Yer Blues
"Yer Blues" is a song by the English Rock music, rock band the Beatles, from their 1968 double album ''The Beatles (album), The Beatles''. Though credited to Lennon–McCartney, the song was written and composed by John Lennon during The Beatles in India, the Beatles' retreat in Rishikesh, India. The song is a parody of blues music, specifically English imitators of blues. Composition Lennon said that, while "trying to reach God and feeling suicidal" in India, he wanted to write a blues song, but was unsure if he could imitate the likes of Sleepy John Estes and other original blues artists he had listened to in school. In "Yer Blues," he alludes to this insecurity with a reference to the character Mr. Jones from Bob Dylan's "Ballad of a Thin Man," and with the third verse, which draws on Robert Johnson's "Hellhound on My Trail". Instead, Lennon wrote and composed "Yer Blues" as a parody of British imitators of the blues, featuring tongue-in-cheek guitar solo (music), solos and r ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Yer Blues Sheet Music Cover
A yer is either of two letters in Cyrillic alphabets, ъ (ѥръ, ''jerŭ'') and ь (ѥрь, ''jerĭ''). The Glagolitic alphabet used, as respective counterparts, the letters (Ⱏ) and (Ⱐ). They originally represented phonemically the "ultra-short" vowels in Slavic languages, including Old Church Slavonic, and are collectively known as the yers. In all modern Slavic languages, they either evolved into various "full" vowels or disappeared, in some cases causing the palatalization of adjacent consonants. The only Slavic language that still uses "ъ" as a vowel sign (pronounced /ɤ/) is Bulgarian, but in many cases, it corresponds to an earlier ѫ (big yus), originally pronounced /õ/, used in pre 1945 Bulgarian orthography. Many languages that use the Cyrillic alphabet have kept one or more of the yers to serve specific orthographic functions. The back yer (Ъ, ъ, italics ) of the Cyrillic script, also spelled ''jer'' or ''er'', is known as the ''hard sign'' in the mod ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bob Dylan
Bob Dylan (legally Robert Dylan; born Robert Allen Zimmerman, May 24, 1941) is an American singer-songwriter. Described as one of the greatest songwriters of all time, Dylan has been a major figure in popular culture over his nearly 70-year career. With an estimated more than 125 million records sold worldwide, he is one of the List of best-selling music artists, best-selling musicians of all time. Dylan added increasingly sophisticated lyrical techniques to the folk music of the early 1960s, infusing it "with the intellectualism of classic literature and poetry". His lyrics incorporated political, social, and philosophical influences, defying pop music conventions and appealing to the burgeoning Counterculture of the 1960s, counterculture. Dylan was born in St. Louis County, Minnesota. He moved to New York City in 1961 to pursue a career in music. Following his 1962 debut album, ''Bob Dylan (album), Bob Dylan'', featuring traditional folk and blues material, he released his ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Accidental (music)
In musical notation, an accidental is a symbol that indicates an alteration of a given Pitch (music), pitch. The most common accidentals are the Flat (music), flat () and the Sharp (music), sharp (), which represent alterations of a semitone, and the Natural (music), natural (), which cancels a sharp or flat. Accidentals alter the pitch of individual Degree (music), scale tones in a given key signature; the sharps or flats in the key signature itself are not called accidentals. An accidental applies to the note that immediately follows it and to subsequent instances of that note in the same Bar (music), measure, unless it is canceled by another accidental. A sharp raises a note's pitch by a semitone and a flat lowers it by a semitone. Double flats () or sharps () may also be used, altering the unmodified note by two semitones. If a note with an accidental is Tie (music), tied, the accidental continues to apply, even if the note it is tied to is in the next measure. If a note has a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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African-American Music
African-American music is a broad term covering a diverse range of musical genres largely developed by African Americans and their African-American culture, culture. Its origins are in musical forms that developed as a result of the Slavery in the United States, enslavement of African Americans prior to the American Civil War. It has been said that "every genre that is born from America has black roots." White slave owners subjugated their slaves physically, mentally, and spiritually through brutal and demeaning acts. Some White Americans considered African Americans separate and unequal for centuries, going to extraordinary lengths to keep them oppressed. African-American slaves created a distinctive type of music that played an important role in the era of enslavement. Slave songs, commonly known as work songs, were used to combat the hardships of the physical labor. Work songs were also used to communicate with other slaves without the slave owner hearing. The song "Wade in ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Walter Everett (musicologist)
Walter Everett is a music theorist specializing in popular music who teaches at the University of Michigan. His books include ''The Beatles as Musicians: Revolver through the Anthology'' (1999, ), which has been called "the most important work to appear on the Beatles thus far",The 2007/2008 Kjell Meling Award , ''Penn State Altoona''. and its follow-up volume, ''The Beatles as Musicians: The Quarry Men through Rubber Soul'' (2001). He also wrote ''The Foundations of Rock: From 'Blue Suede Shoes' to 'Suite: Judy Blue Eyes (2008, ) and has contributed to titles in the Cambridge Companions to Music series. Gary Burns, editor of the journal ''Popular Music and Society'', describes Everett's ''Beatles as Musicians'' volumes as a "monumental two-book set" that has furthered the field of musicological study begun in 1 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Music Press
Music journalism (or music criticism) is media criticism and reporting about music topics, including popular music, classical music, and traditional music. Journalists began writing about music in the eighteenth century, providing commentary on what is now regarded as classical music. In the 1960s, music journalism began more prominently covering popular music like rock and pop after the breakthrough of the Beatles. With the rise of the internet in the 2000s, music criticism developed an increasingly large online presence with music bloggers, aspiring music critics, and established critics supplementing print media online. Music journalism today includes reviews of songs, albums and live concerts, profiles of recording artists, and reporting of artist news and music events. Origins in classical music criticism Music journalism has its roots in classical music criticism, which has traditionally comprised the study, discussion, evaluation, and interpretation of music that has b ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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British Blues
