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Yes, Uncle!
''Yes, Uncle!'' is a musical comedy by Austen Hurgon and George Arthurs, with music by Nat D. Ayer and lyrics by Clifford Grey (who also wrote ''The Bing Boys are Here'' and the following series of highly successful reviews). The story is based on the farce ''Le truc du Brésilien'' by Nicolas Nancey and Paul Armont, and the musical takes its title from the catch-phrase used by Bobby Summers and Mabel Mannering, addressing Uncle Brabazon Hollybone. It was produced by George Grossmith, Jr. and Edward Laurillard and opened at the Prince of Wales Theatre in London on 16 December 1917 and ran for a very successful 626 performances. The piece starred Fred Leslie as G.B. Stark, Margaret Bannerman as Joan and Leslie Henson as Bobby Summers. Later, Madge Elliott and Cyril Ritchard starred in the musical. ''Yes, Uncle!'' was one of a number of very successful musical hits of the London stage during World War I (the others include a revue entitled ''The Bing Boys Are Here'', the mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nat D
Nat or NAT may refer to: Computing * Network address translation (NAT), in computer networking Organizations * National Actors Theatre, New York City, U.S. * National AIDS trust, a British charity * National Archives of Thailand * National Assembly of Thailand, the national parliament People and ethnic groups * Nat (name), a given name or nickname, usually masculine, and also a surname * Nat (Muslim), a Muslim community in North India * Nat caste, a Hindu caste found in northern India and Nepal Places * Nat, Punjab, India, a village * Nat, West Virginia, United States, an unincorporated community * Greater Natal International Airport, São Gonçalo do Amarante, Brazil (IATA code NAT) ** Augusto Severo International Airport (closed), former IATA code NAT Science and technology Biology and medicine * Natural antisense transcript, an RNA transcript in a cell * N-acetyltransferase, an enzyme; also NAT1, NAT2, etc. * Nucleic acid test, for genetic material * Neonata ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cyril Ritchard
Cyril Joseph Trimnell-Ritchard (1 December 1898 – 18 December 1977), known professionally as Cyril Ritchard, was an Australian stage, screen and television actor, and director. He is best remembered today for his performance as Captain Hook in the Mary Martin musical production of ''Peter Pan''. In 1945, he played Gabriele Eisenstein in ''Gay Rosalinda'' at the Palace theatre in London, a version of Strauss's ''Die Fledermaus'' by Erich Wolfgang Korngold in which he appeared with Peter Graves. The show was conducted by Richard Tauber and ran for almost a year. Life and career Ritchard was born in the Sydney suburb of Surry Hills, one of five siblings born to Sydney-born parents: Herbert Trimnell-Ritchard, a Protestant grocer, and Margaret, sometimes called "Marguerite" ( Collins), a Roman Catholic, in whose faith the children were raised. Educated by the Jesuits at St Aloysius' College, Cyril studied medicine at University of Sydney until he abandoned his career in medicin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Davy Burnaby
George Davy Burnaby (7 April 1881 – 18 April 1949) was a British actor who appeared in more than thirty films between 1929 and 1948. He was born in Buckland, Hertfordshire and made his screen debut in the 1929 film ''The Devil's Maze''. He died on 18 April 1949, age 68, the same date as comedian Will Hay with whom he had previously acted. Career Burnaby attended Haileybury College before reading law at Cambridge University but failed his first exam - so he turned to the Stage. He made his professional debut at a command performance for King Edward VII. He formed The Co-Optimists a London concert party which was very successful. Burnaby was renowned on the London Stage and on wireless. His films include ''Calling All Stars'', '' Song of the Forge'', ''Talking Feet'' and ''Leave It to Me''. Partial filmography * '' The Devil's Maze'' (1929) * ''Three Men in a Boat'' (1933) * '' A Shot in the Dark'' (1933) * '' That's My Wife'' (1933) * '' Strike It Rich'' (1933) * '' Cleanin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Boy (musical)
''The Boy'' is a musical comedy with a book by Fred Thompson and Percy Greenbank (based on Arthur Wing Pinero's 1885 play, '' The Magistrate''), music by Lionel Monckton and Howard Talbot and lyrics by Greenbank and Adrian Ross. The original production opened at the Adelphi Theatre in London in 1917 and ran for 801 performances – one of the longest runs of any musical theatre piece up to that time. It had successful foreign productions and tours. Background During the gloomy days of World War I, audiences, including servicemen on leave, wanted light and uplifting entertainment, and they flocked to theatres to see lighthearted musical comedies, a number of which broke box-office records. These included ''The Bing Boys Are Here'' (1916), '' Chu Chin Chow'' (1916), and '' The Maid of the Mountains'' (1917). Almost as popular were ''The Boy'', ''The Happy Day'' (1916) and '' Yes, Uncle!'' (1917). Greenbank had worked on a dozen shows with each of Monckton and Ross from 1900 to th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theodore & Co
''Theodore & Co'' is an English musical theatre, musical comedy in two acts with a book by H. M. Harwood and George Grossmith Jr. based on the French comedy ''Théodore et Cie'' by Paul Armont and Nicolas Nancey, with music by Ivor Novello and Jerome Kern and lyrics by Adrian Ross and Clifford Grey. It was produced by Grossmith and Edward Laurillard and directed by Austen Hurgon, opening at the Gaiety Theatre, London, Gaiety Theatre on 19 September 1916 and running for 503 performances. It starred Grossmith, Fred Leslie and Leslie Henson. ''Theodore & Co'' opened during World War I in the same year as two other tremendously successful shows in London: ''Chu Chin Chow'' and ''The Bing Boys are Here'', and the successful ''The Happy Day''. Audiences wanted light and uplifting entertainment during the war, and these shows delivered it. Victoria ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Happy Day
