brecht fled his home country, initially to Scandinavia. During World War II he moved to Southern California where he established himself as a screenwriter, while also being surveilled by the FBI. In 1947, he was part of the first group of Hollywood film artists to be subpoenaed by the Ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