British blues is a form of music derived from American blues that originated in the late 1950s, and reached its height of mainstream popularity in the 1960s. In Britain, blues developed a distinctive and influential style dominated by electric guitar, and made international stars of several proponents of the genre, including the Rolling Stones, the Animals, the Yardbirds, John Mayall, Eric Clapton, Fleetwood Mac and Led Zeppelin. Origins American blues became known in Britain from the 1930s onwards through a number of routes, including records brought to Britain, particularly by African-American GIs stationed there in the Second World War and Cold War, merchant seamen visiting ports such as London, Liverpool, Newcastle upon Tyne and Belfast, and through a trickle of (illegal) imports. Blues music was relatively well known to British jazz musicians and fans, particularly in the works of figures like female singers Ma Rainey and Bessie Smith and the blues-influenced boogie-woo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Passage (music)
In music, a section is a complete, but not independent, musical idea. Types of sections include the Introduction (music), introduction or intro, Exposition (music), exposition, Musical development, development, recapitulation (music), recapitulation, Verse-chorus form, verse, Verse-chorus form, chorus or refrain, Conclusion (music), conclusion, coda (music), coda or outro, fade (audio engineering)#Origins and early examples, fadeout, bridge (music), bridge or wikt:interlude, interlude. In sectional forms such as binary form, binary, the larger unit (form (music), form) is built from various smaller clear-cut units (sections) in combination, analogous to stanzas in poetry or somewhat like stacking Lego. Some well known songs consist of only one or two sections, for example "Jingle Bells" commonly contains verses ("Dashing through the snow...") and choruses ("Oh, jingle bells..."). It may contain "auxiliary members" such as an introduction and/or outro, especially when accompanied ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Swing Blues
Jump blues is an uptempo style of blues, jazz, and boogie woogie usually played by small groups and featuring horn instruments. It was popular in the 1940s and was a precursor of rhythm and blues and rock and roll. Appreciation of jump blues was renewed in the 1990s as part of the swing revival. Origins Jump blues evolved from the music of big bands such as those of Lionel Hampton and Lucky Millinder in the early 1940s. The typical jump blues lineup consisted of 5-7 members including sax, bass, drums and piano and/or guitar. The genre produced musicians such as Louis Jordan, Jack McVea, Earl Bostic, and Arnett Cobb. Jordan was the most popular of the jump blues stars; other artists who played the genre include Roy Brown, Amos Milburn, and Joe Liggins, as well as sax soloists Jack McVea, Big Jay McNeely, and Bull Moose Jackson. Hits included singles such as Jordan's "Saturday Night Fish Fry", Roy Brown's "Good Rockin' Tonight" and Big Jay McNeely's "Deacon's Hop". One important s ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Rock And Roll
Rock and roll (often written as rock & roll, rock-n-roll, and rock 'n' roll) is a Genre (music), genre of popular music that evolved in the United States during the late 1940s and early 1950s. It Origins of rock and roll, originated from African American music such as jazz, rhythm and blues, boogie-woogie, electric blues, gospel music, gospel, and jump blues, as well as from country music. While rock and roll's formative elements can be heard in blues records from the 1920s and in country records of the 1930s,Peterson, Richard A. Creating Country Music: Fabricating Authenticity' (1999), p. 9, . the genre did not acquire its name until 1954. According to the journalist Greg Kot, "rock and roll" refers to a style of popular music originating in the United States in the 1950s. By the mid-1960s, rock and roll had developed into "the more encompassing international style known as rock music, though the latter also continued to be known in many circles as rock and roll".Kot, Greg"Rock ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Solo (music)
In music, a solo () is a musical composition, piece or a section (music), section of a piece played or sung featuring a single performer, who may be performing completely alone or supported by an accompanying instrument such as a piano or Organ (music), organ, a Basso continuo, continuo group (in Baroque music), or the rest of a choir, orchestra, band, or other ensemble. Performing a solo is "to solo", and the performer is known as a ''soloist''. The plural is soli or the anglicisation, anglicised form solos. In some contexts these are interchangeable, but ''soli'' tends to be restricted to classical music, and mostly either the solo performers or the solo passage (music), passages in a single piece. Furthermore, the word ''soli'' can be used to refer to a small number of simultaneous parts assigned to single players in an orchestral composition. In the Baroque concerto grosso, the term for such a group of soloists was ''Concertino (group), concertino''. An instrumental solo is ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tongue-in-cheek
Tongue-in-cheek is an idiom that describes a humorous or sarcastic statement expressed in a serious manner. History The phrase originally expressed contempt, but by 1842 had acquired its modern meaning. Early users of the phrase include Sir Walter Scott in his 1828 ''The Fair Maid of Perth''. The physical act of putting one's tongue into one's cheek once signified contempt. For example, in Tobias Smollett's ''The Adventures of Roderick Random,'' which was published in 1748, the eponymous hero takes a coach to Bath and on the way apprehends a highwayman. This provokes an altercation with a less brave passenger: The phrase appears in 1828 in ''The Fair Maid of Perth'' by Sir Walter Scott: It is not clear how Scott intended readers to understand the phrase. The more modern ironic sense appeared in a poem in ''The Ingoldsby Legends'' (1842) by the English clergyman Richard Barham Richard Harris Barham (6 December 1788 – 17 June 1845) was an English cleric of the Church of ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |