Yeden (Turkish Makam Theory)
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Yeden (Turkish Makam Theory)
Yeden, in Turkish makam theory, is the note preceding the tonic note (Durak (Turkish makam theory), Durak) as the Leading-tone, leading tone within a makam. History The term Yeden has been first introduced into Turkish makam theory by Rauf Yekta, Rauf Yekta Bey, he considered the Yeden a complementary feature of a makam. Melodic function The Yeden, as with the leading tone in Western classical music, leads to the resolution of a makam. While the Yeden note is generally Octave equivalence, octave equivalent with the 7th tone within the scale, sometimes it may be a different note. When it is a different note, sometimes its octave equivalent counterpart can be used in the scale, even if it is normally not in the scale. There are three different intervals that a Yeden can have in the 53 equal temperament, 53 Tone Equal Temperament in Turkish makam theory, developed by and named after the Arel-Ezgi-Uzdilek notation. 1. Bakiye The Bakiye is equivalent to 4 Holdrian comma, Holdri ...
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Turkish Makam
The Turkish makam ( Turkish: ''makam'' pl. ''makamlar''; from the Arabic word ''maqām'' ) is a system of melody types used in Turkish classical music and Turkish folk music. It provides a complex set of rules for composing and performance. Each makam specifies a unique intervalic structure (''cinsler'' meaning genera) and melodic development (''seyir''). Whether a fixed composition ('' beste'', '' şarkı'', '' peşrev'', '' âyin'', etc.) or a spontaneous composition ('' gazel'', '' taksim'', recitation of '' Kuran-ı Kerim'', '' Mevlid'', etc.), all attempt to follow the melody type. The rhythmic counterpart of makam in Turkish music is usul. Geographic and cultural relations The Turkish makam system has some corresponding relationships to maqams in Arabic music and '' echos'' in Byzantine music. Some theories suggest the origin of the makam to be the city of Mosul in Iraq. "Mula Othman Al-Musili," in reference to his city of origin, is said to have served in the Ottoman ...
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