''The Happy Day'' is a Edwardian musical comedy, musical comedy in two acts by Seymour Hicks, with music by Sidney Jones (composer), Sidney Jones and Paul Rubens (composer), Paul Rubens, and lyrics by Adrian Ross and Rubens. It was produced by George Edwardes's company (by the estate's executor, Robert Evett) and was directed by Evett. The story concerns a royal couple who dislike each other but ultimately fall in love. A masquerade scene provides opportunities for mistaken identity. The musical opened at Daly's Theatre in London on 13 May 1916 and ran for 241 performances. It starred Winifred Barnes, José Collins and Arthur Wontner, who played the Ruritanian prince. Later Bertram Wallis joined the cast. Background ''The Happy Day'' opened during World War I in the same year as three other tremendously successful shows in London: ''Chu Chin Chow'', ''Theodore & Co'' and ''The Bing Boys are Here''. Audiences, including servicemen on leave, wanted light and uplifting entertainme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pantomime
Pantomime (; informally panto) is a type of musical comedy stage production designed for family entertainment. It was developed in England and is performed throughout the United Kingdom, Ireland and (to a lesser extent) in other English-speaking countries, especially during the Christmas and New Year season. Modern pantomime includes songs, gags, slapstick comedy and dancing. It employs gender-crossing actors and combines topical humour with a story more or less based on a well-known fairy tale, fable or folk tale.Reid-Walsh, Jacqueline. "Pantomime", ''The Oxford Encyclopedia of Children's Literature'', Jack Zipes (ed.), Oxford University Press (2006), Pantomime is a participatory form of theatre, in which the audience is encouraged and expected to sing along with certain parts of the music and shout out phrases to the performers. Pantomime has a long theatrical history in Western culture dating back to the era of classical theatre. It developed partly from the 16th century ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comic Opera
Comic opera, sometimes known as light opera, is a sung dramatic work of a light or comic nature, usually with a happy ending and often including spoken dialogue. Forms of comic opera first developed in late 17th-century Italy. By the 1730s, a new operatic genre, '' opera buffa'', emerged as an alternative to ''opera seria''. It quickly made its way to France, where it became ''opéra comique'', and eventually, in the following century, French operetta, with Jacques Offenbach as its most accomplished practitioner. The influence of the Italian and French forms spread to other parts of Europe. Many countries developed their own genres of comic opera, incorporating the Italian and French models along with their own musical traditions. Examples include German ''singspiel'', Viennese operetta, Spanish ''zarzuela'', Russian comic opera, English ballad and Savoy opera, North American operetta and musical comedy. Italian ''opera buffa'' In late 17th-century Italy, light-hearte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chu Chin Chow
''Chu Chin Chow'' is a musical comedy written, produced and directed by Oscar Asche, with music by Frederic Norton, based (with minor embellishments) on the story of '' Ali Baba and the 40 Thieves''. Gänzl, Kurt"''Chu Chin Chow'' Musical Tale of the East In 3 Acts, Music by Frederic Norton" Operetta Research Center, 9 July 2016 The piece premièred at His Majesty's Theatre in London on 3 August 1916 and ran for five years and a total of 2,238 performances (more than twice as many as any previous musical), a record that stood for nearly forty years until '' Salad Days''. The show's first American production in New York, with additional lyrics by Arthur Anderson, played for 208 performances in 1917–1918, starring Tyrone Power."Chu Chin Chow (1934): A Robust Ope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Maid Of The Mountains
''The Maid of the Mountains'', called in its original score a musical play, is an operetta or "Edwardian" musical comedy in three acts. The music was by Harold Fraser-Simson, with additional music by James W. Tate, lyrics by Harry Graham and additional lyrics by Frank Clifford Harris and Valentine, and the book was written by Frederick Lonsdale, best known for his later society comedies such as ''On Approval''. After an initial try-out at the Prince's Theatre in Manchester on 23 December 1916, the show was rewritten and opened at Daly's Theatre in London on 10 February 1917. Produced by Robert Evett (after being turned down by Frank Curzon) and directed by Oscar Asche (who had directed the record-setting hit ''Chu Chin Chow''), ''The Maid of the Mountains'' ran for 1,352 performances in its initial London run – closing mainly because of the nervous exhaustion of its female lead, José Collins. This highly profitable run saved the George Edwardes estate, then being man ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Bing Boys Are Here
''The Bing Boys Are Here'', styled "A Picture of London Life, in a Prologue and Six Panels," is the first of a series of revues which played at the Alhambra Theatre, London during the last two years of World War I. The series included ''The Bing Boys on Broadway'' and ''The Bing Girls Are There''. The music for them was written by Nat D. Ayer with lyrics by Clifford Grey, who also contributed to ''Yes, Uncle!'', and the text was by George Grossmith, Jr. and Fred Thompson based on Rip and Bousquet's ''Le Fils Touffe''. Other material was contributed by Eustace Ponsonby, Philip Braham and Ivor Novello. ''The Bing Boys Are Here'' opened in 1916 in the West End and ran for 378 performances. It was one of the three most important musical hits of the London stage during World War I (the other two being ''The Maid of the Mountains'' and ''Chu Chin Chow''); music or scenes from all of these have been included as background in many films set in this period, and they remain intensely evocat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
